Showing 1449 items
matching dog
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Rutherglen Historical Society
Image, c1960
Black and white photograph of a pile of logs, with a dog lying in the foreground.On back of photo: "1960's Rutherglen timber mill"rutherglen timber mill, timber mills, timber industry -
Whitehorse Historical Society Inc.
Leisure object - Toy Dog
Metal white painted 'Scotty' dog with painted black collartoys, general -
Whitehorse Historical Society Inc.
Photograph, Till family
Eleanor and Alison Till with dog outside their home in Whitehorse Road.till, eleanor till, alison bertha -
Canterbury History Group
Photograph - Couple and dog in car
Couple( thought to be members of Danks family) with dog in tourer (car)canterbury, danks family, vintage cars -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, C V Christie, 12/12/1966 to 15/08/1967
Two dog tags Carl Victor Christie on green cord.215657 CA CHRISTIEdog tags, carl victor christie -
Stawell Historical Society Inc
Archive - Ledger, Valuation of Plant & Machinery No.1. 1949 - 1952, 1949
Norwellen sold to Aunde. Aunde now defunct in Stawell.Black Cover, Held by 2 Studs and Bull dog clip.Valuation of Plant & Machinery At North Western Woollen Mill Stawell No. 1. Valuation by W.H. Nash Bd 4123industry, norwellen -
Stawell Historical Society Inc
Archive - Ledger, Valuation of Plant & Machinery No. 3 1948-1949, 1948
Brown Cover held by 1 Stud and Bull dog clip.Valuation of Plant & machinery at North Western Woollen Mill Stawell No. 3 -
Charlton Golden Grains Museum Inc
Photograph, 1933 Flood in Armstrong Street Charlton
1933 flood in Armstrong Street. Mr Barber and dog in boat. -
Dandenong/Cranbourne RSL Sub Branch
Equipment - Dog Tags, WWII
Edward francis Camm was born in 1904 at Dargo Victoria. Lance corporal who enlisted on 14 July, 1940. 1 green and 1 brown dog tags on leather strap VX44154 Camm EFedward camm, wwii, dogs tags -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, William Tonge and dog, Unrecorded, early 20thC
William Tonge and family were early settlers in Moorabbin Shire. The photo frame is an example of the craftwork of the early settlers.A black and white photograph of William Tonge and a dog in a leather and metal framephotogaphs, moorabbin, brighton, early settlers, pioneers, cheltenham, tonge william, tonge hannah, tonge thomas, tonge ann, craftwork -
Flagstaff Hill Maritime Museum and Village
Textile - Bedspread, Vera and Aurelia Giles, Late 19th to Early 20th Century
There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Bedspread, white and has been eaten by a dog down one side.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Post 2000
Framed colour with details re Tracker dog D7N06 Milo Vietnamtracker dogs, vietnam -
Ringwood and District Historical Society
Photograph, Deep Creek Road in the early days (undated)
Narrow Dirt Road, with you man and dog standing in road. No date.Typed below photograph, "Deep Creek Road in the early days". -
Emerald Museum & Nobelius Heritage Park
Photograph, Circa 1949
Major Ogilvy was a local community leaderMonochrome photograph of Major Arthur James Ogilvy with his dog JockDad with Jock (about) Xmas 1949 -
Kew Historical Society Inc
Photograph, Alma and Rebecca, 1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and her pet pekingese dog 'Rebecca', circa 1950.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Port Fairy Historical Society Museum and Archives
Accessory - Powder Flask
Container for gun powder, used with muzzle loading gun. The lid was used as a measure for amount of powder to be use with each shot.Example of early pioneer method of shooting. Copper, pear shaped with lid, embossed with hunting scene dog and pheasants gun, gun powder, powder horn, horn, muzzle loading -
Flagstaff Hill Maritime Museum and Village
Functional object - Porthole, First half of the 20th century
A porthole, sometimes called bull's-eye window or bull's-eye, is a generally circular window used on the hull of ships to admit light and air. Though the term is of maritime origin, it is also used to describe round windows on armoured vehicles and aircraft. On a ship, the function of a porthole, when open, is to permit light and fresh air to enter the dark and often damp below-deck quarters of the vessel. It also affords below-deck occupants a limited view to the outside world. When closed, the porthole provides a strong water-tight, weather-tight and sometimes light-tight barrier.The porthole is an example of a ships fittings and is not associated with an historical event, person or place, provenance is unable to be determined at this time and the item is believed to have been made in the first half of the 20th century.Porthole and cover, brass and no glass with screw dog to secure hinged cover.Marked 6" on hinge and ringflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, porthole, marine window -
Kiewa Valley Historical Society
Photo - Lagoon Hotel Kiewa
The Lagoon Hotel was built in Kiewa in 1859 by James Lawson. It consisted of an inn and attached store. In marh\ch 1871, the Kiewa Post Office was opened at Lawson's Lagoon Hotel. When Lawson died in the 1880s, James's wife took over the hotel with the help of her twin daughters. In 1908, Felix McDermott bought it. For further information refer to "A History of the Kiewa Valley" by Esther Temple and "Victorian Places".Early Social History of the Kiewa Valley including transport, communications, accommodation, and establishing a business.Small, old, black and white photo of Hotel with a dog out the frontOn the back in pencil -"Lagoon Hotel Kiewa"; Printed with ink stamp - "Kodak Print" and "512"lagoon hotel kiewa, early pubs, early inns -
Linton and District Historical Society Inc
Badge, Please Help the Hospitals
Black, red, yellow circular badge depicting a rescue dog in the centre. Text: ' PLEASE HELP THE HOSPITALS. 'badges, appeals, hospitals, fundraising, dogs -
Kew Historical Society Inc
Photograph, Alma Figuerola, 1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and her pet pekingese dog 'Rebecca', circa 1950.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Whitehorse Historical Society Inc.
Photograph, Till family
Black & white Kodak print of two children sitting on a lawn with a dog.till, alwyn, alison bertha -
Whitehorse Historical Society Inc.
Functional object - Dog Spike
Dog spikes used with fish plates to secure railway line to the sleepers.trades, blacksmithing, transport, railway -
Rutherglen Historical Society
Image, The Bunyip Cricket Club, c1870
Photograph of a group of seven men and an Aboriginal youth. Thought to be a local cricket clubBlack and white photograph, mounted on cardboard, of seven men, a boy and a dogOn back of photo: "The 'Bunyip' Cricket Club | Wahgunyah [Wahgunyah crossed out] | (I think they were Moodemere)"cricket team, bunyip cricket club -
Dandenong/Cranbourne RSL Sub Branch
Dog Tags, Unknown
WWII Historical significance2 x WWII Dog Tags belonging to 419855 R.D. Crabtree.419855 R.D. Crabtree RAAF. C of E on both tags. -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A Picasso-like nude figure is depicted reading a book with a dog looking on.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, life drawing -
Port Melbourne Historical & Preservation Society
Photograph - Peter STRYAKIS at Lagoon Reserve, Janet Bolitho, 2006
Colour photograph Peter STRYAKIS and his dog "Olympia" at Lagoon Reservelagoon reserve, celebrations fetes and exhibitions, built environment - recreational facilities, peter stryakis, olympia -
Greensborough Historical Society
Tin, Toffee tin, 1950c
Sweets tin, commonly used in mid-twentieth century.Oval tin with coloured lid with design of young boy, dog and puppyNilconfectionery tins -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Mr. Bird and Family
Black and white photo of Mr. Bird and family with a dog at the front of the house.bird family, blackburn -
Port Fairy Historical Society Museum and Archives
Photograph - Photographic copy
Original gates to the Botanical Gardens. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. A visual description of earlier Port FairyBlack & white landscape of the gates at the entrance to the Botanical Gardens with people and dog botanical, garden