In the collection re Capt R.A. Hanson VX111070, refer cat No 5646.3P for his service details.Map, Port Moresby area, colour, detailed, scale 1" - 1 mile, first Edition.In red, "1:63360 Standard series New Guinea, Port Moresby"map, new guinea, port moresby

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.""For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Checked blanket, pink, blue and creamPhysician/Standard Chillproof/Pure Wool Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Blanket labels for Physician blankets.Red text and red and black image of woman lying in bed (printed) on white background. 'Holes' around edges used for stitching onto blankets.Physician standard chill-proof pure wool blanket made in Australiaweaving, collins bros mill pty ltd

Standard sympathy cards sent by family acknowledging the loss of their sons killed during World War OneStandard sympathy cards sent by parents acknowledging letters of sympathy sent to them on the loss of their sons.2 Cards and one envelope stuck to white a4 paperEnvelope Addressed to Mrs J MC Intyre Elcho Lara Australia, includes a one penny stamp. Two standard printed Cards " Thanking you for your kind Sympathy ........." . One card from Mr. and Mrs. Lodge for the loss of their son Corporal James A lodge ( France March 26 1917) Little River and the other from Mr. and Mrs. J Duggan Lara on the loss of their son Private Horace James Duggan. (France 27th March 1918) For God, King and Country with the Australian and English flag.

This letter was written by Henry Davis, editor of the Warrnambool Standard, to Joseph Archibald, curator of the Warrnambool Museum. Dated 11 October 1883, it refers to Davis’s recovery of a saturated volume of ‘Longfellow’s Poems’ from the sea at Loch Ard Gorge. The retrieval of this book, and its possible connection with one of the survivors from the LOCH ARD shipwreck in 1878, prompted Archibald’s letter of 1 December 1883 to Eva Carmichael, and Eva’s reply of 21 January 1884 (No, it was not her book). Miss Carmichael’s reply to Archibald’s inquiry (2290.4) and the water-damaged book itself (541) are both in the Flagstaff Hill collection along with this letter from Davis, which connects the two. The Davis letter reads: “Dear Sir, ― This book was found by me in the waves which broke on the sands [….] the Gorge where Tom Pearce rescued Miss Carmichael after the wreck of the ill-fated ‘Loch Ard’. I ran in with the receding waves and picked up the soddened volume, and, coincidentally, the first illustrations that met my gaze, on parting its dripping pages, was that portraying the fair maiden in the ‘Wreck of the [Hersperus’.] On the Bluff, 200 feet above me, were the dead forms of Mrs and one of the Misses Carmichael, whilst [by] them, stiff and [….] were two gentlemen passengers [by] the wreck[ed] [v]essel]. Having just left them before [….] [my] capture in the Gorge, you may imagine [m]y feelings on alighting upon, under such circumstances, Longfellow’s beautiful and sympathetic poem. Yours truly, H.W. Davis.” The book referred to here is The Poetical Works of Henry Wadsworth Longfellow, 1877, Nimmo, London. It is on display under glass in the Great Circle Gallery at the Maritime Village, alongside a typed transcript of the Davis letter. A 1996 audit of the rare book collection at Flagstaff Hill notes: “Inscribed ‘Loch Ard June 1 1878’ in pencil within ― believed to be a salvage from the shipwreck”. The letter is connected to the salvaged items from the 1878 LOCH ARD shipwreck, which is of State significance ― Victorian Heritage Number S417Letter from H. Davis, editor of the Warrnambool Standard, to J. Archibald, curator of the Warrnambool Museum. It was handwritten in ink on “Standard Office, Warrnambool” letterhead note paper, and dated 11 October 1883. The cursive script appears carelessly written and the original single sheet of paper is in poor condition (torn and creased). At some stage the original document has been backed with stiff cardboard and then sealed in a clear plastic cover.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch ard, longfellow’s poems, eva carmichael, joseph archibald, henry davis, warrnambool standard

Standard issue slouch hat. Leather liner, leather chin strap. R.A.C.T. Badge on upturned brim.slouch hat, ract, passchendaele barracks trust

This was a covering letter sent to Edgar Rowllings in 1922 regarding his medals awarded to him for his service in the British Merchant navy during WWI.This cover letter, sent in 1922, was to Edgar Rowllings who served in the British Merchant Navy.Standard template letter sent in 1922 by the Board of Trade, London SE1 to Merchant Seaman Edgar Rowllings.Stamp for the National Scheme for Disabled Men merchant navy, marine department (war medals branch), edgar rowllings, national scheme for disabled men

This item was designed to be worn with an academic gown, and was possibly worn by FJ Browne at University of Edinburgh.Hooded academic cape, with attachment for a standard academic gown. Red wool with grey grosgrain silk lining. browne fj, clothing

Laminated letter to Mr. Tremellen stating that he has met the standards required and therefore 'fit for service'.Registration No. 2005862national service - australia

Article from Nunawading Standard, 19 August 1981 on the retirement of Johnny Lauder, curator at Vermont Reserve.vermont reserve, parks and reserves, launder, johnny

00513.1 Royal Northumberland Fusiliers 00513.2 The Welsh Regt 00513.3The Middlesex Regt 00513.4 Royal Standards

18 pounder shell casing. Dated 5/1915. (non standard rim around top of case).ammunition, ww1, army

The rug hung in the boardroom at the Brintons Carpet premises/factory at Fellmongers Road, Breakwater. Acquired on closure of factory.W7199 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Labore Vinces Brintons Carpets/Special Enquiry Prepared for/Ref. No 15/2878 for Aurora/Quality colours in trial/standard/non standard/Design and colour sample does not represent qualitytextile art, brintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), carpet

Red helmet, very worn. Holder on front of the Helmet for fitting light a detachable light. Ridges in top of Helmet. Vents at either side. Adjustable fittings inside. No manufacturing name Australian Standards Sticker inside. Sticker with Name Jim E. helmet, safety equipment

Black helmet with adjustable head fittings inside made of leather and Cotton tape. Thin cord threaded through the top of helmet to hold head the fittings. Very worn. Smooth surface. No manufacturing name. Australian Standards Sticker inside. Name on label Jim E. helmets, safety equipment

Container for the display of Millers productsImported and sold by Holden and FrostWooden box with a sliding lid with inscription and horses on front"The standard of the world" Frank Miller Harness Dressing plus imprint of four horseswooden, box

Mr Perkins joined the police force in his early twenties and apart from an 18-month posting in Melbourne, spent the rest of his career serving communities in country Victoria. He was a keen fisherman and hunter- his first love was sitting on the banks of the Murray River with a fishing rod in his hand. Family camping trips were spent by the river where everyone slept on stretchers with several army blankets underneath and a wheat bag wagga on top. This wagga is made from two standard sized jute wheat bags split and hand bound along the seams. It is typical of a basic wagga made by shearers, farmers and swagmen. The paint stains on this wagga display signs of later use as a painting drop sheet by descendants who inherited the quilt. Quilt made of two standard size jute wheat bags (a bushel = 150lbs) split and hand bound along seams. It is an example of the basic type of wagga made by shearers, farmers or swagmen. Another use for the wagga was as a 'drop sheet' when doing house painting- possibly explaining the paint stains on the wagga.quilting history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), perkins, mr percy, quilting - history

Pair of standard issue wire cutters complete with webbing pouch for carrying the tool. Refer item 00385.1 and 00385.2

Standard Backpack with camouflage pattern with one zip at top of backpack, two black pastic clips on back sideInternal front side 8465-66-139-4068, SOS, JAN 95backpack, standard issue, january, camouflage

Used at Ballarat School of Mines in areas needing a lot of light as well as numerous globes in banks to test the generators.Osram large gas filled, standard shaped, Eddison screw 250 V 300 W light globe.bulbs, light bulbs, osram, gec osram, ballarat school of mines, globes, edison screw, lamps, electricity