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matching geelong show
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National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's jumper with cowl neck knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Layette
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley. The knitter was Vera Neale,1901 - 1990. knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cot cover
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Cream knitted cot cover made by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Quilt, Sure as night follows day
The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan -
National Wool Museum
Photograph, Foster Valley Mill
Interior view of machinery at Foster Valley Mill. Shows the winding (or twisting) machinery (where the spun yarn is threaded onto bobbins).Spinning machinery within the Valley Mill.T. Lockwood Lockwood / GEELONGtextile mills operation, valley worsted mill, winding machinery, textile mills - operation -
National Wool Museum
Photograph, Foster Valley Mill
Interior view of machinery at Foster Valley Mill. Shows the winding (or twisting) machinery (where the spun yarn is threaded onto bobbins).Spinning machinery in the Valley Mill.T. Lockwood Lockwood / GEELONGtextile mills operation, valley worsted mill, winding machinery, textile mills - operation -
National Wool Museum
Photograph, Foster Valley Mill
Interior view of showing machinery at Foster Valley Mill. Shows a wall mounted drive shaft which runs the machinery.Drive shaft for textile machinery within the Valley Mill.T. Lockwood Lockwood / GEELONGtextile mills - operation, valley worsted mill -
National Wool Museum
Photograph, Foster Valley Mills, Foster Valley Mills, Geelong, 1970s
... at Foster Valley Mills. Image shows Elliots Mobile Cranes, Geelong... at Foster Valley Mills. Image shows Elliots Mobile Cranes, Geelong ...Photograph shows the installation of the new Sulzer weaving looms in the early 1970s, they replaced the old Hattersley looms that were in use at the time. The gentlemen in the suit overseeing the procedure was Jack St Quentin, maintenance manager at the time. - Greg AldridgeColour photograph of textile machinery being installed at Foster Valley Mills. Image shows Elliots Mobile Cranes, Geelong supporting machinery being guided through mill doorway.woollen mills, textile mills, foster valley mill pty ltd valley worsted mill, sulzer weaving looms -
National Wool Museum
Photograph
The glazed, framed and mounted photograph hung at Elders Pastoral, Lara.( see worksheet)Photograph of Dennys Lascelles Ltd Main Show Floor Area 1 acre showing 7,700 bales. The Main Show Floor is the top floor of the 'Bowstring Tress' Wool store.wool sales, dennys, lascelles limited -
National Wool Museum
Broom
Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores -
National Wool Museum
Broom
Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores -
National Wool Museum
Broom
Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores -
National Wool Museum
Broom
Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores -
National Wool Museum
Photograph, Geelong Wool Brokers Picnic to Buyers at Barwon Heads, 14 February 1908
Photograph of Geelong Wool Brokers Picnic to Wool Buyers, Barwon Heads, 1908. (Supp. file contains a modern reproduction of this photo which gives the names and companies of all those pictured.)Sepia toned, mounted under glass and framed photograph of Geelong Wool Brokers Picnic to Wool Buyers at Barwon Heads, February 14th 1908. Photo shows a group portrait of buyers, brokers and guests including a small girl. -
National Wool Museum
Slide, Glass, Geelong Made in Australia Exhibition
Lantern slide for a "Geelong Made in Australia Exhibition" held in the Dennys Lascelles showroom in 1928.Glass slide advertising the Made in Australia exhibition at Geelong, 1928.GEELONG / MADE IN AUSTRALIA / EXHIBITION / SAT. JULY 21st TO 28th INCLUSIVE / 1928 / IN / DENNYS LASCELLES LTD / SHOW-ROOMS / ADMISSION 1/- CHILDREN 6D. T.W. CAMERON, Slide Specialist / 430 Bourke St., Melb. Phone 6877textile industry history, woollen mills history, dennys, lascelles limited, textile industry - history, woollen mills - history -
National Wool Museum
Model
Model farm made by the Geelong Handweavers and Spinners Guild Inc. Entered in the 1993 Weekly Times Melbourne Sheep and Woolcraft Show, where it won 2nd prize in the team competition - five different articles made by a team.Model farm made using various textile processes by the Geelong Handweavers and Spinners Guild, 1993.handicrafts knitting, geelong handweavers and spinners guild inc., handicrafts, knitting -
National Wool Museum
Photograph Album
Album contains photos of the Elliott and Dibb wool sorting and blending operations; also six photos showing operations inside the Oriental Scouring Mills, Geelong. There were yellow sticky notes (non-contemporary, written by Gerald Van Rompaey) containing information on each photo scattered throughout the album. These have been removed for conservation reasons and their details transcribed here. The first note stated: "Michael's mother (the donor's mother, Mrs Elliott) said this album was got up as a promotional tool for an expensive overseas trip by Harold E. (her brother in law in 1950)". The 1st photo shows the skirtings in the reclass bins in the former Australian Estates Collins Street show floor. The 2nd photo is similar to the first; the 3rd photo shows the fleeces being reclassed. The 4th photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). The 5th photo is of more reclassing, and the 6th is similar. The 7th photo shows Harold Elliott with the sorters and the 8th photo is similar. The 9th photo shows the first and second pieces of the skirtings being sorted. The 10th photo is a general shot of full bales and the reclass bins. The 11th photo shows a double dumping press at work, compressing the already full bales for shipment. The 12th photo shows scouring operations at Oriental Scouring Mills in Geelong (the scouring has been contracted out by Elliott and Dibb). The 13th, 14th and 15th photos shows more scouring at the Oriental Scouring Mills. The 16th photo shows two men (Keith Dibb on the right) viewing the scoured wool. The 17th photo shows the scoured wool being pressed at the Oriental Scouring Mills, Geelong. The final six photos (the photos of the Oriental Scouring Mills operations) are all stamped on the verso with a photographer's stamp (Frazer Studios, Melbourne), suggesting that Elliott and Dibb commissioned a photographer to go to Geelong to take the photos. (a note from Gerald Van Rompaey identifying five photos has been found and is now located in supp. file 1417. It does not seem to identify photos in this album; the photos he identifies may turn up at a later stage.)Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows fleeces being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the first and second pieces of the skirtings being sorted. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the full bales and the reclass bins. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows a double dump wool press at work, compressing the already full bales of wool even smaller for shipment overseas. Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows two men (Keith Dibb on the right) viewing the scoured wool at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scoured wool being pressed at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph album front cover. Album compiled by Elliott and Dibb, wool merchants, 1950.Frazer Studios / (C.J. FRAZER) / 165 BOURKE STREET / MELBOURNE, C.1 / CENT. 4358woolclassing, wool processing, elliott and dibb oriental scouring mills, scouring, wool press, wool press - double dump -
National Wool Museum
Photograph
Depicts Bungaree Shed, a big old store structure with the original part being commenced in 1842. Shows the pens with fencing - particularly vertical slats. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool Museum
Photograph
Depicts Booyoolee Shed, which was built in 1856 and demolished in 1989. View taken from west side which shows toilet. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool Museum
Photograph
This photograph shows the removal of the mansard roof from the Dennys Lascelles wool store (cnr Moorabool and Brougham Streets; now the National Wool Museum). This photo was taken by Mr Cyril Cameron (known as 'Cam'), the father of the donor of this item. Mr Cyril Cameron came from the family property 'Burnside' near Glenthompson in the Western District. He joined Strachan & Co. as an office boy in Aug. 1914 and then joined the 8th Battalion, 1st AIF in January 1915. He returned to Australia in early 1920 and started work at Strachan's again. He did the wool classing course (one year, evening?) at the Gordon in 1920-21. He became Head Wool Valuer at Strachan's in 1938 and retired in 1970. His office at Strachan's was on the top floor, directly overlooking what is now the entrance to the National Wool Museum (formerly Dennys Lascelles woolstore). He died in 1983. Mr Cameron took this photo from his office in Strachan's. The date written on the back of the photo (1932) is in Mr Cameron's handwriting.Photograph, showing the mansard roof being removed from the Dennys Lascelles wool store, Geelong, 1932.Dennys Lascelles / Geelong / Wrecking tower / 1932strachan, murray and shannon ltd dennys, lascelles limited, cameron, mr cyril -
National Wool Museum
Ribbon
Awarded at Agricultural show.DAYLESFORD SHOW SOCIETY 1970 CHAMPION FANCY PIGEON COCKagricultural shows, daylesford show society, daylesford, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.DAYLESFORD SHOW SOCIETY 1973 CHAMPION UTILITY HENagricultural shows, daylesford show society, daylesford, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.ECHUCA ANNUAL SHOW 1960 CHAMPION FEMALE UTILITYagricultural shows, echuca, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.ECHUCA ANNUAL SHOW 1968 CHAMPION FEMALE UTILITY BIRDagricultural shows, echuca, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.ECHUCA ANNUAL SHOW 1963 CHAMPION FEMALE UTILITYagricultural shows, echuca, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.DAYLESFORD CENTENARY SHOW 1972 CHAMPION UTILITY HENagricultural shows, daylesford, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.DAYLESFORD SHOW SOCIETY 1970 CHAMPION FANCY PIGEON HENagricultural shows, daylesford show society, daylesford, victoria