The flag was made to replace an existing Legacy flag (at the insistence of Myra Healey) that was stolen. Myra was a member of the Upper Yarra Legacy Widows Club. The flag was flown next to the Australian flag in the RSL Memorial Garden. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country.The Legacy flag was a reminder that Legacy was still active in its work for families of ex-service and serving personnel.Large rectangular synthetic flag with the word Legacy and the torch logo, canvas binding down the left hand edge. Also a short history of how the flag was flown at an RSL typed on white paper x 2 pages.The word Legacy (in blue), underlined in orange. Legacy torch (in blue) on the righthand side of the flag. Lower righthand side of Legacy Torch is registered trade mark symbol.legacy promotion, logo, flags

The successful dropping of supplies to remote fire crews involved a great deal of experimentation. The result was a large heavy-duty cardboard container being developed in 1964 by Athol Hodgson from the FCV Fire Research Branch which employed fold-out wings and was called the “helibox”. It was suitable for supplies weighing less than 9 kg and best dropped from about 300 feet and became a standard technique. It was adopted Australia wide, but the wider availability of helicopters made the helibox eventually redundant.Unique to Victoria but adopted across Australia.Large cardboard box with "wings" to cause it to rotate when dropped from the air. With cut away sections to show how contents were packed Wings held in place by means of string office "Ty-Tite" fasteners.forests commission victoria (fcv), bushfire aviation, bushfire, camping equipment

BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, December 16, 2003. Golden fleece: Ron Riley of Myers Flat shows a group of 1985 Sandhurst pre schoolers how to shear a sheep. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Advertising Poster for use in Tramcars printed on heavy cardboard - "How catching The Met to school helped Justine catch a wave", promoting the benefits of having a Student Concession card. See Reg Item 5513 for an associated pamphlet.trams, tramways, posters, students, tickets, passes, the met

Photocopy of a poster stapled and taped to sheet of card with punched holes in each corner. Poster advertising or "How to Vote" or voting poster for Roberto D'Andrea (The Connies) as an independent candidate for the Monash Province, "I prefer a tram conductor"trams, tramways, the connies, elections, conductors

Handwritten notes and typed copy, describing how the State Crushing Battery works. The process is documented from feeding in the dirt to catching the gold at the end. Notes dated 16/3/1970. Notes prepared by Albert Richardson.document, gold, state crushing battery, state crushing battery, details how the state crushing battery works, mr bert tyrrel, nitric acid, quicksilver, berdan pan, the mint

Ektachrome slide image. Coloured image taken from a slide photographed by Barry Navin. Image depicts a building with sandbags, steps and sand in foreground. A sign sayiang "Welcome to Diggerrs Rest".Did I do a good job, Boss? "Yes, you did mate and let me tell you how proud and privilged I was to be the CO of such a magnificant team"ektachrome slide, photograph, 1st australian field hospital

A Short History of the Church of the Holy Trinity Stawell. compiled for the Centenary 1972White Card cover with blue print, photo in lower half.The Centenary of the church of the Holy Trinity Stawell May 26, 1872 -May 28, 1972 "O how amiable are Thy dwellings. Thou Lord of Hosts" Psalm 84stawell religion

Yields information about the last tram to depart from the Mt Pleasant terminus at the time of the closure of the tram line in Sept. 1971.Black and white photograph of Ballarat No. 39 at the Mt Pleasant terminus on 5/9/1971, last tram to leave the terminus before the line closed. Has a number of people in the background, and the Milk bar at the terminus with the Robur, The Sun and Women's Weekly magazine advertisements on the building. Photographer unknown at the time of cataloguing. See Reg Item 2908 for a Courier Article.On rear in ink "TS(2)" and in pencil "Mt Pleasant, last car WO 39 5-9-71" and pencil marks showing how the photo is to be cropped for publication.tramways, trams, last tram, closure, mt pleasant, tram 39

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design

This series of SS0380 photos are part of the "Eastland Litigation" launched in 1962 by the Whitehorse Traders Co-operative Association (WTCA), against the Ringwood Council's Interim Development Order of 1960. WTCA sought "orders from the Supreme Court of Victoria that the planning scheme was invalid" - See "The Eastland Litigation" chapter in "From Horse Shoes to High Heels - Ringwood Shopping Centre and Eastland 1858-2008" by Richard Carter, Bounce Books 2009.Black and white photograph Written on back of photograph: "Photo of the footpath on West side of Adelaide St, showing how it is unmade and unkempt." Stamp on back of photograph, 'Edwin G. Adamson...May 63'.

non-fictionA Postcode Booklet with instructions on how to usepostal services, australia post

R.T. Vale had a stationary and bookshop in Ballarat. He had studied at the Ballarat School of Mines, and served on its Council. In 1886 he was elected to the Victorian Legislative Assembly as the member for Ballarat West, serving until 1889 and again from 1892 to 1902. From 1894 to 1896 he was a minister without portfolio.Two handwritten letters from Richard T. Vale. .1) Letter on Government of Victoria Education Office letterhead dated 09 May 1898. .2) Letter of Legislative Assembly Victoria letterhead dated 28 October 1898..1) Dear Martell, I want you to send to dept details as to Room required size of classes how often they meet [illegible] of present accommodation and [illegible] how they clash ad how the proposed rooms are to be erected send at once. Yours truly R.T. Vale .2) 28.10.1898 D.M. I called at [illegible] today plans not quite colored yet I have to be traced from sheets full of detail drawings [illegible] to service and would made had it been safe when they tried [illegible]. I [illegible] would have to wait another fortnight. Yours R.T. Vale.richard t. vale, r.t. vale, legislative assembly victoria, goverment of victoria

The postcard shows how the Mission to Seafarers, then known as the Seamens Institute, looked early in its operation - probably circa 1920. It also documents the types of activities were offered to visitors, and how the visitors used the facilities.The postcard records the fittings and furnishings of the Mission to Seafarers, then known as the Seamens' Institute: tables, chairs but also the paintings which were often donated. The largest one on the main wall above the stage is "Start Point Light, Devonshire" (see item 0230), painted and donated by Miss Madeline R. Lewellin (1854-1944) in 1918. A sepia-toned postcard, of the main hall/club room of the "Seamens Institute" Mission to Seafarers. The image shows the arrangement of tables, pool table and bar in the club room, as well as the decorations and fitting of the room.On front: INTERIOR OF SEAMENS INSTITUTE, FLINDERS STREET MELBOURNE VALENTINES SERIES M. 4968 printed in black. On reverse: VALENTINES / REAL PHOTO SERIES logo in the middle of the top of the postcard. Along the left-hand edge: PUBLISHED BY THE VALENTINE PUBLISHING CO. PTY. LTD / QUEEN ST., MELB. printed in black.postcard, seamens-institute, club-room, bar

Provides the basis for segregating road traffic from tram lines at intersections and along roadways and road markings applied.Yields information about the introduction of Fairways into Melbourne tramway streets during 1983, the first legal segregation of trams from road traffic.Set of two pamphlets regarding Tram Fairways. .1 - Three-section vertical fold-out pamphlet titled "How to drive the Fairway" printed on gloss paper showing the fairway system and how its works with the various signs in a cartoon manner. Notes the Fairway system was set up in 1983 and the basis of it. Has the VicRoads logos, name, and "Victoria Growing together? logos. .2 - Three-section, horizontal format pamphlet on plain paper, titled "Now there's a better way", giving details of the system, showing drawings and how they work at intersections. Issued by the Road Traffic Authority, has the RTA logo. .3 - Newspaper cutting, titled "The old way, the Fairway" giving advanced notice of the introduction of the Fairway system and the roads impacted. Has an AEC election advertisement on the rear for the March 1983 Federal Election.fairways, cartoons, rta, vicroads, traffic control, trams, tramways

Looking back at how Diamond Creek evolved.News article 2 pages, black text, colour image.diamond creek, community centre, clarrie stone

Clare Roper was a resident of the Kiewa Valley and belonged to the Kiewa Valley Historical Society.Clare Roper collected and collated items of historical interest for the Kiewa Valley Historical Society.Dark blue plastic with clear front cover with 2 clear plastic sleeves containing 3 booklets 'How to Construct & Maintain Your Telephone Line' 'The Use & Care of the Telephone' 'The Dunlop Australian Open Lawn Tennis Championships'clare roper; scrap book

Colour postcard: image shows Post Office clock viewed from Rosalind Park, Bendigo. Walkway over creek in centre, post office clock on LH side. On rear in pencil' keep to show how attractive it used to be 'The Rose Series P 10429bendigo, parks and gardens, rosalind park, bendigo, rosalind park, post office

Five typed, green pages of the history of View Street and its buildings and How Bendigo got Its Name. Some of the buildings are described. Unsigned. Notes forwarded to BHS from Dymocks booksellers, Alice Plaza, Alice Springs.bendigo, history, view street, a view street viewing, how bendigo got its name, ravenswood pastoral run, battling bendigo thompson, messrs heape and grice, richard larritt, rosalind park, the ogg & co of bendigo, a n a hall, princess theatre, art gallery, alexandra fountain, princess alexandra, edward vii, w c vahland, former bank of new south wales, the c b c of sydney (former bank of victoria), state register of historic buildings, the old post office (now sandhurst trustees), former union bank (later a n z view street branch), bendigo branch of the national trust, temperance hall, vahland and getzschmann, james blair, dr harry atkinson, the masonic hall and temple, the bendigo fire station, william beebe, denderah (now called coolock house), convent of mercy, sir george v lansell, the bendigo advertiser, george lansell snr, fortuna, a h q survey, malmo, carl van damme, residence no 10 valentine street, brick residence 282 view street, dudley house, bendigo branch of the royal historical society, wm honeybone, bendigo sports centre

Notice to electors of Springfield Ward. Includes map of city with wards defined. List of polling places. Photographs and statements by candidates. Eligibility of voters and conditions for voting, including index of streets, primary vote report, how to vote card..Notice to electors of Springfield Ward. Includes map of city with wards defined. List of polling places. city of whitehorse, local government elections, moore, nick, branagan, wendy, abbott, kevin, dunn, allan, peter, yao, colin

Two pages handwritten letter on how the Country Party should set up committees to investigate all aspects of State activities. The letter was written by John Ellison in the late 1960's. Part of the Aileen and John Ellison collection. country party, committees

Magazine article: 'How I play championship tennis'. Page 33 from Ladies Home Journal (U.S) June 1916 issue. Layout with images of and text by tennis player Molla Bjurstedt, entitled Materials: Paper, Inktennis