The photograph is from the album of Ivy Child. The young woman standing on the bridge is Ivy Child probably aged 17 years. The location is the Olinda Falls. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a young woman standing on a wooden bridge with a handrail above a creek. Rocks are in the foreground in the creek and bush surrounds the scene.Handwritten below the photograph in the album: The Fallsivy child, olinda falls, bridge

Woman's. Brown, Missuniform, ww2

Portrait photo of a womanlocal identities

Photographic portrait of a womanchatham-holmes family collection

Cottage could be Gray's cottage, situated in the Fyans valley.Photo showing 2 horses hitched to a carriage in which there are 4 people, a man and a woman in the front and a man and a woman in the back. Another woman is standing inthe doorway of a cottage in the background.peoplebuildings

Black and white photo of a man and a woman in a garden setting. The woman, Mavis Long, is in a Merton Hall uniform. mick fitzgerald, mavis long

Compendium used for correspondence during WW2This may have belonged to noted war correspondent and journalist Denis Ashton Warner 1917-2012. See notes section.Brown leather writing compendium containing two Japanese occupation $100 notes, three postcards, one newspaper clipping and 34 photographs of various subjects.Six of the photographs have writing on the back in two different hands. The postcard of a young woman is also inscriped.world war 2, ww2, second world war, postcards, photographs, military, japanese currency

Mrs. Bow Hutchings with childrenB/W Photo of a woman and Three children. woman is seated holding youngest child the other two standing.rs Bow Hutchings and Familystawell portrait

Head and shoulders of unknown woman.On back: "21"glen iris presbyterian church

Head and shoulders of unknown woman.On back: "23"glen iris presbyterian church

Carmyl was a contributor to C&N and her article was under the heading "Prayer". This article had 6 sections relating to prayer.Middle-aged woman's portrait.C&N identification.winkler, carmyl, c&n 11/071984

Madge Frost in AWL Uniform later married Alf Pickford 1939-1945Woman in uniform with AWL on arm.AWL on sleeve. Post Card W. J. Chapman Photo Stawell stawell ww2

Woman In Costume leading a donkey.concongella school parade

UNK Woman with rose bushphoto/pictures, ballarat rsl, ballarat

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of a woman with hair braids.graeme drendel, printmaking

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left)

Heidelberg Golf Club: 75th anniversary - Josie, HGC staff. 16 August 2003.Colour photograph of woman dancing75th anniversary celebrations, 75th year, heidelberg golf club - history, office staff

Vera Frost in AWL Uniform later married Gil Gunning 1939 -1945Woman in uniform with AWL on sleevePost Card W. J. Chapman Photo Stawellstawell ww2

Photograph of a older woman in a hatellen sammon, ellen salmon

Prudence Partington was born in 1858 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parents’ deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Sepia studio photograph of woman.prudence partington, portrait photographs, partington famiy

A covered folder containing short stories relating to dogs. Sources are 'Woman's Journal,' 'Woman's Realm,' Woman's Pictorial,' 'Woman,' 'The New Idea,' 'The Australian Journal,' 'Wife and Home,' 'Shell House Journal,' 'The Sun Weekend Magazine,' 'Australian House and Garden' and 'New Zealand Home Journal.' 1928-1959.lydia chancellor, collection, ephemera, animals, dogs

Sepia Photograph: A man and a woman playing chess, the woman is moving a piece. Written on back 'Mum and Daddy on verandah, Cairns.person, group, family portrait, elma wells (mum and dad)

This photograph shows Charles Winnet Daniel Allen and Gladys Eileen Harris on their wedding day, 18th December 1937. This photographs relates to the fox fur coat which is now part of the National Wool Museum Collection, NWM-9090. "The foxes were shot in the 1950's by my Father, Charles Winnet Daniel Allen at two properties around Bacchus Marsh. One was Greystones at Glenmore, owned by the O'Keith family and the other was at Parwan, owned by the Miles Family. In the late 1940's and early 1950's, the Government put a bounty on the fox head. A pair of ears were sent to the Council and you were paid 2 pennies and the skins were sold to a skin buyer. My Father would go out on moon lit nights and shoot the foxes then skin them, which he would peg on a board to dry. He took 21 fox skins to Nettlebergs Pty. Ltd., Furriers at 173 Elizabeth Street Melbourne, Victoria, to have this coat made for my Mother, Gladys Eileen Allen. It cost Twenty Pound and Nine Shillings to have the skins made into this coat. My Father died on the 1st July 1982 and my Mother on the 15th October 1993, aged 76. This coat was inherited by me Theresa Joy Hodge (nee Allen) on the passing of my Mother. I have worn it on cold days, but seeing that I am 84 and the coat is 74 years old, I would like to donate it to you, as I have no-one to leave it to and hope that you and the visitors to your Museum will enjoy looking at it." Theresa Hodge, 2025 Theresa was a dairy farmer, who grew up in Bacchus Marsh with her parents, before moving to South Australia in 1980 to a 167 acre farm in Burrungale.Black and white photograph a man and a woman standing together. The woman is wearing a wedding gown and headpiece, and the man is wearing a suit.back: [handwritten] Wedding Photo of Gladys Harris / and Charles Allen 1937 / 17-3-1994 / 18-12-37 / Church of England / 18-12-1937 / ORIGINAL: / a. Surmon back: [printed] ALLEYNE HOCKLEY / 12 WILKIE STREET / CASTLEMAINE 3450 / Phone 721425 back: [printed] Kodak / PAPERfox fur coat, fashion, hunting, pest eradication, farming, rural life, bacchus marsh, greystones, glenmore, parwan, fox, nettlebergs pty ltd, furriers, clothing, theresa hodge, charles allen, gladys allen, wedding

Murray Comrie Collection. Murray Comrie's information about Renshaw's to be added. The Golden Age Hotel is visible to the right of Renshaw's store. This photograph is a fair copy created from an older original.Monochrome photograph of people standing outside Renshaw's Manchester House Store in Tarnagulla. A woman at far left, small group with elderly woman and man with woman and two small children. A young man at far right.'Renshaw's Manchester House Commercial Road TARNAGULLA' handwritten on front. On reverse, several handwritten captions including: 'Taken over some time prior to 9.1.1886' and 'Photo about 1905 - Golden Age on right, orig. with A.M. Renshaw'.tarnagulla, renshaw's, renshaws, renshaw, shops, businesses, commercial road

Covers some pioneer women in the Wimmera District of Victoria, featuring "Glywylln' Stationm F=Green's Creek & Kirkella. Written by MRs Gilbert as a history option for HSC. Pink Card cover under clear plastic Woman in Australian History with particular reference to Gkywyllan near Stawell, Victoria in the 1850s and 1860s By Mrs E.M. Gilbertstawell