Showing 451 items
matching scotland - history
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Clunes Museum
Domestic object - TRAY CLOTH
EMBROIDERED AND CROCHETED CLOTH WITH SCOTTISH THISTLES IN PURPLE AND MAUVE WITH GREEN LEAVES.TRAY CLOTH EMBROIDERED WITH MAUVE AND WHITE THISTLESNILlocal history, handcraft, embroidery, handcrafts -
Clunes Museum
Artwork, other - PAINTING, PICTURE FRAMING. MALCOLM ROGERS, AUSTFRAMING 449 JOSEPH STREET, BALLARAT, CAMERON HOMESTEAD, C 1860
... TO SCOTLAND. LOCAL HISTORY ILLUSTRATION WATERCOLOUR CAMERON OF CLUNES ...IT IS ON PERMAMENT LOAN FROM HEPBURN SHIRE THIS PICTURE WAS PAINTED FROM THE HILLSIDE, ACROSS THE CREEK FROM DONALD CAMERSON'S HOMESTEAD. 'THE CLUNES' NAMED AFTER HIS HOME IN SCOTLAND. DONALD CAMERON WAS AT CLUNES FROM 1839-1855, WHEN HE AND HIS FAMILY RETURNED TO SCOTLAND..1 FRAMED WATERCOLOUR OF THE CAMERON HOMESTEAD. .2 FRAMED PICTURE OF CAMERON HOMESTEAD (COPY OF ORIGINAL?) .3 PHOTOGRAPHED COPIES OF CAMERON HOMESTEAD (2) BLACK AND WHITE .4 COLOURED COPIES OF CAMERON HOMESTEAD (2)local history, illustration, watercolour, cameron of clunes -
Clunes Museum
Decorative object - LETTER, SUPP. FILE - COPIES FROM INVERNESS PUBLIC LIBRARY, REG. NO. 658.2.3 (LOCATION UNKNOWN), 1973
PART OF MR. WEICKHARDT'S HISTORICAL COLLECTION.LETTER FROM LIBRARIAN & CURATOR, INVERNESS PUBLIC LIBRARY & MUSEUM TO MR. WEICKHARDT WITH REFERENCE TO HIS ENQUIRY REGARDING AN ESTATE PURCHASED BY DONALD CAMERON IN SCOTLAND CALLED "CLUNES".local history, document, letter, weickhardt -
Clunes Museum
Accessory - CAPE
BLACK CAPE BELONGING TO MRS. CATHERINE KELLY - FROM CARGERIE AND SKYE - SCOTLAND. GRANDMOTHER OF MRS. KIT SWANTONOF BALLARAT.BLACK VELVET BEADED CAPE - SILK LINED, SILK TRIM.NILlocal history, costume, female, womens clothing -
Clunes Museum
Photograph
FRANCIS AND JANE CLARK (NEE RANKIN). FRANCIS BORN IN NAIRN, SCOTLAND. HE ARRIVED IN CLUNES 1855, AGED 15 YEARS. DIED IN CLUNES APRIL 1921. JANE DIED IN MAY 1921.PHOTOGRAPH OF FRANCIS AND JANE CLARKE (NEE RANKIN)local history, photography, photographs, clark family -
Clunes Museum
Photograph, C 1870
FRANCIS AND JANE CLARK (NEE RANKIN). FRANCIS BORN IN NAIRN, SCOTLAND. HE ARRIVED IN CLUNES 1855, AGED 15 YEARS. DIED IN CLUNES APRIL 1921. JANE DIED IN MAY 1921.PHOTOGRAPH OF FRANCIS AND JANE CLARK (NEE RANKIN) C.1880local history, photography, photographs, clark family -
Clunes Museum
Domestic object - GRIDDLE
... FROM SCOTLAND IN 1851 local history domestic item cooking ...CAME OUT FROM SCOTLAND IN 1851LARGE DISC SHAPED BASE WITH HANDLESTICKER MARKED "GRIDDLE - CAME OUT FROM SCOTLAND 1881 - (LOANED J. McKENZIE)" MARKING UNDER BASE "CANNON - 18 INCH 785"local history, domestic item, cooking, domestic items -
Clunes Museum
Photograph, HORNBY STUDIOS
PHOTOGRAPH OF LACHLAN MCLENNAN AND DAUGHTER WINIFRED MAUD MCLENNAN, SITTING ON A STONE WALLBLACK AND WHITE PHOTOGRAPH OF LACHLAN MCLENNAN AND WINIFRED MAUD MCLENNAN.LACHLAN MCLENNAN. NATIVE OF CONLAGS, ROSS SHIRE, SCOTLAND 1848-1911, AND WINIFRED MAUD MCLENNANlocal history, photography, photographs, crick, shrigley, mc lennan, lazarus -
Clunes Museum
Photograph
BESSIE WAS A DAUGHTER OF HARRY AND ELIZABETH ROBBINS. ELIZABETH (NEE McINTOSH) EMIGRATED FROM INVERNESS, SCOTLAND IN 1849 WITH HER BROTHER THOMAS AND THEIR COUSIN DONALD CAMERON. HARRY ROBBINS EMIGRATED FROM SOMERSET, ENGLAND IN LATE 1840'SBLACK AND WHITE COPY OF A PHOTOGRAPH OF BESSIE PICKFORD NEE ROBBINSlocal history, photography, photographs, mcintosh, robbins, pickford, donald cameron -
Clunes Museum
Photograph
THOMAS McINTOSH EMIGRATED FROM INVERNESS, SCOTLAND WITH HIS SISTER ELIZABETH AND COUSIN DONALD CAMERON FOUNDER OF CLUNES. THEY DROVE SHEEP TO VICTORIA FROM SYDNEY.BLACK AND WHITE PHOTOGRAPH COPY THOMAS McINTOSH IN HIGHLAND DRESS PLAYING HIS BAGPIPES.local history, photography, photographs, mcintosh, robbins, pickford, donald cameron -
Clunes Museum
Photograph
ELIZABETH EMIGRATED FROM INVERNESS SCOTLAND TO SYDNEY IN COMPANY WITH BROTHER THOMAS AND THEIR COUSIN DONALD CAMERON FOUNDER OF CLUNES.PHOTOGRAPH OF - FAMILY GROUP OF ELIZABETH ROBBINS NEE McINTOSH SEATEDlocal history, photography, photographs -
Clunes Museum
Domestic object - BOTTLE, JOHN HAIG & CO
BOTTLE WAS USED FOR SCOTCH WHISKY.CLEAR GLASS BOTTLE, TRIANGULAR SHAPE, DIMPLED SIDES WIRE COVER AN GOLD COLOURED SCREW CAP.DIMPLE [ON BASE:-JOHN HAIG & CO. LTD. SCOTLAND ]local history, domestic item, containers, -
Clunes Museum
Photograph - POSTCARD, PHOTOGRAPHER - ALEX GILLESPIE
COLOURED POSTCARD OF THE CLAN CAMERON MUSEUM, ACHNACARRY SPEAN BRIDGE, INVERNESS-SHIRE, SCOTLANDlocal history, document, postcard, cameron of clunes -
Clunes Museum
Administrative record - SIGNATURE BOOK
BOOK WAS USED TO RECORD SIGNATURES OF CUSTOMERS OF THE ENGLISH SCOTTISH &AUSTRALIAN BANK LIMITED, CLUNES BRANCH.BOOK, BANK, SIGNATURES, LEATHERETTE BOUNDON SPINE "SIGNATURE BOOK"local history, book, accounts, books, bank -
Clunes Museum
Domestic object - TEA CADDY
CONTAINER USED AS TEA CADDY AT CLUNES UNITING CHURCH.METAL - TIN CONTAINER. SCOTTISH DESIGN - TARTAN BACKGROUND WITH SCOTCHMEN DEMONSTRATING THEIR ATHLETIC ABILITY EG. SWORD DANCE, TOSSING THE CABER, CURLING ,PUTTING THE SHOT.local history, domestic item, food storage & preservation, churches - clunes uniting. -
Clunes Museum
Book, ANNE ROOKS, THE LOW ROAD: THE SPIRITS OF MY ANCESTORS KEPT CALLING ME BACK, 1998
RESEARCH INTO THE SCOTTISH HIGHLANDS CLEARING AND SUBSEQUENT SETTLEMENT IN AUSTRALIA IN THE 1800'SA DEDICATION TO THE DESCENDANTS OF THE SCOTTISH HIGHLANDERS AND ISLEMEN IN AUSTRALIA.non-fictionRESEARCH INTO THE SCOTTISH HIGHLANDS CLEARING AND SUBSEQUENT SETTLEMENT IN AUSTRALIA IN THE 1800'Slocal history, book, clan mcdonald -
Plutarch Project
English wooden ship model, Cutty Sark replica, circa 1997
This replica ship was modelled to exact scale by Denis Paraskevatos with the original basic kit enhanced by a large number of brass and mahogany wooden parts used and showing on two labels positioned at the base of the model. These replica parts were specifically designed and constructed by D. Paraskevatos with the help of his family. This model along a large number of others have been displayed at the Victorian Parliament for ten days from the 18th March 2002 (Queens Hall) to the 28th March 2002, and the Melbourne Town Hall from 19th to 27th August 2004. The history of the 65 meter British vessel named Cutty Sark is as follows: THE CUTTY SARK (history) The “Cutty Sark” was a British clipper ship, aptly named of course as a [clipper for its speed ], which was built in 1869 on the [river Clyde in Scotland ] by the Jock Willis Shipping Corporation. It was primarily used to transport tea from China to Great Britain, as well to a lesser extent later in its life, wool from Australia; however, with the advent of the steam engines and the creation also of the Suez Canal in 1869, its days of operation as a sailing vessel were numbered, as the steam ships were now prevailing as technologically advanced cargo carriers through the shorter route by the Suez Canal to China. In fact, within a few years of its operation, as its delegation in the tea industry was declining, it was assigned primarily the duty of transporting wool from Australia to England, but this activity was thwarted again by the steam ships, as they were enabled by their technologies to travel faster to Australia. Eventually, the “Cutty Sark” in 1895 was sold to a Portuguese company called “Ferreira and Co.”, where it continued to operate as a cargo ship until 1922, when it was purchased on that year by the retired sea captain Wilfred Dowman, who used it as a training ship in the town of Falmouth in Cornwall. After his death, the ship was conferred as a gesture of good will to the “Thames Nautical Training College” in Greenhithe in 1938, where it became an auxiliary cadet training ship, outliving its usefulness as a training vessel by 1954, and permanently [being dry docked in Greenwich, London, ] for public viewing. Of course, the “Cutty Sark” was not the only tea clipper constructed and owned by the Jock Willis Corporation, as there were others who were also used for the transportation of tea from China to Great Britain. Noteworthy additionally in its impressive resume is the fact that, the “Cutty Sark” was not only valued and admired for its speed, but also for its prestige that it afforded to its owners, [as media coverage was insatiable during a tea race that was regarded a national sporting event, with fiscal bets being placed on a predicted winning ship ]. Disappointingly, even though the English tea clippers were the best in the world at the time in terms of marine design, they had never won a tea race, and Jock Willis was certainly determined to achieve this goal, as the American clippers were considered the fastest in the tea trade. Nonetheless, the British clippers were proven to be formidable opponents to their American counterparts in the tea trade, when in 1868 a British tea clipper called [“Thermopylae”, managed to travel from the port of London to Melbourne, in only sixty one (61) days, which Jock Willis was hoping to improve on such a feat with the “Cutty Sark” ] . Remarkably, the maximum speed that the “Cutty Sark” could achieve was 17.5 knots in spite of the challenges of the unpredictable winds, if any at times, and the high seas or ferocious storms. Interestingly, [the “Cutty Sark’s” greatest recorded achievement in distance in twenty four (24) hours was three hundred and sixty three (363) nautical miles ], which meant that it was averaging approximately fifteen (15) knots; much faster obviously than the recorded twenty four (24) hour distance of the “Thermopylae” which had accomplished three hundred and fifty (358) nautical miles. .... ______________ -*- Please read the complete history of the Cutty Sark vessel by Maria Paraskevatos in one of the attachments provided with this exhibit. This model along with a large number of others was constructed by the Master craftsman Denis Paraskevatos, in Melbourne and has a historic, artistic significance because of the time and artist efforts in construction.The English Cutty Sark replica model is a wooden replica scaled at 1:25. The wood is mahogany and it is normally displayed in a glass covered enclosure. It has three masts and it is the largest vessel of Denis Paraskevatos collectionCUTTY SARK LONDONreplica, ship, art, model, cutty, sark, greek, artist, paraskevatos, παρασκευάτος, πανομοιότυπο -
National Wool Museum
Functional object - Wool Winder, pre. 1950
Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration -
Whitehorse Historical Society Inc.
Document, Mitcham Scottish Society Inc, 1987
... A Brief History of the Mitcham Scottish Society which.... A Brief History of the Mitcham Scottish Society which was founded ...A Brief History of the Mitcham Scottish Society which was founded 1 April, 1955.A Brief History of the Mitcham Scottish Society which was founded 1 April, 1955. First President Jim Watson. Soon after they incorporated a Pipe Band - The Pipe Band separated from the Society in the 1960's. This Band is now the Box Hill Pipe Band. Covering letter R.S. Hill. Includes list of office bearers: 1955 - 1988.A Brief History of the Mitcham Scottish Society which was founded 1 April, 1955. clubs and associations, mitcham scottish society inc., mitcham scottish society pipe band, watson, jim, box hill pipe band, hill, r.s. -
Whitehorse Historical Society Inc.
Letter - Correspondence, Nunawading Park Tennis Club, 1983
Letter to the editor, Nunawading Gazette, from Alan Macgillicuddy Figgis about the history of Nunawading Park Tennis Club formed 1919.Letter to the editor, Nunawading Gazette, from Alan Macgillicuddy Figgis about the history of Nunawading Park Tennis Club formed 1919. It was located corner of Canterbury and Middleborough Roads and is now incorporated in the R.H.L. Sparks Reserve. Alan was a foundation member of the club. Also describes his work with the E.S. & A. Bank pioneering agencies in the district.Letter to the editor, Nunawading Gazette, from Alan Macgillicuddy Figgis about the history of Nunawading Park Tennis Club formed 1919. tennis, nunawading park tennis club, figgis, alan, r.h.l. sparks reserve, banks, english, scottish and australian bank -
Whitehorse Historical Society Inc.
Document - Various including lists, letters, posters, Yvonne Fitzmaurice et al, Mitcham Scottish Society Inc. (1955-2020), Various starting from 1950's
... History of the Mitcham Scottish Society between 1955-2020... Mitcham melbourne History of the Mitcham Scottish Society between ...A history of the Mitcham Scottish Society (1955-2020) by Don Chitts and 3 pieces of artwork For the Society by Yvonne Fitzmaurice12 pages of various documents including lists, letters, posters and graphicsnon-fictionA history of the Mitcham Scottish Society (1955-2020) by Don Chitts and 3 pieces of artwork For the Society by Yvonne Fitzmauricemitcham scottish society, fitzmaurice malcolm, fitzmaurice yvonne, mitcham scottish dancing society, mitcham scottish society pipe band -
Rutherglen Historical Society
Pamphlet, 1981 (Exact)
This pamphlet describes the book, with a mail order section.Pamphlet, foolscap, folded in three, printed both sides, advertising a book "The History of Rutherglen and East Kilbride" by David Ure, A.M. 1793, with drawing of Seal of Rutherglen on front. Part of a set of information on Rutherglen, Scotland.glasgow, rutherglen scotland -
Rutherglen Historical Society
Photograph - Image, 2017
These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt -
Rutherglen Historical Society
Photograph - Image, 2017
These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt -
Rutherglen Historical Society
Photograph - Image, 2017
These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt -
Unions Ballarat
Journal of Australasian mining history 2006, Australian Mining History Association, 2006
Periodical/journal: "Embracing all aspects of mining history, mining archaeology and heritage." Articles by various contributors includes topics around mining history: Keelbottom Freehold Copper Mines Cornish, Scottish and Australian copper mining Moonta OH&S Emuford Battery Copper mining - Northern Territory Thames Miners Union Blackwater gold mine - New Zealand Burra St Wells Tin Mine Relevant to Australian and New Zealand history, particularly around miners and mining.Paperback. Front cover: crème coloured background; black and white photo; red and black lettering; 200 pages.Front cover: title and publisher.btlc, ballarat trades and labour council, ballarat trades hall, history - mining, moonta mines, blackwater gold mine, mining - copper, keelbottom freehold copper mines, oh&s, emuford battery, thames miners union, burra, st wells tin mine -
Unions Ballarat
Oliver Cromwell (Don Woodward Collection), Buchan, John, 1941
This book is a history intended to set the record straight about Cromwell. The book is also an account of Cromwell's boyhood. Oliver Cromwell was an English military officer and political leader. He was Lord Protector of the Commonwealth of England, Scotland, and Ireland. Cromwell lived from 1599 to 1658. History of the United Kingdom and biographical interest.Book; 459 pages. Cover: red background; gold lettering; author's name and title on the spine.Inside cover: "Sheilagh Butler" in black ink.btlc, ballarat trades hall, ballarat trades and labour council, cromwell, oliver, politics and government - united kingdom, military - united kingdom, history - united kingdom, biography -
Ballarat Heritage Services
Pamphlet, Rosslyn Chapel, nd
Rosslyn Chapel is part of a larger complex. "In 1446 William St Clair founded the Chapel to spread intellectual and spiritual knowledge" ... Oliver Cromwell's troops sacked the Chapel in 1650. "Excavations in the 1800s uncovered foundations stretching a further 30 metres beyond the west end of the Chapel". Conservation work was undertaken in the 1950s. The Chapel was made famous as a source of the Da Vinci Code in the popular Dan Brown novel of the same name.Historically significant building with many connections to stonemasonry. The apprentice column is a magnificently carved post inside the Chapel.Folding pamphlet with colour illustrations, plan and history of Rosslyn.chapel, rosslyn, rosslyn chapel, scotland, freemasons, knight templars, st clair, gargoyles, mason's marks, mason, stonemason -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1996
Black and white photograph showing RSL piper Norm Bottomly dressed in Scottish dress blowing his pipes Lakes Entrance Victoriareturn soldiers league -
Ballarat and District Irish Association
Image, Michael Davitt
Michael Davitt was born in Straide, County Mayo, on March 25th 1846 at the height of the Great Famine. He was the second of five children born to Martin and Catherine Davitt. At the tender age of four Michael and his family were evicted from their home and forced to emigrate to Haslingden, Lancashire, England. At the age of eleven while working in a cotton mill, Davitt had his arm so badly maimed in an accident that it had to be amputated. At sixteen, while working for the local postmaster, he began evening classes in Irish history at the Mechanic's Institute. It was at this time that his thoughts began to turn to politics and he joined the Fenian movement in England. The Fenians Joining the Fenians in 1865 he rose through the ranks to become organising secretary for England and Scotland but was arrested in 1870 for arms smuggling and sentenced to fifteen years penal servitude. After seven years he was released on a ticket of leave.(http://www.museumsofmayo.com/davitt1.htm, accessed 21 January 2014)Images of a bearded man known as Michael Davitt. He is writing at a large table in a large room with chandelier. ballarat irish, davitt, michael davitt