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Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 12.07.1973
This group and RDNS Sisters are at a meeting at Fawkner Park Community Centre and are listening to the lady on the left who is pointing out information to them.. Liaison had occurred between Doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals and Community Centres would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS) Trained nurses (Sisters), but also for the patients of RDNS and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from Hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, co-ordinated discharge and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital. District Sisters also liaised with personnel attached to Community Centres.This black and white photograph is of a group of two men and five ladies, three of whom are Royal District Nursing (RDNS), Sisters, sitting at a large dark wooden table which has an open folder and papers with diagrams or information on them, Notepads and pens sit in front of several. L-R is a partly hidden man who has short dark hair; wears glasses, a dark suit over a white shirt and dark tie. His left hand is up to his face. Next is another man with short dark hair who wears glasses; has a grey suit, white shirt and patterned tie. His right hand is up to his face. Next is a lady with short curled hair who is wearing a dark patterned and white edged vest over a round neck grey jumper. She is looking at, and holding a pen in her right hand poised over, a sheet of paper with columns and writing on it. Next is an RDNS Sister with collar length dark curled hair, who has her left hand up to the side of her face. Then an RDNS Sister with short straight hair. Next is a lady with her dark hair drawn back and wearing a white jumper; she has her hands up to her chin. Next, and far right, is an RDNS Sister, who has short straight blonde hair and has a pen in her right hand. Her left hand, with a dark watch at the wrist, is up to the side of her face. The group are all looking at the columned information sheet which the lady on the left is pointing out with her pen. The RDNS Sisters are wearing light grey skivvies under dark grey V neck tunic style frocks.Barry Sutton LO 40royal district nursing service, rdns, rdns liaison, rdns uniform -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Frederick Moses Claxton 1832-1888, Death Certification, 1888
F. R. Claxton died at the relatively young age of 56 years and was a civic leader and highly regarded member of the Ballarat Community.F.R. Claxton's untimely death may have been caused by food poisoning not English Cholera as noted the Death Certificate.Schedule B Death Certificate (2 copies) and one enlargement of this Death CertificateOn the back of Claxton's Death Certificate, in black biro "Obtained 22 Feb 2010 for Friends of the Ballarat Botanical Gardens History Group." john garner, doctor, ballarat botanical gardens, frederick moses claxton, death certificate, english cholera, lake wendouree, claxton memorial, claxton, john garner collection, gardens, ballarat -
Warrnambool and District Historical Society Inc.
Label, Warrnambool Premier Town, 1979
These labels or stickers were produced as part of the celebrations and promotional material to be used during the period 1979 to 1982 when Warrnambool was the official Premier Town in Victoria. The title was awarded by the Premier of Victoria with scores allocated for heritage and environment, community participation, industrial and commercial development, tourism, land use and public works and community facilities. Warrnambool won the inaugural award in 1958, in 1979-82 and in 1988-91.These labels are of minor interest as reminders of one of the times when Warrnambool was awarded the title of Victoria’s Premier Town.These are eight green labels on a perforated sheet. They have black printing and an adhesive backing and are designed to be detached and used separately as stickers or labels.Warrnambool Premier Town 1979-82warrnambool premier town 1979-1982, history of warrnambool, label -
Glen Eira Historical Society
Newsletter - CAULFIELD SOUTH COMMUNITY HOUSE
Contains 3 items: 1/‘Caulfield South Community House – Minutes of Annual General Meeting, 18 October 2007’, (two pages) together with ‘Agenda of Annual General Meeting, 16 October 2008’ (one page). The ‘Agenda’ notes that the Guest Speaker at the AGM will be Felicitie Campbell of the Glen Eira Historical Society. 2/‘Caulfield South Community House – Annual Report 2008’, a ten page booklet. Includes Financial Report for 2007-2008 and Manager’s Report. 3/‘Caulfield South Community House – Program Information, Semester 2, 2009’ Brochure (double sided) describing its programs, including Computer Classes, English as a Second Language and Health and Wellbeing classes.caulfield south, community house, caulfield south, community houses, community organisations, community groups, community services, gibson barbara, campbell felicitie, glen eira historical society, mironova marina, kooyong road, classes -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
Newspaper Clipping from "The Mail", 27 April 1993, Page 3, "Grant"'.The Ringwood Council has received a $23,000 grant to improve its Meals on Wheels program. The grant, made through the Home and Community Care Program, will enable Ringwood to establish its own Meals on Wheels kitchen later this year. Ringwood had bought meals from Nunawading for many years, but Nunawading kitchen facilities were no longer able to cope with the demand. -
Vision Australia
Certificate - Text, Volunteer Recognition Day 88, 1988
As part of bicentennial celebrations, volunteers were invited to Government House in Melbourne to attend a garden party where commemorative pins were given our to recognise the valuable work undertaken.1 x buff coloured paper with black writingPresented to Association for the Blind - Kooyong Day Centre to acknowledge your participation in Volunteer Recognition Day 88 held at Government House, Melbourne on Wednesday 30th November 1988 in the presence of His Excellency Dr. Davis McCaughey, A.C. the Governor of Victoria and Mrs. Jean McCaughey, A.O. This occasion was arranged to highlight the valuable contribution made by your volunteers to the Victorian Community.association for the blind, volunteers, awards -
Federation University Historical Collection
Book, Hepburn Shire Council - Hepburn Shire - Tourism Directions Statement 2002, 2002
Hepburn Shire Council - Hepburn Shire - Tourism Directions Statement 2002White bound book of 31 pages.hepburn, sustainable tourism management, major themes, future directions, community, environment, customers, council, organisational roles, recommended structure - sustainable economic development advisory group, sustainable tourism focus group, hepburn shire council -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, 150 anniversary of the Hepburn Mineral Springs Reserve - official party sound shell, 2015
http://vhd.heritagecouncil.vic.gov.au/places/1993 Digital imageshepburn mineral springs reserve, hepburn mineral springs, hepburn springs, 150, crowd, picnic, anniversary, celebration, community, mineral water, mineral springs, mary-anne thomas mp -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, 150 anniversary of the Hepburn Mineral Springs Reserve - Swiss Italian catchup, 2015
http://vhd.heritagecouncil.vic.gov.au/places/1993 Digital imageshepburn mineral springs reserve, hepburn mineral springs, hepburn springs, 150, crowd, picnic, anniversary, celebration, community, mineral water, mineral springs, swiss italian -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, 150 anniversary of the Hepburn Mineral Springs Reserve - Clare and Jenny at the shadow, 2015
http://vhd.heritagecouncil.vic.gov.au/places/1993 Digital imageshepburn mineral springs reserve, hepburn mineral springs, hepburn springs, 150, crowd, picnic, anniversary, celebration, community, mineral water, mineral springs, swiss italian -
Bendigo Historical Society Inc.
Ephemera - LYDIA CHANCELLOR COLLECTION; 'AUSTRALIAN COMFORTS FUND' ENVELOPES
A packet of 'Australian Comforts Fund envelopes. Golden Square Branch. 'Taraxville,' Golden Square.communication, postal, envelope, lydia chancellor, collection, stationary, envelopes, 'australian comforts fund golden square, war, community, w.w. 1, w.w. 11 -
National Wool Museum
Textile - Men's Coat, c1940s
Franco Liburti was wearing this coat when he farewelled his wife Assunta in Naples, Italy in 1957, the day she departed for Australia. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Men's coat featuring a charcoal herringbone weave, with three buttons down the front and on each sleeve cuff.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community, naples -
Eltham District Historical Society Inc
Document - Series Listing, Fraser Faithfull et al, Series 51: Art Exhibition - Retrospective Exhibition of Shire of Eltham Art Collection, 1993, 12 colour photographs, 2000
Series consists of colour prints taken at the opening of the exhibition , which ran from June 26 - July 4 at the Eltham Community Centre.shire of eltham archives, series listing -
Glenelg Shire Council Cultural Collection
Print, Norman Poole et al, Fishing Boat, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a fishing boat on slipway. The boat and ground surrounding it are predominantly black with a small amount of orange. The sky is dark blue and fades into a lighter blue on the right side of the work.Front: Norman Poole (lower right) (pencil) Back: 31 -
Glenelg Shire Council Cultural Collection
Print, Angela Gee, Old Lady, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens.Front: 8/ 37 A Gee Back: 19 -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency -
Greensborough Historical Society
Photograph - Photographs, Rosie Bray, Watsonia Library: Red Cross meeting at Watsonia Library, 2005
Watsonia Library is a branch of Yarra Plenty Regional Library Service (YPRL). Photographs of a local Red Cross meeting in a community room at the library.Colour photographyarra plenty regional library, yprl, watsonia library, red cross -
Greensborough Historical Society
Invitation, Long Neck Turtle Project. Opening, 21/11/2019
Official opening of Long Neck Turtle Project, a collaborative community sculpture project at the Lower Plenty Shopping Centre, 21 November 2019.Colour leaflet, printed both sideslower plenty shopping centre, long neck turtle project -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, 140th birthday. Greensborough Primary School Gr2062, 23/05/2018
Greensborough Primary School which was established in 1878, celebrated its 140th anniversary in 2018. This clipping invites the community to an open day of celebration..Newspaper clipping, black and white text Date and newspaper written on page.greensborough primary school -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Reversal on parking, 26/09/2018
Paid parking meters have been scrapped in Montmorency and Macleod after Banyule Council received community backlash about the proposed plan.News article 1 page, black text and colour image .paid parking meters, montmorency, macleod, banyule city council -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley News, Bank pledges sought, 16/07/2003
In 2003 a steering committee investigated the feasibility of setting up a branch of the Bendigo Bank in Watsonia. This article continues to seek community support for the Bank.Community involvement in local matters.News article. Black and white text and colour photo. 2 copies.Date written in pen.bendigo bank, community banks, watsonia, macleod, laurie joyner, rosalie bray -
Glenelg Shire Council Cultural Collection
Print, Fawthrop Lagoon, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck?, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 Back: 18 -
Glenelg Shire Council Cultural Collection
Print, Portland is for Everyone, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of three Aboriginal women in foreground with red text "PORTLAND IS FOR EVERYONE" at the top. The Aboriginal women are portrayed with blue skin and orange, yellow and pink clothing. The background is a mix of yellow and pink lines, over which black leafless trees are printed. At the bottom of the work is purple text which reads "Thanks to the Aboriginal Cultural Centre, Heywood and the Portland Historical Society".Front: 47/60 Angela Gee '83 Back: 10 -
Glenelg Shire Council Cultural Collection
Print - Print - Remember 'Wren' it was like this?, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint with two birds (wrens) in the foreground. The birds sit on a branch with multi-coloured leaves and flowers. The background features a coastline with breaking waves and a light blue sky.Front: 5/11 (lower left)(pencil) Remember "Wren" it was like this? (lower centre)(pen) Signature (lower right) (pencil) Back: 5 -
Glenelg Shire Council Cultural Collection
Print, Portland Pier, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish. Mounted on yellow matt with purple highlight and sage edging. Wooden and gold frame with glass glazingFront: Portland Pier 30/70 (lower left) A Gee 83 (lower right) (pencil) -
Glenelg Shire Council Cultural Collection
Print, Sails, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38 -
Glenelg Shire Council Cultural Collection
Print - Print - Portland Baths, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint which features the 1985 Calendar in the bottom two-thirds of the work. The top third of the work presents a multi-coloured image of the interior of the Portland Sea BathsFront: (no inscriptions) Back: 8 -
Glenelg Shire Council Cultural Collection
Print, The Wave, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of outlined figures of two women and two birds over a coloured patchwork background. Female figures are sitting up with their head turned to the right and left hand across their chest. The background patches are blue, yellow, red and grey.Front: (no inscriptions) Back: 41 -
Glenelg Shire Council Cultural Collection
Print, Portland Its All On Your Plate, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features: a pink plate with a fish, abalone and flower sitting on it; a silver spoon with a rose sitting on it; and a white vessel with a rose painted on it. Background is pink with various patterns and text "it's all on your plate at PORTLAND".Front: (no inscriptions) Back: 29 -
Glenelg Shire Council Cultural Collection
Print, Alcoa - Heathland, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36