The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Circular woman’s hat covered with feathers of varying shapes and colours using a palette limited to cream, gold, brown and black. Nilwomen's clothing -- hats, headwear, cloche hats -- feather

Printed booklet. 16 pages plus boarder. black and white images. text. Red, poppy added colours throughout. annual report, financial documents

Invitation card 7th Btn presentation of Queen's colours by Sir Roden Cutler, VC. Governer of New South WalesadAddressed tp Mr and Mrs B Cllappers

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Striped hand-knotted woollen cardigan in bands of different widths and colours. The front and waistband of the cardigan are knitted in black wool.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), knitted cardigans

See Ref NA4362Grey hand knitted long sleeved school jumper, school colours, cream and maroon around neck and sleeve cuff.costume, children's uniform, handcrafts, knitting

Badge produced for the Glen Huntly tram depot celebrations of 100 years of operation - 26-8-2023Demonstrates an item made to celebrate 100 years of Glen Huntly tram depot.Badge - stamped metal - fitted with pin on rear, painted green and yellow colours. Contained within a clear plastic bag.badges, tramways, depots, glen huntly, 100 years

Stawell District Hospital Annual Reports 1860 - 1978 (not inclusive)Grey Plastic Cover with Black Print.( See Note for list of Reports) 19 Card Cover Various colours and Designs Hand Written with under lined text: Stawell District Hospital Reports. Not Underlined 1868 - 1978 (not inclusive) stawell, stawell hospital, annual reports

Colours of ticket reflect school, colours of green and yellow. The ticket was issued for a ball/celebration for the centenary of Orbost Primary School. This school was the earliest primary school in Orbost established in 1886.Orbost Primary School was the earliest primary school in Orbost. A centenary celebration ball would have been a popular local event.A rectangular shaped yellow card with a fluted gold edge. Printed in green is "ORBOST PRIMARY SCHOOL 2744 CENTENARY BALL 1886 - 1986 Venue - Orbost Assembly Hall 8.00pm -2.00am Saturday Nov. 1st Music by "MAINSTREAM" Cost $15 per head. Supper provided -BYO drinks & glasses." In bottom right corner is No.56orbost-primary-school-centenary celebration

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Reverse: CHILTERN ? / (SAME (illegible), SAME PAPER + COLOURS AS CHILTERN PHARMACY / BOTH MAY HAVE BEEN 1981 WHEN IN YACKANDANDAH? / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

These envelopes were last used by Jack Barnes OAM who was Secretary of the Sub Branch for 43 years until 2005. The P.O box Number was Bendigo Central and last used by the SMI Museum (RSL) for a couple of years and then closed..1) .4) Envelopes white colours, all have been stamped in blue with a return address, under is the section for Post code."The Secretary Bendigo District RSL Sub Branch Inc - Box 449 Bendigo 3552"brsl, smirsl, accessory

CPlL SEPTIMUS was the 1 RAR Mascot for 16 years. All Batt’s off the RAR had a mascot. Item in the collection relating to Frank “Dinky” Dean BEM, refer 124.2 for his service details.Framed photo, wood frame, blue and white colours, glass front, phot is B & W showing a pony with his regalia on.At bottom of photo, “CPL SEPTIMUS 1 RAR 12 OCT 51 - 1 APR 67”mascot, septimus, 1 rar

Item souvenired by Alan Mason, refer Cat No 3979.2Currency, “British North Borneo Company” one Dollar, rectangular shape, colours, red, black, white, pink, note datedIn red twice, “K630831”currency, british north borneo, one dollar

Part of the HEWSTON collection WW1 & WW2.Tin: Bell's No 4 Wax Vestas. Writing & colours on lid are in red & blue. A small piece of felt is on the inside. Lid is hinged.containers - commercial, military history, match’s, wax vesta

Colour Patches are viewed ; in "Portrait position." Black on left, Red on Right. Items issued to Frederick Ernest ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P..1) Grey felt background Rectangular shape, black and red colours. Rectangular shape in felt , sewn on. .2) Same as above.1) On rear "57/60 BTN" .2) on Rear "57/60 BTN"uniforms - army, unit insignia

Medal was presented to Alfred Robert Maskell VX25221 2nd AIF POW of the Japanese. Refer..Medal with ribbon, 6 colours, medal in form of a cross with central map of Australia, 4 logo's around the cross, rear is engraved. "Prisoner of War" "Presented by the Clayton RSL 1993"medals, military, history

Port of Portland Authority archives. The Star Canopus is a bulk carrier.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, star canopus

Black and white photo of 'Bogie' tram resting on roadside after derailment on Golden Square line. Note S.E.C. livery colours.person, individual, basil miller

Brass casing - smoke round. Stripes of green, red and small black colours leading up to the fuse. No.3 on information sheet.smoke round, shell, artillery

"The work gestures towards Utopian, modernist public art, like that of Miro, Matisse and Sainte-Phalle, but I was also inspired by Yarra's own Keith Haring murals, in the way that he repeats his personal iconography to fill a chosen space. I wanted to make an expansive, open and inclusive artwork. I drew legs from women playing footy, cricket and soccer, but tried to draw them in the least heroic, least literal way possible." Commissioned as part of an upgrade project at the Malcolm Graham Pavilion, Kevin Bartlett Reserve, Burnley, 2020. The existing facilities were upgraded to include female change rooms and amenities. The project funding comes from Yarra City Council and the State Government through its Female Friendly Facilities Fund. The commission is a result of Yarra's Public Art Policy 2015 - 2020 which ensures Council commits a percentage of the capital works budget for new community infrastructure projects. Matisse and Sainte-Phalle, Keith Herring, Miro, ModernistCopyright the artistA series of abstracted legs in various shapes that jump, kick and run across the wall, activating and animating the space with bold, bright colours.accompanying plaquesport, women, installation, modernism

Tells the stories of those immigrants who experienced detention during World War 2 as enemy aliens in these allied nations. Some Italian families whose husbands were arrested as "security risks" were sent to internment camps such as Loveday S.A hundreds of miles away leaving their wives and families to cope alone during W.W.2Cover has colours of the Italian flag, green, white and red. Across the centre of the flag is a photo of Italian internees arriving at a camp.For our surrogate mother, Lurline Knee. Thank you for bringing the Tatura story to us. beast wishes from Claudia (Marsella) Barker may 2018.world war two, italian internees

Handcrafted by a friend of the donor. The friend also made baby clothes and little girls dresses for Georges Department Store, Melbourne from the 1880s until closing in 1995.Cream Linen Book Mark 19cm x 5cm. Embroidered in colours green and brown with the words 'Little Things Mean a Lot'Little Things Mean a Lothandcrafts, embroidery

Currency souvenired from Iraq prior to the fall of Saddam Hussein's regime.Two 250 Dinars bank notes from Iraq. On one side there is an effigy of Saddam Hussein. Colours are red, purple and blue."Central Bank of Iraq / Two Hundred Fifty Dinars" Arabic writing.saddam hussein, iraq, iraqi currency, money

Francesca (Cissie) Schwerkolt was the second daughter of Wilhelmina Both (nee Kruse) and Francis Both, both of Germany. Francis Both died aged 37.Sepia photograph of a woman dressed in dark colours - large hat, dress with smoking, necklace, one hand on a wooden fence post.schwerkolt francesca, germany, wilhelmina

Plaques are often given to individuals as mementos of time served with that Corps or Unit.Wooden crest shape plaque with metal badge fixed to centre. Two colours, red and yellow, with Light-horse crest centre.

As part of the process of training workers who handled cash (coins and banknotes) these training material replica (colour only) notes were produced. Has the equivalent value given under the written face value of the note. This set was used by the Post Office. Decimal conversion occurred on 14/2/1966. A $5 note was not introduced until 1967. Printed by Motivational Sales and Promotions of South Melbourne.Demonstrates decimal conversion training materials.Set of four paper colour replica Australian bank notes - in the colours that were actually used - 1$, 2$, $10 and $20. decimal conversion, banking, training, australia post, bank notes

Side drum painted in colours indication it is part of a set related to the base drum marked as 8/13 Victorian Mounted Rifles.military, music, band, regimental, vmr

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes