Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: empty storage, Empty large spools on racksindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Machinery mostly empty of yarn spoolsSectional Warperindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour photo: Water damaged. Portrait Yarn entering weaving machineindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Employee watching yarns entering weaving machine correctlyindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee loading a group of yarns to warperWarpingindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Employee watching yarn load onto warperindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Blue brick wall with (2) Two signs Blue White triangle. Ear with Sound waves. Brown head with Hearing protection1 - High Noise Area 2 - Hearing Protection must be wornindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male employee checking weavingindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Spools loaded onto weaving machinesindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male employee checking finished weave as it goes on roll from weaving machine.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Empty weaving room warping yarn threaded into machine.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Two male employees setting up the Jacquard Loom.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Two male employees doing Rachel tying on the loomsRachel Tyingindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Raschel Area Spools on machinesRaschel Areaindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: 2 Male Employees examining lower spoolindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Steamer in operationSteamerindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Steaming LineSteaming lineindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: 2 men rolling material onto roll for final inspection of material for flawsFinal Inspectionindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee in warehouse on computer.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Finished goods shelved ready for transport.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Corrugated sliding door with safety signs. Warehouse door1- Danger Lookout for Forklift 2 - Fire hose and reelindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee driving forklift to load finished product onto truck from warehouse.Loading the Finished Productindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee in overalls protective gloves and goggles working.Maintenance - Building Equipmentindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: 1 Male Employee in overalls wearing safety goggles.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: office - Woman working on computer with full desk.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: World map with flags, white dots showing locations of 56 plants in 19 coutries.Global Presence 56 plants in 19 Countries. Esteban logo, Isinghausen logo, Aunde logo with flagsindustry, aunde

This tabard is one of a small number that were produced/woven by Japanese master weaver Jun Tomita during the period that he was resident artisan at the Jam Factory in Adelaide. The tabard incorporates Ikat/Kasuri woven central panels. Tomita was born in 1951 in Toyama prefecture, and is based in Kyoto, the textile centre of Japan. The technique he uses kasuri (the Japanese term for ikat) is selectively pre-dying yarns before weaving to create pattern. The other decorative features of this garment are based on Japanese family crest designs (kamon). The pointed shoulders of this garment are reminiscent of the stiffened shoulders of kataginu, the upper part of the kamishimo ensemble that was formal wear for samurai men. Tomita was at the Jam factory from 1976-78 and he has works in numerous public collections, including: - Stanthorpe Art Museum, Art Gallery of South Australia / Australia - Oslo National Gallery / Norway - National Museum of Israel / Israel - Stedelik Museum, Museum of Rotterdam / The Netherlands - Denver Art Museum, St. Louis Art Museum, Long House Foundation - Cooper-Hewitt Museum of Art/USA - Victoria and Albert Museum, UK - Toyama Prefectural Museum of Art, Japan The donor purchased this tabard from an exhibition held at Wool House in Parkville Victoria, which was sponsored by the Australian Wool Board to promote the use of Australian Wool in textiles and fashion at that time, around April/May in 1977. At that time (1976-1977) the donor owned and run a retail/display shop for craft products such as ceramics, artworks and jewellery. The donor subsequently retained this in storage with some other items since the business closed.Double sided reversible tabard featuring woven centrals panels. One side is navy blue with white and blue detail panels, one side is grey with green, brown and cream central panel detail.textile, tabard, japan, art, clothing, weaving, fashion, design, ikat, kasuri

The Ballarat Technical Art School was a division of the Ballarat School of Mines, and a predecessor of Federation University Australia. Red hard covered book including chapters on interior decoration, furniture, woodwork, carpets, textiles, metalwork, lighting, heating, pottery, and glass. Formerly Book R528 in the Ballarat Technical Art School Library.industrial arts, henry g. dowling, ballarat technical art school library, ballarat technical art school, j. ewins & son, bookplate, wrought iron, furniture

Type written letter from L.A. Chung, Secretary of the Australian Textile Workers' Union Provincial Division to Shop Stewards requesting to provide the number of financial members employed on a rotating or permanent night shifts.hanro, clothing, stationary

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was entered in the 2001 Australian Bookplate Design Awards.Graphic Print bookplate for fibre artist, Giselle Penn, who loves textures and brilliant colour. The design was made with the colours and patterns to portray Giselle Penn's art making and to show the theme of textiles or fabrics. Signed below artwork '9/10 Sharon Tompkins 2001'bookplate, sharon tomkins, textiles, australian bookplate design award, keith wingrove memorial trust