Copy of original photograph of first commissioners of Rodney Irrigation Trust. Approx 1889Black and white photograph of first Rodney Trust Irrigation Commissioners. Names on backBack left to right - J.A, Sec. Walter Scott(Engineer), Coms. S. Lancaster, W. Bray, John Morrissy, M. Kavanaugh, C.W. Wilson, Gerald Byrne. Front Row - Coms. John McKenzie, Thomas Hogan, M. Cussen(First Chairman), M. Winter, John Stewart, R. Teese. 1st Commissioners of Rodney Irrigation Trust, 1889.rodney irrigation trust, tatura, irrigation

Mr Eddie Mitchell (right) President of Tatura Mechanics Institute, with Mr Arch Wilson (centre) and Mr Bill Ponting (left), at the unveiling of the memorial plaque honouring John Dixon Love and the Love family. Plaque is situated between Mechanics Institute and Victory Hall.tatura, costume, male, buildings, historic

rodney shire council 1906, hogan, thomas, martin, wilson, jw, lancaster, s, mclennan, dm, allen, r, lilford, john, mccarten, jd, crooks, wa, hectorw, harperj, shire of rodney, tatura, photograph, people

Twenty newspaper and other extracts. Photograph 1 & 2. Newspaper articles on interview Archie Wilson with Tom Nevett. Various newspaper articles on John West, rate book information. Photograph 14. Log hut on J. D. Love's property. Photograph 15. Log and other early fencing.

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 4, despite various directions in the search of an Australian architecture, Boyd believes that a genuine national style should be grasped in the sculptural and spatial qualities of the buildings rather than iconography or climate-driven designs since Australia has diverse geological condition.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), pencil edits, foolscap, 14 pagesRobin Boyd's handwriting, on top right.university of the air, design in australia, robin boyd, australian style, john sulman, hardy wilson, leslie wilkinson, local idiom, manuscript

This book bring together voices of children who were separated from their families, people who cared for them, families who took them into their homes and Government officers who carried out official directions. Contents of CD: Track 1. Jim Hart, b.1927, Queensland, separated from family as a child. See ch. 5. Interviewer: David Woodgate (3m 02s) track 2. Clara Coulthard, b.1929, South Australia, separated from family as a child. See ch. 3. Interviewer: Sue Anderson (4m 06s) track 3. John Moriarty, AM, b.1938, New South Wales, South Australia, Northern Territory, separated from family as a child. See ch. 4. Interviewer: Frank Heimans (4m 12s) track 4. Sandra Hill, b.1951, Western Australia, separated from family as a child. See ch. 11. Interviewer: John Bannister (4m 11s) track 5. Trevor Deshong, b.1965, Queensland, separated from family as a child. See ch .6. Interviewer: Colleen Hattersley (4m 45s) track 6. Julie Wilson, b.1958, New South Wales, adopted as an infant. See ch. 6. Interviewer: Frank Heimans (4m 04s) track 7. Dorothy Pyatt, b.1918, South Australia, police officer in remote South Australia, 1950s and 1960s. See ch. 8. Interviewer: Karen George (4m 18s) track 8. Margaret Somerville, MBE, b.1912, New South Wales, Northern Territory, missionary and cottage mother. See ch. 7. Interviewer: Frank Heimans (3m 15s) track 9. Reg Worthy, OAM, b.1920, Queensland, Northern Territory, Victoria, welfare officer, senior administrator, Departmental Head. See ch. 8. Interviewer: Barbara Erskine (4m 55s)D?.b&w photographs, b&w illustrations, CDstolen generations, child welfare, bringing them home, oral histories

Primary School 502 - Grade 1E 1957 Stawell State School No 502 Grade 1E, 1975 Back Row, Trevor Ralph, Ivan Elliot, Dennis Nicholson, Robert Sparrow, Peter Cahill, Larry Redman, Kevin Wilson, Stephen Kent. Second Row, Teddy Hall, John Pauling, Roger Hinde, Greg Court, Craig Canning, James Evans, Clifford Hay, Robyn Elliot, Stephen Clifford, Neil Pickering. Third Row, Doreen Bennett, Moray Faith, Yvonne Howlett, Janine Chester, Judy Cooper, Linda Hemley, Maree Coxon, Marlene Watson, Carolyn Air. Front Row, Gail Earle, Pam Cashin, Robyn Dowsett, Bernice Smith, Beverly Jackson. stawell education students

directed by Daniel Keene starring Linzee Smith Rhonda Wilson and John Butler. Staged with the assistance of the Australia Council St Martin's Theatre Company The Fitzroy Stars Gym and MavisFlyer & Newspaper cuttingthe fighter, daniel keene, the tide, melbourne athenaeum two, program, programme, australia council, fitzroy stars gym, st martin's theatre company

This dress belonged to Ethel Nina Blundell (1876-1949), having been first made for her mother Jane Blundell (nee Burkitt, 1845-1878). Born in Dublin, Jane married James John Blundell Jr at the Black Street Congregational Church in Brighton on 16 March 1874. The Blundells were a socially prominent Brighton family who played an important role in the development of the area. James' father, publisher and bookseller James John Blundell Sr, served as a Brighton Borough Councillor between 1862 and 1867 when the local government was still in its formative years, including holding the position of Mayor in 1864. He was involved in the foundation of the Brighton Volunteer Rifle Corps and was also a strong supporter of the Brighton Ladies Benevolent Society. The Blundell family were active members of the Brighton Congregational Church and supported the construction of the Black Street church, where James Jr served as a deacon for sixty years, in addition to his work in the Crown Land and Survey Department. The dress is believed to have been made for Jane in 1875 or 1876 during her early pregnancy, likely by a local dressmaker. Jane died in 1878 when Ethel was very young, and Ethel was then raised by her father and paternal grandmother. As she never married, Ethel remained living in the family home of 'Eumana', 164 Church Street, and as an adult she assumed the role of hostess whenever she or her father had guests. On these occasions, she reportedly wore her mother's dress. The family home was sold on James Jr’s death in 1924 and Ethel was living at 52 Black Street Brighton when she died in 1949. In the 1930s, Ethel gifted the dress to a close family friend, Dr Jean Kelly. She told Jean that the garment held precious memories, perhaps due to the connection it provided to the mother she had never known. Jean donated the dress to the Merimbula Old School Museum in NSW in 1987, where it was on display for many years. The Museum donated the dress to Brighton Historical Society in 2023.This is a good example of a late nineteenth century day dress, made from two different patterns of russet brown silk brocade and featuring a lobster tail style bustle. The lack of boning combined with waist and hip measurements indicates it may have been made as a maternity dress. It is lined with beige leaf pattern cotton fabric. The princess line fitted bodice of herringbone pattern brocade has a high round neck with small 'mandarin' style collar and buttons down the front to below the waist where it forms an overskirt which is bordered with a band of coffee bean patterned brocade. The overskirt drops down to hem length at the back but from the centre front it is draped up to the back to a point below the waist level. Here it is sewn to the edge of the lobster tail style bustle which is also bordered by the coffee bean fabric. There is a concealed pocket with the opening under the right edge of the bustle. The buttons on the front of the dress have a decorative circlet of small blue flowers around a russet silk covered dome. The long sleeves are set in and slightly full with a contrasting three pleat band of coffee bean fabric with an ornamental turn back from the pleats sewn just above the wrist. The skirt section of the dress is in four 20 cm bands of alternate fabric patterns with the top and third band of coffee bean pattern slightly gathered and the second and fourth bands of herringbone forming pleated ruffles.1870s, ethel nina blundell, jane blundell, jane burkitt, eumana

RealismHENDERSON, John Black Born 1827 London, England Died 1918 AustraliaRecto: Titled l.c. ink"Bad Saddle, Wilsons Promontory" Verso: On mount board u.r., pencil "Wilsons/Prom"landscape.

Engravingboat, wilson's promontory

EngravingSigned and dated 'J Mather. 87' lower left corner in printed image.

Photo depicts the Geelong Returned Soldiers and Sailors Woollen and Worsted Mill Board of Directors in 1938. Pictured are: Secretary - E.J. Fairnie; Director - G.W. McDonald; Chairman - D.P.C. Wilson; Managing Director - A. Schofield; Director - Padre Charles Neville; Director - F.H. BurnRSS Mill Board of Directors, 1938.GEELONG R.S. & S. WOOLLEN & WORSTED CO-OPERATIVE / MANUFACTURING COY. LIMITED / BOARD OF DIRECTORS / 22nd OCTOBER, 1938 The / Lockwood Studios / Geelongtextile mills, returned soldiers and sailors mill, fairnie, mr edward john - returned soldiers and sailors mill schofield, mr albert m.b.e. - returned soldiers and sailors mill wilson, mr d. p.c. - returned soldiers and sailors mill

Black and white photograph of grade 1 of Mitcham Primary school in 1933. Details as remembered by Betty Saltzer (nee Holland) and Phyllis Johnson (nee Gray). Phyllis has commented that class was bigger than usual as this was the time that new catholic school was being built. (complied Feb 2001). Back Row - ? ? Des Trewett, Ray Meagher, John Humphries, John Smythe, John Leach, Norman Roeszler, Norman Henry. Row 2. ?, Rex Bannerleigh, Frank Burton, Jack Dempster, Bobby Brent, Ernie Bulleen, ? , Gordon Ireland, Laurie Jay. Row 3. - Bruce Smith, Betty Mitchell, Shirley Walker, ? , Dorothy Brown, ? , Evelyn McKellar, Lily Guerin, Lily Holly, Les Miller, Stan Cook. Row 4. - Vivian Partridge, ? , Theresa Holly, Lorna Grundy, Margaret Montague, Winnie Richards, Joan Smith, Betty Holland, Jenny George, Sylvia Allen, Jimmy Wilson.|Front Row. - Jimmy Rhodes, Bruce Hutchinson, Len Chafer, Harry Bale, Bilkly Wells, Ray Harris.trewett, dempster, henry, norman, roeszler, norman george, leach, john, smythe, humphries, meagher, ray, bannerleigh, rex ., jay, laurie, ireland, gordon, bulleen, ernie, brent, bobby, jack, burton, frank, smith, bruce, cook, stan, miller, les, holly, lily, guerin, mckellar, evelyn, browne, dorothy, walker, shirley, mitchell, betty, partridge, vivian, wilson, jimmy, allen, sylvia, george, jenny, holland, joan, richards, winnie, montague, margaret, grundy, lorna, theresa, rhodes, harris, wells, billy, bale, harry, chafer, len, hutchinson, mitcham primary school, no. 2904