Showing 4370 items
matching specials
-
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Stawell Historical Society Inc
Photograph, Pleasant Creek Special School, Frank Floyd Pty Ltd. Hardware Store interior Wimmera Street Stawell Nov 1975, Nov 1975
Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Business in Wimmera Street Stawell selling hardware education -
Slovenian Association Melbourne
St Nicholas with Slovenian children and angels, St Nicholas - sv. Miklavž with children and angles in 1959, December 1959
When St Nicholas visits every year, the angels help him to give presents to the good children and the naughty are taken and frightened by the red-clothed devils with chains. Slovenians all over the world keep this tradition.A special tradition, adapted in every nations to their need and possibilietsBlack and white photo of St Nicholas with Slovenian children (and adults) held every year in first week of December. He was accompanied by the angels and devils.Traditional Slovenian customs celebrated every yearst nicholas, sv miklavž, celebration, angels, devils -
Melbourne Athenaeum Archives
Newspaper Article, Tex Perkins and The Tennessee Four performed a special Johnny Cash tribute with Rachel Tidd at the Melbourne Athenaeum Theatre on 18 August 2016
-
Melbourne Athenaeum Archives
100% kylie concert Live in concert:greatest hits tour and christmas spectacular w/ Special guest immaculate Madoona presented by derek Bailley commencing at the Atheneaum Theatre on November 25th 2017, 2017
coloured flyer athenaeum theatre, kylie minogue, madonna -
Australian Motor Sport History Archives (AMSHA)
Log Book Triumph Special, CAMS Log Book for the Triumph Special, 1965
Complete history of competition for the vehicleThis is a log book history of competition for this vehicle.Green cover that consist of 7 pages.cams log book dick turpin triumph special -
Koorie Heritage Trust
Booklet, Aboriginal History Programme, Special people, 1985
Contents: Aboriginal Stephanie Charles; Mookeye - Man and legend Iris Lovett; Grandfather Willie Bill Brunette; My Story - about Uncle Billy Carter Rita Wilson; As I Remember Rita Watkins; Aunty Cissie Jon Cox; Own Thoughts Lorna Lovett-Beulah; Grannie Foster Iris Lovett; Grannie and Granfather Lovett Rose Donker; My Brother Venis Collard Elaine Foley; My Aunty Emma Lovett Irene Onus; Granny Mag Maude Smith.24 p. : ill., ports. ; 21 cm.Contents: Aboriginal Stephanie Charles; Mookeye - Man and legend Iris Lovett; Grandfather Willie Bill Brunette; My Story - about Uncle Billy Carter Rita Wilson; As I Remember Rita Watkins; Aunty Cissie Jon Cox; Own Thoughts Lorna Lovett-Beulah; Grannie Foster Iris Lovett; Grannie and Granfather Lovett Rose Donker; My Brother Venis Collard Elaine Foley; My Aunty Emma Lovett Irene Onus; Granny Mag Maude Smith.1. aborigines, australian -- biography. i. aboriginal history programme (vic.), 2. stolen generations, 3, stahle, rev., 4. lake condah, - history -
Koorie Heritage Trust
Book, Aboriginal Education Service, Special Programs Branch, So you want to teach Aboriginal students : a guide for teachers of Aboriginal students in Victorian post primary schools, 1986
36 p. : ill., ports. ; 25 cm.aboriginal australians -- education (primary) -- victoria. | teachers of children with social disabilities -- training of -- victoria. -
Koorie Heritage Trust
Journal - Serials, Aboriginal History Inc, Aboriginal History - Volume 25. 2001, 2001
Special Section: 'Genocide'? Australian Aboriginal history in international perspective. A series of articles by leading writers on Aboriginal History.iiv-iv; 300 p.; footnotes; refs.; 25 cm.Special Section: 'Genocide'? Australian Aboriginal history in international perspective. A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | yorta yorta - native title claim., | stolen generations - aborigines, australia., | genocide - aborigines, australia. | race relations - violent - genocide | race relations - violent | history, | child welfare - child / parent separation - stolen generations | -
Latrobe Regional Gallery
Photograph, SUGGETT, Colin b.1945 Warrnambool, Special FX, 2001
Colour photographSigned 'Colin Suggett 2001' lower right corner under printed image. -
National Wool Museum
Textile - Travel Rug, Albany Woollen Mills, c1960s
Collector says - "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Note from collector-"For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Tan and brown plaid fringed travel rug. Albany Woollen Mill/Travel Rug/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, rug, albany, albany woollen mills -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, Albany Woollen Mills blanket, c 1950s
Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, pink, lemon and violetAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, c1950s
Collector says "I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Please refer to the following worksheet for a full breakdown of the collection." Checked blanket, pink, blue and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
National Wool Museum
Textile - Blanket, Castlemaine Woollen Mill, c1950s
Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and creamCastlemaine/100 pure virgin wool blanket, blanket fever, wool, castlemaine, castlemaine woollen mill -
National Wool Museum
Textile - Blanket, Challenge Woollen Mills, Clan Murray series of Challenge, c1950s
Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." " For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and lavenderClan Murray series of Challenge/Lambswool 'Perma-nap' blankets/All pure wool/Super Grade blanket, blanket fever, wool, challenge woollen mills -
National Wool Museum
Textile - Blanket, Eagley Woollen Mills, 1960s
Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Queen sized brown, green and blue checked blanketEagley Blanket, Pure Woolblanket, blanket fever, wool, eagley woollen mills, victoria -
National Wool Museum
Textile - Blanket, Waverley Woollen Mills, 1960s
Note from collector: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Waverley 'El Rio' Multicoloured checked Double sized blanketEl Rio Blanket/By Waverley/Pure Woolblankets, blanket fever, wool, el rio, waverley, launceston