See ND5890One of a set of 19 coloured photographs relating to the Ceramic Tile Project by the Nunawading Primary Schools Community Art Project which was installed in the Amphitheatre at the rear of the Nunawading Civic Centre. This Photo is a general View. Text, Plans & Publicity - see ND5890nunawading primary schools community art project., city of whitehorse. civic centre, ceramic tile project, civic centre

See ND5890One of a set of 19 coloured photographs relating to the Ceramic Tile Project by the Nunawading Primary Schools Community Art Project which was installed in the Amphitheatre at the rear of the Nunawading Civic Centre. This Photo Relates to General view Text, Plans & Publicity - see ND5890nunawading primary schools community art project., city of whitehorse. civic centre, ceramic tile project

"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Colour photograph of a portrait of St Brigid in stained glass. The depiction of St Brigid is located at St Brigid's former Catholic Church, Crossley.st brigid, stained glass, st brigid's crossley

One of the oldest associations in Castlemaine is looking for new members. The Old Castlemaine Schoolboys Association was formed in the year 1912, making it 84 years in operation. Anyone over 30 years old and who is an Old Boy who attended a school within 15 kilometre radius of the Castlemaine Post office - St Mary's, the High School, Technical College, (now known as Castlemaine Secondary Colleges) is eligible for membership. The Association is planning a dinner and "get together" to talk about old times and rekindle friendships which existed all those years ago. This reunion is always held on the second Saturday in October, at the Castlemaine Town Hall Starting at 6:30pm. Another Project of the Castlemaine old Boys' Association undertakes is the supply of books to local school Libraries.

The Shine Dome is one of seven projects that the Royal Australian Institute of Architects has nominated to the World Register of Significant Twentieth Century Architecture. In 1956 six architects were invited to submit plans for the Academy of Science's new building in Canberra and the Academy's building design committee selected Grounds Romberg and Boyd's proposal designed by Roy Grounds. It features a shallow arcaded concrete dome, sheeted in copper and was one of a number of domed buildings that appeared around this time internationally, expressing the optimism of the post-war years. It perfectly reflected the Academy's ambition to champion excellence in Australian science and promote international scientific engagement. Paul Wallace, a well-known Melbourne renderer, drew this perspective of the proposed design, possibly for the competition submission, in 1956.Coloured perspective of the Academy of Science buiding in Canberra.Printed text on attached sticker, 'ACADEMY OF SCIENCE, CANBERRA / 1958 / Grounds, Romberg and Boyd, / Architects'. Printed centre on verso, 'ACADEMY OF SCIENCE CANBERRA GROUND, ROMBERG AND BOYD ARCHITECTS 340 ALBERT STE., MELBOURNE C2'.science, canberra, architecture, rmit design archives, design

This plan of Lum Road Estate includes layout of roads, gardens, building and carparks. From 1970 until August 1971 Robin Boyd and his practice Romberg & Boyd Architects worked on designs for housing on the Lum Road Estate, Wheelers Hill. Berenice Harris, Linley Vellacott and Karl Fender drew many of the sketch plans for the project homes, while Robin Boyd drew the perspectives. This colour plan of the estate was drawn by Robin Boyd, but not signed. Frederick Romberg later annotated the drawing with details of its authorship. Colour plan of Lum road estate. Includes layout of roads, gardens, buildings and flora.Inscribed lower right on recto in black ink, 'Robin Boyd original / 12/6/86 F.R' ; Inscriber upper left on recto, grey pencil, '3400'.architecture, design, rmit design archives, domestic architecture

Site plan drawing of the Shepparton Aboriginal Arts Council building, now known as the Bangerang Cultural Centre. The building is located in the Parkside Gardens, formerly the Shepparton International Village, and is the first Aboriginal cultural museum developed and managed by the Aboriginal community. The building is part of the Victorian Heritage Register. Romberg designed the building in conjunction with project instigator and Bangerang Elder, John Sandy Atkinson, OAM. At the request of Romberg, Atkinson created some concept sketches for the building from which Romberg designed the finished structure.Site PlanInitialed in grey pencil, bottom right: 'F.R'architecture, museum

Includes site plan; floor plans and details of utilities, interior and fittings.architecture, domestic architecture

John and Phyllis Murphy designed this house and garden in Kew for Sir Frank and Lady Macfarlane Burnet in 1959, the year before Burnet and Peter Medaware received the Nobel Prize for discovering acquired immunological tolerance. For the most highly honoured scientist to have worked in Australia, Burnet's house is modest - single storey with two bedrooms. Typical of post-war suburban housing thought, the garden is a generous, and the planting a mix of existing shrubs and trees, old favourites such as camelias, hydrangeas, lilacs, and a unusually 'a thick copse of native trees'. John Murphy (1920-2004) and Phyllis Murphy (nee Slater) (1924-) are alumni of RMIT. John commenced his architectural studies at Swinburne Technical College prior to WW2, and subsequently studied at Melbourne Technical College (now RMIT University) from 1944 to 1946. Phyllis studied architecture at Melbourne Technical College from 1942, before transferring to Melbourne University's Architectural Atelier in 1944 They both completed their Bachelor of Architecture in 1949, with Phyllis topping the fourth year, and John coming in second. They established their architectural practice in 1950. One early project was their design with Kevin Borland and Peter McIntyre for the Olympic Swimming Pool (1956). Ann Carew 2018dye, paper, garden design, kew

Robin Cocks (1941- ) and Peter Carmichael (1942 - ) formed their partnership in 1967, and designed some of Australia's most innovative project houses in the late 1960s and early 1970s. The award winning Civic Growth House (1974) was designed for Civic Construction. It provided clients with a modular grid and a range of components that allowed choice in location and spatial variation. The houses were designed to be expanded as families grew or as finance became available. The one-level Civic X2 was constructed in full-brick, included a pergola and deck, and a private courtyard off the main bedroom, This drawing includes floor plan, elevation and section.architecture, domestic architecture, project homes

Detailled Area plan of the Urban Renewal Project in North Fitzroy. Features the longitudinal section at Rowe St.ink, acetate

Project: Flinders Vaults drawn by Robin Boyd of Romberg and Boyd.Booklet, 8 pages, with text and drawings (site plan. plan elevations, interior perspectives, external perspective).

Project: drawn by Leslie Jones of Romberg & Boyd. Site Plan and Complex LayoutWorking Drawing, Ink on Tracing Paper

Project: drawn by Leslie Jones of Romberg & Boyd. Site Plan and Complex LayoutWorking Drawing, Ink on Tracing Paper

Project: Tower Hill State Game Reserve Natural History Centre drawn by J.T.W. of Romberg & Boyd for Public Works Department. Drawing no 10. Plans, sections, elevations.Working Drawing, Dyeline with Watercolor

Project: Timber Frame Studio for Mr Arthur Boyd: Murrumbeena, two drawings, plan and section. drawn by Robin Boyd.Working Drawing, Blueprint

A report on hotelier Frank Dennis's plans to redevelop Flinders Street vaults under the Flinders St railway viaduct. The plans were drawn by Robin Boyd, and was one of his last projects.S and date handwrittenflinders street vaults, walsh st library

Letter mounted into plaque. dated Sept 2005 from the Minister for Planning. The letter is addressed to the mayor and Councillors of South Gippsland Shire Council. Brown polished wood plaque. Clear perspex sheet over letter affixed four brass screws with knobs.

Newspaper cutting from The Courier, Ballarat, 21 August 2019 titled "Tram track to be relaid" written by Jolyon Attwooll reporting on the planned replacement of the track between Depot Junction and Carlton St by Fulton Hogan, supported by a State Government Pick My Project grant and the City of Ballarat. Quotes Peter Waugh.btm, trackwork, track repairs

Twenty Six sheet document pertaining to the reinstatement of trams to Ballarat, presented to the Ballarat City Council on Wed. 24 May 2000. Details are: Sheets 1 to 3 - Cover and contents sheets for the Council Meeting of 24/5/2000 containing the Agenda, Ballarat City logo on white A4 paper. Sheet 4 - pages 37 and 38 of the Agenda, Officers report on the study work carried out, noting the Ballarat Tourism Board work, giving a summary, background, issues, options, financial implications, attachments and recommendation. On a white sheet of A4 paper. Sheets 5 - 26 - on green A4 paper - document titled "Ballarat Tourist Tram Study", final report dated August 1999, though not received by the Ballarat Tourism Board until March 2000. Written by G.D. Harrison Project Management Pty Ltd. Report looks at the marketing aspects, planning, infrastructure, staffing, ticketing and financial analysis, map of suggested route and comparative operations elsewhere.trams, tramways, ballarat city tramway, ballarat revival, harrison report, city of ballarat

Letter to the Editor of The Courier, Saturday 3/2/1996 written by Peter Hiscock, Chairman Ballarat Tourism Board replying to D.H. Woodward's (notes as former councillor) letter of 31/1/1996 (item 1468), commenting that the study should be done before knocking the project. Notes that the questions are valid, but the study should be done. Notes that Mr. Woodward has opposed many heritage projects. Also has a Burns cartoon about cable TV."Sat 3/2/96" in blue ink on top edge.trams, tramways, letter to the editor, ballarat city tramway, ballarat revival

Photo copy of two letters to the Editor of The Courier on a single sheet of paper, collected by Frank Puls. Has Frank's address stamp on the right hand edge. 1. Saturday 3/2/1996 written by Peter Hiscock, Chairman Ballarat Tourism Board replying to D.H. Woodward's (notes as former councillor) letter of 31/1/1996 (item 1468), commenting that the study should be done before knocking the project. Notes that the questions are valid, but the study should be done. Notes that Mr. Woodward has opposed many heritage projects. See also Reg. item 1469 for original of the cutting. 2. Monday 5/2/1996 written by E.Calis of Ballarat, suggest that horse trams should be considered, or a horse and wagon. Both cuttings have handwritten date and newspaper name on the top.trams, tramways, letter to the editor, ballarat city tramway, ballarat revival

Set of papers collected for the archives relevant to the visit of BTM Horse Tram No. 1 for the 2002, Melbourne Moomba trams on Parade. .1 - "Call Sheet" - four A4 sheets, giving details of the participant, times, assembly area, parking, contact and notes. Also sheet listing trams in Parade (black and white), Assembly information, and a plan of the tram assembly area showing the location of the various display trams. .2 - Colour A4 sheet of the trams on parade in order of appearance and details of the street party that followed. .3 - Photocopy of a letter from the organisers (Arts Projects Australia) thanking the BTM for participating. .4 - Copy of National Express Group company newsletter for Week 11, 15/3/2002, titled "Weekly Update" with a photograph of the horse tram in the parade with the South Melbourne skyline in the background. See pdf file for full copy.trams, tramways, moomba, trams on parade, melbourne, btm

Three page photocopy consultation document titled "Landscape Plan for Potential Ex-POW Memorial & Ballarat Botanical Gardens Interpretation Centre" showing concept plans for the development to the east of the tram depot and for the POW memorial. The project did not proceed. Prepared by Gregory Burgess Pty Ltd, Architects, November 2005.trams, tramways, gardens, depot, botanical gardens