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Geoffrey Kaye Museum of Anaesthetic History
Blade, Laryngoscope, Macintosh, Model Circa 1943
The design of this item is associated to what was "first described by Professor R. R. Macintosh in the Lancet of February 13th, 1943, this design is now the acknowledged leader throughout the world." (PENLON, 1969) Reference: PENLON. 1969. Anaesthetic Equipment - Longworth Scientific Instrument Company LTD. Abingdon, Berkshire, England. January 1969. The manufacturer of this blade is the Boots UK Limited pharmacy company, they apparently had a branch in Australia to distribute their medical and pharmaceutical equipment and part of them was focused on the manufacturing of laryngoscopes blades. The Boots company reproduced this trending design used in the anaesthetic practice. URL Reference: https://en.wikipedia.org/wiki/Boots_UK / https://en.wikipedia.org/wiki/Alliance_Boots Macintosh semi curved blade designed in a baby size, without light bulb attached. Minor scratches and some slight hit marks over the piece surface caused by its previous use. It has the manufacturer name and brand and the place where it was made at the back of the blade base.Stamped at the blade back base area, BOOTS AUSTRALIA / MADE IN ENGLANDmacintosh, blade, boots australia, boots uk limited, england blade -
Geoffrey Kaye Museum of Anaesthetic History
Medical Carry Box, Allen & Hanburys
A characteristic black, round topped box, to carry medical equipment with a divider which would have held a square, plain glass bottle. The donor, Dr. Holloway is known to have acquired much of Dr. Howard Jones' equipment. In 1930 Dr Howard Jones, M.B., B.S., (Lond.). Surgeon Anaesthetist to Charing Cross Hospital first described percaine in an article in the British Journal of Anaesthesia. According to Norman, J. in the British Journal of Anaesthesia, Jones was the first honorary secretary of the Association of Great Britain and Ireland, 'of spinal anaesthesia fame', and a leading practitioner in his day. He apparently committed suicide in 1935, there are references that he 'could not make a living from anaesthesia'. (Norman, 2002, 'An informal history of the first 25 years', The British Journal of Anaesthesia, 88 (3): 445-450) The maker of this medical box, Allen and Hanburys Ltd., was a British pharmaceutical manufacturer, founded in 1715, absorbed by Glaxo Laboratories in 1958.Black cardboard box with handle and simple border decoration on top. Brass hinges at the rear and two brass hook clasps at the front. Interior is lined with black linen. Cardboard divider inside and square compartment in corner would have been used to hold a bottle of ether in place.Printed in gold leaf inside lid: ALLEN & HANBURYS LTD / LONDON.W. / 48.WIGMORE STdr. [e.s.] holloway, medical box, carry kit, allen & hanbury's ltd. -
Highett RSL Sub Branch Inc
Plaque - Wood Shield, Shield with Various Corp Badges
Raymond Phillips Service Number: 111 Rank: Private Roll title: 14 Infantry Battalion (December 1914) Conflict / Operation: First World War, 1914-1918 Date of embarkation: 22 December 1914 Place of embarkation: Melbourne Ship embarked on: HMAT Ulysses A38The badges were collected by Raymond Phillips whilst a patient at the No 3 General Hospital Wandowrith England, about the early part of 1916. No III A coy 14th Battalion an ANZAC [Jacka's Mob] -
Numurkah & District Historical Society
Candle Lantern
Metal rectangular box with curved top and curved handle. Two sides are glass and two sides are metal. One metal side has a sliding door, the other metal side has a clip for hooking onto objects. Inside the box is a metal candle holder with a candle in place candle light, lmap, lantern -
Bendigo Historical Society Inc.
Book - JOHN JONES COLLECTION: BACK TO MANDURANG SOUVENIR 1938, October 15th 1938
Buff coloured booklet titled Back to Mandurang Souvenir. Celebrations were held on 15th, 16th & 17th October, 1938. Celebrations consisted of Back to School and Roll Call and sports on the 15th, Back to Church and guest speakers on the 16th and on the 17th there was a Basket Picnic and Visiting Places of Interest.O.W. Seymour, Printer, Bendigo.ephemera, mementoes, back to mandurang, john jones collection - back to mandurang souvenir 1938, g kofoed, hon maj gen rankin, j kerr, j thomas, e kerr -
Tennis Australia
Page from Magazine, Circa 1890
A colour lithographic print from the page of a periodical, featuring four men playing doubles tennis in a clearing within a cemetary. Inscription below: WE FIND A JOLLY PLACE IN THE CEMETARY FOR LAWN-TENNIS. Materials: Paper, Ink, Cardboard, Paint, Glass, Wood, Fibreboard, Adhesive tapetennis -
Federation University Art Collection
Painting, [Spirit] by Marley Smith, 2004
Marley SMITH A Gundijtmara woman, Marley Smith has lived in Ballarat all of her life and has strong ties with family. Marley Smith completed the Ballarat Schoo of Mines Koori Art Course in 1995. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This painting depicts the spirit of the Australian INdigenous education Conference held at the university in 2004. The central circle represents a meeting place. "It's all about ... coming together and to understand and educate one another on everyone's culture - if you have no understanding, then there's no way of learning. [Marley Smith]art, artwork, marley smith, smith, indigenous, aboriginal, alumni -
Tarnagulla History Archive
Registration of Birth form, 1872
A large lot of papers, including this and many other birth and death registration forms, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Registration of Birth form for: Child's name: Robert Percy Peters Date of Birth: 7th January, 1872 Place of birth: Commercial Road, Tarnagulla Father: Robert Percy Peters (section damaged but known from another transcription) Mother: Mary Jane Peters (nee Falder) -
Kilmore Historical Society
If I Were King George, 1911 or earlier
From the childhood collection of Monica Smith, nee Turner, descendant of early Kilmore business families, the Morrisseys and Hartnells. Deep cream coloured paper on board cover, paper worn in places and some marks left side front. Stained and worn back cover. Foxing and small marks/stains throughout. Reinforcing repair front & back hinges. Binding tight. 55 pp. Good condition.Front flyleaf, 'Monica M. F. Turner/Stokesay/Melbourne - 1911./from Nin'.children's literature, turner collection -
Kilmore Historical Society
PLEADING, EVIDENCE AND PRACTICE IN CRIMINAL CASES, Archbold Pleading, Evidence and Practice In Criminal Cases, 1966
Thirty-sixth Edition.Red textured cloth-bound hardcover book, slight fading on spine. Spine title in gilt print on black band. Embossed gilt "stamps on back & front covers. Minor insect damage edges of half-title page. Red place-marker ribbon. Good condition.Front flyleaf, 'Clerk of Petty Sessions/Kilmore.archbold, criminal cases, kilmore court house library. -
Tarnagulla History Archive
Photograph of Constable Albert Clement Theobald in front of a log lockup, Constable Albert Clements Theobald in front of a log lockup, circa 1913 to 1930
Murray Comrie Collection. Albert Clement (or Clements) Theobald was born in Tarnagulla in 1887, and married Laura Battye in Tarnagulla in 1908. He joined the police force on 21 June, 1913 and died in Warburton in 1962. He was also known as Clem or 'Catty'. Monochrome photograph depicting Albert Clement 'Clem' Theobald, wearing police uniform, and standing in front of a log lockup, place unknown. An accompanying note says 'The Logs Eaglehawk' but the building looks different to the Eaglehawk Log Gaol. This building looks quite similar to the log lockup at Myrtleford. tarnagulla, police -
Warrnambool and District Historical Society Inc.
Coin - Token, Bateman token, 1855
This coin is a Warrnambool Bateman penny. It is an example of an Australian token – a coin that had the value of a penny and was produced by businessmen in the 1850s to be used only in the business of the person named on the coin. There were two firms in Warrnambool that produced tokens in the 1850s – William Jamieson, a general storekeeper and William Bateman. The latter had a general store in Banyan Street and became in the early 1850s one of the largest merchant firms in the Warrnambool district. But the firm’s liabilities were financed by overdrafts and insolvency resulted. A disastrous and suspicious fire in 1856 destroyed the Bateman store and caused a great number of insolvencies in the district as so many businessmen and farmers were financed by Bateman who eventually left the district. This token is of supreme importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens) 3. It is a Bateman token and these are comparatively rare because many Bateman tokens were destroyed in the 1856 fire. This is an 1855 metal token with, on one side, an image of a woman holding scales in one hand and a cornucopia in the other (Dea Pecunia?). The obverse side has the name of William Bateman Junior of Warrnambool. It is a business token which could be used only in the Bateman store in Warrnambool in place of a penny.One side: Woman image and the word ‘Australia’ Obverse side: ‘William Bateman Junr. & Co., Importers and General Merchants, Warnambool (sic), Victoria, 1855’ william bateman junior, warrnambool tokens, bateman token, coin tokens -
Flagstaff Hill Maritime Museum and Village
Poster - Snake Bite treatment, T.R. Wilson, Secretary, Central Board of Health, What to do in case of snake-bite, 1865-1881
The poster has the following instructions for the treatment of snake bite:- "A ligature, that is, a strong string or narrow strip of clothing if no string is to be had, should be at once applied near the bitten part, and between the bite and the heart. tight enough to stop the circulation. The bitten part should then be immediately cut out by making, in the manner shown in the engravings, two curved incisions, which should be, where practicable, a quarter of an inch deep. The wound should then be well sucked for then minutes, by persons who have no wound, cut, sore or ulcer in their mouths, or on their lips. When the bite is on the head, face or body, or on any place where a ligature cannot be applied, the bitten part should be kept tightly pinched up till it can be cut out." The poster was authorised by T.R. Wilson, Secretary of Melbourne's Central Board of Health, between 1865 and 1881. It was printed by John Ferres, Government Printer, Melbourne, 1865-1881. The Central Board of Health, Melbourne, was in existence between 1855 and 1889. This poster has significance as an early record of public health instruction issued by the Central Board of Health in Melbourne for the treatment of snake-bite. The materials used to mount and frame the poster are also of significance, with the printing being done on fabric, and the newspaper inserted between the poster and the backboards.Timber-framed rectangular poster with printed instructions for treating a snake bite. The poster is printed on fabric. Between the poster and the backboards is a layer of newspaper, revealed by the damaged fabric. The back of the frame is filled by three vertical timber panels that are strengthened by three horizontal timber slats across the top, centre and bottom. The timbers are fixed in place with nails. The edges of the frame at the back have remnants of paper. Two metal eyelets are inserted into the top edge of the frame. The poster was issued by the Central Board of Health in Melbourne and printed by the Government Printer in Melbourne. It has the British Coat of Arms on top, diagrams and text, plus sections of newsprint.Symbol of [British Coat of Arms] between the letters "V." and "R." Headline "CENTRAL BOARD OF HEALTH" Subheading "WHAT TO DO IN CASE OF SNAKE-BITE" Instructions are printed on the poster. Diagrams include a bite on the knee and bites on the hand. Publisher "Central Board of Health, Melbourne, 28th February ----" "(By Order of the Board), T.R. WILSON, Secretary" "BY AUTHORITY, - - - - - - - - -, GOVERNMENT PRINTER, MELBOURNE" Newsprint includes:- "Duties in the bay were put ... --rried out. On ... harbour boat's cr-- ... , and formed of sufficient ... given ... to vessels in distress, and ... life-b- ... the help of a few..." and "last, a Gold English ... engraved -- cove-- to leave it at F.P. ..."flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, central board of health, melbourne, t.r. wilson, secretasry, government printer, john ferres, snake-bite, treatment, first aid, 19th century, poster, government health announcement -
Greensborough Historical Society
Letter - Correspondence, Banyule City Council, Planning scheme amendments c64 and c77 - improving protection for Banyule's Heritage Places, 26/09/2011
Deals with those places in the City of Banyule that have been proposed to be covered in Heritage Overlay. Outline amendments to Banyule Planning Scheme in relation to Heritage places.The Heritage Overlay is the planning scheme control applied to an identified Heritage place or precinct to protect its cultural heritage values.A4. Letter and accompanying documents printed on white paper. Total 20 pages. Banyule City Council letterheadbanyule city council, heritage overlay -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: BUSH MUSIC CLUB COLONIAL BALL, 1990
Small off white coloured booklet Bush Music Club Inc. Colonial Subscription Ball 1990 Dancers Companion (A guide to the Quadrilles) The Quadrille Figure 1 (Le Pantelon) (2x32) 8 Top couples R and L through. (without giving hands). 8 Set & turn Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat Figure 2 (Le 'Ete) (4x24) 4 Top couples advance & retire. 4 Cross over (without changing places with partner). 8 Repeat back to place. 8 Set & turn partners. 24 Sides repeat. 48 Top and Sides repeat. Figure 3 (La Poule) (4x32) 4 Lady 1, Man 2 adv, tough RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH give RH to partner 4 Line of 4 balance fwd & back twice. 4 Men lead partners to opp. Place. 4 Lady 1, Man 2 adv. & ret. 4 Lady 1, Man 2 adv, honour & ret. 4 Top couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man !. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Quadrille Figure 4. (La Pastourelle) (4x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. 32 Repeat with 3rd couple leading. 32 Repeat with 4th couple leading. Figure 5 (La Finale) (4 x 32 + 8) 4 All advance & retire. 4 Turn partners. 4 Ladies adv, curtsey & retire. 4 Men advance, bow & retire. 8 All set & turn corners. 8 Promenade with corner. (men to original place with corner) 96 Repeat 3 times to return to partner. 4 All advance & retire. Turn Partners. Notes: 1 Couples numbered 2 Set & turn is a 'balance' set and open hand turn. The Prince Imperial's Quadrille Figure 1. (4x24) 4 Top couples visit right, honour sides. 4 Top men retire with partner & side lady to opposite place, (ladies facing each other). 8 Ladies grand chain to places 8 All set and turn partners 24 Top couples repeat back to place. 48 Repeat with side couples. Figure 2 (4 x 24) 4 1st Lady, 2nd man adv & turn in centre finish facing 2nd lady. 2 2nd lady pass through to 1st man. 2 Both couples turn out to place. 4 top couples advance & retire. 4 Ladies chain back to place. (Nariel) 8 Chasse-croise. (4 steps past partner RH turn corner 4 steps back, LH turn with partner.) 24 Repeat wth 2nd lady, 1st man leading 24 Repeat wth 3rd lady, 4th man leading 24 Repeat wth 4th lady, 3rd man leading. Figure 3 (4x32) 4 1st lady to centre, curtsey to partner. (RH in RH, ACW turn in to centre) 4 2nd lady to centre, curtsey to partner. 4 3rd lady to centre, curtsey to partner.4 4th lady to centre, curtsey to partner. 8 ladies join hands, circle R, small steps after circle R, Men join circle, (giving RH to partner). 4 Balance for 4 (step lift x 4) 4 Turn partners to place, bow & curtsey. 32 Repeat, Lady 2, 1, 4 & 3 to centre 32 Repeat Lady 3, 4, 2 & 1 to centre 32 Repeat, Lady 4, 3, 1 & 2 to centre The Prince Imperial's Quadrille Figure 4 (4x32) 4 Top couples advance & retire. 4 Top couples adv, ladies move to R, as men retire to place. 8 Line of 3 adv & ret twice. 4 Single men adv, bow and retire. 4 Re-advance and turn to face partner. 4 Circle L half way round (with partner & side couple). 4 Half R & L to place. 32 Repeat with side couples leading. 32 Repeat with top couples leading (men moving to left as ladies retire) 32 Repeat with Side couple leading. (Men moving to left as ladies retire) Figure 5 (4x32 +32) 16 Ladies to the right, (RH turn with corner man then continue round to the right turning each man) 4 1st Lady, 2nd man advance & retire 4 re-advance & turn RH (finish facing partners) 8 set & turn partners (finishing in place) 32 Repeat with 2nd Lady, 1st man leading 32 repeat with 3rd lady, 4th man leading 32 Repeat with 4th Lady, 3rd man leading 16 Ladies to the right again. 4 Men turn partners to centre. 4 All bow and curtsey. 8 Promenade set ( hall) Note: Set & turn is a 'balance' set and open hand turn. The Parisienne Quadrille Figure 1 (1x32) 8 Couples R and L through. (without giving hands) 8 set & turn partners 8 Ladies chain. 4 Couples promenade across set. 4 Half R and L to place. Figure 2 (2x24) 4 Couples advance & retire. 4 Cross over (without changing places with partners) 8 Repeat back to place. 8 Set & turn partners. 24 Repeat. Figure 3 (2x32) 4 Lady 1, Man 2 adv, touch RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH, give RH to partner. 4 Line of 4 balance fwd & back twice 4 Men lead partners to opp. Place 4 Lady 1, Man 2 adv & retire 4 Lady 1, Man 2 adv, honour & ret. 4 Couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man 1. The Parisienne Quadrille Figure 4. (2x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. Figure 5 (2x32) 4 Couples advance & retire 4 Cross over 8 Repeat back to place. 8 Ladies chain across & back.8 Set & turn partners. 32 Repeat Notes: 1 This 'quadrille' is similar to the first set (1st 4 figures) and is danced as two couple sets. 2 Set & turn is a 'balance' set and open hand turn. The Lancers Quadrille Figure 1 (4x24) 4 1st lady, 2nd man advance & retire, 4 Adv, turn two hands, return to place. 4 1st couple lead through across set 4 2nd couple lead through back 8 all set & turn corners. 24 Repeat, 2nd lady, 1st man leading 24 Repeat 3rd lady, 4th man leading 24 Repeat, 4th lady, 3rd man leading Figure 2 (4x24) 4 1st couple advance & retire. 2 1st lady adv to centre, turn to face partner 2 1st couple honour each other. 8 1st couple set and turn then sides form top & bottom lines 4 Lines advance & retire, 4 Advance and turn partners to place. 24 Repeat with 2nd couple leading 24 Repeat with 3rd couple leading 24 Repeat with 4th couple leading Figure 3. (2x32) 4 Ladies advance, curtsey & retire. 4 Men adv, bow, turn by left, bow to partners, then join RH in centre, (ladies RH on partners left elbow). 8 Promenade round set to place. 4 Ladies adv, curtsey & retire again. 4 Men adv, bow, turn by right, bow to partners, join LH in centre, right arm behind partner. 8 Promenade round to set in place. 32 Repeat. The Lancers Quadrille. Figure 4. (4x24) 8 Top couples visit R then L 4 Right Hands around with LH couple 4 then left hands around. 8 Circle left with that couple. 24 Repeat with side couples leading. 24 repeat, top couples visit L then R. 24 Repeat, side couples visit L then R. Figure 5. (4x48 +24) 8 All grand chain 1/2 way round and honour partners. 8 Continue grand chain to place and honour partners. 8 1st couple visit, return to place, facing out with sides in behind. 2 Change places with partner, 2 All rock fwd and back 2 change places again 2 All rock fwd and back 8 Cast out reform in lines 4 Lines advance & retire 4 Advance & turn partners to place 48 Repeat with 2nd couple leading 48 Repeat with 3rd couple leading 48 Repeat with 4th couple leading. 8 Grand chain 1/2 way round and honour partners. 8 continue grand chain to place and honour partners 8 swing partners (R arm round partner, LH in air) Note: All figures walked. Set & Turn is a 'balance' set and open two hand turn. The Caledonians Quadrille Figure 1. (2x32) 4 Top couples R.H. across, move CW (Ladies hands joined over Mens). 4 then L.H. across, move ACW. 8 Set & swing Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat. Figure 2. (4x24) 8 1st Man advance & retire twice. 8 Set & swing corners. 8 Promenade with corners (to men's position.) 24 2nd man repeat. 48 3rd and 4th man repeat. Figure 3. (4x32) 4 Lady 1, Man 2 advance & retire. 4 Re-advance, 2 hand turn to place. 8 1st & 2nd couples lead through and back. (1st lead through across, 2nd back) 8 Set & swing corners. 4 All advance & retire. 4 Swing partners. 32 Repeat with Lady 2, Man 1. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Caledonians Quadrille Figure 4. (4x24) 2 Lady 1, Man 2 advance and stop. 2 Lady 2, Man 1 advance and stop. 4 Turn partners back to place. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 4 Promenade to place. 4 Swing partners. 24 Repeat with Lady 2, Man 1 leading. 24 Repeat with Lady 3, Man 4 leading. 24 Repeat with Lady 4, Man 3 leading. Figure 5. (4x48 + 16) 8 1st couple visit. 4 Ladies advance, curtsey & retire. 4 Men advance, bow & retire. 8 All set & swing partners. 8 Grand chain 1/2 way round and honour partners. 4 Promenade to place 4 and swing partners. 8 Chasse-croise, (4 steps past partner, RH to corner balance fwd & back, then 4 steps back, LH to partner balance fwd & back). 48 Repeat with 2nd couple leading. 48 Repeat with 3rd couple leading. 48 Repeat with 4th couple leading. 8 All promenade set. 8 Swing partners. Note: Set & swing is 'normal' set and cross hand swing. The Royal Irish Quadrille Figure 1. (2x32) 8 Top couples to Right, R & L through 8 Set & swing Partners. 8 Ladies chain. 4 Couples promenade across (to the other couples position). 4 Half R & L to place. 32 Repeat with tops to the left. Figure 2. (4x24) 4 Top couples to Right, adv & ret. 4 Cross over (without changing places with partner). 8 Repeat back to place. 8 Set & swing partners. 24 Repeat with top couples to the Left. 48 Tops repeat with Right and Left sides. Figure 3. (4x32) 4 Lady 1,2 and Man on Right, advance, touch RH, retire to opposite place. 4 Advance again, join LH, give RH to partner. 4 Line of 4 balance fwd & back twice. 4 Men Lead partners to opp. Place. 4 Lady 1,2 and opp. Man adv & ret. 4 Advance, honour & retire. 4 Couples, advance & retire. 4 Half R & L to place. 32 Repeat with Ladies 3,4 leading. 64 Repeat with Tops facing left. The Royal Irish Quadrille Figure 4. (4x32) 4 Top couples to Right, adv & ret. 4 Re-adv, Top Ladies join opp. Couple. 4 Line of 3 adv & ret. Top men retire. 4 Line of 3 adv, ladies join other man. 4 Line of 3 adv & ret, Side men retire. 4 Re-advance, form circle with opp. Man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with Side ladies leading. 64 Repeat with Top couples facing left. Figure 5. (4 x 32 + 8) 4 All advance & retire. 4 Swing partners. 4 Ladies advance, curtsey & retire. 4 Men advance, bow & retire. 8 All set & swing corners. 8 Promenade with corner. (Men to original place with corner). 96 Repeat 3 times to return to partner. 4 All advance & retire. 4 Swing partners. Notes: 1. This is The Quadrille danced diagonally, with Top couples dancing first with the side couple on their right, then the left. Ie. 1-3 and 2-4 then 1-4 and 2-3. 2. Set & swing is 'normal' set and irish swing.The Eightsome Reel Numbering: Clockwise 1-2-3-4 Part A (40 Bars) 4 All join hands, circle left 4 All circle right. 4 Grand Cross, Ladies join RH. 4 Grand Cross, Men join LH. 8 Set & turn Partners 16 Grand chain right round set. Part B ( 8x48 bars) 1st Lady advance to centre, Others join hands in circle. 8 Circle left and right 4 Set once and turn partner 1st Lady sets to partner then open hand turn once with partner. 4 Set once and turn opposite 1st Lady sets to opposite man, then open hand turn once. 8 Reel of 3, 1st Lady, partner and opposite man 1st Lady remains in centre. 8 Circle left and right again 4 Set once and turn side man 1st lady and man on right. 4 Set once and turn other side man 1st lady and man on left. 8 Reel of 3, 1st lady, and two side men. 48 2nd lady repeat. 96 3rd and 4th ladies repeat. 192 Men repeat same movement. The Eightsome Reel Part C (40 Bars) 8 All circle left and right. 4 Grand cross - Ladies join RH. 4 Grand Cross - Men join LH. 8 All set and turn partners. 16 Grand Chain round set. Note: Set is 'normal' set. Turn is open hand turn. NOTES 1. The Quadrille 2. The Prince Imperials 3. The Parisienne Quadrille 4. The Lancers Quadrille 5. The Caledonians Quadrille 6. The Royal Irish Quadrille 7. The Eightsome Reelperson, individual, peter ellis oam -
Flagstaff Hill Maritime Museum and Village
Plaque - Commemorative, circa 1928
This commemorative plaque refers to the religiously themed window situated in the western (weather) wall of the St. Nicholas Mission to Seamen’s Church building in the Flagstaff Hill Maritime Village. It was crafted circa 1928. ABOUT THE WINDOW The window, to which this plaque belongs was once known as the Dr Connell Memorial Window, which was a feature of an external wall adjacent to the Women’s Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. A paragraph in the book ‘A History of the Warrnambool Base Hospital’ by Forth and Yule describes the role of the Honorary Doctors - “At the start of the period the senior-part time medical officer was replaced by the junior resident medical officer and control of beds and the right to operate were given to the honorary medical officers...and these men dominated the Warrnambool medical world in the years before the Second World War.” Dr. Connell leased ‘Ambleside’, 192 Koroit Street, in the early 20th century, following Dr Teed who had previously run his medical practice there. In 1914 Dr Connell purchased the property and continued his private practice there until his death in 1928. He also took a prominent part in hospital work, both as physician and surgeon, and often acted as spokesmen for the Honorary Doctors. According to colleague Dr. Horace Holmes’ subsequent notes, it was after the close of the First World War, and the following years of the world-wide pneumonic influenza epidemic, that Dr. Connell himself contracted pneumonia and died. His family and friends then recognised his work by gifting the memorial window in his honour to the Hospital. By the mid-1970s the old wards at the hospital had been replaced and there was no obvious place for the window. Discussions between the previous and past Hospital managers, the Anglican Diocese, and Flagstaff Hill Planning Board, led to its installation in its present position in St Nicholas Seamen’s Church. It was installed without the bottom section of stained glass, which was inscribed as a memorial to Dr. Connell. St NICHOLAS SEAMEN’S CHURCH, Anglican Church Flagstaff Hill’s Mission to Seamen was opened in 1981. Its conception was partly motivated by the offer of Stained Glass Memorial Windows from the local Warrnambool and District Base Hospital, which was undergoing multi-storey development in the late 1960’s and early 1970’s. The Manager/Secretary at the time was keen to see the historical windows installed in an appropriate location. The chapel was designed by a local architectural draftsman in conjunction with members of the Planning Board of Flagstaff Hill, and built by Mr Leon Habel. The vision of the designers included the hope that the church be used for formal worship such as weddings and funeral, and for multi-denominational special services such as War commemorations. The design is based on the ‘Mission to Seamen’ buildings in both Portland and Port Melbourne. These types of buildings were often erected to house social and worshipful activities for seamen. The materials used in the building include sandstone recycled from nineteenth-century buildings demolished in Warrnambool and American slate tiles retrieved from the 1908 wreck of the FALLS OF HALLADALE. Most of the chapel furnishings came from the Williamstown Missions to Seamen, which was consecrated in 1946 but later decommissioned. These artefacts range from the altar cloth to the hymn board and include a visually stunning round stained glass widow called ‘Christ Guiding the Helmsman’. However the provenance of this particular artefact, large western window, is local.This plaque is significant because of its association with stained glass memorial window is of local, historical and social significance, linking local history and heritage with one of Warrnambool's doctors, Dr. Egbert John Connell (d. 1928), who gave 30 years of dedicated, medical service to the local citizens.Plaque, opaque, pale green glass rectangle mounted on white timber board and held in place with six decorative silver coloured clasps. Five rows of printed, capitalised text are fixed on the top surface. The plaque is companion to the commemorative, stained glass window installed in the St. Nicholas Mission to Seamen's Church at Flagstaff Hill. (The window was previously known locally as the Dr. Connell Memorial Window.)"A TRIBUTE TO / EGBERT JOHN CONNELL, M.B.B.S. / WHO FOR 30 YEARS RENDERED DEVOTED AND / VALUABLE SERVICE TO THIS INSTITUTION / OBIIT APRIL 4th 1928, A.D."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chapel window, stained glass window, warrnambool and district base hospital, st nicholas mission to seamen’s church, williamstown mission to seamen, dr egbert connell, ambleside warrnambool, leon habel builder, falls of halladale slate, memorial window, commemorative window, dr connell, commemorative plaque, plaque, edgar mcconnell -
Ringwood and District Historical Society
Photograph, Judy O'Brien of Mooroolbark and friends Shirley Bonica and Linda Stewart in old-fashioned dress, in horse drawn trap
Catalogue card reads, "Judy O'Brien of Mooroolbark and friends Shirley Bonica and Linda Stewart gain a place with her old-fashioned turnout in the fancy dress senior section". No other information as to date or occasion. -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Nucolorvue Productions Pty. Ltd, Panoramic View of Marysville, Pre 2009
A colour photograph of the view of Marysville from Barton's Lookout which is near the Cumberland Valley in Victoria.A colour photograph of the view of Marysville from Barton's Lookout which is near the Cumberland Valley in Victoria. The Cumberland Valley is notable for its giant mountain ash (Eucalyptus regnans) trees within the Cumberland Memorial Scenic Reserve, and relics from former sawmills and gold mining. The Big Culvert is located nearby on the Marysville-Woods Point Road, which was historically part of the Yarra Track. Cambarville, which is in the Cumberland Valley, was established as a timber mill town in the 1940s. Timber mill owners A Cameron and FJ Barton named Cambarville. They established the mill to salvage timber from trees destroyed in the 1939 bushfires. Cambarville was impacted by the 2009 Black Saturday bushfires and any remaining structures were destroyed. Barton's Lookout was named after a member of the Barton Family who were amongst Marysville's earliest pioneering families. This postcard was produced by Nucolorvue Productions as a souvenir of Marysville.NU-COLOR-VUE/ OF/ AUSTRALIA MARYSVILLE, VICTORIA Panoramic View of Marysville from/ CUMBERLAND. PLACE/ STAMP/ HERE POST CARD NUC.171 - NUCOLORVUE PRODUCTIONS PTY. LTD./ COPYRIGHT Printed in Australiamarysville, barton's lookout, victoria, nucolorvue productions, postcard, souvenir, cumberland valley, cumberland memorial scenic reserve, big culvert, marysville-wood's point road, yarra track, mining, timber mills, a cameron, fj barton, cambarville, 1939 bushfires, 2009 black saturday bushfires -
Coal Creek Community Park & Museum
Final Notice Stamp
8707.1 - This is a stamp made of predominately wood. The knob-like handle is painted black where as the rest is either naked or stained wood.8707.1 - This A/C is PAST DUE we have sent you several statements calling attention to it unless you give this one prompt consideration we shall be compelled to place the A/C in the hands of a collector -
Melbourne Legacy
Photograph - Photo, Widows Lunch 2004, 2004
Photos of Legacy Widows at a luncheon function after the Widows Sunday ceremony at the Shrine and a service at a church. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The photos show tables of widows at an unknown venue. Same film number as other photos of 2004 (00689-00693).A record of an event for the Legacy widows on Widows Sunday in 2004.Colour photo x 7 of widows at a luncheon following the Shrine ceremony.Printed on the back -
Melbourne Legacy
Photograph - Legacy Appeal 2004, Clarendon Photos, Ron Barassi and a lion, 2004
Ron Barassi posing for some promotional pictures for Legacy in 2004 at Werribee Park Zoo. Ron Barassi an ex-AFL footballer and has participated in several events with Legacy, including a service at the Shrine September 2004 and abseiling in Flinders Street. Ron was a junior legatee after his father Ron Snr was killed in action at Tobruk in 1941, aged 27. The same roll of film as other photos of 2004 (00695 and 00696).A record of a celebrity promoting Legacy.Colour photo x 4 of Ron Barassi in a Legacy shirt near a lion.Printed on the back " -
Shepparton RSL Sub Branch
Uniform, Dress Jacket, 1943
This jacket belonged to Dorothy May Mortlock (VF518245) who was part of the Australian Womens Army Service (AWAS). Dorothy Mortlock was born in Swan Hill and enlisted with the 3rd AUST AWS REC DEPOT.Khaki-coloured woollen jacket which fastens along the centre via four metal buttons. Two hip-height pockets with external flap; two chest pockets with pleat in centre fastened via a metal button. Fabric belt around waist held in place by two fabric loops on back and fastened through metal buckle and loop. Collar carries two metal rising sun badges on the left and right side. Two epaulettes on either shoulder are held in place by a button and carries a badge reading "AWAS". Colour patch on both left and right side is square, half green and half black. Interior label on base of neck.Label reads "V 579/1943/SIZE/MADE IN/AUSTRALIA/D. MORTLOCK/VF518245". Rising sun badge reads "AUSTRALIAN COMMONWEALTH/MILITARY FORCES." Buttons read "AUSTRALIAN MILITARY FORCES."world war ii, second world war, wwii, women, australian women's army service -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: FORTUNA, c1920s
Black and white photo. The hall at Fortuna Villa. Bottom left of a fire place with plants and deer sitting in it, on either end of the mantle are statues of ladies sitting reading, in the centre is a man holding up a disc shaped object. Along the wall there are a number of paintings one is of Sir George Lansell, others are landscapes. Also along the wall standing on the floor is a collectors cabinet on beautifully carved legs. A lady crouched down with an elbow on her knee, she is sitting on a pedestal. On the right of that is a cabinet is what appears to be a kerosene lantern then a Fire place screen. Markings/Inscriptions: Bartlett Bros. Bendigo. Sticky label on front centre bottom; 338 ST 83buildings, residential, fortuna villa, bartlett bros. bendigo -
Beechworth RSL Sub-Branch
Dress
Mid-length shift dress in light grey-blue. Dress consists of two breast pockets, each with rounded flap closure held in place by two press studs. Dress is fastened down centre with three silver buttons held in place with a metal ring (only two buttons remain). From waist line down, dress is fastened by a hidden zipper and hook and eye. Waist line is pleated and carries two loops on the back, through which a fabric belt (0030.2) is threaded. Two fabric loops on each shoulder may have been used to hold epaulettes or similar. Dress sleeves are rolled up by 40 mm. Collar is notched. Interior label on left side at waist height reads "IYD CLO CO/VIC./8410-66-000-000/SIZE 18/ARMY NO........../NAME............" -
Warrnambool and District Historical Society Inc.
Letter book 6, Jan 1914 - 1917, 1914
This letter book contains letters, plans and sketch maps dating from 1914 to 1917. It came from the office of John William Crawley Junior, an engineer, architect and surveyor in private practice in Warrnambool and also the engineer for the Shire of Warrnambool from 1895 to 1935. His father, brother and son were also engineers and worked in that capacity or as the Shire Secretary for the Shire of Warrnambool, with the Crawley family recording a total of 132 years of service to the Shire of Warrnambool. This Shire existed from 1863 to 1994. The letter book was passed on the John Crawley’s son, Rolf, engineer for the Shire of Warrnambool from 1935 to 1968. It then came into the possession of Michael Hand who took over the private surveying practice of Rolf Crawley in Warrnambool. The Warrnambool and District Historical Society has acquired the letter book, along with several other Crawley ledgers, from the Michael Hand estate. This letter book is of considerable significance as it contains letters, maps and plans drawn up by John William Crawley, Junior, the engineer for the Shire of Warrnambool for 40 years. It will be very useful for researchers. This is a brown hard cover letter book with leather binding on the edges of the cover and on the spine. The leather is worn away in several places. There is gold lettering on the spine. The book has 750 pages of handwritten letters, maps and plans. The inside cover is of a mottled blue colour. There is an alphabetical index at the beginning of the book. ‘6’ ‘Letter Book 1914 to 1917’ john william crawley junior, warrnambool, rolf crawley, warrnambool, shire of warrnambool -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Allan Charles Quinn, Carnival in Rio 1949, 1 March 1949
This photograph shows a scene from the first time Allan Charles Quinn attended Carnival in Rio. Although having made several trips to South America previously, he had not experienced Carnival before. The photograph is also complemented by a letter written to his mother including a description of Carnival. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.The Allan Charles Quinn collection forms a pictorial autobiography of life at sea for a young man in the period immediately following World War II. The collection also includes a series of letters between Allan and his mother, some explaining the photographs and some talking about other experiences or mundane situationsBlack and white photograph of Carnival float in Rio de Janeiro. There is a large crowd visible in the foreground. The float has several places for the elaborately dressed women to sit, each of which resembles a throne of some kind. There are four women on the float and what appears to be a driver holding onto reins.Blue ink on reverse: CARNIVAL IN RIO/ 1-3-49allan-charles-quinn, south-america, rio, carnival, floats, crowd, letters-from-abroad, rio de janeiro, brazil -
Warrnambool and District Historical Society Inc.
Document, Drawing of church of Christ Warrnambool, Mid 20th century
These are plans for proposed additions to the Church of Christ in Warrnambool. The date of the drawings and the maker of the plans are unknown. The additions do not appear to have been built. The Church of Christ in Warrnambool was founded in 1875 after a meeting at the Warrnambool Temperance Hall. The building in Spence Street Warrnambool was erected in 1884 at a cost of £1600 and officially opened in 1885. This church was sold and in 2000 the congregation moved to a new building at 186 Raglan Parade (called Gateway Church of Christ).These plans are of some interest as being part of the history of a Warrnambool church – the Church of Christ Warrnambool. These are two rough drawings on cream-coloured paper showing proposed additions to the Church of Christ in Warrnambool. The drawings are in pencil and include the front elevation plan and the first floor plan. The captions are in capital letters. Both pages have tattered edges and are torn across the middle and the pages are stained in places.‘Rough drawing suggested additions for Church of Christ Warrnambool’ ‘Suggested additions for Church of Christ Warrnambool’ church of christ warrnambool, gateway church of christ, history of warrnambool -
Flagstaff Hill Maritime Museum and Village
Plant specimen - Wood Sample, Alexander Hall and Son, ca. 1855
The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co -
Flagstaff Hill Maritime Museum and Village
Plant specimen - Wood Sample, Alexander Hall and Son, ca. 1855
The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co -
Flagstaff Hill Maritime Museum and Village
Saw
Handsaw with taper ground blade. Handle entirely enclosed and slotted to take heel of blade which is set in place with three brass rivets. Handle elaborately carved with fishtail and decorative curve. Short distance from toe is a small notch or nib. Has Buck London stamped on bladeflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, handsaw