Black and white photo: two men wearing hard hats and lights inspecting ore samples underground. Ray Beer pictured on LH side of image, other man holding camera.mining, business, central deborah gold mine

Black and white photograph, man and woman, photograph of Ron Casey and Lea Dickson on stage together. Bendigo Advertiser description on back of photo: Ron Casey & Miss Australia Lea Dicksonrecreations, sports, awards

Bendigo Advertiser "The way we were" from Wednesday, January 26, 2005. Camp cook: Harold Palmer mans the kitchen during a fishing trip to Fernihurst in 1947. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Slide. Tambour Major Gold Mine. .Manager and workers pose in front of the poppet head. Mine cage at rear of men under poppet head. A diving suit is worn by one man.No. 34 printed on bottom of slidemine, gold, tambour major., bendigo mines-jack hattam collection.

Black and White photo of a Hanro Easter Fair entry, this float has 2 women seated within itand a man standing in the background, markings on rear of photo read 'Hanro Float'organization, business, hanro, hanro, easter fair

Unframed photo of Mr Barry Jones from Melbourne visiting a refugee village established by troops. A Vietnamese woman explains the origin of the pumpkin she's holding. A man and two children look onAWM COL/67/0861/VNnui dat, refugee village, barry jones

2 Gold coloured oblong tin with a hinged lid which has black decoration and text on the lid. BX020.1 has a card insert with a cartoon image of a man driving a car and text."The METHODIST MISSIONARY SOCIETY OF AUSTRALASIA SYSTEMATIC GIVING LEAGUE SYSTEMATIC GIVING BOX THE OBLIGATION: Ye then that are strong ought to bear the infirmities of the weak. THE METHOD: On the first day of the week let every one of you lay by in store, as God hath prospered him. THE REWARD: Ye are my friends, if ye do whatsoever I command you." BX020 "This recently discovered Genuine Antique Collection Tin from the first years of this century, was produced to support missionaries when their stipend was less thank 200 pounds per year. It is being used in 1972 to help raise stipends above the present $2066."

Jack Buckskin is a man whose mission is to sculpt a new urban Aboriginal language and culture, and through that bring hope back to his people. Broadcast on ABC1 Television on 13 October, 2013DVDkaurna, south australia, language activism

This building built as the Mechanics Institute in 1885 and taken over by the Shire of Bulla in 1922 to be remodelled as the Soldiers Memorial Hall.A black and white photo of a brick building in a tree-lined street with a car parked out the front with a man at the steering wheel. There are large pine trees in the background. The building is the Soldiers Memorial Hall.memorial hall, shire of bulla, soldiers memorial hall, exservice organisations, george evans collection

The Eadie family were early settlers and entrepreneurs in Sunbury. The family properties in the town included Ben Eadie and Dunblane.A black and white photograph of a young man sitting on a bamboo and wicker chair. He has a moustache and is wearing a dark suit with a white shirt and bow tie and a spray of flowers in his lapel.eadie, peter (jnr), ben eadie, dunblane, george evans collection

Confirmed by Georgina Whitehead (producing book on Public Gardens.)2 copies black and white photograph. Row of large Elm trees lopped heavily or being lopped. Man seated on stump half way up tree. Long wooden laddersOn reverse of one copy, "Fitzroy Gardens early 1920's."elm trees, fitzroy gardens, georgina whitehead, ladders, tree lopper

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

Large bronze plaque also known as " Dead Man's Penny". Bronze cast plaque showing Brittania holding a trident standing with lion in front. ECrP appears above front paw.Inscribed " He died for Freedom and Honour". Name on right side of plaque Frank Meginess.

Donated by Mrs Lockwood, Bonnie, formerly HamiltonBlack & white reproduction, unframed. Group of eight people & a dog taken in front of McKay's Hotel, Main St. Rutherglen (at this time hotel is known as "Poachers Paradise". Man on doorstep unknown.)Written on back of photo: "In front of Rutherglen Hotel owned by Emily McKay. L to R Bonnie Hamilton (Lockwood) Ida McKay (Lawson) Amy Hamilton (nee Barrass) Emily McKay, Norman Glen Hamilton, Alma Gordon (nee McKay) George Gordon"emily mckay, bonnie hamilton, bonnie lockwood, ida mckay, ida lawson, amy hamilton, amy barras, norman glen hamilton, norman hamilton, alma gordon, alma mckay, george gordon, rutherglen hotel, poachers paradise hotel

Christmas and New Year Card from Beth Williams to her relatives and friendsBlack and white photograph of a building at a mine. Three men are standing on the veranda of the building, two wearing hats and jackets, and one in a butcher's apron. At the right of the photo is dark skinned man on a horse.At foot of photo: "With Best Wishes for a Happy Christmas and a Bright New Year"christmas, card

Possibly related to the Long family of South Yarra. Three black and white photos of two women in bathing costumes and swimming caps, and a man sitting to two children. They stand/sit in front of bathing boxes (possible St Kilda or Brighton) long, swimming, bathing costume, bathing box

Holiday snap of Ted Woolrich (1st left) and Iris Woolrich (2nd left) with a group of five relatives/friends. There is a cockatoo on a man's shoulder and two kookaburras being held by group members.ted woolrich, iris woolrich

Colour. On 26 April 1964, the site of Crowes yard looking towards the end of the line after the tracks have been removed. A car standing beside a man are shown left centre.crowes; railway;

Colour photo of Peter Ellis and another man standing in a park eating icecreams. Date printed on photo is12/09/2010. Written on the back is: Some Mothers Do Have 'Em.photo, group, male, peter ellis collection

Black and white reproduction photograph men standing with draught horses lined up. Man holding small toddler. Woman standing on right. Edges of picture show the gridded board it was on to be photographed.photo, group, mixed group

Document, A Merry Christmas and a Happy New Year, 1927-1928, A poem of three verses, Hoping you will not forget the Sanitary Man. F. H. Sparkman, printer, Arcade and Charing Cross.F.H.Sparkman, Printer, Arcade and Charing Cross.document, memo, the sanitary man

Colour photograph. Couple on dance floor. Woman in long green dress with gold overskirt. Man in tartan waistcoat with black bow tie. Back of photo:8A 2 4 89.photo, group

Colour photograph. Older couple on dancefloor. Another man is visible his partner is not. Back of photo reads: Bendigo Retirement Village Margaret and Tom Dean Aub Bell (Heather obscured)entertainment, dance, bush dance

Two photos of musicians. One is a photo of a lady holding a banjo and a man holding a fiddle. The second photo is a young boy playing an accordion. He is watching where his fingers are on the keys.photo, group, musicians, peter ellis collection