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Chiltern Athenaeum Trust
Photograph
This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1980
The photograph is taken in Frankston Centre where Sister Helen Pelosi is the Supervisor. The RDNS summer uniform at that time, worn by most of the Sisters in the photograph, was a royal blue V neck tunic style frock with the RDNS insignia in the upper left, over a short sleeve white blouse. The Sister seated at the desk with a pen in her hand, is wearing the RDNS winter uniform of a blue/grey skivvie under a blue/grey herring bone winter material tunic style frock with the RDNS insignia on the upper left. The other seated Sister is wearing an RDNS blue cardigan over her uniformGradually over the years, Melbourne District Nursing Service (MDNS), later known as Royal District Nursing Service (RDNS) from 1966 when they received Royal patronage, opened Centres throughout the Melbourne Metropolitan area. Their Trained nurses (Sisters) left from these Centres each morning to carry out their nursing visits in a specific area (district), taking any sterilized equipment needed with them. They returned at the end of the day to write up their patients nursing histories, clean and reset any equipment used ready for sterilization, and contact other medical and community personal as necessary. Most of the RDNS cars were housed at each Centre, only a few being driven home by a Sister.Black and white photograph of a group of Royal District Nursing Service (RDNS),staff. At the left rear, is a Sister with short curly hair; her right hand is resting on the table, then a Sister with collar length straight hair and to her right is Sr. Helen Pelosi, who has short dark curled hair. Two Sisters are seated in front of them at a table; the Sister on the left, has curly hair and is wearing a long sleeve skivvie under a V neck tunic style frock which has an insignia on its upper left. She has an open book in front of her and has a pen in her right hand poised on the white page of the book. The seated Sister to her right is wearing a uniform cardigan and has her hands clasped resting on the table. Four of the Sisters are wearing V neck tunic style frocks with an insignia on upper left, over short sleeve white blouses. Part of a picture is seen on the wall at the left rear and a doorway with a wall behind to its right.royal district nursing service, rdns, rdns uniform, rdns centre, sister helen pelosi -
Learmonth and District Historical Society Inc.
Medal - Centenary of Victoria, Centenary of Melbourne 1935
White metal medal issued to commemorate Melbourne's centenary 1934-35. This medal was given out to Victorian school children; 325,600 white metal medals were struck. There were also a few VIP pieces in other metals, including two in gold. The medal references Portland, the location of Victoria's first settlement. The Henty brothers, entrepreneur farmers and whalers, established the state's first permanent European settlement in Portland in 1834. Melbourne was established the following year by a party of settlers led by John Batman. In 1934, as Melbourne planned to celebrate the centenary of European settlement, it seemed to some that there was little to celebrate. The financial strains of the depression, unemployment and the scandal of the city's slums all undercut claims of unbridled progress. Perhaps because of such troubles, the organisers of the centenary celebrations tried doubly hard to be positive. The themes of the celebrations were conservative, reflecting the desire of some Melburnians for security in troubled times. The widely promoted image of the 'Garden City' and 'Queen City of the South' emphasised the idea of Melbourne as a very British city. A visit by the Duke of Gloucester, son of George V, the ageing king, provided a reassuring strengthening of Melbourne's imperial connections. The presented view of Melbourne's history stressed the 'myth of the pioneer', embodied in the person of John Batman. Elevated to heroic status, he was reinvented as a courageous pioneer whose life exemplified the rewards of self-improvement. Such a portrayal ignored Batman's dubious 'treaty' with local Aborigines and the less savoury details of his personal life. Melbourne's indigenous people were excluded from this triumphant view of Melbourne's past. The centenary celebrations now seem dated, but the image of Melbourne as a conservative city largely influenced by Britain has been more enduring.Details the settlement of Portland, Melbourne and Victoria, 1834 - 1935Double sided round white metal medal, featuring on front face, the bay of Portland showing a ship in the harbour. On the reverse side of the medal is John Bateman overlooking the city of Melbourne and the Yarra river.The front is inscribed, "CENTENARY OF VICTORIA" 1934, across the top, bottom right has the words "PORTLAND 1834". Reverse side shows "CENTENARY OF MELBOURNE 1935", and the date 1835 at the bottom. melbourne, medal, portland, centenary of victoria 1935 -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Myoora - Victorian Heritage Register (VHR) Number H0490 https://vhd.heritagecouncil.vic.gov.au/places/275 Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions.Page 6 of Photograph Album including four black and white photographs of the mansion Myoora. Two photographs in the top half of the page are in portrait orientation while the two photographs in the bottom half of the page are in landscape orientation.Handwritten: "Myoora" 405 Alma Rd [top right hand corner] / 8 Oct 1966 Neg 229 [underneath top left photograph] / 8 Oct 1966 Neg 230 [underneath bottom left photograph] / 6 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, lacework, arched windows, anketell henderson, thomas christian, 1880's, cement rendered brick, slate roof, cast iron verandah, cast iron balconies, bluestone footings, queen anne, american romanesque, bay windows, boom style, continental and english renaissance, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style -
Glen Eira Historical Society
Album - Album page, Myoora, 405 Alma Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 13 of Photograph Album including three black and white photographs. Two of the photos are in a portrait orientation and arranged in the top half of the page. The other photo in landscape orientation is towards the left on the bottom section of the page.Handwritten: 13 [bottom left]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron balconies, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs -
Uniting Church Archives - Synod of Victoria
Pamphlet - Order of Knights Province of Victoria, Join the Order of Knights for a lifetime of adventure
The pamphlets contain information for prospective MOK candidates and includes membership requirements, Christian knigthood, activities, uniform and FAQs. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. E3112.11.1 - E3112.11.5 four-fold white paper information pamphlets with blue ink on the Order of Knights Province of Victoria and Tasmania. The pamphlets have the MOK emblem and four photographs.methodist order of knights -
Glen Eira Historical Society
Photograph - Olive Street, 10, Caulfield South
1 small black and white photograph (undated) of 10 Olive St, Caulfield South, a brick, semi-detached House in a terrace row.houses, olive street, terrace houses, caulfield south, architectural features, architectural styles, streetscapes -
Eltham District Historical Society Inc
Document, Eltham Community Festival, 11th-13th November 1994, 1994
20th Eltham Coimmunity Festival "Echoes of Eltham - Celebrating the visions of Eltham from the past and into the future" Nell White, Festival Co-ordinatorA4 copy paper yellow coloured tri-fold1994, eltham festival, nell white -
Eltham District Historical Society Inc
Photograph, George Coop, Steam locomotive K-158 with School train at Echuca Wharf Railway Station, 1960
Murray Esplanade running parallel. The white building at the far left is the Echuca Club and the brick two-storey building, the Steam Packet Inn. Digital TIFF file Scan of 35mm Kodachrome positive transparencygeorge coop collection, echuca, echuca club, echuca wharf railway station, k-158, k-class steam locomotive (vr newport workshops), murray esplanade, steam packet inn -
Greensborough Historical Society
Photograph - Digital Image, Greensborough Football Club. Team photograph 1900, 1900_
In 1900, the Greensborough Football Club wore blue and white jumpers, later replaced by green. This photograph was displayed at the GFC Hall of Fame in 2016.This photograph is a record of the team - players and support staff - involved in the 1900 season.Group photograph of football team and support staff. greensborough football club, diamond valley football league, premiers -
Port Melbourne Historical & Preservation Society
Document - Scrapbook pages from visit of HMS Hood and HMS Repulse, Don Baker, 1925
Don Baker loaned teaspoons and a postcard to our 2008 Great White fleet Exhibition. This scrapbook was brought to the launch and later photographed for the Society.CD containing images of 3 scrapbook pages with photos of the 1925 visit of HMS Hood/Repulse and Princes Pierpiers and wharves - princes pier, transport - shipping, hms hood, hms repulse, don baker -
Moorabbin Air Museum
Document (Item) - The Age Of Mass Mobility
Description: Date: 2008 Pages: 40 Binding: Loose Leaf - Envelope Keywords: Defence White Paper 2008 Level of Importance: National. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Winkler and Streker Wedding
Wedding of internees Martin Winkler and Helene Streker in Camp 3 Rushworth during WW2. 2 black and white copies of photograph in file.Sepia photograph of bride and groom and some other people behind. People standing in front of a hut. Photograph has been laminated.martin winkler, helene streker, camp 3 weddings -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard
Also another black and white photograph of same scene different angle crop of maize shown, boat on river possibly PS TanjilSepia toned photograph of view across the Tambo River looking eastward from Stephensons Road corner of Riversdale farm on right Redenback House in distance Swan Reach to Bruthen road shown with rinbarked trees on hill Tambo Upper Victoriatownship -
Bialik College
Photograph (Item) - Sports carnivals and events photographs, no date
A folder of miscellaneous colour and black and white photographs, including contact sheets, of school sporting events.For inquiries or access contact [email protected], jewish school, bialik college, photographs, sport -
Bialik College
Photograph (item) - Around Shakespeare Grove, 1995
Black and white photographs taken around Shakespeare Grove in 1995 by Janne Martin. Please contact [email protected] to request access to this record.1990s -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1905 c
Also two other copies, one very dark 15.5 x 23.5 cm, and black and white 16.5 x 25.5 cmSepia postcard showing S.S Dargo at wharf at Paynesville. Stacks of wooden fish boxes on wharf. Several men on wharf and on S S Dargo. Three men in rowing boat. Raymond Island in distance. Paynesville VictoriaS S Dargo Paynesville A Cooper Photoships and shipping, waterways, houses -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Valentine Series, 1920c
One sepia copy 7 x 8.5 cm, also black and white copy 9 x 15 cm (Valentine Series)Small format postcard showing eastern pier and tip of western pier at entrance to Gippsland Lakes from ocean - Bass Strait at Lakes Entrance, Victoria. Side of kiosk on right hand side, beach in middle ground, post and barb wire fence lower foreground.The Piers Lakes Entrancejetties, ocean, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bulmer photography
Also two original postcards one tinted and one black and white numbers 03826.2 and 3826.3 size 6.5 x 10.5 cmTinted photograph of showing tourist boat possible Firefly on lake, thick forest around lake. Lake Tyers VictoriaLake Tyers Victoriaboats and boating, waterways -
Sunbury Family History and Heritage Society Inc.
Photograph, Bulla Primary School, 1988
The capsule was put together and buried in the school grounds during the Australian Bicentenary Celebrations, which acknowledged 200 years of white settlement in Australia.A coloured photographof the teacher putting documents into the school capsule while the students are looking on.schools, bulla primary school -
Vision Australia
Functional object - Object, Jumbo remote
This jumbo remote features large, soft, 2.5 cm buttons and white writing on black backgrounds designed for easy use by the vision impaired. 1 jumbo silver and black remote 'Dynalink A0977'assistive devices, dynalink -
Puffing Billy Railway
Sign - Advertising - Pure Velvet Soap - Enamel Sign, pre 1950s
Velvet Soap was a widely used laundry bar soap launched in 1906, produced by J. Kitchen & Sons, owned by John Ambrose Kitchen (1835 - 1922). Kitchen was born in Britain and emigrated to Victoria in 1854. After a less than successful period at the Caledonian and Blackwood diggings, Kitchen returned to Melbourne and joined his father and brothers in establishing a tallow candle making works. Through merger and expansion the company became the pre-eminent manufacturer of soap and candles in the eastern colonies in the mid to late 19th century. Kitchen also speculated in a number of enterprises but suffered financial setbacks as a result of the 1890s bank crashes. Despite this, the company continued to grow in the early twentieth century with the introduction of products such as Velvet Soap and Solvol. The company merged with the British company Lever Bros in 1914 who eventually took full control of the company in 1924, becoming Lever and Kitchen. Advertising for Velvet Soap in Australia was extensive and pervasive. All manner of surfaces were used to advertise the product such as building walls, roofs, and most commonly, enamelled sheet metal signs which were fastened to any available surface internally and externally. The most common form of sign that Velvet Soap used was the words 'PURE VELVET SOAP' in white lettering within a vivid dark blue, elongated Maltese cross. On the enamelled metal signs the Maltese cross sat on a red background with a yellow border. While this was the dominant form for Velvet Soap signs, there were variations from the standard. The Velvet Soap sign is of historical significance as a representative of painted signs that were once a common form of advertising during the nineteenth and early twentieth centuries. - : http://vhd.heritagecouncil.vic.gov.au/places/14447#sthash.Vb6KAUWl.dpufHistoric - Advertising Sign - Velvet SoapTin sign with white, yellow, red and blue enamel. Pure velvet soap.puffing billy, enamel sign, pure velvet soap -
Kiewa Valley Historical Society
12 small black and white photgraphs of Junction Dam and surrounding area, Photo No. 1 c1940, all others c 1948
Junction Dam is a reinforced slab and buttress type construction and was commenced in February, 1940 by Lewis Construction Company. Stiff leg derricks were erected at appropriate locations at the site of the dam and used for the disposal of excavated material and the placing of concrete. A rock crushing and screening plant was established at a site a short distance upstream from the dam site and concrete was supplied from a central mixing plant placed close to the upstream toe of the structure. The SEC took over the construction in April 1942 and the dam wall was completed in March, 1944. Bogong township was commenced in early 1940 with the construction of a workmen's camp housing 96 men, (known as Junction camp). Construction of housing for families commenced shortly after. Forty houses, plus office, workshops, stores and laboratory accommodation were completed over the next 5 years,Of historical significance as a pictorial record of Junction Dam, Lake Guy and Bogong Village, as the photos were taken only 4 years after completion and one photo taken on completion of the dam wall but before the lake was filled with water.12 small black and white photographs of Junction Dam, Bogong Village and surrounding area.Photo 1 - On the back upper edge in pen 'Junction Dam'. Then '12' in pencil, circular stamp, printed in centre 'Print by Willson White Albury'. Photo 2 - On the back upper edge in pen 'Junction Dam October 1948'. Stamp as no. 1 photo. Stamp '998L' lower centre. Photo 3 - on the back upper edge in pen 'Junction Dam October 1948'. Circular stamp with 'Kodak Print' . Lower centre back is stamped 'velox' and '998L'. Photo 4 - upper back, in ink - 'Junction Dam Spion Kopje in background. October 1948'. Stamps as photo no. 4. Photo 5 - upper back, in ink - 'Lake Guy (orange filter) October 1948'. Centre back, in pencil '29' and circular stamp with words 'Print by Willson White Albury'. Photo 6 - upper back edge 'Junction, Bogong from Radio Receiving Shack Dec. 1948'. In pencil '14'. Photo 7 - On back of photo 'View of Mountains from Little Arthur Fire Track October 1948'. Two circular stamps with 'Kodak Print', another two stamps - 'Velox' and '998L'. Photo 8 - On back in ink 'Loone's Store Bogong with Spion Kopje in background. October 1948'. Lower down, stamps 'Velox' and '998L'. Part of circular stamp with one word 'Kodak'. Photo 9 - on back in ink 'Junction Camp, Bogong Village & Lake Guy from Little Arthur Fire Track. October 1948'. Stamped across writing '998L'. Lower down stamped 'Velox' and circular stamp with words 'Kodak Print'. Photo 10 - on back in ink 'Junction Camp & Bogong Village Lake Guy in Foreground. October 1948'. Stamps as photo 9. Photo 11 - on back in ink 'Junction Camp & Bogong Village, Lake Guy in Foreground. October 1948'. Lower stamp '998L'. Photo 12 - 'Junction of Rocky & Pretty Rivers with tennis courts in foreground October 1948' . Circular stamp with words, 'Print by Willson White Albury'. Number '29' written pencil.junction dam; bogong village; kiewa hydro electric scheme; lake guy -
Uniting Church Archives - Synod of Victoria
Document - Methodist Order of Knights, The Page's Pledge and Page's Law
The Page's Pledge: I pledge my word and honour, to love God, to cheerfully help other people, and to try to live by the Page's Law. The Page's Law: 1. A Page regularly attends a Methodist Sunday School and Church. 2. A Page tries to grown up to full manhood. 3. A Page is loyal. 4. A Page is faithful and honest at all times. 5. A Page tries to be a good citizen. 6. A Page is kind and polite to people. 7. A Page is clean in thought, word and deed. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple shield. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. White card with red and blue text and an image of Jesus, a knight on one knee and a boy standing in front a cross and tree.methodist order of knights -
Flagstaff Hill Maritime Museum and Village
Decorative object - Bookends, ca. 1930s
The pair of ornamental white resin owl bookends was likely made around the 1930s when epoxy resin became available. Bookends modelled on owls have been a popular ornament for many years, possibly because of the association between owls, books and wisdom. They are used and displayed in places where books are appreciated and valued, such as homes, libraries, educational buildings, business offices, legal institutions and banks. Bookends hold a row of upright books in place by supporting the beginning and end of the row. The books are more likely to keep their integrity when stored vertically. The first patent for a metal bookend was placed by William Stebbins Barnard in 1877. Bookends became useful and decorative items around the middle of the sixteenth century after printed books became available. At that time books were expensive and treasured possessions, treated with much respect. Even in the early nineteenth century, a Bible was often the only book in the home. It was included among the limited items brought by many immigrants to Australia. Books became more available and affordable to the public by the end of the nineteenth century and households and businesses were able to build their own libraries. Bookends were used then, and are still used now, to keep books organised, cared for, and readily accessible. Bookends, a pair of two (2) small white resin owls with clear bright red eyes standing on a stack of books, their bodies facing towards each other, chests on an upright book, heads turned towards the viewer. The ends are left and right-handed.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ornament, bookend, bookends, pair of bookends, library, book storage, book display, room decoration, resin ornament, white bookends, owl bookends, owl ornament, white owls, resin owls, book support, bookend patent, william stebbins barnard -
Glen Eira Historical Society
Document - Elizabeth Street, 44, Elsternwick
A two page copy of a Caulfield Conservation Study by Andrew Ward, dated 09/1994, on Clifton at 44 Elizabeth Street, Elsternwick. The study includes a brief history of house occupancy, an architectural description, a statement of significance and a black and white photograph (100mm x 154mm) of the exterior of the house. The file also includes an undated and unattributed black and white photograph (90mm x 89mm) of the exterior of Clifton at 44 Elizabeth Street, Elsternwick.elizabeth street, elsternwick, clifton, clifton hill, bent street, davis street, federation style, architectural styles, architectural features, ring charles, bent thomas sir, rippon lea estate, house names, jones percy john, builders, belle vue, edwardian style, ward andrew, st georges road, english domestic revival, elsternwick urban conservation area -
Glen Eira Historical Society
Photograph - Glen Huntly Railway Station
This file contains one item. 1. Eleven Photographs of Glen Huntly Railway Station, five in black and white, and six in colour. They date from the earlier part of the 20th century as well as into the 1980’s. One black and white photograph has ‘first electric train?’ handwritten on the back. Another has been taken from an advertisement for the auction of Madden Estate featured in the Prahran Telegraph dated 20/09/1913.glen huntly station, glenhuntly station, railway stations, railways, railway gates, trains, glen huntly road, catherine road, mernda road, mermosa road, railway crossings, railway lines, public transport, madden estate, land sales -
Wangaratta RSL Sub Branch
Silver Medal, C1934
White metal medal issued to commemorate Melbourne's centenary 1934-35. This medal was given out to Victorian school children; 325,600 white metal medals were struck. The medal references Portland, the location of Victoria's first settlement. The Henty brothers, entrepreneur farmers and whalers, established the state's first permanent European settlement in Portland in 1834. Melbourne was established the following year by a party of settlers led by John Batman.Commemorates the settlement of Portland, Melbourne and Victoria, 1834 - 1935Round two sided silver metal medalFront - Centenary of Victoria 1934 - Portland 1934 Rear - Centenary of Melbourne 1935centenary, victoria, melbourne, medal -
Vision Australia
Badge - Object, Remember the Blind badge, 1940-1980
To raise funds for the Royal Victorian Institute for the Blind, these badges were sold by street sellers in Melbourne. "Remember the Blind" - Blue and white oval badges with the words, 'Remember the Blind' around the edge. The outer oval is narrow, white with gold edges and words. A dark blue oval is in the centre, suspended over the empty space by four curved pieces of metal, with gold edging. Some badges have paper numbers on the reverse. Metal pin with enamel with writingRemember the Blind royal victorian institute for the blind, badges -
Surrey Hills Historical Society Collection
Photograph, Rear of bakery of Donald H. Rowe at 118 Union Road Surrey Hills in 1930s
A black and white photograph showing a small child sitting in a wooden box. There is a small black dog chained up and to the right of the picture. To the left of the photo is a large pile of wood stacked against a brick wall. Donald Hartley Rowe was born in 1876; married Mary Gibson in 1901 and died in Surrey Hills in 1958. In 1935 his daughter Winifred (1903-1985) married Phillip Sebastien Slavin (1907-1980), known as Paddy, who took over the business. He is first listed at 118 Union Road (no occupation noted) in the electoral roll of 1937 through until 1963. The bakehouse was at the rear – note the stack of wood required for breadmaking. The fence is along Stirling Crescent. The small boy is Alan Rowe. A black and white photograph showing a small child sitting in a wooden box. There is a small black dog chained up and to the right of the picture. To the left of the photo is a large pile of wood stacked against a brick wall.bakery, union road, surrey hills, (master) alan rowe, stirling crescent, (mr) donald hartley rowe, miss winifred rowe, mrs winifred slavin, (mr) phillip sebastien slavin