Showing 3915 items
matching theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, Theatre
-
City of Kingston
Photograph - Black and white, c.1945
This photograph shows the Protestant Hall on Nepean Highway Cheltenham, which at the time of the photograph was used by the Returned Sailors' Soldiers' and Aimen's Imperial Leage of Australia (RSSAILA). The building facade, World War I memorials, fire station building and road plantation are also in view. The Protestants Hall was built by the Cheltenham Protestant Hall Company Limited in 1886. The hall has been used for a wide variety of purposes; in earlier times it served as the Sunday School for the Methodist Home for Children, and later as a schoolhouse when the Beaumaris School (now Cheltenham State School) No 84 met with overcrowding problems. It was also a popular venue for annual balls and regular dances held by church groups and sporting organisations. The City of Moorabbin purchased the building in the 1920's for use by the Returned Soldiers and Sailors League, in whose hands it remained until the late 1970s when it was taken over by a catering firm. During the 1920s, and right up to the late 1950s, it also served as Cheltenham's picture theatre. The three memorial columns, one from the South African War, one from World War I and one from World War II previously located in front of the hall were relocated when Nepean Highway was widened. The Protestant Hall still stands at 1261 Nepean Highway CheltenhamBlack and white digital image depicting three buildings. The right hand building bears a sign that reads RSSAILA. There are trees and a bench seat in the foreground. There is a World War I memorial pictured. world war i, world war ii, protestant hall, cheltenham, returned sailors' soldiers' and aimen's imperial leage of australia (rssaila), returned and service's league (rsl) -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - [Actor in Kabuki Theatre (?)], Kunidasa
Woodblock Ukiyo-e type print -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Unidentified [Kabuki Theatre ?] subject 19th Century, Kunidasa
Woodblock -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - 3802 Le theatre francais reduit, Honore Daumier
French 1808 - 1879Lithograph -
The Mrs Aeneas Gunn Memorial Library
Book, JM Dent and sons, Goethe's Faust : Parts I and II, 1908
Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifep.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama -
The Mrs Aeneas Gunn Memorial Library
Book, Australian War Memorial, Active service : with Australia in the Middle East, 1941
This is an illustrated notebook on the life of Australians in the Middle East theatre of war. Almost all of the contents are the works of men on active service. Reports are included on most of the actions in which Australian forces have so far taken part. It has been possible to include in these reports much detail which hitherto been available to the public. Similarly among the photographs, there are some which have already been published and many which now emerge from military and other official coerces for the first time. They have been selected primarily for their value as graphic records of fact. It is hoped that the result, in text and photography, may be a more intimate if still fragmentary understanding of the campaigns. The balance and perspective of true history canon yet be bought to bear on events.Ill, p.129.non-fictionThis is an illustrated notebook on the life of Australians in the Middle East theatre of war. Almost all of the contents are the works of men on active service. Reports are included on most of the actions in which Australian forces have so far taken part. It has been possible to include in these reports much detail which hitherto been available to the public. Similarly among the photographs, there are some which have already been published and many which now emerge from military and other official coerces for the first time. They have been selected primarily for their value as graphic records of fact. It is hoped that the result, in text and photography, may be a more intimate if still fragmentary understanding of the campaigns. The balance and perspective of true history canon yet be bought to bear on events. world war 1939-1945 - campaigns - middle east, world war 1939-1945 - australia -
The Mrs Aeneas Gunn Memorial Library
Book, Cheshire, The Arts in Australia, 1948
A study of the arts and theatre in AustraliaIll, idex, p.122.non-fictionA study of the arts and theatre in Australiaaustralia - arts, australia - intellectual life -
Kadimah Jewish Cultural Centre and National Library
Programme, Joshka Musicant; 1933
Play also known as The Singer of His Sorrow -3 Actsdovid herman theatre, d. morris, miriam ginter, mrs. rosenberg, m. shadur, miss e. dun, miss segal, mrs silman, mr. gershov, mr. ginter, mr. rosenberg -
Kadimah Jewish Cultural Centre and National Library
Programme, Joshe Kalb: 1966
TBAdovid herman theatre, r. gawenda, m. fajntuch, a. wiguszyn, j. milchman, s. migdale, m. ceprow, y. sher, h. kotlarz, s. hochgebruter, m. lewites, p. cohen, r. lewita, j. apelewicz, b. szenkel, l. cukier, s. szwarc, m. wajslitz -
Kadimah Jewish Cultural Centre and National Library
Programme, Jewish Day of Rememberance 1943-1991; 1991
Jewish Day of Remembrance 1943-1991dovid herman theatre, cyla hartman, isi liebler -
Kadimah Jewish Cultural Centre and National Library
Programme, Jacob Waislitz first performance: 1938
Friends of Yiddish world school presence in Poland and Melbournedovid herman theatre, jacob waislitz -
Kadimah Jewish Cultural Centre and National Library
Programme, Farewell Concert for Jacob Waislitz; 1947
On leaving Australia. Farewell speech by Jacob Waislitz. Chairman Ginter. M.C. Y. Sherdovid herman theatre, jacob waislitz, rachel holzer. moishe potashinski, mila waislitz -
Kadimah Jewish Cultural Centre and National Library
Programme, Israel Appeal Concert; 1955
Miriam Rochlin piano. Yasha Sher M.C. Hazomir Kadmah choir conducted by Felix Werder. Men's choir sang 2 songsdovid herman theatre, rachel beker, ruth bergener, avrom brazblat, rachel saks, rueben swiatlo, mila waislitz, moshe potashinski, sara and nosen ginter, rachel lewita, shmuel migdalek, david bialobroda, fayvel siwak, raya zomina -
Kadimah Jewish Cultural Centre and National Library
Programme, In the Heart of Tel Aviv; 1992
Israeli comedy in 2 acts by A. Karpinovichdovid herman theatre, m. szmerling, j. sher, y. chaberman, t. rosenbloom, r. livita, i. lustig, a. wiguszyn, s. kessel, b. lustig, s. freedman, l. koltiniuk, h. lustig, s. kesselschmidt -
Kadimah Jewish Cultural Centre and National Library
Programme, In the Desert of the Negev; 1950
Play in 3 acts by J. Mosinson. Produced by Rachel Holzer. Mount Scopus College - Parents and Subscribers Associationdovid herman theatre, s. hochgelernter, rachel holzer, m.goldberg, l. rothman, p. kochen, m. dombrovski, d. rothman, j. sher, s. brustman, b. rosenberg, s. king, a. rosenberg, ch. goldab, a. shadur -
Kadimah Jewish Cultural Centre and National Library
Programme, Ida Kaminska and Company; 1960
Two Plays - Mirele Efros and The Trees Die Standingdovid herman theatre, ida kaminsa, karol latowicz, sam migdalek, meir melman, rachel levita, yasha sher, anne light, ruth turkow-kaminska, pnina kochen -
Kadimah Jewish Cultural Centre and National Library
Programme, Humoristic Sketches; 1940
Satire, music and quick movable actions and situationsdovid herman theatre -
Kadimah Jewish Cultural Centre and National Library
Programme, His Name Speaks for Itself; 1964
By Efraim Kishon, Israeli comedy in 2 partsdovid herman theatre, s. tigel, j. levin, f. sivak, i. zuker, s. migdalek, s. reichstein, s. szwartz, ch. zilberman, a. wygushin -
Kadimah Jewish Cultural Centre and National Library
Programme, High Society; 1989
Leo Kobrin & Ed. Linderman's musical directed by Roza Turkowdovid herman theatre, yasha sher, rachel levita, mendl szmerling, mira pfau, francesca savicky, yossi azoulay, shimen freedman, yosl chaberman, tamara rosenbloom