Showing 1508 items
matching sanding
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Phillip Island and District Historical Society Inc.
Map, Map of Summerland Golf Course, 15/12/1927
Summerlands Estate was created in the 1920s by A.K. T. Sampbell. It consisted of a housing estate, guest house and golf course. This area was acquired and all buildings, roads etc removed by the Victorian Government in the 1980s for a nature reserve for the penguins. This is believed to be the only time in the world when humans have been removed to benefit nature. HistoricalPurple leather covered fold out linen map with hand drawn diagram of the topography, layout of golf holes and club house Broken sand dunes, rough sandy hills, grassy hills and mounds, Swan Lake, Par for nine holes 34, Scratch score for nine holes 36, Drawn by A. Russell 12/12/1927summerland estate, summerlands golf course, a.k. t. sampbell, map, penguin reserve -
Latrobe Regional Gallery
Print, OLIVER, Narelle, Wakati (p) Partulaca Seed for damper 1999, 1999
Linocut printSigned and dated 'Narelle Oliver '99' in lower right under printed image. Edition A/P, lower left under printed image. 'from 'Sand Swimmers" - written lower right corner of page. -
Bendigo Historical Society Inc.
Photograph - Spargo's Pyrites, Specimen Hill
Historic photo of mining at Specimen Hill. After crushing ore, the sand pyrites remaining could be treated to extract even finer gold. The sand was placed in large brick ovens to be roasted, which freed the sand of arsenic, sulphur etc, with the fumes containing these elements released into the atmosphere via a large chimney. Spargo's Pyrite Company operated from about 1870. It closed when there became a shortage of workers during WW1 and appears to have not restarted after the war. Black and white image, possibly copy. Weatherboard building on left hand side, elevated weatherboard building centre with chute descending to lower building. Possibly Spargo's Pyrites works, date unknownspargo's, pyrites -
Tatura Irrigation & Wartime Camps Museum
Photograph, Children's Sand Pit Camp 3
Shows the remains of the children's sand pit which was built at Camp 3. Colour photograph on foam backing, of cement remains of a structure foundation with tree right behind and one in distance.camp 3, children's sand pit -
Hume City Civic Collection
Petrified Wood
This piece of petrified wood was found at the sand quarry between Sunbury and Bulla.A petrified piece of wood showing various shades of brown.smith, kevin, john, wood, george evans collection -
Bendigo Historical Society Inc.
Domestic Object - SMALL KEROSENE LAMP
Small red tin plate kerosene childs night light commonly called Pixie lamps, base filled with gravel or sand to prevent tipping over, small milk white glass chimney, brass burner complete with wick.Wick winder reads GWB British madelighting, kerosine & oil, kerosene -
National Vietnam Veterans Museum (NVVM)
Photograph, 1970
Colour photograph of two APC's.One is on the side - damaged.Its track is lying on the sand track - Results of landmine incident.Personnel from damaged vehicle attend to necessary tasks including detecting for other mines.Tan coloured frame and cream coloured mat.Serious mine incident - Long Hais, Vietnam.1970. My Vietnam Collection. C. Bud Costello / Phil Kadow.photograph, apc -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920 c
Also one black and white copy of the same image.Black and white photograph showing two steamers at New Works wharf, Cunninghame Arm,Cottages on dune behind steamers. Top of sail visible behind steamer. Sand showing between vegetation on dunes. Lakes Entrance Victoria.ships and shipping, waterways, jetties, islands -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1986
Black and white photograph of the entrance from Bass Strait to the Gippsland Lakes. It also shows the rock groynes at Bullock Island filled with dredged sand to extend the island. Fishing boat coming through entrance. Lakes Entrance Victoriaislands, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Fish Marie, 1995
Black and white photograph of the Eastern Pier, taken from Jemmys Point. It shows the rock wall of the pier, rock groynes at the entrance to Cunninghame Arm behind which dredged sand has been dumped. Lakes Entrance Victoriaoccupation, waterways, machinery -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Fish Marie, 1965
Also one other photograph, similar viewColour photograph of the first road bridge from Lakes Entrance to Bullock island, which was built for Public Works Dept. groyne building and sand build up to enlarge the island. Built early 1953. Lakes Entrance Victoriawaterways, topography, transport, room display -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950c
Also enlargement 15x25cmBlack and white photograph of the Warm Holes, from the sand hummocks looking west. The Warm Holes are the remnant of Reeves River, the original waterway from the Gippsland lakes to the natural entrance. Lady with shawl in foreground. Lakes Entrance Victoria waterways, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1930c
Sepia toned small format postcard of a view from Jemmys Point, showing the road cutting around Kalimna Hill, North Arm bridge, town of Lakes Entrance, Cunninghame Arm and sand hummocks, Lakes Entrance VictoriaLakes Entrancewaterways, township, roads and streets -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1947c
Black and white small format postcard showing town, North Arm bridge, post and rail fence beside the road, bridge to Bullock Island, Cunninghame Arm and sand hummocks, motor boat on the lake. Lakes Entrance VictoriaView of Township Lakes Entrancebridges, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Footbridge, 1993c
Black and white photograph showing crowd of tourists walking over footbridge, during the Clear Water Festival, water in foreground is known as Cunninghame Arm. Surf lifesaving club building visible on sand dunes. Lakes Entrance Victoriabridges, waterfront, festival -
Tatura Irrigation & Wartime Camps Museum
Photograph, Loading Truck at Camp 13 Quarry, 1941
Internees loading rocks, sand, etc at Camp 13 quarry onto a lorry.Black and white photograph of 6 energetic people loading a truck. 1/2 front bonnet of truck and large (about a meter long) side walls, carrying capacity.camp 13, tatura quarry -
Flagstaff Hill Maritime Museum and Village
Photograph - Historical, maritime, 1900s to 1930s
... sanding ...This photograph shows the steam dredge Pioneer working to remove silt in Lady Bay, Port of Warrnambool. The dredge belonged to the Ports and Harbours department in Melbourne. Also in the photograph are two moored vessels, and the Warrnambool Lifeboat shed and Rocket house built on the Warrnambool Breakwater. The Warrnambool Harbour had been experiencing heavy silting and sanding for many years. The problem continued even after the construction of the Breakwater in 1890. The Ports and Harbours' new, larger suction hopper dredge, the Matthew Flinders, was also employed in May 1919 to remove the heavy silting in the Harbour. Both dredges were sent up from Melbourne when required over the years to periodically attend to the silting. The Matthew Flinders was still dredging the Harbour even in the 1930s. (The ship’s original master was J G Rosney. In February 1922 Percy Taylor from Ports and Harbours joined the Matthew Flinders as a Mate. 1923 the master in charge was Captain Dunbar. In August 1926 Percy Taylor was appointed as her Master and was later transferred to the Pioneer as Master in 1933.) 1930 the dredges were no longer required as the Harbour was no longer suitable as a port. However, one source notes that the Matthew Flinders was still dredging the Harbour in 1938.This photograph is significant for its association with the Port of Warrnambool, the Warrnambool Breakwater, and the issue of the silting in Lady Bay. The photograph is significant historically as it shows a point in time when efforts were employed to keep the Port of Warrnambool functioning, allowing shipping activities to continue operating. The need for dredging in the Warrnambool Harbour was a serious and ongoing problem, as silting continued to happen after a series of measures were taken to try and resolve the issue. Eventually, the Harbour could no longer function successfully as a port.Photograph, black and white, showing two similar images and printed together. Images of Lady Bay, Warrnambool, the dredge 'Pioneer' on the left, ships and the Warrnambool Lifeboat and Rocket House on the right, beside the Breakwater. Ca. 1900 to 1930."BL016"flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, dredge, mathew flinders i, warrnambool harbour, lady bay, sanding, silting, breakwater, captain dunbar, ports & harbours, marine technology, percy taylor, matthew flinders, pioneer, dredge pioneer, lifeboat house, rocket house -
Warrnambool and District Historical Society Inc.
Badgesx2, Servia Syria Armenia, circa 1918
These badges were produced for the Commonwealth Button Fund to raise funds for the victims of the Armenian massacre in the Ottoman Empire during World War One. The button was designed by Frances Woolcot the Honorary Organiser of the Melbourne Branch of the Commonwealth Button Fund. The buttons were sold late in February 1918 and raised 7,300 pounds for the victims.February These badges are of interest as an example of the Australian fund raising efforts during World War One for a specific group of people - in this case the victims of the Armenian massacres..1 Concave metal badge featuring sky, a minaret, two onion shaped domes, buildings, sand, three mounted camels and palm trees. There is a clip pin on the reverse. .2 As for .1 but discoloured and there is no slot into which the pin may be inserted. SERVIA SYRIA ARMENIA -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, Golarts Studios, Post WW1
Photo of Artillery Battery Gun Emplacement. Field gun supported with sand bag wall. Gun crew preparing site for action. Black & white photo mounted in black wooden frame with black border, cardboard backing, glass front. Front RHS bottom & back, LHS bottom: “No 53 stickers” Back LHS bottom: “Trust No 22”photography-photographs, frame accessories, military history, arms-ordnance, passchendaele barracks trust -
Bendigo Military Museum
Souvenir - SOUVENIRS, ANZAC COVE, Post 1990
.1) Four rocks of various size from the beach on Anzac Cove .2) Sand from the beach at Anzac Cove .3) Cone from an aleppo pine grown on Gallipoli .4) Small round pine cone from Gallipolianzac, pines, minerals, souvenirs -
Mission to Seafarers Victoria
Photograph, M/S "Mongabarra" Goteborg, Tied up at Port Lincoln, April 1950
This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the M/S "Mongabarra" Goteborg tied up at Port Lincoln in April 1950. The ship is situated on the left-hand side of the photograph with ropes dug into the sand on the right-hand side of the photograph with Port Lincoln in the background.m.s. mongabarra, port lincoln, goteborg -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH OF DEVONSHIRE DUMPS 1954
Black and white photo attached to board. Image shows Devonshire sand dumps, man standing in centre holding a large hose, squirting water at the surface of the dump. High walls of dump behind. On back " Devonshire Dumps Sluicing 1951"gold mines, mining equipment, devonshire sand dump -
Bendigo Historical Society Inc.
Photograph - WORKERS ON OLD TOM SANDHEAP
Sepia toned photograph of Workers on Old Tom 'Sand heap O'Halloran's Team' Markings on photo read 'A. Levy & co' Within the photo are 2 horses and carts as well as 9 male workers. Old Tom Mine in Whipstick, Eaglehawk.A Levy & Coperson, group, group of workers, old tom sand heap, mining, workmen, horse and buggies, o'halleran's team -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1992c
Colour photograph of the western side of the Entrance. It shows scrub covered hummocks, dredged sand dumped at Snake Island, rock groynes from island to lake, taken from lower side of highway at Jemmys Point. Lakes Entrance Victoriaislands, topography, waterways, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Eastwood Bros, 1889c
Sepia photograph showing the just opened Entrance to Bass Strait. Sand not completely cleared from channel, buildings on dunes, dredge Wombat moored off Bullock Island. Rock groynes being built in lake. Lakes Entrance Victoriawaterways, islands, jetties, houses -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Silver Reflections Studio, 1920c
Black and white photograph showing Bullock Island, Entrance to Bass Strait, buildings on sand dunes, yacht sailing on Cunninghame Arm, tourist launch in foreground, rock groynes around west end of Bullock Island. Lakes Entrance Victoriawaterways, education, room display -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1980
Colour photograph of the fishing boat Amanda N in Cunninghame Arm, shows about 25 people on deck, flags flying as if for a celebration, sand hummocks in background have low vegetation, only one tree visible. Lakes Entrance Victoriaboats and boating, fishing industry, fish, ocean -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Pineapples
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection..A black and white photograph of a young Vietnamese girl prepares a pineapple for a serviceman on the sand at Back Beach, Vung Tau. The young girls carried two large baskets, on a pile of pineapples, which were very heavy for such a small slip of a girl.photograph, back beach, vung tau, vietnamese children, gibbons collection catalogue, denis gibbons, photographer, vietnam war -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard - Ocean Beach, 1950c
Black and white small format postcard of the ocean beach. It shows an expanse of sand dune, remains of a brush windbreak fence, and the observation tower, built for Royal Lifesaving Club, pre Surf Life Saving Club. Lakes Entrance VictoriaThe Ocean Beach Lakes Entrancebeaches, surf lifesaving -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1999
Lakes Post newspaper article re the sand transfer system, 14 April, 1999Colour photograph of two officers named, left to right, Brett Greer and Shane Clark standing on a vessel owned by Gippsland Ports, named Latrobe. Lakes Entrance Victorianavigation, waterfront, buildings