This 3D model of the eye on shows the way they eye connects to the brain. The eyeball divides in half to study the interior and shows attachments for all six muscles that move the eyeball, the optic nerve, and surrounding blood vessels. Through the cornea the iris and pupil are visible. The iris, cornea and lens can be removed.1 pedestal mounted 3D model of the eye, hand painted in green, red, blue yellow and black equipment, model

Seated is 'Aunt Selina', Lena Green's mother with her granddaughter. July 1949To Dear Iris and Ted, from Aunt Selina. July 1949lena green, olinda

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Black and white photograph. 2 female students seated inside a large roll of plastic agricultural pipe. The programme the girls are holding is entitled, "Field and Gadget Day."On reverse, "Iris Seletto, Kirsty Gunn 13/3/70."female students, field and gadget day, iris seletto, kirsty gunn, 1970, agriculture

Black and white photograph of tram W2 542 at the Glen Iris terminus, with the destination of City route 6. Has the large hedge of a house and shops in the background. Trams has good appearance, possibly just after a repaint. Has a number of adverts on the front - including one for Milk. Tram at the intersection of Malvern and Darling Roads, Glen Iris. Printed on Fujichrome paper. Not known who took the photograph or when it was printed.Stamped in black ink on back "TMSV Sales"trams, tramways, glen iris, darling rd, route 6, tram 542

Mr McCleery opened the new Glen Iris Presbyterian Church hall on February 22, 1958.Head and shoulders of man.On back: "25" "McCleery"glen iris presbyterian church

Article in "Stock and Land" December 24, 1970 on the achievements of women based on graduations held recently at universities and colleges in Melbourne. Description and photograph of "Burnley's Top Student," Iris Seletto.stock and land, students, iris seletto, female students, dux, diploma horticultural science

Glen Iris Presbyterian Church on the corner of High Street and Allison Avenue. This image is presumably of the Sunday School.Interior of church hall with women and children sitting in rows of metal chairs."9"glen iris presbyterian church

These badges were presented to students for sporting achievements in the 1960s. This badge was presented to Iris Whitehurst (nee Webb). in 1960.Metal badge enameled in red, black and gold. Stylised S in the centre and 'Williamstown High School Hold Fast' around the edge.Makers mark on back but too small to read.williamstown high school, sports award, 1960, badge, iris webb, iris whitehurst

Article featuring Iris Chirgwin who has been at Strathdon Community Centre for 15 months, talking about her experience of seeing Halley's Comet in April 1910 as small child.community services, chirgwin, iris, strathdon community, moore, phyllis, halley, edmund, halleys comet, moore, patrick, couper, heather

Studio photograph of Mary Dorey 1883-1918. Mary was the elder sister of Iris Dorey. Mary died on Feb 27th, 1918 after a fall downstairs at Quamby following an epileptic seizure. mary dorey, iris dorey, quamby, dorey

Holiday snap of Ted Woolrich (1st left) and Iris Woolrich (2nd left) with a group of five relatives/friends. There is a cockatoo on a man's shoulder and two kookaburras being held by group members.ted woolrich, iris woolrich

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Aberdeen Street, Hawthorn by Margaret Picken.10 Aberdeen, Hawthorn, Margaret Picken '89. Woodards ~ Glen Irisartist - margaret picken 1950-, 10 aberdeen street hawthorn

Presented to Williamstown High School students who became Prefects in the 1960s. This badge was presented to Iris Whitehurst (nee Webb).Metal badge enameled in black, red and yellow. Has a large P in the centre and Williamstown High School Hold Fast around the outside.Makers mark on back but too small to read.williamstown high school, prefects, 1960s, 1961, iris whitehurst, badges, iris webb

The Diaries of Richard Pope, Volume VI, Bendigo, 25 Dec 1884 - 2 Jan 1886' Edited by J.H. Whitehead, 133 Finch Street, Glen Iris, 3146. 16 March, 1983.Richard Popecottage, miners, bendigo, mining, pope family, goldfields

Colour slide - Kodachrome cardboard mount - of Z1 (Route 6 Glen Iris) in Swanston St at a tram stop. Slide dated may 1975. In the background is a Coles and Portmans store along with others.On the slide in pencil "Z1"trams, tramways, z class, swanston st, new tramcars, glen iris, route 6, tram 1

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

Iris Priestly retired from the Watsonia Air League after 13 years, where she was commanding officer of the girls' squad.Newspaper clipping, text and black and white photograph, with biographical articlewatsonia air league, iris priestly

Round turned wooden collar box with (inside) central round stud holder compartment, with two copper studs with bone fronts. Has matching lid with chiselled/cut design of an Iris flower with leaves.British Make Giltdomestic equipment, containers, collars

Sporting teams used T-shirts to identify their players.Mt Beauty had a team playing sport and used red T-shirts to identify their players.Red cotton T-shirt with collar & 2 buttons at the front from the neck. Short sleeves with yellow band. Yellow in capital letters "Mount Beauty" machine sewn on the front and "233" yellow numbers machine sewn on the back. Unusual to have a separate piece of material sewn under the arm pits.Label at neck on inside: "Haworth Knit / Glen Iris, Melb. / 100% cottonsporting clothing. team sport. mt beauty.

Exercise book with lined pages. 13 pages contain lyrics of popular songs from the 1950's.See PDF's above. On front cover: Iris Webb, IIIA, W'nstown High.williamstown high school, iris webb, 1958, student work, lyrics

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 429 Whitehorse Rd., Mitcham The property has be listed as having sold for $90,000 in 1992 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 429 Whitehorse Rd., Mitcham depicting a black and white line drawing of a single story brick house with a driveway on the left leading to a separate garage, wit ha path branching of toward the front door. There are two holepunch holes on just under the upper edge 429 Whitehorse Rd., Mitcham Margaret Picken - 92 Woodards - Glen Iriswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 78 Belford Road, Kew East by Margaret Picken.78 BELFORD RD., E.KEW / MARGARET PICKEN ~93 / WOODARDS ~ GLEN IRISartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 78 belford road - kew east (vic)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 239 Auburn Road, Hawthorn by Margaret Picken.239 Auburn Rd, Hawthorn, Margaret Picken c2001. Woodards - Glen Irisartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 21 Caroline Street, Hawthorn East by Margaret Picken.21 Caroline St, Hawthorn, Margaret Picken '89. Woodards - Glen Iris artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.46 RIVERSDALE RD HAW Margaret Picken ~96 WOODARDS - GLEN IRISartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.48 RIVERSDALE RD HAW Margaret Picken ~98 WOODARDS - GLEN IRISartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.454 TOORONGA RD, HAWTHORN Margaret Picken ~99 WOODARDS -GLEN IRISartist - margaret picken 1950-