Selection of songs recorded from Carols by Candlelight concerts between 1991 and 1995.1 CD with 13 songs and bookletcarols by candlelight, debra byrne, robertson brothers, julie anthony, lee kernaghan, sylvie palladino, james morrison, peter cupples, suzanne johnston, denis walter, marina prior, tommy emmanuel, terry gill

Selection of songs recorded from Carols by Candlelight concerts.1 CD with 13 songs and bookletcarols by candlelight, debra byrne, robertson brothers, lee kernaghan, peter cupples, tommy emmanuel, terry gill, michael cormick, rhonda burchmore, hugh jackman, kate ceberano, tania kernaghan, past to present

Audio version of the 2008 Vision Australia Carols by Candlelight official souvenir program1 CD with 26 trackscarols by candlelight, cecily polson

Audio version of the 2012 Vision Australia Carols by Candlelight official souvenir program1 CD with 17 trackscarols by candlelight, julie houghton, james wright

On November 25, 2005, a time capsule was buried at Vision Australia's head office in Kooyong. As part of the contents, these interviews were put on CD and placed inside the capsule. The capsule is designated to be opened in 2066, to celebrate 200 years of providing services to people who are blind or vision impaired. NSW clients and staff were asked what their life was like now and what they hoped would happen by 2066.1 CD with 30 sound filesvision australia, time capsule, david 'geordie' mcburnie, gerard menses, jane ellis, christine cummins, robyn whitelock, luisa ferranato, david woodbridge, russell dines, marion jones, gillian true, marina ipaviz, paul chand, vanessa spark, graeme innes, nick gleeson

The Edison Fireside Phonograph Combination Type A model phonograph was an open horn model. This machine was produced around 1909, just after the introduction of 4-minute record cylinders in 1908.; the selection lever on the front was either 4 or 2-minute choice. This Fireside model has a fluted octagonal horn that attaches to the reproducer on the machine and is suspended by on ring by a horn crane attachment. The phonograph machine is powered purely by mechanical means, winding the crank handle on the side of the machine to start the belt-driven, spring-loaded motor inside. The sound comes from a pre-recorded, vertical cut record cylinder, which slides over the Mandle, a smooth rotating drum. The reproducer, an all-in-one needle, amplifier and speaker, is lowered onto the cylinder, the needle picks up the sound and plays it on the speaker and the attached horn amplifies the sound. The phonograph machine was invented by Thomas Alva Edison in the late 19th century. Edison adopted the idea from the technology of the telegraph machine. He patented the phonograph in early 1878. It was able to record sound and play it back. This amazing invention opened up a whole new world of entertainment, where wax cylinders of pre-recorded sound could be purchased with a wide variety of music and played over and over. The first wax cylinders were white and used a combination of bees' wax and animal fax or tallow. By 1892 Edison was using 'brown wax' cylinders that ranged from cream through to dark brown. The Edison Phonograph Company was formed in 1887 to produce these machines. He sold the company in 1855 to the North American Phonograph Company but bought that company in 1890. He then started the Edison Spring Motor factory in 1895, and the National Phonograph Company in 1896. In 1910 the company became Thomas A. Edison Inc. In 1898 Edison produced the Edison Standard Phonograph, the first phonograph to carry his own trade mark. He began mass producing duplicate copies of his wax cylinders in 1901 using moulds instead of engraving the cylinders. The wax was black and harder than the brown wax. The ends of the cylinders were bevelled so that the title's label could be added. The last phonograph machine to use an external open horn was produced in 1912 due to the much more robust round records being invented. In 1913 Edison started producing the Edison Disc Phonograph. The company stopped trading in 1929.This Edison Fireside Phonograph model is significant for being one of the last models to have an external horn. It is also significant for its connection with the invention of the phonograph, which made music and sound available for domestic enjoyment. It was used for entertainment and education, even teaching languages. It signalled a new era of music that could be reproduced and played anywhere. It is also significant for its short time span of popularity, just a few decades, due to the growing use of records, which gave a much higher quality sound and were more robust.Phonograph; Edison Fireside Phonograph, Combination Type, Model A. It is in a wooden case with a domed lid, metal catches on each side and a folding wooden handle. It has a metal drum and a reproducer mechanism. The metal and wood crank handle starts the machine’s motor. A sliding lever at the front selects the speed for four- or two-minute cylinders. The inscribed plate has the maker, serial number, patents and other information. The reproducer also has an inscription. It has a curved metal open horn attachment. Made in Orange, New Jersey in c.1909. NOTE: the fluted octagonal horn is catalogued separately.Case front, in script, Edison’s early ‘banner’ decal “Edison” On the front of the machine “Thomas A Edison TRADE MARK” On the maker’s plate; "Edison Fireside Phonograph Combination Type" Serial number “14718” Around sound outlet; “C 4076” “REPRODUCER LICENCED FOR USE ONLY ON EDISON PHOTOGRAPHS SOLD BYT.A. EDISON INC.” At the front edge “4 MINUTES 2flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, gramophone, phonograph, music player, entertainment, audio equipment, edison, thomas a edison, horn, phonograph horn, amplifier, audio, sound recording, sound playback, phonograph machine, phonograph cylinder, external horn, edison phonograph company, wax cylinders, sound reproduction, edison spring motor factory, national phonograph company, thomas a. edison inc, crank-operated motor, open horn phonograph, 4 speed, 2 speed

This external horn is part of an Edison Fireside Phonograph made in c.1909. The horn was attached to the machine when in use. The rings on the side of the horn allowed the horn to be suspended above the machine. The narrow opening on the horn was attached to the sound outlet on the machine and the conical shape of the horn amplified the sound. The horn was suspended to allow a clear sound. This was done by attaching the ring fitted to the outside of the horn to a chain or chord, which in turn was attached to a curved wire fitted to the phonograph machine. The phonograph machine was invented by Thomas Alva Edison in the late 19th century. Edison adapted the idea used when sending messages over a telegraph machine. He patented the phonograph in early 1878. The phonograph was able to record sound and play it back sound. This amazing invention opened up a whole new world of entertainments, where wax cylinders of pre-recorded sound could be purchased with a wide variety of music and played over and over. The first wax cylinders were white and used a combination of bees' wax and animal fax or tallow. By 1892 Edison was using 'brown wax' cylinders that ranged from cream through to dark brown. The Edison Phonograph Company was formed in 1887 to produce these machines. He sold the company in 1855 to the North American Phonograph Company but bought that company in 1890. He started the Edison Spring Motor factory in 1895 and then the National Phonograph Company in 1896. In 1910 the company became Thomas A. Edison Inc. In 1898 Edison produced the Edison Standard Phonograph, the first phonograph to carry his own trade mark. He began mass producing duplicate copies of his wax cylinders in 1901 using moulds instead of engraving the cylinders. The wax was black and harder than the brown wax. The ends of the cylinders were bevelled so that the title's label could be added. The last phonograph machine to use an external horn was produced in 1912 due to the much more robust records being invented. In 1913 Edison started producing the Edison Disc Phonograph. The company stopped trading in 1929. [NOTE: a phonograph machine plays cylinders, a gramophone plays records]This Edison external phonograph horn is significant for its connection to the c.1909 Edison Fireside phonograph model. The phonograph machine brought a new era of music into the homes of everyday people but was only popular for a few decades due to the growing popularity of records, which gave a much higher quality sound and were more robust.Phonograph horn; open horn, a conical shape with the lower part flaring out. The horn's shape on the opening half is octagonal, made from eight joined sheets of metal with a scalloped finish at the opening. The narrow end is hollow and ready to fit onto a phonograph outlet. There are two rings attached together on the side of the horn, perhaps for storing on a hook. The inner surface of the horn has remnants of deep red paint. This horn is from the Edison Fireside phonograph. (There is a mark on the outside of the horn where the Edison brand would be)flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, gramophone, phonograph, music player, entertainment, audio equipment, edison, thomas a edison, horn, phonograph horn, amplifier, audio, sound recording, sound playback, phonograph machine, external horn, edison phonograph company, wax cylinders, edison spring motor factory, national phonograph company, thomas a. edison inc, phonographic cylinder, sound reproduction

Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" , these hollow cylindrical objects have an audio recording engraved on the outside surface, which can be reproduced when they are played on a mechanical cylinder phonograph. The "Gold-Moulded" process was developed in 1902 and involved creating a metal mould from a wax master; a brown wax blank would be placed inside and heated . as the blank expanded, the grooves would be pressed into the blank which would then be cooled. The "gold" is derived from the traces of that metal used as a conductive agent in the initial mould. "Whistler and his Dog" was performed by the Edison Military Band.Edison Records was one of the earliest record labels which pioneered sound recording and reproduction and was important in the early recording industry. Gold Moulded records used a process that Edison had developed, that allowed a mould to be made from a master cylinder which then permitted the production of several hundred cylinders to be made from the mould. Previously cylinders were recorded live or by hooking two machine together to copy from one cylinder to another, and they used softer brown wax which wore out in as few as twenty playings. Gold Moulded Records were discontinued in 1912.A cardboard cylindrical record container. It is an Edison Gold Moulded Record container. The label has red and gold print and a photo Thomas A. Edison.Hand-written on lid - Whistler & His Dogedison-gold-moulded-cylinders sound-recording records

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.La Traviata. Opera in 3 acts by Verdi. LP 33RPM vinyl, Catalogue Number: SMS2353A, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design H. Raynor. Conductor Gianfranco Rivoli: Chorus and orchestra Vienna State Operalp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Readings from the bible. Selections from the old and new testaments. LP 33RPM vinyl, Catalogue Number: POL 011, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design H. Raynor. Brin Newton-Johnlp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Parade de Printemps. LP 33RPM vinyl, Catalogue Number: TPL 91006, Record cover, paper sleeve, 1 vinyl disk. Cover notes, no author listed. Robert Stoltz, Bernard Sinclair, Claudine Granger, Marina Florence, Henri Murge. Director: Jean Doussardlp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera. As Penleigh Boyd wrote in his obituary to his mother: "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the Board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a Life Member and former President of the National Gallery of Victoria Women's Association." Maria Callas sings great arias from French operas. LP 33RPM vinyl, Catalogue Number: SAXO-2410, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Andrew Porter. Cover photo: Luc Fournol, Jours de France. Maria Callas. Conductor: Georges Petre, Orchestra National de la RTFlp, sound recording, opera, ohm2022, ohm2022_9

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Operatic Highlights Die Fledermaus (Johan Strauss). LP 33RPM vinyl, Catalogue Number: LXT 2576, Record cover, no sleeve, 1 vinyl disk. Cover notes, no author listed. Johan Strauss, Conductor: Clemens Krauss, Vienna State Opera and Choruslp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Dimitri Schostakowitsch Sinfonie Nr. 5 op 47. LP 33RPM vinyl, Catalogue Number: 138031, Record cover, Paper sleeve, 1 vinyl disk. Cover notes, no author listed. Dimitri Schostakowitsch, Conductor: Witold Rowicki, Sinfonie-Orschester der Nationalen Philharmonie Warschaulp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The fabulous Victoria de los Angeles. LP 33RPM vinyl, Catalogue Number: WRC S/4838, Record cover, Plastic sleeve, 1 vinyl disk, paper Lyric pamphlet. Cover notes, J.D. Bicknell. Victoria de los Angeles Piano: Gerald Moore.lp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.That was the year that was. LP 33RPM vinyl, Catalogue Number: R-6179, Record cover, Paper sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design: Eric Martin. Tom Lehrer.lp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Operatic arias. LP 33RPM vinyl, Catalogue Number: SXLA2159, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Gordon Stewart. Joan Sutherland. Conductor: Nello Santi. Paris Conservatoire Orchestra.57/6lp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Joan Sutherland Luciano Pavarotti Operatic Duets. LP 33RPM vinyl, Catalogue Number: SXL 6828, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Jon Perrin Cover photo: Christian Steiner. Joan Sutherland, Luciano Pavarotti. Conductor: Richard Bonynge, National Philharmonic Orchestra, London Opera Chorus (Chorus master Terry Edwards), Jacquelyn Fugelle, soprano; Elizabeth Cornell, mezzo-soprano.lp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Robert Stolz dirigert Melodien von Robert Stoltz. LP 33RPM vinyl, Catalogue Number: 111157.4511157.9, Record cover, Paper sleeve, 1 vinyl disk. No cover notes. Robert Stoltz, Die Weiner Symphoniker.lp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.January the twenty sixth. LP 33RPM vinyl, Plastic sleeve, 1 vinyl disc, cover notes, no author listed. Selections from historical recordings by arrangement with the ABC. Musical direction by Hector Crawford (orchestra). Drama direction by Dorothy and Ian Crawford. With special guest Lana Cantrell.lp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Kiss Me, Kate. LP 33RPM vinyl, Catalogue Number: STAO 1267, Double layout cover 1 vinyl disc, inside cover notes by Miles Kreuger. Cole Porter, Orchestra and chorus conducted by Pembroke Davenport.lp, sound recording