The Corryong Methodist Church opened in 1939 by Rev. T.C. Rentoul, the Superintendent of Home Missions.B & W photograph of fenced land surrounding the Corryong Methodist Church.corryong methodist church, rev. t.c. rentoul, superintendent of home missions

SEPIA PHOTOGRAPH OF GENTLEMAN AND LADY ON A MOTORISED TRICYCLE. BRUSH FENCE IN BACKGROUND.local history, photography, photographs, early citizens

COMPLETED NEW PICKET FENCE AT BOWLING CLUB LIGAR STREET, CLUNESlocal history, photography, photographs, sport, bowling club clunes

C.9150'sB/W. Copy of Photo of Weatherboard House wire fence and gateEileen Wimmera Street Quartersreligion

Pack Leader Gilian Ackroyd, Pack Helper Elizabeth Watson, Brown Owl Mavis Ackroyd, District Commissioner Margaret Hutton, Mrs Laurene, Captain Laurens Julie Krause, Linda Mason, Joan Folkes, Angela Welsh, Julie Perry, Sheryl Laurens, Helen Presser Susan Hurley, Vicki Hall, Annette Kelleher, Leone White, Freda Ackroyd, Wendy O'Neill, Rhonda Baulch, Debbie Leithead, Helen Kennedy, Susan Wilson, Louise Gaylor B/W photograph of brownies with leaders in front of wooden fence and treeguides

Black and white photo of Fence surrounding Shop owned by Fraser Family.fraser family

Two boys standing outside a shed and fence on Antonio Flower Farm.antonio flower farm, two boys

Black and white post card photograph of a church with white picket fence.Across top of photograph: "Greetings From Corowa"catholic church, churches, corowa

Colour photograph of a weatherboard house with caste iron lacework and a picket fence.ballarat, cast iron, lyons st, lyons street south, architecture, wrought iron lacework, iron lace, picket face

Wide view of Mountjoy Guest House which was built by the Paynter family c1904. It was purchased by Ellis and Eliza Jeeves(nee Hand) in 1908 and eventually burned down in 1975. The photograph shows the two storey frontage and some shrubbery.Black and white photograph with a building in the background and lawn, shrubs and a fence in the foreground.mountjoy, jeeves, guest house, eliza hand, ellis jeeves

Mrs Charles Henry nee Florence Jeeves, daughter of Ellis Jeeves and Eliza Jeeves (nee Hand). Born 12/9/1909.Coloured photograph of an elderly woman standing in front of a wooden paling fence.jeeves, florence jeeves, charles henry

View from St Kilda Road of driveway to newly completed RVIB building. Believed to be taken around opening in 1868, there are no trees visible except for one on the side road (Moubray Street).royal victorian institute for the blind, buildings

Note by T.H. Kneen 24 June 1992, "B91.424 and 425 are paired to show effect of lowering road level and consequent adjustment to access to the houses photographed. The handwriting is Mr. Jessep's."Black and white photograph. The front of 2 suburban houses. No front fences.suburban house, a.w. jessep, landscaping

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 87. The caption reads, "Area added to the garden in the late 1940's. First use of this area was for an apiary, and it is now a native garden."Black and white photograph. Fenced and grassed area with Eucalypts around the perimeter.On reverse, "Late 1940's."eucalypts, green grows our garden, a.p. winzenried, apiary, native garden, additional land

The British wooden sash fillister plane is an old plane designed for rebate or rabbet work on sash windows to cut a groove or channel to allow a window to move up and down. The function and design of the sash fillister plane is a cross between the wooden moving fillister plane and the wooden plough plane. The wooden sash fillister plane is equipped with a fence, depth stop, nicker, skewed cutter and wedge. The plane has a hardwood main body, a hardwood moving fence and usually a variety of brass decorative and functional parts. The body and fence are nearly always made from beech as this was the hardwood of choice at the time these plane were made due to price and availability. Sometimes these planes are seen in other types of wood with the best examples being made from boxwood, rosewood and also there are some ebony fillister planes. Manufacturer: In 1792 John Manners had set up a workshop making woodworking planes at 14 Saracens Lane Glasgow. He also had employed an apprentice Alexander Mathieson (1773-1851). But in the following year at Saracen's Lane, the 1841 census describes Alexander Mathieson as a master plane-maker now at 38 Saracen Lane with his son Thomas Adam working with him as a journeyman plane-maker. Presumably, Alexander must have taken over the premises and business of John Manners. Now that the business had Thomas Adam Mathieson working with his father it gradually grew and became more diversified, and it is recorded at the time by the Post-Office Glasgow Annual Directory that by 1847-1848 Alexander Mathieson was a “plane, brace, bit, auger & edge tool maker” In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company went on to acquire the Edinburgh edge-tool makers “Charles & Hugh McPherson” and took over their premises in Gilmore Street. In the Edinburgh directory of 1856/7, the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street Edinburgh. The 1851 census Alexander is recorded as working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 Post-Office Glasgow Annual Directory the firm is now listed as Alexander Mathieson & Son, with further entries as "turning-lathe and vice manufacturers". By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, off the Gallowgate area, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses report the firm's growth in 1861 stating that Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm so the company was still in his fathers' name. In September 1868 Thomas Mathieson put a notice in the newspapers of the Sheffield & Rotherham Independent and the Sheffield Daily Telegraph stating that his firm had used the trade-mark of a crescent and star "for some time" and that "using or imitating the Mark would be proceeded against for infringement". The firm had acquired its interest in the crescent-and-star mark from the heirs of Charles Pickslay, the Sheffield cutler who had registered it with the Cutlers' Company in 1833 and had died in 1852. The year 1868 seems also to be the one in which the name Saracen Tool Works was first adopted; not only does it figure at the foot of the notice in the Sheffield press, it also makes its first appearance in the firm's entry in the Post-Office Glasgow Annual Directory in the 1868/9 edition. As Thomas Mathieson's business grew, so too did his involvement in local public life and philanthropy. One of the representatives of the third ward on the town council of Glasgow, he became a river bailie in 1868, a magistrate in 1870 and a preceptor of Hutcheson's Hospital in 1878. He had a passion for books and was an "ardent Ruskinian". He served on the committee handling the bequest for the setting up of the Mitchell Library in Glasgow. When he died at Coulter Maynes near Biggar in 1899, he left an estate worth £142,764.  Company's later years: Both Thomas's sons, James Harper and Thomas Ogilvie were involved in the continuing life of the firm. James followed in his father's footsteps in becoming a local public figure. He was appointed Deputy Lieutenant of the County of the City of Glasgow and was made a deacon of the Incorporation of the Hammermen of Glasgow in 1919. His brother Thomas Ogilvie was recorded as tool manufacturer and employer in the 1911 census. Thomas Ogilvie's son Thomas Alastair Sutherland Ogilvie Mathieson was born in 1908 took a rather different approach to engineering, however, by becoming a racing driver. In 1947 he wed the French film actress Mila Parély. The firm had won many awards at world fairs for their goods. At the Great Exhibition, London, 1851. Prize medal for joiners' tools in the class of Cutlery & Edge Tools, Great London Exposition, 1862. Prize medal honoris causa. International Exhibition, Melbourne, 1880. Gold medal International Exhibition of Industry, Science and Art, Edinburgh, 1886. Prize medalThe firm of Alexander Mathieson & Sons was one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperages and other industries, both locally and far and wide.Sash Fillister Plane, with iron set skewed, the iron is 1 3/4 inches wide. Plane has a sliding adjusting fence, thumb screw depth stop and two knocking iron . Stamped W. Worrall, (owner) No 17. Maker A Mathieson & Sonflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fillister sash plane, window making tool, carpenders tools, alex mathieson & sons, sash windows

Written on back of photograph, "Jan. '79. Looking north along Heatherdale Rd. from fence of state school. ...Loughies Hill in background".

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of man (Gid Ashley) feeding pigs and chickens in a farmyard.Catalogue number written in pencil on reverse. On reverse in pen '1939 Gid Ashley Dec 1939 The vegetable garden is behind the pickett fence'churchill island

Donated by Stan McFee from the Keith McIlwraith CollectionBlack & White photograph of Malour's Bass General Store. Two women standing behind fence and two men standing in front of fence. Man standing beside Draught Horse and boy astride small horse.bass general store, bass, stan mcfee, keith mcilwraith collection

Photograph of a woman standing near a fence. Sign on fence states 'Luncheons Teas __ Provided. Identity unknown. Part of a series of images taken during a tennis day involving Norman Brookes. Materials: Paper, Inktennis

Buildings - "Church, Fence" Associated with - Church Of England

Buildings - "Reservoir, Fence" People - "Swainston, Jessie"

Buildings - "Reservoir, Fence" People - "Swainston, Jessie"

Associated with - Kodak Postcard Buildings - "Fence, Road"