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National Wool Museum
Booklet - Crochet Gloves with Flower Gauntlets, Women's Weekly (England), c.1950s
Four page booklet featuring black and white graphics and text. The front cover features an image of a woman wearing a hat and gloves. [printed] Presented with / English / WOMAN’S / WEEKLY / CROCHET GLOVES / WITH FLOWER GAUNTLETSfashion, women, knitting, crochet, home life, patterns -
Ringwood and District Historical Society
Photograph, Flower display Noordwyk Bulb Farm - A Vink & Son. Ringwood Circa 1960
Black and white photograph"Written on back of photograph" Noordwyk Bulb Farm - Display stand of flowers -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Reverend John Reginald Weller, The Hall ready for New Year's dinner 1926, 1 January 1926
... flowers ...The photograph was taken by Reverend Weller and published in the Annual report for 1926.Small photograph depicting the hall of the Flinders Street mission with tables and chairs placed in from of the stage. The tables are covered with a white cloth and decorated with flowers in vases. Above the tables, are garland of banners representing flags from different country: Japan, England, USA and Chinese lanterns. On the stage are more vases with flowers, a Christmas Brig in the shape of a ship.brig, ship, flags, chinese lanterns, paper lanterns, flowers, vases, chairs, tables, meals, dinner, central hall, mission to seafarers, seamen's mission, flinders street, weller album, reverend john reginald weller (1880-1969), new year's day, 1926 -
Stawell Historical Society Inc
Memorabilia - Realia, c1920-1970
China Flower Vasestawell -
Stawell Historical Society Inc
Memorabilia - Realia, c1920-1970
Pottery Flower Vasestawell -
Stawell Historical Society Inc
Memorabilia - Realia, c1920-1970
Glass Flower Vasestawell -
Stawell Historical Society Inc
Memorabilia - Realia, c1920-1970
Glass Flower Vasestawell -
Stawell Historical Society Inc
Memorabilia - Realia, c1920-1970
Glass Flower Vasestawell -
Ballarat Heritage Services
Ceramic, Ceramic Vase, c2000
Pottery with flower design.ceramics, australian studio pottery -
Mont De Lancey
Pottery - Vases, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Two small pottery vases - glazed. One green with cream flowers. One white with coloured flowers.pottery, vases -
Whitehorse Historical Society Inc.
Textile - Piano shawl
Silk piano shawl with deep cream silk fringing. White background with embroidered flowers, birds and flowers.manchester, bedding, handcrafts, needlework -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Harvesting Daffodils - Adult Deaf Society, 1910
Used by donor in 'Blackburn - a picturesque history'Black & white photo of men picking flowers at Adult Deaf Society Flower Farm. Page 29.daffodils, mclellan, archie, nelson, t, swain, p, buse, s, abraham, e. d. j., hull, a., adult deaf and dumb society -
Surrey Hills Historical Society Collection
Photograph, Patrick James & Ivy Burns' wedding photograph, 1940
Taken to mark the wedding of Patrick James Burns and Ivy Lillian Ellen Bolton at Holy Trinity Surrey Hills in 1940. Ivy's sister Beryl Torey is at right and Beryl's daughters were flower girls. Patrick's brothers Eddie and Emet are at either end and his cousin Win Ramage is on the left. Patrick and Ivy's home was at 244 Union Road, Surrey Hills. Ivy was born in 1908 in Seymour, the daughter of Samuel Henry Bolton and Elizabeth Beatrice Maher. She died in 2004 in Mansfield and is buried at Fawkner Cemetery. Patrick was a mechanic. He was born in 1906 at Longwood and died in 1964 at Surrey Hills.A black and white photograph of a wedding group showing bride and groom, two bridesmaids, two flower girls and 3 other men. The men are dressed in dark suits and have a buttonhole flower in their lapel, the bride dressed in a floor length dress of lace with a long train supported on her head by a headband, the bridesmaids are wearing floor length dresses, with short sleeves and a hat styled like a small beret, and the flowergirls are also wearing floor length dresses and short sleeves, and also hats styled like the berets. All the females are carrying bouquets.(mr) patrick burns, (mrs) ivy burns, (miss) ivy bolton, (mrs) beryl torey, (mr) eddie burns, (mr) emet burns, (ms) win ramage, union road, surrey hills, holy trinity church, churches -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: ETCHED GLASS WINDOW CONSERVATORY
Black and white photograph of etched glass in conservatory window, Fortuna Villa. Image shows oval shaped, ornately decorated with flowers and leaves surrounding a basket of flowers with a bird on top of flowers.bendigo, house, fortuna villa -
Bendigo Historical Society Inc.
Slide - BENDIGO VIEWS, Mar 1971
Slide. Bendigo Views. A flower bed with marigolds, roses and another red flower along the left edge. There is a pathway along the right edge of the bed. Behind the flower bed are shrubs and a shed.slide, bendigo, bendigo views, bendigo views -
Kew Historical Society Inc
Decorative object - Velvet mantel hanging embroidered with chenille thread, c. 1890
Variably described as mantel hangings, pelmets or valances, these became a common form of Victorian interior decoration in the second half of the 19th century. The hanging uses arrasene embroidery which was introduced for artistic embroidery c.1883. Arrasene embroidery was a variation of chenille embroidery and was mainly used for curtain borders, mantel hangings and screens. When used to embroider flowers on velvet or plush, it was sewn upon the surface without being ‘drawn through’. Madonna lilies, irises, daffodils and narcissi were commonly used in designs of mantel hangings.Velvet mantel hanging embroidered with chenille thread. The scalloped edge of the pelmet is bordered by multicoloured silk cording. This example was owned by Netty Cornish of 15 Peel Street, Kew, and donated by her daughter, Mrs F Plumridge in 1980. The embroidered flowers in this example include narcissi and roses.mantel pelmet, peel street, kew, nettie cornish, mary plumridge -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Epacris Impressa (Common Heath), 1972
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a stem with leaf, flower and seed pod details. Leaves are soft and long, dark green and grow from the central stem. Flowers are bell-shaped and pink-red. From top-bottom is a pale pink flower in full bloom; a leaf top view; a stem detail with pod with whithered petal; top view of flower; side view of white flower; side view of red flower; internal view of flower (splayed open). Work is mounted in a double matt (grey on pink) and framed under glass in gold painted wooden frame.Front: CEW/72 (signature, lower right) (green pencil). Common Heath - Epacris impressa (lower left) (pencil). Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen)cema, botanical, collin woolcock -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, Why did we go further than monkeys, monkeys know how to be monkeys, 2008
... flowers ...This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west -
Kew Historical Society Inc
Clothing, Embroidered Silk & Cotton Apron, 1950s
The Matyó region of Hungary, which includes Mezökövesd is known for its rich costume traditions, specifically embroidery. Matyó embroidery is a densely-patterned style of free-hand work in rich and colorful floral motifs. Its prime era was the 1860s and 1870s when the folk arts thrived. This example characterizes the dynamic color combinations and flower varieties of the Matyó tradition.The textile is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Rectangular apron worked in three panels, the lower two of which are backed. The waist tie is of a floral fabric. The tape is attached to both vertical sides. There is a black fringe attached to the bottom panel over floral printed fabric. The needlework techniques employed in the embroidery include flat stitch which is used to create the effect of quilting and creating large brightly coloured flowers in the middle section. mezökövesd, aprons - hungarian, matyo embroidery, migration -
Whitehorse Historical Society Inc.
Decorative object - Lace edging
Collected by Whitehorse Historical SocietyLength of embroidered lace on a background of cream net. Pattern is of flowers in cream, mauve and deep pink. The lower edge is scalloped in cream. There are trails of cream leaves and flowers entwined around the coloured flowershandcrafts, lacemaking -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
White card with yellow flowers around the edges and edges cut along the flowers. Long tubular yellow and white flowers on brown stems with narrow green leaves. 'A Wish' printed in green at the top.person, greeting cards, malone collection, malone collection, greeting cards -
Churchill Island Heritage Farm
Photograph - Photograph of wedding party
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows a wedding that was held on the Island.Colour photograph taken from the subjects' right of a bride, groom, and flower girl standing among pink flowers.catalogue number written on reverse in pencilchurchill island, photograph -
Federation University Historical Collection
Sculpture, Metal sculptures
A metal bird, flower and six petaled flower, thought to have been made at the Ballarat Technical Art School.sculpture, metalwork, ballarat technical art school, bird, flower, flora, fauna -
Whitehorse Historical Society Inc.
Decorative object - Doyley, circa 1910
Donor's grandmother, Martha Edwards own work about 1910Round off white doyley of central flower shape, circle of radiating lines and outer circle of flower circles.handcrafts, crocheting or crochet work -
Whitehorse Historical Society Inc.
Textile - Doyley, not known
Handed to donor by mother Vera McDowell in 1980'sA round ecru tatted doiley of flower shaped centre, middle ring of swirls and outer ring of flower shapes.handcrafts, tatting -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Domestic Object - Flower Press
2 x 205 cm wooden plates aligned together by threaded bolts in each corner, corners have been rounded, butterfly nuts on each bolt used to apply pressure between both platesWooden flower press, 2 wooden plates held together with bolt in each corner, used to press flowershandcrafts, equipment -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Epacris lanuginosa (Woolly-style Heath), 1970-1990
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a cutting and flower heads of a plant with brown stem, green long and narrow foliage and star-shaped flowers in clusters. Seven drawings, including one branch with flowers and foliage, two white and brown flower heads (side view), one star-shaped flower head (above view), one detail of flower stamen and two leaf details. The work is mounted in a double matt (pale grey on apricot) and framed under glass in a gold and grey-green frame.Front: Epacris lanuginosa Woolly-style Heath (lower left) (pencil) Back: 7 (upper left) (pen)collin woolcock, botanical, cema -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Single, white card with blue/purple shading. Card has a bunch of white flowers with orange cups and some reddish flowers. 'A Happy Christmas' is printed to the top left of the flowers.person, greeting cards, malone collection, malone collection, greeting cards -
University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, 32, 1928
Students digging in the flower garden. May 17th 1928.students, digging, flower gardens -
Federation University Art Collection
Bookplate, John and Zelma Myra and Jan [Gardner] Ex Libris
Bookplate with a ring of coloured flowersbookplate, john gartner, zelda gartner, myra gartner, jan garner, flora