Postcards collected by "R.H. Baron" during a visit to London c.1918. Part of the Robert H. Baron, No. 3596 and Cooper Collections. See Cat. No. 1981P for details of Baron's service.Collection of thirty five black and white and coloured postcards featuring views of London, UK.Handwritten on back of several in black ink and pencil, 'Anecdotes and comment by R.H. Baron.'robert h. baron, cooper collection, postcards, london, ww1

Examination papers range in date from 25 July 1956 to 8th July 1973. Examinations were for either promotion to Captain or promotion to Major. Part of the "Kevin John Herdman" collection No. 397661. See catalogue No. 5942P for details of his service.A collection of 24 examination papers on a range of coloured paper - pink, cream, blue and yellow. 5. 14. are photocopies of originals. All text in black type.On front of 22. handwritten in pencil: "45 min/ques, 306 words to page"examination papers, major, captain, army, kevin john herdman, citizen military forces

Items in the collection re Clarence Shearing, refer Cat No 7089.16P for his service details.Photographs B & W, various sizes covering a number of subjects in Australia and Japan with BCOF. Main items are: 1. General Northcote reviewing troops 1946 in Japan. 2. Troops arriving at Kure Japan. .3 Parade, 104th AGH Bathurst "VJ Day" Aug 1946. 4. Soldier "Cec Williams" outside "Salon White Bar". 5. Troops firing Bren Guns, soldier is "Peter Cook". 6. Australian troops parading in Tokio. 7. 66th BN Football Team. 8/9. Military Parades 1948.The inscriptions were written at various times in either pencil, red or blue pen.photographs, bcof, 66thbn

Hume and Hovell discovered the area in 1824 and by the end of the 19th century the valley was transformed by logging, dairy and beef cattle properties and tobacco farms. Historic photograph of the Tawonga Valley as it appeared in May 1937Black and white photograph of Tawonga Valley looking towards Mt BeautyHandwritten on rear of photograph in pencil - Thursday May 6th, 1937. Tawonga Valleytawonga, kiewa valley

Includes the names of farmers in the Kiewa ValleySoil Conservation Authority, Bogong High Plains, Cattle Allocation Marking/Brand Identifications Season 1958/59. Drawn 7-1-59, DWG No 679 file Sc/D/4M Chart gives details of Names, Run No., Earmarks, Brand & Location & Breed of cattle.Penciled in details under 'Name' 1978/Roper/W.Ryder/F.Ryder/W.Hicks/Maddison.chart, cattle, markings, brandings, bogong high plains, roper, ryder, hicks, maddison

Office of Mines published progressive reports on the Geological Survey of parts of Victoria.This book includes a chapter on 'Dargo and Bogong' Pages 96 - 117 and includes a fold out map of this area. These pages show heavy use.Hard deep red cover with gold printed title located at the centre top. Bound with spine blank. 217 pages. Date 1878 First chapter and some pages have pencil marks including page 97.geological survey 1878, dargo, bogong

Construction of the Lock at Euston. An overhead crane is visible in the centre of the photo. In the foreground are 2 sets of low pylons. There is construction equipment visible on both sides of the photo. It is a dry river bed which appears to have a walled wooded end at the back of the photo.This is social and historically significant in that this photograph depicts the construction materials and techniques used at this time when constructing locks on the rivers in the Murray Darling region.Black and white photograph of construction work on Lock at Euston. Centre of photograph has an overhead crane. In the foreground are 2 sets of low phylons. Copy of an original photograph from the Price collection.In pencil on back: Price / Lock under construction / Euston / JENKINS PRINT/MILDURAmurray darling river basin, euston (lock construction), lock construction, price collection

Sepia photographNoted in pencil on reverse: "3/11/67". Polaroid Manufacturer's Batch No. A730301K.1967, briar hill, para road, polaroid, sherbourne road, simms road

Sepia photographNoted in pencil on reverse: "3/11/67". Polaroid Manufacturer's Batch No. A730301K.1967, briar hill, para road, polaroid, sherbourne road, simms road

Owner and donor details - see Cat No. 5836.3.Soft cover book. Cover - cardboard, red, black and green print on front, spine and back. Illustrated front - red, black and green colour cartoon of two men with tools. Back - cartoon portrait of author. 88 pages, cut, plain, white paper. Biographical stories and black and white cartoon illustrations. Front end paper - handwritten notes.Front end paper - handwritten notes, grey lead pencil "$6.95/ NID"books, military history, ww2, cartoons

Part of Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Black and white photograph of a pilot in flying gear sitting in the cockpit of an aircraft. Photograph is mounted on blue coloured cardboard.Handwritten in pencil on the back: 'IAN LYONS, SQUADRON LEADER, c.1947 JUNE'raaf, aircraft pilot, ian a. 'joe' lyons

Air Publication 1548 detailing the responsibilities of air crew in case of becoming POWs. Warning on pamphlet states that it must not be taken into the air. Pamphlet was for use in the European theatre only. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details..1) & .2) The Responsibilities of a Prisioner of War. Light brown card pamphlet folded into 3 sections. Printing in black type front / back..1) Top LH corner of front handwritten in pencil: P/O Daveypow’s, responsibilities off

Wooden instrument with two piecestag attached written in pencil: "Scribe" written with white pen: "PWO 1488.5"

Japanese doll standing upright with traditional blue dress supported on black square base. "WMA 42" "PMA 012 6/2 Japanese writing with pencil on base

Alan Charles Quinn went to sea at the age of 16 and photographed his work and the places he visited. He has left behind a pictorial autobiography enclosed in a number of photograph albums. Also included in the Alan Charles Quinn Collection are a series of letters written to and from his mother during his time at sea.Black and white photograph of bollards in the water at San Francisco. There is some rippling of the water in the front of the photograph with complete calm toward the rear. In the background and to the right is a pier with what appears to be an upturned boat on the pier. There is a visible fog or mist through the background of the photograph.Blue/green ink, handwritten on reverse: "23.11.49". Pencil markings: "K8/B" mission-to-seafarers, missions-to-seamen, alan-charles-quinn, docks, san-francisco, bollards, pier, california, united states of america, usa

A short history of Briar Hill Primary School. Contains notable events, photographs and some newspaper articles.History of Briar Hill primary School compiled by GHS member Marilyn Smith.Plastic folder contains copies of photographs and articles relating to Briar Hill Primary School.Marilyn Smith (in pencil on top of page 1). M. Smith is compiler of folder.briar hill primary school, briar hill, marilyn smith

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of coastline around Nuns Beach and Portland Lighthouse. The work takes the perspective of, sitting in a car parked on the cliff facing the lighthouse. The foreground features the cars steering wheel, dashboard and red bonnet. The majority of the work illustrates the cliffs in various shades of green and brown. In the top right is the Portland Lighthouse and the ocean and rocks below.Front: Terry Priestly 28/30 (lower right) (pencil) Back: 32