Showing 8044 items
matching 2019-07-06
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Victorian Railway History Library
Book, Jeffrey, Max et al, Lost Railway Stations of the Pyrenees, 2019
Illustrated history of the railway stations on the closed railway lines of the Victorian Pyrenees including the line to Navarre & Ararat to Maryborough.ill, maps, p.226.non-fictionIllustrated history of the railway stations on the closed railway lines of the Victorian Pyrenees including the line to Navarre & Ararat to Maryborough.pyrenee range (vic.) -- buildings, structures, etc -- history, railroad stations -- victoria -- pyrenee range -- history -
Victorian Railway History Library
Book, Banger, Chris et al, Spirit of Progress, 2019
A history of the Spirit of Progress passenger train between Melbourne and Sydney from the 1937 to 1986.index, ill, maps, p.376.non-fictionA history of the Spirit of Progress passenger train between Melbourne and Sydney from the 1937 to 1986.railroad travel -- new south wales -- sydney -- history, railroad travel -- victoria -- melbourne -- history -
Victorian Railway History Library
Book, Whitaker, Scott, Railway Hotels of Australia Volume Four - South Australia, Northern Territory, Tasmania and Western Australia, 2019
The coming of the railway was a major event in the history of many towns and cities across Australia. This is the story behind every Railway Hotel; and the social, economic and political themes that have shaped society over the last 150 years.index, ill, maps, p.312.non-fictionThe coming of the railway was a major event in the history of many towns and cities across Australia. This is the story behind every Railway Hotel; and the social, economic and political themes that have shaped society over the last 150 years.australia -- buildings, structures, etc -- history, bars (drinking establishments) -- australia -- history -
Victorian Railway History Library
Book, Ward, Andrew, A Story of Stations The Architecture of Victoria's Railways in the Nineteenth Century, 2019
Details of the architecture of railway stations building in Victoria Australia in the 19th century.index, ill, maps, p.337.non-fictionDetails of the architecture of railway stations building in Victoria Australia in the 19th century.railroad infrastructure - victoria, railroads - victoria - history -
Victorian Railway History Library
Book, Brook, Arthur, Victorian Railways History Series No. 1 Lamps and Lighting, 2019
Details and history of railway lamps and station lighting on the Victorian Railways.index, ill, p.202.non-fictionDetails and history of railway lamps and station lighting on the Victorian Railways.railroad infrastructure - victoria, railway lamps and lighting - victoria - history -
Merri-bek City Council
Digital photo print on paper, Sha Sawari, A Moth to a Flame, 2019
Sha Sarwari is a multidisciplinary artist who works in sculpture, installation, photography, and performance. A Moth to a Flame is a commentary on the often-tragic dilemma that refugees encounter when escaping their country of origin to seek asylum. This piece comes from a series of works, also titled A Moth to a Flame, where this metaphor is used to show how the hopefulness of a new life can result in a dangerous, sometimes fatal illusion. In this work, Sawari aims to give a voice to the refugee experience, to reconcile cultural identity, new belonging and resilience in the face of trauma. -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Christmas in Greensborough 2020, 23/12/2019
Digital image of a decorated Christmas tree on the traffic roundabout at the corner of Nepean Street and Sainsbury Avenue Greensborough, 23/12/2020Part of a collection of miscellaneous historical images with a connection to the local area.Digital colour photographchristmas, nepean street greensborough, sainsbury avenue greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Diamond Valley Community Hospital Plaque, 02/12/2019
Digital images of the Diamond Valley Community Hospital Plaque inscribed "this stone was laid on October 10th 1953 by L.W. Thompson Esq. as chairman for the Trustees of "The James Charitable Trust" which by its support and encouragement made possible the erection of this building".Part of a collection of miscellaneous historical images with a connection to the local area.Digital colour photographsdvch, diamond valley community hospital, james charitable trust, plaques -
Clunes Museum
Book, Fred Cahir, My Country All Gone The White Men Have Stolen It - The Invasion of the Wadawurrung Country 1800-1870, 2019
THIS BOOK REALLY BEGAN ON THE NULLABORE PLAIN IN 1983 WHEN I WAS CYCLING SOLO ACROSS AUSTRALIA FROM PERTH TO MELBOURNE...Soft Cover book , depicts a young Aboriginal women wrapped in a possum skin cloak standing in front of an early topographical map of Port Phillip. 348 pages.non-fictionTHIS BOOK REALLY BEGAN ON THE NULLABORE PLAIN IN 1983 WHEN I WAS CYCLING SOLO ACROSS AUSTRALIA FROM PERTH TO MELBOURNE...first nations history, wadawurrung country -
Bendigo Historical Society Inc.
Book - SLUDGE - DISASTER ON VICTORIA'S GOLDFIELDS - SUSAN LAWRENCE AND PETER DAVIES, 2019
BHS CollectionSoftcover book with gold coloured cover. Describes the legacy for the environment on gold-mining in the nineteenth century. 307 pages containing chapters, diagrams and photographs. Published by La Trobe University Press.Susan Lawrence and Peter Daviesgoldfields -
Bendigo Historical Society Inc.
Administrative record - GERMAN HERITAGE SOCIETY COLLECTION: LIFE MEMBERS HONOUR BOARD, 1998 - 2019
BHS CollectionWooden Honour Board for German Heritage Society Bendigo Life Members 1998 Ken Wust, Dorothy Strauch, Frank Cusack 2002 Allan Strauch 2005 I. Kurt Walder, Robert Schulz 2008 Joan Pederson 2009 Judith Monti, A. Joyce Tamblyn, Charles Tamblynbendigo, clubs, german heritage society, german heritage society collection -
Montmorency/Eltham RSL Sub Branch
Sculpture - Australian Light Horse Figurine 'The Charge At Beersheba', Sculpture ‘The Charge At Beersheba’, 2019
Remembers the famous cavalry charge of the 4th and 12th Light Horse Regiments who galloped across open ground (they were in fact Mounted Infantry, not Cavalry and normally fought dismounted) to capture Gaza, the Turkish stronghold that marked the southern end of the Turkish defensive line on 31 October 1917. Cold cast bronze figurine of an Australian Light horseman charging on his "Waler" horse brandishing a bayonet. Mounted on a wooden base with a brass engraved nameplate.THE CHARGE AT BEERSHEBA AUSTRALIAN LIGHT HORSE -
Merri-bek City Council
Lithograph, Megan Cope, Black Napoleon (Eulope), 2019
Working across installation, video and painting, Quandamooka artist Megan Cope investigates issues relating to colonial histories, the environment and mapping practices. Black Napoleon (Eulope) is part of a series of lithographs that highlights what Cope sees as ‘just one of the many stories of powerful and clever people defying Empire’ at the turn of the 19th century in Australia. The Black Napoleon series was produced as part of the Australian Print Workshop’s French Connections project. The project aimed to produce new work responding to the National Archive in Paris, with a focus on cultural materials relating to early exploration of Australia and the Pacific. It was important to Cope that she did not simply repeat the material of the archive, which was collected and conserved within a colonial framework. Instead, Cope’s work addresses Eulope’s sovereignty and role in resisting invasion. Eulope was a Quandamooka man named after Napoleon Buonaparte because of his leadership in battles against British forces, which invaded Stradbroke Island in the early 1800s. -
University of Melbourne, Burnley Campus Archives
Newspaper, The Age, Living Legacy Takes Root, 2019
jenny happell, sandra pullman, ulmus procera, english elm, charles la trobe, megan backhouse -
Bendigo Historical Society Inc.
Photograph - 1853 Bendigo Goldfields Petition, abt 1990-2019
The Red Ribbon Movement of 1853 represented a significant series of events in the history of Bendigo. During that year there was much agitation on the Bendigo gold fields, particularly during July and August of 1853, directed against the payment of what the miners called a tax - a licence fee of thirty shillings ($3) a month for the right to search for gold on what was declared Crown land. They had to pay the licence whether they found gold or not. The miners, or diggers as they were called, also resented the means used by the authorities at the time to collect the gold licence - through so-called 'digger hunts'. The miners were expected to carry their licences with them, and the police, who were often untrained, used harsh methods to check these licences. In Bendigo, the miners took to wearing a red ribbon ‘as a symbol of their protest against the licence. Red was a very common colour in items such as shirts, so was readily available. Shopkeepers too tied red ribbons to their premises as a sign of support for the miners. It should be remembered at that time virtually everyone was a miner. The diggers also had their own banner, designed by William Dexter, a china painter from Devon. This flag showed the pick, shovel and cradle representing labour, the scales representing justice, the Roman bundle of sticks meaning unity and the kangaroo and emu of Australia Many thousands of Bendigo miners signed a petition to La Trobe, the Governor of Victoria, protesting against the licence fee. When the Governor rejected the petition, thousands of diggers marched in peaceful protest. Miners from White Hills, Eaglehawk, Golden Square, Kangaroo Flat as well as from Bendigo Flat, converged on what is now Pall Mall and View Point, surrounding the ~government camp on Camp Hill. The camp had been reinforced with soldiers of the 40 Regiment, as the Government feared bloodshed. The miners then gathered on the hill behind View Point to hear from their leaders - among them George Thomson, Captain Harrison, Captain Brown and W.D.C. Denovan. They resolved to pay a token fee often shillings ($1) for the September licence, whenthey met with Commissioners Panton and Wright on Camp Hill. Although Wright and Panton were sympathetic to the miners, the offer was rejected, but no licence fees were collected for September. Thus a possible bloody conflict was averted by the common sense shown by the miners' leaders and the commissioners. It was a truly democratic protest against arbitrary government and preceded the Eureka Stockade Incident by over a year. Bendigo Historical Society Committee on a Tram, two photos, one of five people standing behind a display cabinet, and the second one a Banner stretched across the tram. On the rear of the photo is "L-R Jim Evans, Terry Davidson, Ron Monro." Second from left is Jim Evans (President) and fourth from the left is Terry Davidson, with extreme right, Ron Munro (Vice President). In the cabinet is the 1853 Bendigo Goldfields Petition (Red Ribbon Rebellion) The society holds the petition in digital form. The diggers had their own banner, designed by William Dexter, a china painter from Devon. This flag showed the pick, shovel and cradle representing labour, the scales representing justice, the Roman bundle of sticks meaning unity and the kangaroo and emu of Australia history, bendigo, tram, 1853 bendigo goldfields petition, red ribbon rebellions -
National Vietnam Veterans Museum (NVVM)
Book, Smith, Harry, The Battle of Long Tan: The Company Commanders Story, 2019
On the afternoon of 18th August 1966, just five kilometres from the main Australian Task Force Base at Nui Dat, a group of Viet Cong soldiers walked into the right flank of Detla Company, 6 RAR. Under a blanket of mist and heavy monsoon rain, amid the mud and shattered rubber trees, a dispersed Company of 108 men held its ground with courage and grim determination against a three-sided attack from a force of 2,500 Viet Cong and North Vietnamese Army TroopsOn the afternoon of 18th August 1966, just five kilometres from the main Australian Task Force Base at Nui Dat, a group of Viet Cong soldiers walked into the right flank of Detla Company, 6 RAR. Under a blanket of mist and heavy monsoon rain, amid the mud and shattered rubber trees, a dispersed Company of 108 men held its ground with courage and grim determination against a three-sided attack from a force of 2,500 Viet Cong and North Vietnamese Army Troops vietnam, 1966, major general john cantwell, major harry smith mc, battle of long tan, australian task force base, nui dat, viet cong soldiers, delta company, 6 rar, north vietnamese army -
City of Greater Bendigo - Civic Collection
Memorabilia - Bicycle flag, Bike Palooza, c 2019
Bike Palooza Bendigo is an event organised by Bike Bendigo. The event celebrates bikes and cycling activities of all kinds in and around Bendigo throughout the month of October. City of Greater Bendigo partners with Bike Palooza Bendigo through its Walk, Cycle Greater Bendigo policy and by providing funds for community events with promote bicycle riding.White cloth bicycle flag with green print. Reverse is printed with green bicycles. Two small metal eyes on left hand side.Bike / Palooza / Bendigo / Octobercity of greater bendigo events, city of greater bendigo health, city of greater bendigo leisure -
Ringwood and District Historical Society
Book, A Burns Family History, 2019
Descendants and Ancestors of William Burns (1837-1908) Compiled by Neville Burns (Great Grandson) and Meaghan Bosaid (GG Granddaughter).CONTENTS INTRODUCTION Chapter 1 - William Burns and descendants. 1.1 William Burns (Great Grandfather) 1.1.1 Bridge Inn at Burns Bridge 1.1.2 Renaming of Burns Bridge over Goulburn River 1.2 George Paul Burns (Grandfather) 1.2.1 Spouse 1.2.2 Sons 1.3 Clarence (Clarrie) Henry Burns (Father) 1.3.1 Spouse 1.3.2 Children 1.4 Neville Clarence Burns 1.4.1 Spouse 1.4.2 Children 1.4.3 Some Recollections of Early Ringwood Chapter 2 - Ancestors of William Burns 2.1 Summary of Ancestors of William Burns 2.2 Detail of each generation of Ancestors ACKNOWLEDGEMENTS In compiling this Burns History some of the information came from our own family records and recollections, but the greater input, particularly the early historical content, was obtained from the resources and records of organisations and Societies and other published material mentioned herein. I would like to acknowledge and thank Russ Haines and Members of the Ringwood and District Historical Society who unearthed the many photographic records of early Ringwood and the various articles related to the Burns family. I also thank the society for authorising the use of a number of relevant photographs, some of which appear in Hugh Andersons Book - Ringwood - Place of Many Eagles. Early information of the Burns family was also obtained from the Mansfield Historical Society and the Jamieson Historical Society and I thank the volunteer staff of both organisations for their help. Electronic files of the book added 15 October 2024 -
Whitehorse Historical Society Inc.
Booklet - Journal, MacFie Clan Society of Australia, The Downunder (Journal of the Macfie Clan Society of Australia), March 2019
A journal of the MacFie Clan Society of Australia of which Peter McPhee was President.A journal of the MacFie Clan Society of Australia of which Peter McPhee was President.non-fictionA journal of the MacFie Clan Society of Australia of which Peter McPhee was President.mcphee peter -
Whitehorse Historical Society Inc.
Book - Manufacturing History, 19th century, Victoria's Earliest Potteries (Our Convict Era Potters), 2019
This book covers the formative years of Victoria's pottery industry during the second half of the 19th Century. It includes a section on Nunawading's Dahle's Filter and Pottery Works operating between 1870 and1876.This book covers the formative years of Victoria's pottery industry during the second half of the 19th Century. It includes a section on Nunawading's Dahlke's Filter and Pottery Works operating between 1870 and1876. The White Bros acquired the pottery in 1888 and called it Springfield Pottery (1888-1911).non-fictionThis book covers the formative years of Victoria's pottery industry during the second half of the 19th Century. It includes a section on Nunawading's Dahle's Filter and Pottery Works operating between 1870 and1876.potteries, dahlke's filter and pottery works, geal's pottery, daniel robertson, australian tesselated tile company, wunderlich, 1800's -
Bendigo Military Museum
Book - BIOGRAPHIES WW2, Murray Poustie, "REMEMBER OUR WORLD WAR 2 NURSES", 2019
From the book cover; "Remember our World War 2 Nurses" - "The Service and Sacrifice of Bendigo Nurses in World War Two".Soft Cover Book 1. & 2. Cover - cardboard, red, black, white colour print on front, spine and back. Illustrated - front colour photograph of a group of Sisters on parade with tents in the background. Back cover - four black and white photographs. Three depicting portraits of nurses and photograph of injured soldiers disembarking from an aircraft. 150 pages - cut, plain, white paper. Illustrated black and white photographs and maps.publication, books, biographies, nurses, ww2, murray poustie -
Melbourne Tram Museum
Pamphlet, Metlink, "Bikes and public transport", Dec. 2019
Pamphlet - 3 fold full colour on gloss paper titled "Bikes and public transport" outlining the conditions on the carriage of bikes on all forms of public transport in Victoria. Only folded bikes (with size restrictions) were allowed to be carried on trams. Has notes on leaving bikes at station, bike lockers and bike cages.trams, tramways, pamphlets, bicycles, bikes, public transport -
University of Melbourne, Burnley Campus Archives
Newspaper, Sunday Age, Garden leave, 2019
friends of burnley gardens, garden designer, jacquie chirgwin, fobg -
Darebin Art Collection
Artwork, other - Jon Butt, Jon Butt, Collider, 2017-2019
"Collider is a video site response work that investigates the physical and conceptual notions of Bundoora Homestead Art Centre and surrounding Bundoora Parklands as matter, memory and phenomena. The project spanned three years of the artist’s life, visiting as both a local resident and an exhibiting artist at the Centre, involving a long-term process of “mapping” the site. The work looks to make visible, the hidden frequencies embedded within the buildings and parklands, including the social and geological. A complicated space, once a volcanic vent (Mt Cooper, 9.5 million years ago), home to over 60,000 years of continuous First Australian culture, long term indigenous and (recent) settler land use, a place of respite for returned soldiers; visitors today generally experience the site as a place of leisure. Collider aims to disrupt this view, asking the viewer to look below the surface and experience a deeper sense of place. Using video sequences, this work places the Bundoora Homestead site within a shifting scale of material territories, molecular energies and entropic disorder. Collider includes both abstracted and live video sequences shot throughout the Homestead grounds and across the Bundoora Park and Mt Cooper area that appear to be capturing unknown, signalling phenomena. Time flowing and dissolving across the landscape." -
Victorian Railway History Library
Glen Eira Historical Society Inc, Alone the line: Caulfield to Oakleigh rail stories, 2019
A history of the Caulfield to Oakleigh railway line in Melbourne Victoria.index, ill, maps, p.196.non-fictionA history of the Caulfield to Oakleigh railway line in Melbourne Victoria.railroad construction - victoria - history, railroad operations - victoria - history -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Penelope Davis, Sea Change Series, 2017 - 2019
Penelope Davis was born and lives in Melbourne. Davis is primarily known as a post-photographic artist creating photographs without a camera. Using complicated sculptural techniques, Davis makes silicone moulds then resin casts of the now absent objects. Finally light is passed through the casts to expose photographic paper that is developed and printed. The result is an indexical trace of an object many steps removed from its origin. In doing so, the works record not only an image but a process - a chain of transformations and inversions - akin to the processes of photography itself but one that recasts photography in a new light. More recently Davis has been creating jellyfish forms from a collage of components in a similar way. Taking the detritus of contemporary technologies and combining these with organic source material such as leaves and seaweed, Davis makes casts in silicone, then uses these casts themselves as forms. The artist hand sews these ‘skins’ together to create delicate hybrid forms that resemble jellyfish. These works reflect on, and embody, a painstaking attempt to recuperate an appreciation for the natural world, our symbiotic relationship with it, and the necessity of our shared future. 9 x suspended silicone jellyfish sculpturesaustralian art, sculpture, female artist, climate art -
Ballarat Heritage Services
Photograph, 404 Armstrong Street South, Ballarat, 19/01/2019
A brick house at 404 Armstrong Street South, Ballarat with an iron fence in bluestone.armstrong street south, ballarat, brick, bluestone, architecture -
Ballarat Heritage Services
Photograph, Ballarat looking West from the Former Humffray Street Primary School, 12/91/2019
Ballarat looking West from the Former Humffray Street Primary Schoolballarat, humffray street primary school, ballarat town hall, former ballarat state offices, former ballarat post office -
Ballarat Heritage Services
Photograph, Ballarat looking North West from the Former Humffray Street Primary School, 12/91/2019
Ballarat looking North West from the Former Humffray Street Primary Schoolballarat, humffray street primary school, ballarat railway station, mair street -
Ballarat Heritage Services
Photograph, Rebellion Lives Here, 03/04/2019
Photograph of stencil art on an external wall at the Federation University Arts Academy, Camp Street, Ballarat.eureka flag, stencil, rebellion