Showing 69792 items
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Ringwood and District Historical Society
Photograph, Ringwood State School -Class photograph - Grade 5, 1951
Black and white photograph - Grade 5, 1951"Attached to photograph" Back Row- L to R: ?, Ian Morris, Peter Kuibley, ?, Bruce (?), John Allsop, Ronald Young, Peter Conway, Victor Greenham, Ray Horsey. 2nd Row - L to R: Glenys Rackham, Jenny Baton, Jenny Morris, Graham Huxley, Leo King, Wayne Mariner, Robert Hand, Oliver, Ashton, Ian Herd, Jennifer Miller, Coral Skurrie, Maureen Dyball. 3rd Row - L to R: Linda Wilson, Janet Phillips, Jeanette, Goodwin, Margaret Mitchell, Heather Anderson, Helen Parker, Margaret Bennett, Wendy Whittle, Marilyn Houghton, Joy Pease, Corinna Taylor, Janice Pateman, Faye White, Helen Wigley. Front Row - L to R: Judy Young, Margaret Dennis, Wendy Caughey, Iris Allen, Barbara Hardstaff, Jennifer Pickford, Valerie Noble, Fay Taylor, Norma Springett, Heather Taylor, Jean Hall, Rosalie Read. Front Row - L to R: Geoffrey Halgar, Ray Davidson, Robert Sinclair, George Jenkins. Teacher: -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, DARWIN WW2, 1942
Collection of black & white photographs with typed captions detailing some of the destruction of buildings, shipping & equipment during & after the first attack on Darwin by the Japanese (Feb 19th 1942)..1) Bombed building. .2) Bombed building. .3) Bombed hangar. .4) Bombed store building. .5) Water tower with aircraft in background. .6) Bombed 2 storey building. .7) Sunken ship with 2 ships in background. .8) Scrapped aeroplane. .9) Small steam train..1) On back: More RAAF Drome damage. .2) On back: RAAF Drome. No opposition than couple of Wirraways & Kittyhawks. .3) On back: Hangar RAAF Drome when the Nips finished. .4) On back: First bomb on Post Office Darwin. .5) On back: Jap plane (pos zero) flying around water tower, Darwin loco before arrival of Spitfires at Darwin. .6) On back: Bob Dyers bank Darwin. .7) On back: Neptuna on side alongside wharf & 2 ships on mud at low tide Darwin Harbour. .8) On back: Scrap heap Bathelor field. .9) On back: Fly used on wharf at Darwin before Japs bombed wharf & sunk Neptuna standing there.photography-photographs, military history - war damage, passchendaele barracks trust -
Phillip Island and District Historical Society Inc.
Photograph, Rhyll Craft Group Christmas, 1980s
398-16 Lady in white cardigan and bandage on leg is Helen Jansson. Lady sitting on bench, second from right, is Audrey McFee. Audrey also in 398-155 coloured photographs of Rhyll Craft Group Christmas at the Rhyll Hall selected from 25 photographs.rhyll hall, rhyll craft group, rhyll - local identities, audrey mcfee, mrs. helen jansson -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family
Studio Portrait of Robert Anderson Jnr. in oval frame. Dressed in dark jacket and waistcoat, white shirt and striped tie. Son of Robert and Margaret Anderson, Fourth child.Studio Portrait of young man, Robert Anderson Jnr.local history, photography, photographs, slides, film, robert anderson jnr, sepia photograph, mrs emma anderson jacobs -
Greensborough Historical Society
Book and CD, Birrarung database; compiled by Mick Woiwod, 1863-1924
This book and database attempts to develop an understanding of the place of Aborigines in the Victorian context. It uses a wide variety of references from early white settlement (1835) and more recent documents.Detailed information such as this will be valuable to researchers in their understanding of Indigenous peoples of Victoria.Paperback. 318 pages, illus. Includes CD-Rom "Birrarung database compiled by Mick Woiwod".Signed by compiler.yarra valley, aborigines victoria, birrarung, mick woiwod -
Kiewa Valley Historical Society
Vacuum Flask
Ron White (1920-2019) worked for the SECV and was superintendent engineer of the Kiewa Hydro Electric Scheme after its completion. He used this 'thermos'. See KVHS 1282Ron White lived in Mt Beauty and worked for the SECV until he retired in 1985. See KVHS 1282Original box Gold Coin Brand / Vacuum Flask / Superior in Styling / Endurably Heat Preserving. / Trade Mark is Chinese & written in Chinese. Bright red steel cylinder with most of the gold label missing. Cork in top. Plastic lid is not the original.Base: 'Freezinhot Bottle Made in Hong Kong' is embossed around the perimeter.vacuum flask, gold coin brand, thermos, ron white -
Uniting Church Archives - Synod of Victoria
Pamphlet - Information Leaflet, Methodist Overseas Missions, Methodism in the Highlands
At the time this leaflet was published the statistics were: "Missionaries (White): 11; Missionaries (South Sea Islanders): 10; Churches: 2; Preaching Places: 36 and Attendants at Worship: 2,500.Cream Four page leaflet with red text on published by Methodist Overseas Missions entitled "Methodism in the Highlands" which outlines the pioneering venture "Papua New Guinea Highlands Mission".methodist overseas missions -
Creswick Campus Historical Collection - University of Melbourne
Sample
this tool comprises 26 seed specimens identified by hand written labels, 2 seed cones bound with string or tape, variety of white seed sorting ceramic dishes.Seed identification tool -
National Wool Museum
Rosette, Victorian Champion Ram Fleece: International Corriedale Competition 1965
Red white and blue felt trophy rosette, International Corriedale Fleece Competition, 1965, and Victorian Champion Ram Fleece, presented to Stanbury Coriedale Stud, R EWettenhallINTERNATIONAL CORRIEDALE FLEECE COMPETITION 1965 VICTORIAN CHAMPION RAM FLEECEcorriedale sheep sheep breeding agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e. wettenhall, mrs janet, victoria, corriedale sheep, sheep breeding, agricultural shows -
National Wool Museum
Rosette, Supreme Champion Ram Fleece: International Corriedale Competition 1965
Red white and blue felt trophy rosette, International Corriedale Fleece Competition, 1965, and Supreme Champion Ram Fleece, presented to the Stanbury Coriedale Stud, R EWettenhall.INTERNATIONAL CORRIEDALE FLEECE COMPETITION 1965 SUPREME CHAMPION RAM FLEECEcorriedale sheep sheep breeding agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e. wettenhall, mrs janet, victoria, corriedale sheep, sheep breeding, agricultural shows -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Eastwood Bros, 1889c
Two other copies in good order - b & w 14 x 20 cm, black and white 20 x 25.5 cm both have tear marksSepia photograph showing steamers at wharf near newly opened Entrance. People on steamers and wharf and on beach. Town on left background hummocks on right background. Steamer on end of wharf is PS Nell, other steamer SS Dargo?. Two small sailing boats on lake. Lakes Entrance VictoriaOpening celebrations at the Lakes Entrance 1889 (State Library of Victoria, LaTrobe Collection)fences, vegetation, houses, waterfront -
Vision Australia
Memorabilia - Object, RVIB Carols by Candlelight candle holder with candle, 2000
Metal candle holder with white candle given out as a souvenir of the 2000 Carols by Candlelight concert to official guests. The words 'RVIB Carols by Candlelight 2000' are engraved on the lid.1 silver plated candle holder with candleRVIB Carols by Candlelight 2000carols by candlelight, royal victorian institute for the blind, fundraising -
Vision Australia
Photograph - Image, Foto Group, 2009 Penny Stevenson, 11/8/2009
Penny Stevenson uses her white cane and dog guide to walk down from Talbot Road and around the grass between the path and the blind cricket club house.11 digital images of staff member Penny Stevensonvision australia, staff, penny stevenson -
Uniting Church Archives - Synod of Victoria
Pamphlet - Methodist Girls' Comradeship Methodist Order of Knights, Information poster, 1987
The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.White and blue paper folded pamphlet/poster with information about the Methodist Girls' Comradeship and Methodist Order of Knights. Information includes their laws, promises, pledges, mottos, sections and uniform. The pamphlet/poster has two posters showing members' uniforms.methodist order of knights, methodist girls' comradeship -
Orbost & District Historical Society
book, Peisley, Allan B, Genoa School History, second half 20th century
The book was compiled by Allan B. Peisley. In 1891 a pineboard, portable school building was sent from Melbourne to Gabo by schooner, and transported to a site approximately 1½ miles SE of Genoa. When erected by Henry Bucknall, it was listed as Genoa River School. It opened on 24th of August with an enrolment of approximately 20 pupils under the guidance of Algernon de Havilland, and served the district until 1928 when a combination of white ants and dry rot caused the building to be abandoned. School was held in the Genoa hall as a 'temporary' measure until a new building was erected, and it was during this period that N. A. Wakefield, later lecturer and author of natural history articles and books, served as HT. The ‘temporary' measure proved seemingly permanent as it was not until 1953 that a new school was built on the present site, ½ mile W of Genoa. This school was opened by the late Sir Albert Lind on 15th of August 1953, the original name being amended to Genoa State School. Since then much has been done to maintain the grounds and buildings at a high standard.This item is a useful reference tool on the history of Genoa in East Gippsland.A book of 36 pp titled Genoa School History. On the front cover are black and white images of buildings and wrens. The text is black. The pages have been photocopied.education genoa -
Ballarat Tramway Museum
Album - Photo Album, Wal Jack, Tasmania, New Zealand and other locations, 1950's
Has some 142 black and white photographs and some colour photographs. Some of the photographs are loose. Sheets have been cut out at the front of the album. Has photos of various locations and lines within Launceston, Hobart, Zeehan, Queenstown, Hiroshima, Kure Japan, Tokyo, Singapore, Bombay, Karachi, Takapuna, Wanganui, Auckland, New Plymouth Wellington, Christchurch, Kelburn, Dunedin, Invercargill, Gisborne and Napier. For details of each photograph and layouts see - /Archive Document files/Reg Item 5011 for letters and details of the album scan sent and images of the negatives. Letters in each sub-directory.Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features Tasmanian, New Zealand and some foreign country tramcars.Grey covered photograph album with word "Photographs on front cover, with large blue band binding, light brown paper (including one blue sheet of paper) inside covers holding some 21 sheets of card on which photos have been mounted using photo corners of various types, captions in white, blue or black ink. trams, tramways, launceston, hobart, new zealand, japan -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Epacris impress - Common Heath), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this plant as Epacris impressa - Common Heath - white flower form. Common and widespread. NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanPainting of white heath spray, on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, baron von mueller, von mueller, henrietta d'alton, wama, wildlife art, painter, goache, halls gap, wildlife art museum australia -
Flagstaff Hill Maritime Museum and Village
Photograph - Historical, maritime, 1878
The location of this photograph is disputed by historians, but the consensus is that is shows the early use of Flagstaff Hill by the Warrnambool Garrison. This photograph is very similar to one on file in the State Library of Victoria (SLV). The photograph in the State Library's collection is clearer, and is in black and white. It also has an inscription below it "Lady Bay, Warrnambool, 1878'. The inscription on the lower left of the SLV's photograph looks to be the same as on Flagstaff Hill's copy. The photographer is unidentified. The photograph is significant to Warrnambool's local history. It is connected to the 1870's defence of the Port of Warrnambool, and to southwest Victoria's coast. The photograph can be used as a comparative tool for measuring the changes in the landscape and the harbour.Photograph, sepia, on card. Unknown photographer. View towards Lady Bay, Warrnambool. A gentleman is seated on one of two cannon carriages with cannon, on a hill above a picket fence. A moored sailing ship is in the bay. Hills are in the background and la building is on land to the right. The photograph is mounted on card with a brown, hand coloured border on the front. The corners on the card are rounded. the reverse has round marks in the corners indicating that the photograph has been previously mounted, perhaps in an album. There is a purple stamp and some pencil inscriptions. A handwritten pen inscription is on the lower left corner of the front. [(1b) This black and white photograph is a copy of the original and has been printed on larger paper.]Front: "[undecipherable] / photo" Reverse in pencil: " REG. NO. 2172.1 / ORIGINAL" Reverse, stamped: "Flagstaff Hill Maritime Village"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, warrnambool, lady bay, lake pertobe, cannon hill, middle island, steam ship, breakwater, cannon, victoria, man seated on cannon, 1878, militia fort, port of warrnambool, militia, garrison, warrnambool garrison -
Flagstaff Hill Maritime Museum and Village
Textile - Bedspread and Cushion, 1982
This hand-knitted, white double-bed bedspread and matching round cushion were hand-made by Vera Giles. The process took her nine-and-a-half months. She presented it to Flagstaff Hill to be part of the Giles Collection. There are many 19th-century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as a family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940.The Giles family collection has social significance at a local level because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. The handmade items were knitted in the late 20th century using a craft and design that augment the late-19th to early 20th-century furnishings where they are displayed.Hand knitted white cotton bedspread and cushion with knitted floral pattern. Items are both part of the Giles Collection. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, knitted bedspread, knitting, bedspread, giles collection, henry giles, vera giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, manchester, cushion -
National Vietnam Veterans Museum (NVVM)
Photograph, Gateway to Ngok Tavak, 1/05/1968 12:00:00 AM
In May 1968, in the western jungle of Vietnam near Laos, led by Australian Captain J White, 11th Mobile Strike Force Company (MSF) occupied an old French fort on a hill named Ngok Tavak tasked with improving allied intelligence-gathering capabilities in the area. However, with enemy activity increasing, on May 4th, 44 US Marines, 35 CIDG (Civilian Irregular Defence Group) and two 105mm Howitzer field guns arrived as reinforcement from the Special Forces base at Kham Duc. By May 9th, Captain White’s company numbered about 200 men. Although in a good defensive position, coming towards them was the Iron Brigade of the 2nd Division of the North Vietnamese Army (NVA). At 03:00 on May 10th, the attack on Ngok Tavak began. The NVA, led by Major Dang Ngoc Mai, poured through the entrance at the eastern wall quickly occupying most of the fort. By midday the next day, Captain White had lost 40 Nung soldiers and 11 Marines with over 70 others badly wounded. Realising he could not withstand another attack, Captain White decided to abandon Ngok Tavak. Once the wounded were evacuated, Captain White ordered strike aircraft to blast a ‘corridor’ through the surrounding enemy cordon using napalm. By early afternoon, what remained of the defenders escaped through the ‘corridor’ and helicopters eventually flew them to Kham Duc. Colour image of edge of Ngok Tavak fort with soldiers sitting on & walking around sand-bagged foxholes. Jungle & mountains in background.battle of ngok tavak, john white -
National Vietnam Veterans Museum (NVVM)
Photograph, Marines arrive at Ngok Tavak 04/05/1968
In May 1968, in the western jungle of Vietnam near Laos, led by Australian Captain J White, 11th Mobile Strike Force Company (MSF) occupied an old French fort on a hill named Ngok Tavak tasked with improving allied intelligence-gathering capabilities in the area. However, with enemy activity increasing, on May 4th, 44 US Marines, 35 CIDG (Civilian Irregular Defence Group) and two 105mm Howitzer field guns arrived as reinforcement from the Special Forces base at Kham Duc. By May 9th, Captain White’s company numbered about 200 men. Although in a good defensive position, coming towards them was the Iron Brigade of the 2nd Division of the North Vietnamese Army (NVA). At 03:00 on May 10th, the attack on Ngok Tavak began. The NVA, led by Major Dang Ngoc Mai, poured through the entrance at the eastern wall quickly occupying most of the fort. By midday the next day, Captain White had lost 40 Nung soldiers and 11 Marines with over 70 others badly wounded. Realising he could not withstand another attack, Captain White decided to abandon Ngok Tavak. Once the wounded were evacuated, Captain White ordered strike aircraft to blast a ‘corridor’ through the surrounding enemy cordon using napalm. By early afternoon, what remained of the defenders escaped through the ‘corridor’ and helicopters eventually flew them to Kham Duc. Colour image of U.S. soldiers disembarking from a helicopter in a clearing in the jungle. Foreground is rear of two soldiers watching. Background is mountains.united states - marine corps, battle of ngok tavak, john white, ngok tavak -
The Beechworth Burke Museum
Animal specimen - Barn Owl, Trustees of the Australian Museum, 16-1880
Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl -
Sunshine and District Historical Society Incorporated
WUNDERLICH TILE, Wunderlich Limited, Circa 1965
In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building -
Orbost & District Historical Society
eggs
These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, coloured, c.1985
This white Toyota Corolla is one of the fleet of cars driven by Royal District Nursing Service (RDNS) Sisters to visit patients in the community to administer nursing care. 1985 was the centenary of the founding of the Melbourne District Nursing Society; founded in 1885; the Society was given Royal patronage in 1966 and became the Royal District Nursing Service. The Coat of Arms shown on the car was granted by the College of Arms in London in 1970. Royal District Nursing Service (RDNS) has had various modes of transport over the last 130 plus years. At first, from 1885 as Melbourne District Nursing Society (MDNS), their Trained nurses (Nurses) walked the streets and lane ways amid the slums of central Melbourne. As the Society expanded public transport was used, and bicycles were bought by the Society in 1903 and used in inner areas until 1945. During the Spanish flu epidemic, in 1919, MDNS appealed for assistance to procure Motor vehicles so the Nurses could visit an influx of cases. Through trusts, grants and donations four 'Ford T Model' cars were procured which enabled the Nurses to triple their visits. Through constant use the cars were in such a poor state two were sold in 1922 and the others later. In 1922-23 three Peugeot cars were purchased and a woman Chauffeur, 'Miss Sword', was employed who lived in the Home and was also in charge of the garage. MDNS was expanding and a Motor Auxiliary was formed in 1929 to take the Trained nurses (Sisters) to patients, and some Sisters used their own cars; even a motorcycle was used by one Sister in 1933. All these forms of transport were intermingled and in the early 1950s, and now as Melbourne District Nursing Service, seven Ford Prefect cars were bought followed by twelve Ford Anglia cars 1955. Having received Royal patronage; the now Royal District Nursing Service (RDNS) had its own fleet of Holden vehicles by the mid 1960s and the Motor Auxiliary ceased operating in 1971 as by then all staff employed were required to have a driving licence. Seat-belts had been introduced to Victoria in 1959 and District fitted them to their cars from 1962, even though they did not become compulsory until 1970. The Holden vehicles were replaced with grey Holden Torana vehicles. After several years the fleet was changed to white Toyota Corolla vehicles. The Melways Directory of maps was introduced in 1966, which was a boon to the Sisters, though it was a few years before it went beyond Seville, so a large paper map was used by the Sisters visiting patients in the areas passed Seville. By 2009 there were 598 cars in the fleet and the Sisters travelled 9 million 200,000 kilometres – this is equivalent to 12 trips to the moon and back. Coloured photograph of the side on view of a Royal District Nursing Service (RDNS).white Toyota Corolla sedan displaying the RDNS Coat of Arms on the upper centre of the front door. The car is the same width all over and the flat bonnet joins to a sloping large front windscreen. on the side, at the level of the windscreen are two windows, above the metal body work of both doors. The roof runs from the top of the windscreen to the rear of the vehicle where it joins with a short back window which sits above a short boot. Part of the front grill and headlights either side of it are seen, and a bumper bar below this. A black tyred wheel with solid hub cap is seen under a wheel arch in the body work, at the front and rear of the vehicle.melbourne district nursing society, mdns, royal district nursing service, rdns, rdns crest, rdns transport -
Uniting Church Archives - Synod of Victoria
Pamphlet - Order of Knights Province of Victoria and Tasmania, Order of Knights: Court of the Solitary Knight
The Court of the Solitary Knight was reformed in the Province of Victoria and Tasmania at an inaugural Meeting held at the Church of All Nations, Carlton on 28th March, 1973, with a foundation membership of 25 companions. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. E3112.12.1 - E3112.12.3: Application form Province of Victoria and Tasmania Order of Knights (Founded at Hurstville Methodist Church, 1914) Court of the Solitary Knight information and application form. Folded white paper with black text and MOK symbol.methodist order of knights, court of the solitary knight -
Flagstaff Hill Maritime Museum and Village
Ceramic - Teapot, Josiah Wedgwood & Sons Ltd, 1890
Josiah Wedgwood (1730–95), came from an established family of potters and trained with his elder brother. He was in partnership with the leading potter Thomas Whieldon from 1754 until 1759 when a new green ceramic glaze he had developed encouraged him to start a new business on his own. Relatives leased him the Ivy House in Burslem, Stoke-on-Trent, and his marriage to Sarah Wedgwood, a distant cousin with a sizeable dowry, helped him launch his new venture. After an extensive and systematic program of experiment Wedgwood in 1765 created a new variety of creamware, a fine glazed earthenware, which was the main body used for his table wares thereafter. After he supplied Queen Charlotte with a tea set for twelve the same year, she gave official permission to call it "Queen's Ware" (from 1767). This new form, perfected as white pearlware (from 1780), sold extremely well across Europe, and to America. It had the additional advantage of being relatively light, saving on transport costs and import tariffs in foreign markets. Wedgwood developed several further industrial innovations for his company, notably a way of measuring kiln temperatures accurately, and several new ceramic bodies including the "dry-body" Stoneware, "black basalt" (by 1769), cane ware, and jasperware (the 1770s), all designed to be sold unglazed, like "biscuit porcelain". In the later 19th century the company returned to being a leader in the design and technical innovation, as well as continuing to make many of the older styles. Despite increasing local competition in its export markets, the business continued to flourish in the 19th and early 20th centuries, remaining in the hands of the Wedgwood family, but after World War II it began to contract, along with the rest of the English pottery industry. After buying several other Staffordshire ceramics companies, in 1987 Wedgwood merged with Waterford Crystal to create Waterford Wedgwood plc, an Ireland-based luxury brands group. After a 2009 purchase by KPS Capital Partners, a New York-based private equity firm. Wedgwood has always been associated with fine china, porcelain, and luxury accessories, the entrepreneur Josiah Wedgwood rapidly became successful and was soon one of the largest manufacturers of Staffordshire pottery. Wedgwood is a significant pottery manufacturer as the company is especially associated with the "dry-bodied" (unglazed) stoneware Jasperware in contrasting colours, and in particular that in "Wedgwood blue" and white that has become a trademark. Teapot and lid, Wedgwood blue Jasperware with white patternImpressed name Wedgewood and date letter "S" = 1890flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, teapot, wedgewood blue, wedgewood teapot, tea pot, kitchen ware, josiah wedgwood, staffordshire potteries -
Learmonth and District Historical Society Inc.
Peace 1919 Medal, Medal Peace 1919, 1919
Awarded to: School Children of the Commonwealth of Australia Other Details: Of the commemorative medals issued to mark the end of the First World War, the most common was the so-called 'Peace' or 'Victory' medal issued to every child in Australia aged 0-14 years (and aged up to 16 if parents were in the armed forces). The medal was designed by Charles Douglas Richardson, better known for his work as a sculptor. Time constraints as well as pressure from the production of other victory medals meant that no single manufacturer could make the 1,670,000 medals. Six were therefore selected: Amor, Stokes, Schlank, Parkes, Angus & Coote (who later withdrew) and Platers. The medals were silvered bronze, with silver issues for special presentations. The Defence Department supplied a red, white and blue striped ribbon and pin. Distribution began in March 1919. Victorian school children received their medals on Friday 18 July and on 'Peace Day' on Saturday 19 July.To commemorate the end of World War 1.Round white metal medals issued to mark the end of WW1. On the front "PEACE 1919", and on the reverse, "VICTORY", middle of the medal "THE TRIUMPH OF LIBERTY AND JUSTICE". on the bottom "THE PEACE OF 1919". With a plain edge.Peace with two flying doves on pedestal inscribed, PEACE / 1919 below AUSTRALIA; figure in chains on left and another entangled in bush to right (obverse) Australian sailor and soldier support wreath; above, VICTORY; within, THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE; below on plaque, THE PEACE OF 1919(reverse)world war 1, peace, victory medal australia -
Clayton RSL Sub Branch
Medal, Peace Medal, 1919
Awarded to: School Children of the Commonwealth of Australia Other Details: Of the commemorative medals issued to mark the end of the First World War, the most common was the so-called 'Peace' or 'Victory' medal issued to every child in Australia aged 0-14 years (and aged up to 16 if parents were in the armed forces). The medal was designed by Charles Douglas Richardson, better known for his work as a sculptor. Time constraints as well as pressure from the production of other victory medals meant that no single manufacturer could make the 1,670,000 medals. Six were therefore selected: Amor, Stokes, Schlank, Parkes, Angus & Coote (who later withdrew) and Platers. The medals were silvered bronze, with silver issues for special presentations. The Defence Department supplied a red, white and blue striped ribbon and pin. Distribution began in March 1919. Victorian school children received their medals on Friday 18 July and on 'Peace Day' on Saturday 19 July.To commemorate the end of World War 1Round white metal medals issued to mark the end of WW1. On the front "PEACE 1919", and on the reverse, "VICTORY", middle of the medal "THE TRIUMPH OF LIBERTY AND JUSTICE". on the bottom "THE PEACE OF 1919". With a plain edge.Peace with two flying doves on pedestal inscribed, PEACE / 1919 below AUSTRALIA; figure in chains on left and another entangled in bush to right (obverse) Australian sailor and soldier support wreath; above, VICTORY; within, THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE; below on plaque, THE PEACE OF 1919(reverse) -
Whitehorse Historical Society Inc.
Document, John McClare, n.d
Potted history of John and Mary McClare, arrived in Melbourne 1855 from Galway, Ireland.Potted history of John and Mary McClare, arrived in Melbourne 1855 from Galway, Ireland. Bought 55 acres on Canterbury Road. He paid 4 ponds per acre. he carried goods to the goldfields with his bullock team. Later he had a tannery and leather business on Canterbury Road. Their 1st child, Agnes was first white child born in the district. in 1862 John brought out his wife's brother and 2 sisters. Katherine and John Madden. John Madden took a selection on the south side of Canterbury Road.Potted history of John and Mary McClare, arrived in Melbourne 1855 from Galway, Ireland. mcclare, john, bowen, michael, mcclare, mary, mcclare, agnes, mcclare james, mcclare, rose, madden, katherine, madden, john, delaney's road, canterbury road, vermont, vermont