'Worlingworth', Eltham, home of noted anthropologist the late Professor Donald Thomson and his wife Dorita Thomson. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p127 Dubbed as ‘Australia’s Lawrence of Arabia’ anthropologist Donald Thomson lived much of his life in Eltham, at Banoon Road. On his retirement as Professor of Anthropology in 1968, The University of Melbourne professorial board compared Thomson to Lawrence of Arabia because of his work for Aborigines and his controversial personality. Although Thomson is now recognised for his huge contribution, during his lifetime he suffered opposition and his life has been described as ‘tragic’.1 Thomson failed to gain the recognition as a scientist that he felt he deserved and he failed to alter government policy towards Aboriginal people. But towards the end of his life in 1970, anthropologists were moving towards the type of research he had done and the movement to grant land rights to Aborigines was strengthening. Thomson is best known for his anthropological fieldwork in Cape York, Arnhem Land and Central Australia, but he is also known for his scholarly contributions to ornithology and ecology. Thomson documented every aspect of the daily and ritual life of the Aboriginal world of Cape York and Arnhem Land in the 1930s and 1940s. The huge collection in Museum Victoria includes 11,000 photographs, 7500 items of material culture, 1000 botanical and zoological specimens and 4500 pages of field-notes.2 The film Ten Canoes used Thomson’s photographs as a source. Thomson bought the Eltham property known as Worlingworth in 1934. The single-storey 60-square house standing by the Yarra River was built in 1922-23. It is one of the last in Eltham to survive with its farm setting intact. It is also one of the few substantial residences built in the Eltham Shire from the late 19th century to the early 20th century, which signalled a major change in the area towards the residential municipality it is today.3 The original section, built in the mid 1860s, of rose pink hand-made bricks and stone quarried on the property, was incorporated in the new red-brick house built in 1922. An immense oak tree by the house grew from an acorn brought by Patrick Armstrong who first bought the land in March 14, 1862. Armstrong named Worlingworth after his forbears’ village in Suffolk, England. Worlingworth saw grand days when Commander Alan A Barlee (R.N.) bought it in 1922 after winning the Calcutta Sweep. The property then included a nine-hole golf course, a tennis court, a bowling green, a boathouse and a boat-ramp.4 For most of his career Thomson, who was born in 1901, was attached to The University of Melbourne. In 1935 he represented the Commonwealth Government at Caledon Bay in east Arnhem Land to investigate and mediate for four Aborigines accused of killing five Japanese and three Europeans. In 1938 Thomson was awarded a PhD in Anthropology at Cambridge University, and during his career, he received several medals from British Societies, who perhaps appreciated his work better than their Australian counterparts. From World War Two, Thomson suffered a string of hardships, beginning with severe wounding in Dutch New Guinea (for his military service in New Guinea he was awarded an OBE) and he was invalided from service in 1944. That year he was diagnosed with diabetes. A fire in 1946 destroyed what Thomson regarded as perhaps the best record he had made of Aboriginal life – the 20,000 feet, (6096m) of film he had shot in Arnhem Land. In 1954 he and wife, Gladys, divorced. The next year he married his technical assistant, Dorita McColl. Several times during his career Thomson had major disagreements. For instance Professor P Elkin constantly opposed his work. He also opposed Thomson when he campaigned vigorously in 1947 against the establishment of a rocket range at Woomera, South Australia, because of the threat it posed Aborigines. Thomson resigned in frustration from the Victorian Aborigines Welfare Board in 1967, after serving for ten years, because he found that his advice was disregarded. His ashes were scattered over Caledon Bay from the air.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, banoon road, donald thomson, dorita thomson, eltham, worlingworth

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

Alistair Knox Park, an oasis of peace and beauty. Covered under National Trust of Australia (Victoria) Landscape Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p173 It is hard to imagine that the Alistair Knox Park, an oasis of peace and beauty beside busy Main Road, Eltham, was once the township’s rubbish dump. It was only in the 1970s that the tip was transformed into this beautiful six hectare space, which later earned it a National Trust Landscape classification. Before its life as a dump, the area was used for small farms. Thanks largely to the foresight and efforts of local environmental builder Alistair Knox, the park was designed sympathetically with the character of the wider Eltham landscape. Then, appropriately, the park was named after Knox, who was an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. The park designers were four major forces in the urban bush landscape garden –Knox, landscape designer Gordon Ford, artist Peter Glass and landscaper Ivan Stranger. The National Trust citation for the park, originally called Eltham Town Park, includes the Eltham railway trestle bridge and the Shillinglaw Cottage. The citation states ‘the semi-natural setting of the parkland provides a landscape which is evocative of the history of the area’. Manna Gums (Eucalyptus viminalis) and Candlebarks (Eucalyptus rubida) are significant features. Most of the park’s construction was directed by Bob Grant, Superintendent of the Parks and Gardens Department for the Eltham Shire Council. First plantings occurred in Arbour Week in 1973, then the lake and botanic area were completed in 1975, with Federal Government funding, and the toilet block in 1978. Bounded by the Eltham railway line, Panther Place, Main Road, Bridge and Susan Streets, the park is in a valley about a kilometre wide overlooked by steep hills at the east and west. The Diamond Creek flows through it and the picturesque historic timber trestle railway bridge edges the north. Informal plantings of Australian indigenous and native species in open and undulating grassed settings blend with the natural landscape of the Diamond Creek to the west. The bush-style plants, particularly around the creek, balance with open lawns, paths and a cascade flowing from a small lake to another below. A footbridge over the creek leads to the park’s west. The park includes an adventure playground and barbecue areas. The park stands on part of the land bought from the Crown in 1851 by Josiah Holloway, who subdivided it into allotments and which he called Little Eltham. Most of the land was subdivided into residential lots, but the creek valley, on which the park stands, was subdivided into farm-size lots, used mainly for orchards and grazing. One of the earliest owners was John Hicks Petty, who in 1874 bought a plot from Holloway. Other families who owned properties in that area, included Rees, Clark, Waterfall, Graham, Hill and Morant. In 1901 the railway was built through the area. Jock Read, an Eltham resident since around 1920, remembers several farms in the 1920s and ’30s that occupied the site of today’s park. A poultry farm, which extended from present day Panther Place, was owned by the Gahan family. Next to that farm was another for grazing cattle owned by Jack Carrucan. Beside this was land owned by John Lyon. A doctor lived beside this, and at the north-west corner of Bridge Street and Main Road stood a memorial to the soldiers who died in World War One, which was later moved to the RSL site. Mr Read also remembers other farms and orchards west of the creek In the early 1960s the Eltham Council began buying these farms and in the late 1960s turned the areas east of the Diamond Creek into a garbage tip. When this was filled above the creek’s flood plain, the tip was moved to the west of the creek.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox park, eltham

This is a paper back book with a yellow cover with black headings and annotations, black and white sketches and black and white photographs. There are 52 pages of handwritten and copied material with photographs and illustrations. The pages are stapled.non-fictionAn example of Vanda Savill's handwritten books documenting western district local histories focussing on the Henty family.henty family, vanda savill, warrnambool

A comprehensive catalogue book: Chandeliers and Billy Tea 1880 - 1940. The front cover has brown tonings and shows a full page photograph of many kitchen and household objects from the past. The title is written in different elaborate lettering inside a square shape towards the top of the cover. The author's name, Peter Cuffley, is printed in white lettering at the bottom. Inside is a Contents page with Catalogue references, a Selected Bibliography, Acknowledgements and an Introduction. There are hundreds of black and white drawings and photographs of household items and general life of the times.non-fictionA comprehensive historical catalogue of the life and times between 1880 and 1940 in Australia of household items, the people, favourite pastimes, life outdoors, travel and adventure, packaging, down on the farm, tools of trade and much more.social history, australian history, family history, history

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image of sheep and farm workers at stockyards, with printed black text on blue background below image.front: ANNUAL REPORT / 1950 / GRAZCOS CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

Tan hard covered book with tan and yellow dust jacket. Title and text is black. Front cover has framed drawing of cottage taken from photograph which is included in the book. Map of area is on inside front and back covers.208 pages. It has a number of black and white photographic plates included.non-fictionPioneer diaries of early Australian settlers, Sarah Midgley and Richard Skilbeck.sarah midgley, richard skilbeck, diaries of sarah midgley and richard skilbeck, yangery, early pioneer life, wesleyan church warrnambool, yangery koroit

This is a biography of Price Warung by Barry Andrews. Price Warung (1854-1911), whose real name was William Astley, has a place in Australia’s history as a journalist, writer and campaigner for Federation. He worked for a great number of newspapers throughout Australia and began an association with the Sydney ‘Bulletin’ in 1890. At this time he wrote the powerful works for which he is best remembered – ‘Convict Days’, four volumes of stories about Australia’s convict period. The major theme of these stories is the sordid nature of the convict system. Astley became heavily involved with the Federation campaign, firstly as the Secretary of the Bathurst Federal League and then as the organizing Secretary of the 1896 Bathurst Convention. This convention is considered by historians to have given the Federation campaign a new and vigorous vitality. In 1898 Astley wrote most of the official articles publicizing the ‘Yes’ vote in the Federation referendum. Astley lived and worked in Warrnambool in 1883/4 (for about twelve months) as a journalist for the Warrnambool ‘Standard’. This book is of great interest as it documents the life of Price Warung (William Astley) who features in the history of Warrnambool journalism as an Australian writer of note who also wrote for the Warrnambool Standard. Examples of Astley’s journalism can be found in the Warrnambool Standards of 1883/4. He wrote lengthy articles in a free-flowing and attractive but verbose style. His two articles on the well-known horse stud and hop farm called ‘Bryan O’Lynn’ appeared in the Standard in October 1884. This is a hard cover book of 197 pages. It has a dark green cover with an image of a world globe and a Pegasus on the front. The printed title, the author’s name and the images are in gold print. The cover has a plastic overlay and a library label had been mostly removed from the bottom section of the spine. The book has notes on the author, a photograph of Price Warung, a Preface, Acknowledgements, Chronology, eight chapters on Price Warung, Notes and References, a Bibliography and an Index. Inside front page: ‘Jane Carpenter’ Stamp: ‘Withdrawn from Library’ price warung (william astley), warrnambool and federation, federation movement in australia, history of warrnambool, warrnambool standard

Joan Reuss was the eldest daughter of Bert Reuss and his wife Grace (nee Gray). Albert (Bert) Reuss was born in Albury in 1905. From 1920 until 1926, Bert worked at Mr Nat Gray’s dairy farm at “ Willow Bank” in South Albury. This included ferrying milk across the river from Gray’s Island. In 1927 he married Grace Gray and they moved to a property which they called “Park View” on the Wodonga flats. Here they established Park View Dairy. In the 1930s they ran two milk carts delivering milk twice a day (once on Sundays) to Albury and Wodonga. They also raised a family of eight children. They progressively cleared a few acres every year and raised cows, pigs and hens as well as growing watermelons and other vegetables. Deliveries extended to include milk, cream, eggs, dressed chickens and potatoes. At its peak the dairy had 500 regular customers. The dairy was bought out by Murray Goulburn in the 1970s and the Reuss children continued the property as a beef farm. Bert was active in the Wodonga Branch of the Dairy Farmers’ Association, President of the Albury Wodonga Milk Producers for 15 years and a member of the Albury Wodonga Flood Committee. He was also Head Steward of the Horticulture Pavilion at the Wodonga Show Society for over 30 years for which he was awarded a Life Membership. Bert Reuss died on 16th August 1998 in Albury. After more then 80 years in the Reuss Family, Park View was sold in 2010.This item is significant because it is connected to a well-known Wodonga business and community member.A black and white photo of a woman and two children on a two wheeled milk cart. On side of cart: B. REUSS REGISTERED DAIRYbert reuss wodonga, wodonga dairies, park view dairy

The Partington family farmed the property known as Willis Vale in the early 20th century. In this article Faye Fort (nee Partington) recalls life in Greensborough.Historical reference to the property 'Willis Vale' and its eventual destruction. Describes family relationships within the Partington family.3 page history of the Partington family's life at 'Willis Vale' homestead in Greensborough during the early 20th Century. Includes black &white photos. Includes Partington family photoswillis vale, faye fort, sarah price, plenty river, greensborough, partington family, whatmough family, william james partington, annie may partington, gary partington, cordner family, methodist church

This is a booklet written by Jack Rooke about his life. Born in 1910 Jack Rooke faced early the challenges of living in the bush in the Camperdown and Panmure areas. He describes the difficulties of the small farmer and the tough living conditions. He also records the struggle to survive during the Depression years in the 1930s and his heartache after his farm was burnt out in the Ash Wednesday fires. Rooke’s story mirrors that of many settlers in the Western District in the early to mid 20th century and so he has produced an important social history in a simple but compelling manner. This booklet is of considerable importance as it gives the details of the life of one person facing the challenges of living in the bush in the district around Warrnambool in the 20th century. It is a simple but great social history that should be read by the younger generation today.This is a soft cover book of 40 pages. It has been self-published and home-produced with a buff-coloured cover and a plastic overlay. The cover has a black and white illustration. The pages contain some sketches and black and white photographs. early 20th century settlement in the warrnambool district, history of warrnambool

A4 soft bound book with photograph of timber house in country location with post and wire fence and three children walking towards the house; a girl in light-coloured dress carrying a school case is in the middle with a boy in crossover top shorts with school bag over their right shoulders on either side of her. Text is black.non-fictionSoldier settler family stories from the Hawkesdale, Macarthur and Penshurst areas.military history, soldier settlement wwii, hawkesdale, macarthur, penshurst, eugene von guerard, robert dowling, first australians

Joseph Harrison was born in York in the UK about 1810. At the age of twenty, the farm labourer appeared in the Lancaster Quarters Session and was convicted of stealing nineteen sovereigns. He was sentanced to hard labout in Van Dieman's Land in 1832. The article describes the hard life his family had on the Bendigo Goldfields, and his run-ins with the law.Bendigo Monthly full page article entitled 'I'm the bloody man the doctor ordered' - A life in the Day (Series).bendigo goldfields, joseph harrison

Oral history Interview with Maurie Fabbro conducted by Doug Orford with Mary Reagan at Maurie Fabro's home in Kirby Street, North Eltham, Victoria The interview covers Maurie's life in Eltham. Maurie took over his parents farm which was located opposite Eltham High School and between the Diamond Creek. The house was located in Faulkiner Street. When the land was subdivided, Maurie moved up the hill to the site of the interview. Topics of discussion include: Maurie's Harley Davidson Motorcycle (mention of Keith Gibson), lack of electricity in Faulkiner Street, extreme weather of the past.Audio Cassette tape TEAC mdxi 100 min (yellow) Converted to MP3 file; 79.9MB, 1:03:08oral history, fabbro family, fabbro farm, faulkiner street, eltham, weather, motorcycles, doug orford, maurie fabbro

Mr Hugh Brown farm, collecting logs for fence and preparing the ground to grow fruit trees. Mr Brown planted 8 acres of fruit trees. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of Mr Hugh Brown's farm. Gum trees and cleared land.hugh brown, mordialloc, pioneer, pine vale, farm, orchard, fruit trees, cattle, wagon track, fence

A cricket game in the paddocks of Mr Hugh Brown farm. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of a cricket game in the paddock Mr Hugh Brown's farm. Farm houses and sheds in the background. A biplane flying overhead.hugh brown, mordialloc, pioneer, pine vale, farm, cricket, biplane, paddock, farm house

Circular hay stack with netting around it to hold it in place. Markings: circular hay stack. Used as a teaching aid.PERUTZfarm, hay stack, wimmera, mouat crawford collection

Bullock wagon with two men being pulled by approx. eight cattle. Used as a teaching aid.ILFORDagriculture, farm, wagon, bullock, mouat crawford collection, wimmera

A collection of farm machinery; tractors, and ploughs. Used as a teaching aid.ILFORDagriculture, farm, wimmera, tractors, plough, mouat crawford collection

Two men stacking sheaves into stooks. Used as a teaching aid.ILFORDagriculture, farm, crop, sheaves, mouat crawford collection

Procession four horses pulling an open wagon have just crossed a railway crossing, a band is in front of the horses. Used as a teaching aid.ILFORDagriculture, farm, procession, wimmera, horses, wagon, pipe band, mouat crawford collection

Crop, appears to be ready for harvest. Used as a teaching aid.ILFORDagriculture, farm, crop, wimmera, mouat crawford collection

Filling the truck with wheat from the field bin. Name on door of truck is D W L V Hewitt, Warracknabeal. A man in the back of the truck and one standing on the ground at the controls of the field bin. Markings: Wheat - farm bulk field bin to truck. Used as a teaching aid.Agfacoloragriculture, farm, crop, warracknabeal, wimmera, truck wheat, hewitt, mouat crawford collection

Tractor pulling a Massey Ferguson header, field bin, truck and station wagon in background, also a lady. Markings:White tape on bottom of slide reads; Wheat header working. Used as a teaching aid.Agfacoloragriculture, farm, wheat crop, tractor, header, harvester, wimmera, mouat crawford collelction

Shows wheat from the field bin being transferred into the back of the truck for cartage. Markings: Wheat from field bin into truck. Used as a teaching aid.Agfacoloragriculture, farm, crop, wimmera, wheat truck, mouat crawford collection

Demonstration of old farming techniques, including tents and clothing. Used as a teaching aid.ILFORDagriculture, farm, wimmera, display, mouat crawford collection

Old harvesters, approx five. Used as a teaching aid.ILFORDagriculture, farm, wimmera, harvesters, mouat crawford collection

Shearing on the ground. Markings: Mr. Tangey shearing with clippers. Used as a teaching aid.PERUTZfarm, shearing, tangey, sheep, wimmera, mouat crawford collection