Showing 2617 items
matching laced
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Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace insertion. Sample -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace insertion. Sample -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace insertion. Sample -
Australian Lace Guild - Victorian Branch
Textile - Filet Lace - Lacis
Use: Domestic. Household trimmingA darned lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Torchon lace, Late 19th or early 20th Century
Use: Domestic. Household trimming Bedfordshire type heading.Bobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Buckinghamshire Point lace, Early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
A black silk edging used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Maltese lace, Late 19th Century
Use: Fashion accessoryBobbin lace edged handkerchief. -
Australian Lace Guild - Victorian Branch
Textile - Maltese lace, Late 19th Century
Use: Fashion accessoryBobbin lace edged handkerchief -
Australian Lace Guild - Victorian Branch
Textile - Russian lace, Early 20th century
Probably made for the tourist tradeBobbin lace. Triangular piece -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, Second half 19th century
Good quality dress front/plastron. Fashion itemBobbin lace - Dress front -
Australian Lace Guild - Victorian Branch
Textile - Machine Knitted lace
Machine knitted lace shawl -
Australian Lace Guild - Victorian Branch
Textile - Brussels Guipure lace, 1870-1900
Use: domestic. household trimmingBobbin lace edging. sample -
Australian Lace Guild - Victorian Branch
Textile - Machine Blonde lace, 1800-1900
Use: Domestic. FashionMachine lace bonnet veil -
Australian Lace Guild - Victorian Branch
Textile - Flemish lace, 1700-1730
Use: Domestic. FashionBobbin lace cap back -
Australian Lace Guild - Victorian Branch
Textile - Machine Muslin appliqué lace, 1850-1900
Use: Domestic. FashionMachine lace bonnet veil -
Australian Lace Guild - Victorian Branch
Textile - Mixed lace
Use: DomesticLace mat of tatting and crochet -
Australian Lace Guild - Victorian Branch
Textile - Bedfordshire Maltese lace, 1800-1900
Use: Domestic. FashionBobbin lace cap and lappets -
Australian Lace Guild - Victorian Branch
Textile - Venetian style lace, 2005
Bobbin lace historical reconstruction -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 1850-1900
Use: Domestic. FashionBobbin lace dress front -
Australian Lace Guild - Victorian Branch
Textile - Brussels mixed lace, 1875-1900
Use: Domestic. Fashion Bobbin and needle lace collar -
Whitehorse Historical Society Inc.
Accessory - Lace collar
Collar Mrs Alice Caldwell (Poole) 1894 Heather McNamara Isobel McNamaraCream lace front-collar.lace, collar, mcnamara, heather, caldwell alice -
Kew Historical Society Inc
Textile, Ribbon Lace, 1900-1914
Coffee coloured lace edging.fashion and textiles collection - kew historical society, textiles - lace -
Kew Historical Society Inc
Textile, Lace
Cream coloured lace edging.fashion and textiles collection - kew historical society, textiles - lace -
Kew Historical Society Inc
Clothing, Black Silk & Lace Bodice, 1890s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk and lace bodice.victorian fashion, netta fuller, bodices