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Glenelg Shire Council Cultural Collection
Functional object - Stoneware Inkwell, Inkwell, n.d
Small round inkwell, short neck with rolled lip. -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Astroloma pinifolium (Pine Heath), 1972
Part of "Woolcock Gallery Collection" exhibition 1989, CEMA.Drawing of cuttings and flower and foliage details of plant with brown stem, narrow green leaves and green and yellow flowers. Eight drawings including one cutting with green foliage and four flowers, two flower details (one side view and one above view) two long leaf details, two details of buds and one detail of a stem with five leaves. The work is mounted on apricot and white matts. Framed in gold and grey-green frame with glass glazing.Front: CEW/72 (green pencil, below stem) Pine Heath (lower left) 45 (lower right, erased) Back: 4 (upper left) -
Glenelg Shire Council Cultural Collection
Functional object - Oars, n.d
PORT OF PORTLAND COLLECTION. Provenance unknown, believed to be from the 2nd Portland Lifeboat. Research required.STEERING OARS (2) wooden, stained shaft, blade painted white, leather rowlock protection - tacked to shaft. Believed to be from the 2nd Portland life boat (1915) -
Glenelg Shire Council Cultural Collection
Painting, Ina Watson, Miss Beauvaise's Cottage, 1967
CEMA Art Collection Previously located in History HouseThe painting depicts a small building surrounded by trees and shrubs. The building is completed in shades of white and grey with green window frames and door, and a pink/orange roof. Behind this is a partial view of another small building depicted in shades of pink. Surrounding the buildings are shrubs and trees of various shapes and sizes. The shrubs in the foreground are completed in various shades of green, yellow and pink. The work is unframed and glued to a piece of faded blue cardboard.Front: I. Watson '67 (yellow paint, bottom right corner) Back: Green label: Artist: Ina Watson 3 Palmer Street Portland Vic 3305 Title: Miss Beauvaise's Cottage (where Darby & Joan flat's now stand) Yellow Sticker: 3021 Yellow Sticker: 8 1999 written in pencilcema -
Glenelg Shire Council Cultural Collection
Tool - Whaling Spade, n.d
Part of the collection purchased from Brendan Kurtze by the City of Portland. From the Kurtze Museum. Spades were used primarily for cutting up a whale. They were flat-bladed implements (except the gouge spade) with a chisel cutting edge and were mounted on wood poles by means of a socket at the aft end of the spade. The blades of later spades, after the 1850's, were usually made of cast steel, while the sockets and shanks were wrought iron. Cast steel held a cutting edge far better than the earlier wrought iron, and was necessary for repeated cutting. The sockets of spades were forge welded closed, without an open seam, for added strength. They were secured to the pole with a nail, screw or pinWhaling implement, iron, painted gloss black. Flat blade and handle sleeve on either end of shaft, no handle. Spades were used primarily for cutting up a whale. They were flat-bladed implements (except the gouge spade) with a chisel cutting edge and were mounted on wood poles by means of a socket at the aft end of the spade. The blades of later spades, after the 1850's, were usually made of cast steel, while the sockets and shanks were wrought iron. Cast steel held a cutting edge far better than the earlier wrought iron, and was necessary for repeated cutting. The sockets of spades were forge welded closed, without an open seam, for added strength. They were secured to the pole with a nail, screw or pinkurtze museum, whaling, tools, industry, maritime -
Glenelg Shire Council Cultural Collection
Print, Angela Gee, Old Lady, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens.Front: 8/ 37 A Gee Back: 19 -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, 1970s
Fishing lure. White feathers covering shank of hook, cylindrical lead 'head', painted white, 2 'eyes' painted, red and black. -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Glycine clandestina (Twining glycine), 1970-1990
Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAFlower study with detailed views. View on left is of a stem of two entwined pale green tin stalks, with three-leafed stems coming from it, flower buds, flowers and a seed pod. Views on right are details of (top-bottom): a blue flower (top view), two leaves, a seed, and three views of flower emerging from purple sepals. View labled in pencil and with typed letters on paper glued to surface of image. Mounted in a double matt (grey on pale blue) in wooden frame with gold and blue paint.Front: Glycine clandestina (lower left) (pencil) Back: 75 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, 1970s
Fishing lure. Grey feathers covering shank of hook, lead 'head' painted grey and white. -
Glenelg Shire Council Cultural Collection
Print, John Neeson, Fire in the Forest, 1973
John Neeson is a Postwar & Contemporary painter who was born in 1948. Numerous key galleries and museums such as Hill Smith Gallery have featured John Neeson's work in the past.Abstract composition in two panels. Left panel shows areas of three shades of grey. Right panel shows areas of grey, red and yellow. The centre image connects both panels with a triangular shape with red patterning, giving an appearance of flame and embers. Mounted in grey matt. In grey wooden frame with glass.Front: 1/25 (lower left) 73 (centre) John Neeson (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Medal, Stokes and Martin, Portland Golden Jubilee Medal, 1884
Medal issued to commemorate the 50th anniversary of Edward Henty's arrival in Portland, Victoria. Edward Henty was born in England in 1809 and migrated to Australia, as did his parents and brothers, in 1829. On 19 November 1834 he sailed from Launceston in the Hentys' own schooner, the Thistle, with stock and a small party. His brother Francis followed the next month with a small flock of merino sheep, the first in Victoria. The Henty brothers began whaling at Portland Bay and took their flocks and herds inland to the rich area on the Wannon River. In the 1840s they were eventually granted pre-emptive rights over most of their lands. Henty was known as a capable and energetic man and regarded as the chief actor in the early history of Portland Bay. He and his wife Anne Marie Gallie moved to Muntham, a 60,000-acre property that became widely known for its merino sheep and Durham cattle. It was also known for its extravagant hospitality - to which Henty's social ambition and vanity contributed considerably. This extravagance and Henty's obstinacy eventually led to the degradation of the flocks. Henty lived in Portland and in his Melbourne mansion, Offington, while he served as a member of the Victoria Legislative Assembly. He died on 14 August 1878Portland Jubilee Medal, 1884. White metal, circular, holed at top as issued. One side features portrait of Edward Henty and text 'HENTY JUBILEE / PORTLAND / 19 NOV 1884' on the other side. -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Cymbonotus preissianus (Austral Bear's Ears); Centipeda minima (Spreading Sneezweed). Centipeda cunninghamii (Common Sneezeweed), 1970-1990
Part of "Woolcock Gallery Collection" Exhibition, CEMA, 1989.Three plant studies. At top of page is a study of a broad-leafed stem, with eight leaves and two flowers. On the right of this study are two pen and ink views of flower buds. Below in page centre is a plant with many small leaves and multiple stems. There are many small round flowers. On left of study are a flower, bud and leaf study. On the right there are two bud studies, one flowering stem study and one leaf study.Front: Cymbonotus preissianus (Austral Bear's Ears). Centipeda minima (Spreading Sneezeweed). " cunninghamii (lower left) (pencil) Back: 26 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Craft - Lifeboat, Portland Lifeboat, n.d
Port of Portland Collection. Cradle reduced in width when moved to Maritime Discovery Centre October 98 Portland LifeboatWooden lifeboat resting on cradle. Blue gun-whales and rowers' seats, canvas buoyancy covers, white hull, grey below water line, white top sides. Boat supported by chine stringer port, starboard held by 4 steel props, keel rests on cradle. -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Craspedia glauca (uniflora) (Common Billy-button). Craspedia pleiocephala (Soft Billy-button), 1985
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings and flower details of two plants with green stem, yellow flower and long green leaves. Nine drawings including (left-right) one brown and green detail, one yellow and pencil flower detail, a cutting of plant with a tall yellow flower and green foliage at base of stem, two flower details in pencil (one with yellow), a cutting with yellow flower and green foliage at base, two flower details in yellow and one detail in green and yellow. The work is mounted in a double matt (pale grey on apricaot) and framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Craspedia glauca (uniflora) (Common Billy-button) " pleiocephala (Soft " ") (lower left) (pencil) Back: 23 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Photograph, Casterton High School, c. 1963
SOURCED FROM CASTERTON TOWN HALL (FORMER SHIRE OF GLENELG)Black and white photo of Casterton High School, different view from 7158Back: Black stamp '001520'casterton, casterton high school -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Correa alba (White Correa), n.d
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Functional object - Hook Extractor, Fishing Hook Extractor, n.d
Red plastic fish hook extractor. Round shafted, fluted both ends - one larger than the other.Back: 'CAPSTAN HOOK EXTRACTOR' - embossed on one side -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Bossiaea heterophylla (Variable Bossiaea), 1976
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Pencil study of a flowering plant, with details of flowers, leaves and seeds. Study on lower left is of a leaf and stem. Above this is a seed. To the right is a stem with leaves and seven red and orange flowers. On the top right is a study of a flower with yellow petals and red-orange centre. Below this is another flower detail with red-orange petals with yellow edges. Below this is a side view of a flower. Below these are seed studies, and a seed pod study, Mounted in a double matt (tan on olive) in glazed timber frame. Each view is numbered in pencil (partially erased).Front: CEWoolcock (signature, lower left of image) (purple pencil) Back: 76 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Plaque, Bronze Plaque, 1950s
Port of Portland CollectionBronze Plaque. Inscribed.Front: 'Portland Harbour Trust Commissioners, 1950' 'The construction of Portland Harbour commenced at this point November 1952'. Back: - -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Epacris lanuginosa (Woolly-style Heath), 1970-1990
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a cutting and flower heads of a plant with brown stem, green long and narrow foliage and star-shaped flowers in clusters. Seven drawings, including one branch with flowers and foliage, two white and brown flower heads (side view), one star-shaped flower head (above view), one detail of flower stamen and two leaf details. The work is mounted in a double matt (pale grey on apricot) and framed under glass in a gold and grey-green frame.Front: Epacris lanuginosa Woolly-style Heath (lower left) (pencil) Back: 7 (upper left) (pen)collin woolcock, botanical, cema -
Glenelg Shire Council Cultural Collection
Functional object - Anchor Stock, n.d
Donated by John Edgar? John Francis? Found on Whites Beach? 1990's?Iron anchor stock, ball shaped ends peril at mid point. Curved 120mm off centre, surface incrustations. The stock ensures that the arms rest vertically on the seabed, and thus one fluke will dig itself in, providing maximum holding power. This type, with its two flukes and its stock at right angles, remained the basic anchor for many centuries. -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Swainsona phacoides (Dwarf Swainson Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Bedfordia Arborescens (Blanket Leaf), 1970-1990
Part of 'The Woolcock Galery Collection" Exhibited CEMA 1989.Pen and ink drawing of stem with many large rippled leaves, with dark upper sides and paler undersides. Stem has small hairs. At mid-stem are two branched stems with multiple flowers with small heads and large sepals. Work is mounted in double matt (white on grey), framed in a wooden frame with silver edging, under glass.Front: Bedfordia arborescens (Blanket Leaf) (lower left) (pencil). Back: 34 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Souvenir - Pendant, Whale Pendant, c. 1981
To commemorate the 150th Anniversary of Portland. 1834 - 1894Sterling silver whale pendant in blue plastic box. Inside box lid 'Portland's 150th Anniversary 1834-1984'. Pendant on blue ribbon. Whale design taken from Portland's 150th logo - stylised whale within a triangle shape. Box includes a small description card. - see 'Other Information'.Back: Silver markanniversary of portland 1834 to 1984 -
Glenelg Shire Council Cultural Collection
Print, Nancy Malseed, Bird Trip, 1973
UnknownThree separate images of birds. Top image is six large abstract birds with 12 birds in background (upper centre). Centre panel contains 3 birds in flight, brown against a grey background. Lower panel contains 3 walking birds, black and white against a brown background. Mounted in a dark green matt, in a black wooden frame with glass glazing.Front: 3/20 Etching and roll-up (lower left) "Bird Trip (centre) N. M. Malseed (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Functional object - Hook Extractor, Fishing Hook Extractor, n.d
Blue plastic hook extractor. Four bladed handle, double blade each end, one larger than the other.Back: 'AUSTIPLAS FISH HOOK DISGORGER' - embossed on side -
Glenelg Shire Council Cultural Collection
Print, Lesbia Thorpe, Tropical Fish No.2, 1966
CEMA Art collection Winner of 1966 Portland Artists Society Art Prize for the category of Any other mediumThis print depicts a large fish completed in black and brown on a pink background. The fish is portrayed from a side view and has a large body, small tail and blue eye. Predominately pink, the background features smaller areas of black, purple and brown. The work has a natural wood frame with grey mount and glass.Front: TROPICAL FISH (2) 4/10 LT (orange paint, lower left) LESBIA THORPE__________________.(along bottom, pencil) Back: TROPICAL FISH No 2 ) LESBIA THORPE ) FLAT 5 10 FORDHAM AVE )Handwritten, black ink CAMBERWELL VIC ) $23 unframed ) Typed: LESBIA THORPE "TROPICAL FISH No.2" (1966) Yellow sticker: 1966 Red sticker: 10cema, portland artists society -
Glenelg Shire Council Cultural Collection
Domestic object - Sugar Bowl & Lid, Royal Stafford, English bone china, Sugar bowl and lid, n.d
Bone china sugar bowl and lidBack: Base: Makers stamp 'Royal Stafford English Bone China Made in England' -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, 1970s
Fishing lure. Black horsehair covering shank of hook. Black painted lead 'head'.fishing -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Helichrysum paralium (Coast Everlasting). Helichrysum secundiflorum (Cascade Everlasting). Helichrysum thyrsoideum (Sticky Everlasting), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings of a plants with different views and details. Two larger views depict stems with flowers and leaves. These are at the top and the bottom of the image, with the lower stem showing more base of the florettes. Six different views of leaves, three floew details and a smaller stem study accompany the larger studies. The work is mounted in a double matt (off-white on grey) and framed under glass in a wooden frame with silver-paint.Front: Hel. secundiflorum (Cascade Everlasting) " paralium (Coast " ) ~ " thyrsoideum (Sticky " ) (lower left) (pencil) Back: 29 (upper left) (pen)cema, botanical, collin woolcock