Also same image|Faded copy 10x15|Black and White 12x17.5|Black and White 20x28.5Black and white postcard of the entrance to the Gippsland Lakes, showing buildings at New Works, cranes on ends of piers, jetty and bathing boxes on bullock Island, steamer passing island. Lakes Entrance VictoriaLakes Entrance, Gippsland Lakeswaterways, islands, topography

Black and white copy same sizeTinted postcard of a bend in the Princes Highway, Jemmys Point. It shows the road between the steep cutting and post and rail fence. Glimpse of footbridge to Bullock Island, entrance and hummocks. Lakes Entrance VictoriaPrinces Highway, Lakes Entrance topography, waterways, roads and streets

Black and white photograph of the Princes Highway at Kalimna. It shows the road around Jemmys Point. Bullock Island and a distant view of the man made entrance. Gumtrees along roadside. Lakes Entrance VictoriaThe Entrance from Princes Highwayroads and streets, vegetation, fences, waterways

Black and white photograph showing view of entrance with eastern and western concrete and rock piers. Photo taken from boat in the channel. Waves breaking on bar at the entrance, at Lakes Entrance, Victoriaon back - The Entrance - taken from works boat, 1995jetties, topography, waterways

Colour tinted photograph of the entrance from Bass Strait to the Gippsland Lakes. It shows the small village on the hummocks, Bullock Island with bathing boxes at western end, machinery building groyne's from Bullock Island. Boat in the water. Lakes Entrance VictoriaGippsland Lakes Entranceislands, ships and shipping, topography, waterways

Key to the lower Town Hall, Ringwood. It is the key to the Melbourne Street entrance obtained after demolition of the town hall in 1971. It had been built in 1927.Metal key - brown coloured with loop top, long shank and crenelated lock part.'4'

Grampians Entrance to Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell

Rose Series postcard No. P 2788, titled "Main Entrance Flinders Street railway station, Melbourne", during a winter's morning. Photo late 1940s.Yields information about the main entrance of Flinders St station in the late 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, flinders st station, flinders st, swanston st

Black and white photograph of the entrance, taken from lookout on Jemmys PointThe Entrance from Jemmy's Pointwaterways, dredging, ocean

A facsimile of the original main entrance, portico, vestibule and dome for Parliament House Melbourne. An illustration by Peter Kerr, architect, 1879. The dome above the vestibule was never built.Facsimile poster, printed in colour on one side.parliament house melbourne

INdustryWhykes Slaughterhouse, Slaughterhouse Lane, Durham Lead, Peter Whykes at entrance to chiller room, operated until 1994. Colour and b/w copiesbuninyong, whykes, slaughterhouse, durham lead, butchers

Written on back of photograph, "E656, 24A. 18/1/82. The Bond St. entrance to the new street across Seymour and Charters. Billy Guyatts building in centre".

Black and white photograph of Bullock Island. Steamer J C D passing Western end of Bullock Island. Lakes Entrance VictoriaLakes Entrancewaterways, islands, township, topography

One sepia copy 7 x 8.5 cm, also black and white copy 9 x 15 cm (Valentine Series)Small format postcard showing eastern pier and tip of western pier at entrance to Gippsland Lakes from ocean - Bass Strait at Lakes Entrance, Victoria. Side of kiosk on right hand side, beach in middle ground, post and barb wire fence lower foreground.The Piers Lakes Entrancejetties, ocean, waterways

This honor board was made by Robert Prenzel (1866–1941) who was born and trained in Prussia, and migrated to Australia arriving in Melbourne on 24th November on the steamer Habsburg. In Melbourne Prenzel first worked for the German sculptor and modeller Otto Waschatz, decorating private homes and public buildings. From 1891-1901 Prenzel worked in partnership with another German, Johann Christian Treede, after which he continued in business on his own. He also participated in the activities of Melbourne’s Deutscher Turnverein. During the first quarter of the current century he became the major exponent in the field of furniture and woodwork of the cult of nationalism, and was renowned for his carvings, many of them in the art nouveau style, of Australian animals, birds, trees and flowers. The two most common types of Australian timber in his work are mountain ash and blackwood.Colour photographs of a beautifully carved World War One Honour Board carved by Robert Prenzel.lakes entrance, robert prenzel, world war one, lakes entrance honour board

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Entrance to Boroondara General Cemetery. The photograph appears in Dorothy Rogers A History of Kew and appears facing page 64. The photograph is dated to 1973, the year of publication of the book.2 views. Present day, Boroondara Cemeteryboroondara general cemetery, dorothy rogers, kew

Black and white postcard photograph of Maroondah Highway Ringwood looking east. Note VC Item 4763 is a postal cover imprinted with Windmill Joinery. Inscription on front: "Rose Series P13688 Entrance to the Town of Ringwood, Vic" Hand Written on back of card, "1956 - 'Windmill' joinery on right - Coach and Horses Hotel on left".

Black and white photographs {2copies - 1 large, 1 small postcard}Typed below photograph, "Ringwood to Warrandyte coach outside Ringwood Station entrance - 1920". Horse and cart standing in front of building with two women standing beside horse.

Second copy same imageSepia postcard in cameo image, showing small sailing boat in entrance to the Gippsland Lakes, at Lakes Entrance, Victoria, with wooden eastern pier behind machinery on pier, travelling steam crane on left, 6 - 7 people in boat.Eastern Pier Lakes Entrancejetties, ocean, waterways

Also postcard 7 x 10.5, similar image,Black and white photograph of the entrance, taken from lookout on Jemmys Point, shows signal light adjacent to lookout, people on slope in front of signal, New Works cottages on hummocks, ocean horizon in distance. Lakes Entrance VictoriaThe Entrance from Jemmy's Pointwaterways, dredging, ocean

Black and white photograph showing S S Despatch steaming out the entrance. Photo shows wooden piers with concrete extensions, kiosk beside boardwalk, plenty of black smoke from funnel of ship. Lakes Entrance VictoriaLakes Entrance Breakwater Piersboats and boating, waterways, jetties

Black and white postcard of a bend in the Princes Highway as it winds around Jemmys Point, car parked beside highway, two people leaning on post and rail fence, Bullock Island and Lakes Entrance in the distance. Lakes Entrance VictoriaPrinces Highway Lakes Entrancefences, transport, roads and streets

Marine Parade has been formed adjacent to North Arm, low lying swampy area.Black and white small format postcard showing the concrete bridge over the North Arm at Lakes Entrance, showing the Club Hotel and other buildings at western end of town. Lakes Entrance VictoriaNorth Arm and Bridge Lakes Entrancewaterways, civil engineering, jetties

Sash was worn at all meetings except where the program made it in impractical.MGC005.1 and MG005.2 Entrance Ray royal blue cotton sashes with 1cm white border, two white bars worn in centre and a rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. MGC005.3 Entrance Ray royal blue sash with 1 cm white border and two white bars. There is a yellow square with an embroidered "S" [social] above the bars.methodist girls' comradship rays section, wesley rays ballarat