Leanne Stranks - 2nd row, 3rd from left, white jumperDigital file only scanned by EDHS from item on loanclass photo, eltham high school, leanne stranks

Photograph shows Kalparrin Lake Greensborough with canoeist and white house in background.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.kalparrin reserve

Household item used in the kitchen for mixing food. It belonged to Ron White.Ron White (1920 - 2019) worked for the SECV and was superintendent engineer of the Kiewa Hydro Electric Scheme after its completion. He lived in Mt Beauty and worked until he retired in 1985. See KVHS 1282 Mixmaster blender box made by Sunbeam, Australia Cat. No. AMB-O. It includes a rectangular glass container with a black bakelite lid. It fits onto a steel attachment and is held by 4 black bakelite stands. Second box consists of - Sunbeam / Meat Grinder / and / Food Chopper / Attachment / with Power Transfer Unit / for Sunbeam Mixmaster / Cat No. FC 6 / Made in Australia Attachments are boxed inside.kitchen appliance, blender, vitamiser, mixmaster sunbeam, ron white, meat grinder, food chopper

People - Mccreery Ward Spencer White Associated with - Shire Council Kyneton

Purchased from white elephant stall at Mitcham Christ Church, Anglican. A set of four glasses circa 1950's. Gold rims and bands and frosted glass. Bottom of each glass has different colour of frosting - red, green, yellow, blue. A harlequin set.domestic items, food & drink consumption

Three identical black and white copies, 8 x 10 cmSepia photograph showing Lake Bunga near Lakes Entrance, with tramline across lake with one panel missing. Lake full and clean. Hard to see whether the entrance is open or closed. (After 1919) Lake Bunga VictoriaLake Bunga Vic (on reverse)transport, waterways, room display

Also enlarged black and white copy 20 x 25 cmSepia toned postcard probably taken from the Boat Harbour jetty, showing a distant view of the buildings on Esplanade from Maranui Guest House westwards to the Club Hotel. Person in a rowing boat on the calm waters of the lake, known as Cunninghame Arm. Lakes Entrance Victoriaguesthouses, township, waterfront

Also sepia copy 10x15cm, black and white copies 10x17cm, and 14x24cmSepia coloured small format postcard of the Western wharf, Lakes Entrance, Victoria. It shows the pier variously called the Post Office Jetty, Freemans Jetty, as the steamer leaves. Smaller vessels moored beside jetty. Shoreline edged with bluestone, wooden tree guard surrounding young memorial cypress tree. Lakes Entrance VictoriaThe Pier Lakes Entrancememorials, jetties, waterfront, ships and shipping

One other copy black and white 11.5 x 20 cmSepia postcard showing east and west piers and entrance from ocean - Bass Strait into Gippsland Lakes, at Lakes Entrance, Victoria. Several people on upper deck of eastern pier and on beach and boardwalk.The Piers at Lakes Entrancewaterways, piers

Hand knitted by donor in 1974 to use with green dress and white jacket.Small green handbag with gold coloured clasp and chain. Has sample of green lurex thread inside bag. Bag is lined with green nylon inside. See also NA5487 for information on green dress.knitting, wool, 1974

Hand knitted by donor in 1974 and worn with white jacket and green handbag.Knitted long dress with long sleeves. Has patterned top and sleeves and patterned bottom green has shining lurex thread. Has 6 green buttons & zip at back. See NA5485 for information on matching hand bag.knitting, wool, 1974

It is believed that the photograph on the obverse side of the postcard was taken in 1918. Depicted are ten Australian male soldiers. Their names are transcribed in pencil on the reverse side of the postcard. Each soldier is dressed in a formal military uniform. It is believed that these soldiers were part of The Australian Imperial Force during World War I. This can be inferred by the chevron rank insignia visible on the uniforms of nine of ten men. The placement of this insignia on the sleeves of their right arms suggests that they were either Warrant Officers or Non-Commissioned Officers (NCO). Specifically, the number of chevron stripes - here, nine men have three - are believed to signify a Corporal rank. The men pictured on this postcard are also wearing 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Another characteristic of the Australian Imperial Force uniform are the rectangular colour patches worn by all men on this postcard. In March 1915, a new scheme of unit identification was devised to replace the wearing of unit titles. This consisted of cloth colour patches on the upper arms of a soldier’s tunic. The black and white nature of the record means that we cannot establish which battalion these soldiers were part of. However, one of the handwritten signatures on the reverse side of the postcard reads "W.A. Griggs". This was the signature of Sergeant William Archibald Griggs. Further research shows that Griggs was part of the 5th Australian Division Signals Company. Therefore, it is believed these soldiers were part of the ANZAC Signal Companies. The main role of the Signal Companies during World War I was the laying and maintenance of telephone cables and switchboards, used to connect various units in their area. Furthermore, the man standing in the back row, third from the left side, has an Overseas Service chevron patch on his coat. In January 1918, the Australian Imperial Force approved the wearing of the overseas service chevrons which had been adopted by the British Army. These were embroidered or woven inverted chevrons worn above the cuff on the right arm. Due to a shortage of supply, some men had chevrons privately made. For each year of war service, a blue chevron was awarded, and those men who had embarked in 1914 received a red chevron to indicate that year’s service; however, the black and white nature of the postcard makes it difficult to determine what colours are on this man's patch.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular postcard printed on paper.Obverse: Oh 'Serg!' / Reverse: CARTE POSTALE / 6537 / Correspondance / Adresse / w.a. Grigg / J. Fain / Ruckling / R.J Farrar / (?) / Clarke / L (?) / GFFisher / R. M. Forrest / With Compliments / Sgt's Mess / November 1918 /military album, army, aif, uniform, military, wwi, world war i, rising sun badge, william archibald griggs, anzac, signal companies, postcard, patches, chevron

A circular celluloid and tin button badge with stick pin at back. The badge features black text 'RED TRIANGLE DAY 1 JUNE 1917' printed in a gold border around the outer edge and white text 'GOD/​ KING/​ COUNTRY' in a red triangle in the centre. The centre background is white. During World War I, a large number of benevolent and patriotic organisations and charities were formed to raise money from the public for Australia’s war effort and soldiers, whilst other established organisations held specific patriotic fund raising days. Red Triangle Day was an initiative of the Young Men's Christian Association, commonly known as the YMCA and this badge incorporates the red triangle used as the everyday logo of the YMCA from 1897 to 1967. In 1917 Red Triangle Day raised £159,037 28 towards the war work of the YMCA.A circular celluloid and tin button badge with stick pin at back. The badge features black text 'RED TRIANGLE DAY 1 JUNE 1917' printed in a gold border around the outer edge and white text 'GOD/​ KING/​ COUNTRY' in a red triangle in the centre. The centre background is white. During World War I, a large number of benevolent and patriotic organisations and charities were formed to raise money from the public for Australia’s war effort and soldiers, whilst other established organisations held specific patriotic fund raising days. Red Triangle Day was an initiative of the Young Men's Christian Association, commonly known as the YMCA and this badge incorporates the red triangle used as the everyday logo of the YMCA from 1897 to 1967. In 1917 Red Triangle Day raised £159,037 28 towards the war work of the YMCA.Red Triangle Day God King Country

Impressed black cardboard covered album with leather spine gold embossed writing on cover. Red sticker inside of cover, Ex Libris, Max Erkhardt with a drawing of food and wine .2 small sticker with blue X .4 Copyright Stamp, white with red printing J. Albert & Son Royalty 1 3/8d .5 White stamp, Keith Prowse & Co. Ltd Londonmusic, musical recording, phonograph

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion

Set of five colour photographs of Trolley Wire replacement in Wendouree Parade sent to the Editor of Trolley Wire - 2 used in the May 1997 issue of Trolley Wire. All photos by Carolyn Dean. All photos taken on 4-3-1997. All photos on AGFA paper. 1139.1 - Working on the trolley wire just to the north of Gardens Loop 1139.2 - Alan Snowball's Ute and trailer with wire reel, North Gardens area. 1139.3 - Replacing wire -group photo around behind truck - used on page 38 of Trolley Wire. 1139.4 - General photo of work with Ute and trailer in foreground and tower truck in background. Wire run out for a number of pole lengths - used on page 38 of Trolley Wire. 1139.5 - Photo of work on trolley wire replacement with tower truck. All have in black ink "4.3.97" and "Photo by / Carolyn Dean". 1139.3 has "Gardens Loop" in blue ink on top edge, and white sticker with "Photo 56 / 14.4 x 9.5cm" written on in black ink. 1139.4 - has white sticker with "Photo 57 / 14.5 and 7cm" written on in black ink.trolley wire, btm, wendouree parade, overhead

A snooker trophy for Legatees to compete for in a light hearted manner.An indication of the good natured social activities enjoyed by Legatees.Trophy, goblet shape, two handles, silver colour, plastic. Trophy mounted on two square tiers black plastic with paper labels.Title, top tier, Hawks v Heroes Snooker Challenge, Perpetual Losers trophy, printed in black on white background. Bottom tier, 1978 Heroes, 1979 Hawks, 1980 Heroes, 1981 Hawks, 1982 Heroes, 1983 Heroes Chickened, 1984 Hawks, printed in black type on white background.trophy, comradeship

The building with the white picket fence is the Beulah Tea Gardens opened by Eliza Hand c1904 at The Gap (now FiveWays). The building is still operating as a cafe. The Tourist Road does not yet exist. Old Coach Road comes into the picture from the right and the horse and cart is heading up Ridge Road. The elm trees can be seen on the left. The building up on the hill is the Mountjoy Guest House. ‘Mountjoy’ was built by the Paynter family in 1905. It had fourteen bedrooms, a dining room and sitting room, kitchen with a big wood burning range and verandahs on three sides. There were commanding views of the eastern ranges and the city to the west. Ellis Jeeves purchased ‘Mountjoy’ in 1908 and it soon became a popular tourist destination, the coach yards making it a centre of the district. ‘Mountjoy’ is a central feature of many photographs of Kalorama in the 1900s. The building burned down in 1975. Mt. Dandenong North was renamed Kalorama c1932.Black and white postcard showing a horse and cart on road between two buildings.On front ; Mt. Dandenong North. Showing "Mountjoy."postcard, mountjoy, guest house, beulah tea room, beulah, mt dandenong north, kalorama

In 1964 Melbourne District Nursing Service (MDNS) commenced a Domiciliary Postnatal Service, later called Domiciliary Infant and Maternal.Care (DIMC), when Royal patronage was granted in 1966 (RDNS). The Sisters gave Post-natal care to the mother and babes and visited for support and advice as long as needed. The central RDNS badges on the Sisters hats is made of metal and has 'Royal District Nursing Service' written in the outside royal blue circle. The inner area is divided in three parts, the top and bottom sections are a silver rising sun and the central royal blue horizontal band has the letters 'RDNS' written white capital letters.In August 1893 Melbourne District Nursing Society (MDNS), commenced a Midwifery Service with Nurse Fowler, who was Hospital trained in General nursing and Midwifery nursing, being the first Midwife employed. Mothers were assessed for suitability of a home birth, or if they required delivery at the Women’s Hospital. The Midwife worked in conjunction with the Doctors at the Women’s Hospital and if a complication arose the patient was transferred to their care. Following birth they gave Post-Natal care to both the mother and babe. In 1898 the service ceased due to lack of funds but recommenced in 1906, and in the August 1925 Annual Report the number of MDNS home births was recorded at 478. MDNS built the After-Care Home and an Anti-Natal Clinic was opened in 1930. The last Ante-Natal clinic was held there in December 1951 and the MDNS Midwifery service ceased in February 1952. In 1964 MDNS commenced a Post-Natal service with General and Midwifery trained MDNS Sisters working from a room at Footscray Hospital, and visiting early discharged Footscray Hospital maternity cases at home. Later, as Royal District Nursing Service (RDNS), this service was extended to a Domiciliary Infant and Maternal Care (DIMC), service operating from most Centres and visiting early discharged, often 24 hours after birth, maternity cases from hospitals to give post-natal care to the mother and babe. Many of the RDNS Sisters who did DIMC had their Triple Certificate (Infant Welfare), though Midwifery trained nurses also visited. Black and white photograph showing two Royal District Nursing Service, (RDNS), Postnatal Service Sisters visiting a mother and her triplets in their home. Both Sisters and the mother are smiling and sitting on a dark coloured couch with each holding one of the babes who are wrapped in light coloured bunny rugs. The Sister on the left is wearing a white gown, with the grey peaks of her uniform showing; her nursing badge is attached to the right hand peak of her uniform. She is wearing her grey peaked hat, with central attached RDNS badge, over her short dark curled hair. To her right is the mother, who has short straight dark hair, and is wearing a white blouse and dark tartan skirt. On the far right is Sister Barbara Weisart, wearing a white gown; with the grey peaks of her uniform showing, and wearing her grey peaked hat with central RDNS badge over her short dark straight hair. A set of white baby scales are seen to her rightPhotographers Stamp. Quote No. GE 13mdns, melbourne district nursing society, melbourne district nursing service, royal district nursing service, rdns, rdns domiciliary postnatal service, dimc, sister barbara weisart

This item is a bronze German MotherCross. The MotherCross was given to German mothers of pure Aryan heritage before and during World War Two. Adolf Hitler wanted to encourage population growth and keep the German mother at home. Mothers were awarded these crosses according to the number of children they had – gold crosses for eight or more children, silver for six or seven children and bronze for four or five children. The crosses were presented to mothers on 4th August, the birthday of Hitler’s mother and also on Mother’s Day. They could only be worn on special occasions around the neck on a blue cord with two white stripes. This German MotherCross is a bronze one and has on one side ‘Der Deutschen Mutter’ and on the other side ‘16 Dezember 1938’ and Adolf Hitler’s signature. The date indicates when the award was first instituted. There were at least 8 million recipients of the medal.The recipient and donor of this medal are not known but it is a very interesting and unusual memento of World War Two.This is a metal medal in the shape of a cross with a bronze ridged background in the shape of a rectangle. The cross is enamelled in blue and white and has a round bronze disc in the centre and lettering with a blue swastika on a white background. There is lettering on the back of the cross. A metal catch is attached to the top of the cross and remnants of a blue and white cloth cord are looped over the catch. One small fragment of the cord is detached. The medal is in a box which is not the original container. ‘Der Deutschen Mutter’ ‘16 Dezember 1938’ plus Adolf Hitler’s signature world war two, german mothercross

“Alone in West Africa” is one of a number of works written by Mary Gaunt. Her other works include, A Woman in China, The End of the Earth, Kirkhams Find, The Moving Finger and Deadman’s. Mary was born at Indigo near Chiltern in 1862 and lived for many years in Ballarat where her father W.H. Gaunt was gold commissioner and later a judge. The original Gaunt family home was converted into St Patrick’s College. She married Dr Lindsay Miller and moved to Warrnambool and after his death in 1899 she embarked on her travels which took her to many parts of the world. She died in Cannes, France in January 1942. Mary Gaunt wrote over 25 novels, numerous travel books and many stories and articles. She had a strong link with Warrnambool and details of the district are included among her writings. She also wrote regularly in the early 1900’s for the Times in London on women issues. She was an independent thinker and worker. Apart from the text of “Alone in West Africa,” the work contains 97 black and white photographs which Mary had taken and developed herself. These photos are a significant view of aspects of life in Africa at that timeDark blue cover with gold text. Title, “Alone in West Africa” with sketch of two children in the centre, with Mary Gaunt underneath. The back cover has an embossed letter “L”. Inside the front cover is a rough sketch of the author’s route of the French Ivory Coast. It contains a number of black and white plates and index. 399 pages.T Werner Laurie on bottom of spine. Black and white photograph of author with autograph underneath. T Werner Laurie Clifford’s Inn London. Acknowledgements included in the dedication , Sir Charles Lucas, Sir George Denton, Elder Dempster and Co. Messrs. Swanzy and Co.,gaunt, mary gaunt, alone in west africa, french ivory coast 1912

Named in 1845 by Wilhelm Karl von Haidinger cerussite takes its name from the Latin cerussa, meaning 'white lead'. When viewed under certain lighting conditions cerussite gives of fire and rainbow-like colours (due to its high dispersion) and it is quite sought after by geological collectors for this very reason. Cerussite is usually found in the oxidised zone of lead ore deposits. It is a very common weathering product of galena and other lead ore minerals. It is a secondary mineral, meaning it forms as a result of the alteration of pre-existing minerals in the Earth’s crust. The presence of lead in cerussite makes it potentially toxic. Historically, it has been an important source of lead, which has numerous industrial applications, including in batteries, construction materials, and radiation shielding. Cerussite has a crystal structure that belongs to the orthorhombic crystal system. Its crystal structure is characterized by a three-dimensional arrangement of atoms in a repeating pattern. The crystal lattice of cerussite consists of interconnected lead (Pb) and carbonate (CO3) ions. This crystal structure is visible in the specimen. This specimen was found in Dundas (formerly Mount Dundas), a historical mining locality, mineral field and railway located on the western foothills of the West Coast Range in Western Tasmania. During the 1890s Dundas swelled in numbers however it is now lost in a temperate rainforest and its population is now 2. The present Dundas Extended mine, about 1.5 km east of Dundas is presently worked for specimen material.Faceted cerussite gems are considered rare and valuable, given the softness of the mineral. This item is not a faceted gem however its historical and scientific research potential give it significance; mined in an Australian township, this cerussite could shed light on the now lost history of Dundas and the mining that occurred there. Additionally, the uses of this mineral in historical industrial processes give it scientific significance. Such knowledge can add to understandings of the geographical and geological nature of Western Tasmania and allow for further study of Australian geological specimens. A small lead carbonite mineral with shades of cream, white and brown throughout, flaky shards of white at base. CERUSSITE / (lead carbonite) / Locality: Dundas, W. Tasmaniadundas, tasmania, cerussite, lead, orthorhombic, geology, minerals, mining

John James Barnes , 23 year-old labourer of Marong Victoria enlisted in the Australian Imperial Force (AIF) 8 September 1914 and was allocated to 8th Light Horse Regiment. He had two years pre-war service with the light horse. He served on Gallipoli, was evacuated ill and subsequently returned to Australia. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. Good studies of soldier in World War One light horse uniformTwo black and white photographs of soldier of the 8th Light Horse Regiment (AIF) being No 487 Trooper John James Barnes, Machine Gun Section. One photo is more formal than other.John James Barnes / 8th Light Horse Reg / Reg No; 487barnes jj trooper, 8th australian light horse (aif), uniform, military

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates St Aloysius is architecturally important as an exceptionally imposing red brick church in the Early English Gothic Style from the inter-war period. Its significance, however, is compromised by the recent removal of its Pyrmont stone spire. It is locally important as a focus of Catholic worship in Caulfield.Page 23 of Photograph Album with two black and white photographs of front views of a church. There is also a photo missing on the bottom left. Hand written: 233 [above top right photo] / St Aloysius R C Church [under top right photo] / 23[bottom left]trevor hart, caulfield north, balaclava road, st aloysius, early english gothic, inter-war period, catholic church, towers, red brick

This badge was not worn on the regalia of the Methodist Girls' Comradeship. It was designed in 1918 by Miss Bessie Sanger of Bondi. "The shape of the badge is the ivy leaf which stands for friendship - fellowship with our Heavenly Father and in His Church and friendship is our Comradeship with each other. The background is blue, symbolising fellowship. White is the symbol of purity and gold symbolises "true happiness". It is the symbol of wealth, and the greatest wealth in life is "true happiness" - a happiness that comes only when our lives, our wills, are one with God's will for us. This meaning of the badge shall be explained to the Comrade/Ray either at her initiation/welcome or on presentation of the badge. The badge is worn on the left should or collar (not on Regalia)." - from Leaders' Manual for Comradeship 1970.MGC 062.1 and MGC 062.2 Blue, white and gold enamel lapel Methodist Girls' Comradeship badges. Duplicates B021.1 and B021.2 "MGC"methodist girls' comradeship

Colour slide of Government House during a Legacy Christmas party in the 1960s. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. Junior Legatees were given gifts. The exact date is not known but there are 15 slides in the same white mount which appear to be the same event (02913 - 02924). Governor Delacombe is in some the photos so they are post 1963 when he became Governor. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Christmas party held at Government House.Colour slide of Government House with the Christmas party on the lawn in an Agfacolor plastic mount which is white on one side and blue on the other.Imprint of "Agfacolor Service' on the blue side of the mount.christmas party, government house party

The photograph is taken in Mr. Spartel's home in St. Kilda. The MDNS uniform worn under her white gown was a dark grey cotton frock with a belt. The grey stiffened and brimmed felt hat had a light grey hatband with a red Maltese cross attached in the centre. Sister J. Faust is about to redress a wound on Mr. Spartel's abdomen. The photograph is a record of wound care being given by MDNS trained nurses in a patients home during the 1950s. This photograph appeared along with an article in The Sun newspaper Oct 17 1952.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as the Wound Specialist program, and the Leg Ulcer Management Program, to provide their Trained nurses (Sisters) with methods of best quality care. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. When RDNS introduced Wound Care Specialists they carried out assessments and provided advice and support to the District Sisters working in the field. On the left of the black and white photograph is Mr. George Spartel, who has dark short curly hair and is lying on his bed. His shoulders and head are resting on the white pillow with his head against the wooden slatted backrest of his bed. His torso is bare and part of a white wound dressing can be seen on his upper abdominal area. A dark grey covering is over the lower portion of his body. He is smiling and looking up at Sister J. Faust from Melbourne District Nursing Society (MDNS) who is standing to the right of his bed.Sister Faust, who has dark curled hair, has her arms raised behind her neck as she reaches the ties on the white gown she is wearing over her uniform. She is wearing her grey brimmed uniform hat. Behind her is a wooden table, with a dark coloured radio on its right, and a jug with a doily over it, on the right.mdns, melbourne district nursing society (1885-1957), nurses, mdns uniforms, rdns, royal district nursing service, rdns wound care, mr george spartel, sister j. faust