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The Beechworth Burke Museum Research Collection
Card (Series) - Index Card, George Tibbits, Cnr Ford and Camp Streets (Ford St), Beechworth, 1976
George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits -
The Beechworth Burke Museum Research Collection
Card - Index Card, George Tibbits, Ford Street, Beechworth, 1976
Property - Ford Street Beechworth - Section 1, Town Allotment 14 & 15 - 100' x 250' each Ownership details and history - 28 Oct 1853 - C. Williams - 11 Nov 1855 - H. Wyse 1-15&14 - 1861 - Fisher, John Duncan - publican, same. Land 66'x165' + 25'x130' (rear) Hotel 45'x21' 2 stories, deal front WB. sh. rf. Do 18'x12' 2 stories WB & Do. Kitchen 38'x13' slab + ir rf. Stable & Hayloft 54'x25' WB & sh. Store 50'x18' bark. Billiard room 35'x25' WB + sh. Oddfellows Lodge 26'x29' deal front WB + sh. rf. Open shed. 56'x17' sh. rf. Laundry 54'x12'. 1861 - Jecks A.G. barber, J.D. Fisher barbers shop 9'x8' 1-14 - 1861 - Melrose, John, unlisted J.D. Fisher shop 13'x25' WB + sh. 1-14 - 1861 - Ramsay, Peter Donald, unlisted, same, land 41'x165' store 18'x60' sawn slab boards sh. rf. store 32'x 16'6"deal WB Front Shed 38'6"x 22' ir rf. 1-15+14 - 1863/4 J.D. Fisher, Hotel as 1861 except store 50'x18' is detached and a shop above De Jecks & Kaliton of a 2 storey residence. 1863/4 - Jecks as above 1-14 - 1863/4 Ramsay - as 1866 1-14 - 1866 - Fisher J.D. - publican, same, "Commercial Hotel" 45'x21' 2 stories deal fr. WB+ corr. Iron roof..... store 50'x18' slabs + bark .... laundry 54'x12' WB + sh. rf. ..... prem. in yard 24'x15' 2 stories WB = sh. (after Oddfellows entry) 0/wise as 1861. £330 1-14 - Jecks A.G. barber, J.D. Fisher, barbers shop 9'x8' £28 1-14 - 1866 - Muirhead, George, Tailor, J.D.Fisher prem 13'x12' WB + Sh. £26 1-14 - 1866 - Ramsay P.D. Spirit dealer, same land 41'x165' front prem 23'x54' bk & ir. rf. Do in rear 32'x16'6" deal fr. WB + sh. rf. Do 8'x8' do---do. Stables + shed 51'x40' slabs, sh+ir. rf. (as1861) £35 1-15+14 1871 - Tanwell, Thomas, publican, same - Hotel as above except. Kitchen 40'x15' bk+iron roof as 1863/4 1861 1-14 - 1871 - Jecks, A.G., T. Tanswell, shop 11'x9' £15 1-14 - 1871 - Goodwin, George, watchmaker, T. Tanswell, sh. 12'x11' £19 [these two were actually entered before 1-14+15] 1-14 - 1871 - Scott, Robert, Wine & Spirit Merchant, P.D. Ramsay land 41'x165' deal fr. WB + sh. rf. Stable & shed 51'x40' slabs + iron roof. 1-15+14 - Tanswell, Thomas, publican, same, land 66'x135' + 25'x130' Hotel front buildings. 65'x35' brick, Back do. 42'x30' brick 2 stories iron roof. Kitchen 40'x15' bk. iron roof. Club room 26'x29' WB. sh. rf. Billiard room 35'x25' WB ir. rf. Prem in yard 24'x15' 2 stories WB sh. rf. Laundry 54'x12' WB sh. rf. Store 50'x18' slabs bark rf. Stables 54'x25' WB sh. rf. Shed 56'x17' £250 1-14 - 1876 - Jecks, A.G. barber T. Tanswell shop £15 1-14 - 1876 - Tanswell, T. publican, same, shop & room in rear £20 1-14 - 1876 - Crawford, Hiram Allen, Connelly, Michael, coach proprietors, Beechworth U.S. Council. Weighbridge £10 1-14 - 1876 - Crawford & Connolly, as above, T. Tanswell. prem as 1871. "23'x55'" & no deal fr. ou prem in rear £52 1-15+14 - 1884 - Tanswell E. Tanswell T. Hotel as above, hotel, billiard clubrooms etc. 1-14 - 1884 - Crawford H.A. - Jackson P.W. - McCurdy W. coach props., B.U.S.C., Weighbridge 1-15+14 - 1884 - Crawford H.A. coach props, T. Tanswell, Commercial stable (at rear) 1-14 - 1884 - Crawford H.A. coach prop, same, office, store, cellar & prem. 1-15+14 - 1889 - Tanswell, Edward. Hotel keeper, T. Tanswell, Comm Hotel Billiard Club + sample rooms, prem + land £175 1-15+14 - 1889 - Crawford, H.A. - Connolly, Thomas - McCurdy, William, coach props, same, Stables, Coach sheds, prems + land £80 1-14 - 1889 - Crawford & Co Ltd., coach props, T. Tanswell, office, store, prem + land £50 1-14 - 1889 - As above. B.U.S.C. Weighbridge £10 1-15+14 - 1900 - Crawford & Co ltd. coach proprietors, excecutors of Tanswell's, stables, offices, coach sheds, factory, land £130 1-15+14 - 1906 - Tanswell, Jane, hotelkeeper, same, hotel, prem + land £150 1-15+14 - 1906 - Tanswell, Jane, Clubrooms, Comm. Hotel £20 1-15+14 - 1906 - Crawford & Co LTD. coach props, Jane Tanswell, stables offices, coach sheds, factory + land £85 Architectural Index Card - Brian Pump and Tony Dugan - Photographers beechworth, george tibbits -
Diamond Valley Vietnam Veterans Sub-Branch
Photograph - VV Day, 2001
10 August 2001, DViets first Vietnam Veterans Day wreath, placed by Tony Welsh, 1APC Sqn-RAAC, Battle of Long Tan.Unique record of Diamond Valley Vietnam Veterans Sub Branch Commemorating Its First Vietnam Veterans Day As a Sub Branch with a Wreath Presented by Tony Welsh.Colour photograph featuring formally attired man with beret and medals carrying a floral wreath. Text describes event at top and at the bottom of image.DViets First Vietnam Day Wreath /Saturday 18 August 2001 / Placed By Tony Welsh /(1APC SQN-RAAC, Battle of Long Tan)vietnam veterans day, 2001, raac, tony welsh, diamond valley vietnam veterans sub branch, long tan day, vietnam, vietnam war -
Federation University Historical Collection
Photograph, 14th Australian Armoured Regiment, c1942
Antonio Patrick (Tony) Saligari served during World War Two (V235078), enlisting at Castlemaine on 13 July 1941. He served with the 14th Australian Armoured Regiment. He was born on 28 February 1912 at Campbelltown, Victoria. He was discharged from the Experimental and Testing Section, Monegeeta.Members of the 14th Australian Armoured Regiment. Seated to the right is Tony Saligari. The commander was Lieutenant Colonel E.P. Seymour (1 May 1941 – 19 February 1943).world war two, tony saligari, 14th australian armoured regiment -
Bendigo Historical Society Inc.
Book - GOLD GRAVES AND GALLOWS
Soft covered Gold,Graves and Gallows crimes and calamities on the Colonial Goldfields 215 pages with black and white photographs & maps.Tony Matthewsbooks, collections, crimes -
Bendigo Military Museum
Book, Tony Hall, D-Day: The Invasion in Photographs, 1994
Published to commemorate the 50th Anniversary of the D-Day Landings. Photographic record of each of the main landing beaches.Book, soft, card cover. Illustrated front & back. Title in yellow & red letters. 64 pages with cut edges. Contains black and white illustrations.photography-photographs, books, military, history -
Ringwood and District Historical Society
Book, Light Up and Burn, 1990
Aquinas Old Collegians Football Club 1981-1990 history compiled to mark the 10th year of existence. -
Robin Boyd Foundation
Painting, Tony Woods, In the Studio Psychologically Challenged, 1968
This painting was purchased at an exhibition at Australian Galleries in 1968. It originally hung in Robin Boyd's office in East Melbourne, and was only brought to Walsh St after he died in 1971. The Australian Galleries was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. Two figures (one seemingly with three hands) partially hidden by an artist's easel.Woods '68 in lower right cornertony woods, purves, australian galleries, robin boyd, walsh st artwork, ohm2022, ohm2022_7 -
Robin Boyd Foundation
Book, Tony Benn, Out of the Wilderness : Diaries 1963-67, 1987
Hardcover w/dust jacketwalsh st library -
Tatura Irrigation & Wartime Camps Museum
Book, Tony and Will Ford, Our Heroes, Tat, World War 1, 2003
Written to record and commemorate the deeds of locals in the field, WW1 and the presentation of the roll of honour.Dark cover. Illustrating J. Head, J. McColl, A. Robinson. Who gave their lives. Flanders Poppy in back ground. Lower section silhouette of soldiers in battle dress.tony ford, will ford, flanders poppy, roll of honour, j. head, j. mccoll, a. robinson -
Tatura Irrigation & Wartime Camps Museum
Book, The Victorian us (Settling. Book 2), 1984
History of early Victorians. How and where they settled.Yellow cardboard cover. Second book of a trilogy. 274 pages. early victorians, early victorian settlements -
Tatura Irrigation & Wartime Camps Museum
Book, Men from Iron Bark, 2007
Rushworth Football Club Legends of the 1930'sCream back cover book, mottled brown front cover. Photograph of men playing AFL football. rushworth football club, football club legends -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceramic, Tony Hutchison, Ikebana pots
ikebana, vase, urn, vessel, tony hutchison -
Bendigo Art Gallery
Sculpture, Tony ALBERT, We come in Peace, 2013
sculpture, first nations, australian artist, playing cards, peace, game, australiana, southern cross -
Koorie Heritage Trust
Book, Maynard, Ricky et al, Reversing the negatives: a portrait of Aboriginal Victoria, 2000
The book is an important record of Victoria's Aboriginal people at the end of the twentieth century that I believe reverses negative perceptions about Aboriginal people.v-ix; 78 P.; plates; 31 cm.The book is an important record of Victoria's Aboriginal people at the end of the twentieth century that I believe reverses negative perceptions about Aboriginal people.aboriginal australians -- victoria -- pictorial works. | aboriginal australians -- victoria -- social life and customs -- pictorial works. | aboriginal australians -- victoria -- portraits. | families, aboriginal australian -- victoria -- portraits. -
Koorie Heritage Trust
Document - Printed Sheets, Birch, Tony, The Recognition of Indigenous Rights within the Museum of Victoria. - 'all things are linked or interrelated in one way or another" An essay for the Museum of Victoria, 1996
Indigenous cultures throughout Australia enjoy diverse histories and cultures. In recognition of this it would be advantageous for the museum to further develop "exchange' programs in museums throughout Australia, which would allow indigenous knowledge to be shared by indigenous communities.45 P.; Indigenous cultures throughout Australia enjoy diverse histories and cultures. In recognition of this it would be advantageous for the museum to further develop "exchange' programs in museums throughout Australia, which would allow indigenous knowledge to be shared by indigenous communities.indigenous rights - cultural responsibility, museum of victoria - indigenous rights recognition. -
Horsham Regional Art Gallery
Painting, Tony TUCKSON, Abstract, black on yellow, pink, n.d
Gift of Mack Jost, 1997 -
Horsham Regional Art Gallery
Photograph, Tony ALBERT, Optimism 8, 2009
Purchased through the Horsham Art Gallery Trust Fund, 2009 -
Nillumbik Shire Council
Sculpture: Tony Trembath (b.1946 Sale, Victoria), Tony Trembath, The Fences Act 1968 - Location: Edendale Farm (entrance) 30 Gastons Road, Eltham, 1989 - 1994
Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps -
Victorian Aboriginal Corporation for Languages
Book, Narungga Aboriginal Progress Association, Guungagu nharangga warra : children's Narungga dictionary, 2006
Illustrated children's dictionary in the Narungga language.Colour illustrations, word listsnarungga, south australia -
Wangaratta Art Gallery
Painting, Tony Convey, Home In The Valley, 1980
naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1980.A landscape of a valley scene featuring animals and humans painted in oil using vibrant colours.wangaratta art gallery, tony convey, naïve art, landscape, painting, outsider art -
Wangaratta Art Gallery
Painting, Tony Convey, Mad Dog Morgan, 1976
naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1977.An oil painting that tells the story of the bushranger Mad Dog Morgan, painted in the naïve art style using a colour palette of blue, brown, orange, and red.wangaratta art gallery, tony convey, naïve art, outsider art, mad dog morgan, painting, bushranger -
Swan Hill Regional Art Gallery
Print, IRVING, Tony, The old Kiosk, St Kilda, 1984
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Swan Hill Regional Art Gallery
Print, IRVING, Tony, Ramsden Place, 1990
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Swan Hill Regional Art Gallery
Print, IRVING, Tony, Waratah Place, 1990
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Swan Hill Regional Art Gallery
Print, IRVING, Tony, Chapter House Lane, 1990
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Swan Hill Regional Art Gallery
Print, IRVING, Tony, Heape Court, 1990
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Swan Hill Regional Art Gallery
Print, IRVING, Tony, Drewery Lane, 1990
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Swan Hill Regional Art Gallery
Print, IRVING, Tony, Niagara Lane, 1990
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Swan Hill Regional Art Gallery
Print, IRVING, Tony, Hosier Lane, 1990