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Nillumbik Shire Council
Print (sugarlift etching): Jan SENBERGS (b.1939 Lativia, arrived AUS 1950), Jan Sensbergs, 'New Jersey - rust belt' from the 'Baldessin & Friends' commemorative folio, 2016
Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Nillumbik Shire Council
Print (woodcut and etching on chine-colle): John WOLSELEY (b.1938 Somerset, UK; arrived 1976 Melb., AUS), John Wolseley, 'Life world of the Longicorn beetle' from the 'Baldessin & Friends commemorative folio', 2016
Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1983-84
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1984-85
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1985-86
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1986-87
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1987-88
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1988-89
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1989-90
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1990-91
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Annual Report, Australian Wool Corporation Annual Report 1990-91
Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills -
National Wool Museum
Booklet, Australian Wool Services: Share Registration Kit
Donated by Mr Leslie Rourke.wool industry wool sales textile mills wool marketing textile mills textile mills, australian wool services limited woolmark company australian wool research and promotion organisation, wool industry, wool sales, textile mills, wool marketing -
Koorie Heritage Trust
Book, Bandler, Faith, The time was ripe : a history of the Aboriginal-Australian Fellowship (1956- 69), 1983
It is a history of not only the Aboriginal-Australian Fellowship but the birth and growth of the Federal movement. A picture is also given of the earlier Aboriginal struggles of the 1920s to 1940s led by pioneers like William Cooper, Bill Ferguson and Doug Nicholls.203 p. : ill., facsims., ports. ; 23 cm.It is a history of not only the Aboriginal-Australian Fellowship but the birth and growth of the Federal movement. A picture is also given of the earlier Aboriginal struggles of the 1920s to 1940s led by pioneers like William Cooper, Bill Ferguson and Doug Nicholls.aboriginal-australian fellowship -- history. | australian aborigines. organisations: aboriginal-australian fellowship, 1956-1969. | race discrimination -- australia. | aboriginal australians -- social conditions. | australia -- race relations. | bandler, faith. | fox, len, 1905-2004. -
Koorie Heritage Trust
Booklet, Blake, Jim, Official history commemorating the centenary of the Stawell Athletic Club, Victoria, Australia, April 9th, 10th, 11th, 1977, 1977
Records the background to the Club and the Stwell Gift together with records from its inception to 1977.206 p.; ill.; tables; 25 cm.Records the background to the Club and the Stwell Gift together with records from its inception to 1977.stawell athletic club -- history. | athletics. organisations. victoria. stawell. stawell athletic club, to date | athletics -- victoria -- stawell -- history. -
Koorie Heritage Trust
Book, Alberts, Trish et al, Making a Difference / First Australians : Plenty Stories, 2010
This book shares inspiring stories aabout how individuals and organisations have made a difference in Australian society by giving a voice to the histories and viewpoints of Aboriginal and Torres Strait Islander peoples. Contents: Understanding each other; Koorie Heritage Trust; Bangarra Dance Theatre; The Aboriginal Baldja Network; Reconciliation Australia and the Stolen Generations Alliance; Working together for change; Glossary; Index.32 p. : ill., col. maps, ports. (some col.) ; 24 cm.This book shares inspiring stories aabout how individuals and organisations have made a difference in Australian society by giving a voice to the histories and viewpoints of Aboriginal and Torres Strait Islander peoples. Contents: Understanding each other; Koorie Heritage Trust; Bangarra Dance Theatre; The Aboriginal Baldja Network; Reconciliation Australia and the Stolen Generations Alliance; Working together for change; Glossary; Index.aboriginal australians. | torres strait islanders. | australian -
Koorie Heritage Trust
Booklet, Barrett, Charles et al, Blackfellows of Australia, 1936
Contents: The Aboriginal Environment - Birds and Reptiles; Whence came the Blackfellow. The Natural Man - Tattooing: ornamental scars. The Tribes of the South - Down the Darling. Tribes of Central and Northern Australia - The Aruntas; Wilderness vanishing; Untamed Tribes.The Tasmanian Race - Doomed people.Tribal Organisation - Public opinion; The Council of Old Men; Tribal Classification; Tribal Naming; Dual Classes; Totemism.Daily life of the Blacks - Making fire; Cooking methods - the native oven; Vegetarian diet; Miscellaneous foods. Weapons and Implements - Classes of Stone; Quarries; Weapons of wood - spears; The Boomerang; Shields; Water vessels and Carriers; Baskets and Dilly-bags.Medicine-men and medicine - Faith cures; Rain-making. Mia-Mias, Whurlies and Gunyahs - Tripod fires; Two-storey huts. The Aboriginal as an Engineer - Weirs and fish traps; Wells and Rockholes. Wild White Men; Dances and Games - Children's toys. Black Police and Tracking - Tribal Mixture; The Blacktrackers; Trained from infancy. Navigation - The Bark Canoe - Calm-weather Craft. Aboriginal Art - Animal Tracks; Old Camp-fires. Blackfellow Music and Bards; Death and Burial - Wailing Women; Relics of Lost Tribes; Decorated skulls; Creation myth pole. Language - Letter-sticks. Myths and Legends; Mission work among the Blacks - Spheres of Service; The Mission Stations.43 p. : ill. ; 28 cm.Contents: The Aboriginal Environment - Birds and Reptiles; Whence came the Blackfellow. The Natural Man - Tattooing: ornamental scars. The Tribes of the South - Down the Darling. Tribes of Central and Northern Australia - The Aruntas; Wilderness vanishing; Untamed Tribes.The Tasmanian Race - Doomed people.Tribal Organisation - Public opinion; The Council of Old Men; Tribal Classification; Tribal Naming; Dual Classes; Totemism.Daily life of the Blacks - Making fire; Cooking methods - the native oven; Vegetarian diet; Miscellaneous foods. Weapons and Implements - Classes of Stone; Quarries; Weapons of wood - spears; The Boomerang; Shields; Water vessels and Carriers; Baskets and Dilly-bags.Medicine-men and medicine - Faith cures; Rain-making. Mia-Mias, Whurlies and Gunyahs - Tripod fires; Two-storey huts. The Aboriginal as an Engineer - Weirs and fish traps; Wells and Rockholes. Wild White Men; Dances and Games - Children's toys. Black Police and Tracking - Tribal Mixture; The Blacktrackers; Trained from infancy. Navigation - The Bark Canoe - Calm-weather Craft. Aboriginal Art - Animal Tracks; Old Camp-fires. Blackfellow Music and Bards; Death and Burial - Wailing Women; Relics of Lost Tribes; Decorated skulls; Creation myth pole. Language - Letter-sticks. Myths and Legends; Mission work among the Blacks - Spheres of Service; The Mission Stations.aboriginals, australian - social life and customs -
Koorie Heritage Trust
Book, Lewis, Robert, A Journey Through Time : investigating Koori life in the Gariwerd / Grampians area. Teachers' Guide, 1992
[From Intro.]: "The guide booklet asks students to consider four important questions as they explore the Centre's resources: 1. Did the Kooris of the Gariwerd area use their environment well? 2. Did they have a rich and full culture? 3. How did contact with Europeans affect their life? 4. Are Koori history and culture an important part of every Australian's heritage today?"9 p. : ill., map ; 30 cm.[From Intro.]: "The guide booklet asks students to consider four important questions as they explore the Centre's resources: 1. Did the Kooris of the Gariwerd area use their environment well? 2. Did they have a rich and full culture? 3. How did contact with Europeans affect their life? 4. Are Koori history and culture an important part of every Australian's heritage today?"community organisations -- cultural activities (including preservation and/or promotion of traditional culture). other: brambuk living cultural centre -- budja budja -- gariwerd -- halls gap -- grampians -- education. -
Koorie Heritage Trust
Book, Lewis, Robert, Budja Budja / Gariwerd - Halls Gap / Grampians : Primary Activity Book, 1992
[Contents: The Brambuk Centre - Outside; The Brambuk Centre - Inside; How did the Kooris of Gariwerd Gather Food?; A Dreamtime Story - The story of Bunjil; 'I Spy...'; A Plant Hunt; Find the Words; Koori Rock Art.9 p. : ill., map ; 30 cm.[Contents: The Brambuk Centre - Outside; The Brambuk Centre - Inside; How did the Kooris of Gariwerd Gather Food?; A Dreamtime Story - The story of Bunjil; 'I Spy...'; A Plant Hunt; Find the Words; Koori Rock Art.community organisations -- cultural activities (including preservation and/or promotion of traditional culture). other: brambuk living cultural centre -- budja budja -- gariwerd -- halls gap -- grampians -- education. -
Koorie Heritage Trust
Booklet, Aborigines' Friends' Association, Aborigines' Friends' Association [A.F.A.] Folder 2, 1934
a selection of publications by this organisationa selection of publications by this organisation -
National Wool Museum
Book, International wool textile organization: 43rd international wool conference Melbourne, 1974
"International wool textile organization: 43rd international wool conference Melbourne, 1974"textile industry trade - international, international wool textile organisation, textile industry, trade - international -
National Wool Museum
Book, The prospects for wool price stability
"The prospects for wool price stability"- Roger N Gray. Presented to the plenary sesssion of the I W T O Conference , Brussels, 2nd June 1967.wool sales - reserve price plan wool marketing wool sales trade - international, international wool textile organisation, wool sales - reserve price plan, wool marketing, wool sales, trade - international -
Koorie Heritage Trust
Document - Printed Sheets, Aboriginal Organisations, Letters to the Government of Australia from various Aboriginal Organisations, 1988
A series of letters to the Hawke Government around the period 1988 from various Aboriginal Organisations regarding Aboriginal Affairs.69 letters; 30 cm.A series of letters to the Hawke Government around the period 1988 from various Aboriginal Organisations regarding Aboriginal Affairs.aboriginal affairs-correspondence with government, government, australia-aboriginal affairs. -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 17.1-2 1993, 1993
Under the title " John Piper, "Conqueror of the Interior", the article deals with the Aboriginal who accompanied Major Mitchell on his 1836 expedition. The article relates the whole journey with an extensive picture of his travels through Victoria.194 P.; refs; footnotes; reviews; bib; 25 cm.Under the title " John Piper, "Conqueror of the Interior", the article deals with the Aboriginal who accompanied Major Mitchell on his 1836 expedition. The article relates the whole journey with an extensive picture of his travels through Victoria.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | settlement and contacts - colonisation - 1788-1850 | race relations - violent - massacres, murders, poisonings etc. - to 1900 | settlement and contacts - explorers | occupations - domestic servants | social organisation - kinship - systems | occupations - pastoral industry workers | race relations - racism - stereotyping | -
Koorie Heritage Trust
Book, Basedow, Herbert, The Australian Aboriginal, 1925
Contents: Introduction to an Australian Tribe; Racial characteristics; The breast and abdomen; The face and its skeleton; The mouth; The skull and brain; Colour of Aboriginal's skin; The hair; Likely origin of the Australian Aboriginal; An Aboriginal's Birth; Childhood; The Day's March; Camp life; Hunting; Vegetable Diet; Beverages; Pitjuri; Navigation; Duels; Warfare; Spears; Spear-Throwers; Burial and mourning customs; Tribal organizations; Tribal administration; Initiation; Religious ideas; Aboriginal art; Stone implements; Music and dance; Language.xx, 422 p., 55 leaves of plates : ill., map, ports. ; 22 cm.Contents: Introduction to an Australian Tribe; Racial characteristics; The breast and abdomen; The face and its skeleton; The mouth; The skull and brain; Colour of Aboriginal's skin; The hair; Likely origin of the Australian Aboriginal; An Aboriginal's Birth; Childhood; The Day's March; Camp life; Hunting; Vegetable Diet; Beverages; Pitjuri; Navigation; Duels; Warfare; Spears; Spear-Throwers; Burial and mourning customs; Tribal organizations; Tribal administration; Initiation; Religious ideas; Aboriginal art; Stone implements; Music and dance; Language.human biology -- physiology -- reproduction -- social organisation -- life cycle -- birth -- childhood -- religion and magic -- ritual -- initiation -- mortuary -- politics, tribal law and social control -- arts -- performing arts -- music -- dance -- language and communication -- economics and material culture -- economic life -- division of labour -- subsistence -- hunting -- gathering-- weapons -- spears -- spearthrowers -- tools -- stone -- -
Koorie Heritage Trust
Book, Behrendt, Larissa, Aboriginal Dispute Resolution, 1995
Discusses the importance of Indigenous communities being able to implement their own models of dispute resolution which take into account traditional values and decision-making structures; proposes a model which could be adapted for use in traditional, rural and urban communities.115 p. : ill. ; 20 cm.Discusses the importance of Indigenous communities being able to implement their own models of dispute resolution which take into account traditional values and decision-making structures; proposes a model which could be adapted for use in traditional, rural and urban communities.law - indigenous - dispute management | law - relation to anglo australian law | law enforcement | social organisation - elders | aboriginal australians -- legal status, laws, etc. | arbitration and award -- australia. | aboriginal australians -- land tenure. | dispute resolution (law) -- australia. -
Koorie Heritage Trust
Book, Brambuk Living Cultural Centre, A Journey Through Time, 1990
Intro.: Brambuk welcomes you to a journey through time. A journey that will take you through the experiences of our people the Yardwadjali and Djap Wurrung the traditional owners of the land in and around the magnificent and powerful mountain range of Gariwerd our ancient name for the Grampians...15 p. : ill. (some col.) ; 21 x 30 cm.Intro.: Brambuk welcomes you to a journey through time. A journey that will take you through the experiences of our people the Yardwadjali and Djap Wurrung the traditional owners of the land in and around the magnificent and powerful mountain range of Gariwerd our ancient name for the Grampians...community organisations -- cultural activities (including preservation and/or promotion of traditional culture). other: brambuk living cultural centre -- budja budja -- gariwerd -- halls gap. -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 06. 1-2 1982, 1982
A series of articles by leading writers on Aboriginal History.178 P.; tables; figs.; ports.; footnotes; bibs.; 24 cm.A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | hunting, gathering and fishing | social organisation - avoidance rules - avoidance relationships | socioeconomic conditions - living conditions | law enforcement - police conduct and attitudes | race relations - racial discrimination - courts | race relations - racial discrimination - legislative | transport - air - aircraft | settlement and contacts - 20th century | stories and motifs - eagles / hawks / crows | settlement and contacts - explorers | costume and clothing - necklaces, pendants etc. | colonisation | government policy - initial period and protectionism | race relations - racism - stereotyping | sites - dreaming tracks | technology - stone - knapped | literature and stories - authors | literature and stories - fiction | literature and stories - plays | literature and stories - poetry | -
Whitehorse Historical Society Inc.
Document - Souvenir Program, 21/08/1988 12:00:00 AM
8 page yellow covered programme commemorating the Mitcham R.S.L. Sub-branch new extensions and alterations.8 page yellow covered programme commemorating the Mitcham R.S.L. Sub-branch new extensions and alterations.8 page yellow covered programme commemorating the Mitcham R.S.L. Sub-branch new extensions and alterations.mitcham returned servicemens league, dunlop, edward, sir, bullwinkle, vivian, exservice organisations -
Whitehorse Historical Society Inc.
Article, Road Noise Claim, 25/06/1997 12:00:00 AM
Noise control limits complaints.Concerns of residents living near the Eastern Freeway of Vicroad failure to meet noise control limits.Noise control limits complaints.freeways, eastern freeway, vicroads, watson, barry, marshall day carr, world health organisation, balfe, peter, roads and streets, city of whitehorse, city of manningham