Postcard, B&W image of a tiled roof, brick house behind a picket fence and front lawn and flower garden. A woman stands on the front verandah and a man stands to the right of the steps up to the house. Front gate from a footpath at lower right. On the back handwritten in ink ' 1916-1917 Season's Greetings from "Verclau" Also an oval shaped stamp inside reads 'A Aberline 138 Glenferrie Rd Glenferrie' 'Verclau' is the name of the house in Stevenson St, Kew, Melbourne. According to a press death notice a family called GUY was living there in 1917.postcard, photograph, postcard, verclau, house, stevenson st, kew

A Storm Glass and Thermometer such as this one would be used in predicting or forecasting the weather. Farmers used predictions they read from their Storm Glass to prepare for stormy weather or for choosing a good time for planting or harvesting their crops. This could mean to them the difference between a good year and a year without income. This design has been in use since the early 1800’s. According to Admiral Fitzroy (who studied the storm glass and wrote instructions on its use) the liquid in the glass changes composition and appearance according to the direction of the air moving around it. He advised the user to disturb the contents once or twice a year by tipping it upside down and shaking it gently. Item is a good example of a barometer/thermometer that would have been in most homes and farms from the late 19th century and early 20th century. This item would have been massed produced at the time therefore easily available and quite cheap to purchase making this particular item not very significant as not associated with a historic person or property or with a known manufacturer or date.Storm Glass and Thermometer, commonly called a 'Cottage Barometer', mounted on a rectangular dark rectangle of wood, top corners rounded. The Storm Glass (or weather glass, or chemical weather glass) is suspended in a long oval shaped hole in the wood on left side, held in place at top and at bottom with 2 metal bands secured by nails. The glass of this gauge is hand blown, sealed at the top with another layer of glass. The watery fluid in the storm glass is opaque brownish colour with dark particles floating in it. (Storm glasses were usually filled with a variation of a mix of camphor, distilled water, ethyl alcohol and silver nitrate.) The alcohol thermometer is mounted on the right side of the wood, bulb resting in a hollow, attached at top and near base by 2 thin metal strips, with clover-leaf shaped ends, nailed into place. Over the bulb is nailed a metal guard with 3 ventilation slits cut into it. On left of thermometer is a scale, stamped into wood, 30 below zero to 130 above zero, in 2 degree intervals. A border of 2 thin parallel lines, with remnants of light coloured paint, is around the block of wood. On the reverse side, a metal plate is nailed to the top with a mounting hole in it. Impressed sideways along edge of barometer is "STORMY" "CHANGE" "FAIR". Across the top of the thermometer is a fleur de leis in the wood, and above this it is stamped "FAHRENHEIT". On right of the thermometer, stamped into the wood, is "BLOOD/HEAT", "SUMR/HEAT", "TEMPE/RATE", "FREEZ/ING". On the back of the wood, at the base, are remnants of a white sticker with "...111.73". Carved into the wood is "HOLLAND / AV". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, barometer, cottage barometer, storm glass, thermometer, chemical weather glass

Embroidered silk tulle with an embroidered geometric pattern - .75 cm X .05 cm. 20 cm wide deep frill at hemline. Frill is made of the same fabric, but has a border of embroidered flowers edging the frill.A narrow band of satin ribbon, .05cm wide is stitched midway on the frill. The same frill outlines a deep V shaped neckline front and back, starting 8 cms from the shoulder along the puff sleeves. The main sheer fabric extends to a high round neckline, defined with a band of ribbon and a 3 cm wide frill at the throat. Back neckline fastens with metal hook, and handstitched loop, and a zip extends on the main body of fabric. Back of skirt is gathered, and front has three pleats either side of centre to give fullness to the skirt. Fine elastic marks a frill at the elbow length sleeves, finished with a ribbon bow. Bodice and skirt are lined with silk taffeta fabric, including a frilled skirt, bodice extends to a V shaped waistline. The dress mounted on silk taffeta, extended to a train at the back. Kerryn's dress was made by her mother, Merle Houlden, as a labour of love. Marriage of Kerryn Houlden and Bruce Roberts - April 1985.costume, female, wedding dress

Ladies waist length black satin boned bodice. Chelsea style collar forming V shaped neckline dipping to eight cm above the waist. Centre insert of horizontal pintucked fabric extends at centre front from throat to just above wrist. Fastened at centre front with thirteen metal hooks and eyes and crossover fastened on LHS with four hooks and eyes. Bodice is lined with black cotton fabric. Collar extends over shoulders to form imitation collar at back extending to centre back waistline. Centre V shaped insert of pintucked fabric hand stitched in place. Nine fabric encased bones inserted into waistband. Two bones on either side of front of bodice, and one bone on each side seam and three bones across the back of the bodice. Stand-up collar with horizontal pleating (5cm wide). Fastened over left shoulder with three metal hooks and eyes. Long sleeves widening at elbow and gathered onto 25 cm lower sleeve narrowing to wrist. Lower sleeve has three X three groups of horizontal pintucks. Slit at wrist - eight cm fastened with two metal hooks and eyes.costume, female, ladies black satin boned bodice

Melbourne District Nursing Society (MDNS) moved into 452 St. Kilda Road, in 1953. Seven Ford Prefect cars were purchased by the Society in the early 1950s which became the beginning of a full MDNS, later called Royal District Nursing Service, fleet of cars which would be used by their District nurses to visit patients in the community over the next years.In 1875 J.B.Scott purchased Crown Land on the corner of St Kilda Road and Arthur Street. During the 1890’s an “unpretentious grey building” was built on the site. Known as ‘Airlie’, major additions were carried out during the 1920s and 30s to this historic mansion. From its founding in 1885 until 1891 the Trained nurse (Nurses) of the Melbourne District Nursing Society (MDNS) worked from their own homes which were located in the vicinity of their areas (districts). In November 1891 MDNS was able to rent a two story terraced house at 66 Cardigan Street, Carlton, at £65 a year, which contained accommodation for three Trained nurses (Nurses) and one pupil nurse as well as being used as their Headquarters. The Nurses left from there each morning and returned at the end of their shift to write up their book work before retiring for the day. Three years later they moved into a larger terraced house at 49 Drummond Street Carlton which was rented at ‘a very moderate rental’. There was a Board room, apartments for the Nurses and pupil nurses, a large dispensary which patients could attend each evening to have prescriptions signed and bottles refilled with ‘homely remedies’ and elixirs, which were administered for e.g. Consumptive cases. Doctor’s prescriptions were filled at the Pharmacy. Cupboards containing donated blankets and bedclothes for needy patients were kept in this room, and it was here where the Nurses kept their nursing bags which were refilled at the end of each shift ready for any emergency and for the next day. A list of Doctors the Nurses could call was kept by the telephone. The home also had a kitchen where nourishing soup was made and distributed twice a week to the needy. Milk was also distributed when needed. In 1902 they moved into rented premises at 188 Leicester Street, Carlton and two years later, in 1904, to premises at 5 Royal Terrace, Nicholson Street, Fitzroy. They remained there for ten years. In June 1914 at last the Society had sufficient funding to purchase their own terraced premises, ‘Floraston’ 39 Victoria Parade, Collingwood which was their Headquarters and Nurses Home. In 1926 the After-Care Home for recovering patients, (later called After-Care Hospital) was built by the Society next door to No. 39, running from 41-47 Victoria Parade (became No. 45); the District Trained nurses (Sisters) continued to live at No. 39. In 1953 ‘Airlie’ at 452 St Kilda Road was offered by the Government as part of an agreement to split the management of the Society and the After Care Hospital. On 26th November 1953 the MDNS moved its Headquarters to 452 St Kilda Road. Renovations and alterations were however restricted by limited funds so it was not until 1/12/1954 that the Hon. W. P. Barry, Minister of Health, officially opened the building. MDNS was given Royal patronage in 1966 and became Royal District Nursing Service (RDNS). In January 1983, Headquarters of the Royal District Nursing Service at 452 St Kilda Road was classified by the National Trust. The citation in support of the classification said “The house is of historical interest as the boyhood home of Stanley Melbourne Bruce, later Lord Bruce, Prime Minister of Australia from 1923-1929.” Black and white photograph of Melbourne District Nursing Society Headquarters, 452 St Kilda Road, Melbourne. The photo, taken on the corner of Arthur street, is of a two storey building and several cars and gives a unique view of St Kilda Road in the 1950s (pre high rise buildings) This large grey two storey Italian style building, has four roman column, arched Arcadia to the right of a polygon shaped bay window on the ground floor; an arched Arcade on the second floor, and three long windows above the bay window on Arthur Street. Turning the corner onto St. Kilda Road is a three arched Arcadia running towards the one window seen on the polygon shaped bay window. Arcadia is repeated on the upper storey. A balustrade is in front of the Arcadia on the upper storey and again around the flat roof. Two chimneys can be seen. A spiked metal fence runs in front of the building. To the left of this building are two white double storey buildings and some medium sized trees. On Arthur Street, two Ford Prefect cars, one with the passenger side door partly open, a Vanguard car and another make of car can be seen.royal district nursing service, headquarters, 452 st kilda road melbourne, melbourne district nursing society, mdns, mdns transport, rdns

This boat or dinghy is one of a few remaining boats made for Proudfoot’s Boathouse, 2 Simpson Street Warrnambool, on the Hopkins River, in about 1885. It was one of many rowing, fishing, sailing and picnic boats that were available to hire. Proudfoot’s Boathouse, a beautiful Victorian Period building, was designed, built and established by Thomas Proudfoot. He applied to build a boat jetty in 1885. He died in 1900 and his wife Catherine took over, running it for many years. Later her son Bruce and after that her granddaughter Ena Hunt and her husband took over; it remained in the family until 1979. Proudfoot’s was a very popular tourist destination for visitors coming from Melbourne to fish and row and enjoy afternoon tea. The buildings, including the ‘U’ shaped jetty and tearooms, were restored and modified in the 1990s by the Warrnambool Sports Club, under the control of the Warrnambool City Council. The dinghy was brought to Flagstaff Hill in about 1992 and restored to its original condition and painted in traditional paint colours of orange with dark green gunnel and black and gold pinstripes. Since that time it has been painted by Flagstaff Hill's boatbuilder.This dinghy, Proudfoot’s Boat, is significant for its association with Proudfoot’s Boathouse, which is listed on the Victorian Heritage Register, VHR H0620. “Proudfoot's Boathouse on the Hopkins River near Warrnambool is an outstanding example of a late-19th century boathouse complex with associated residences and jetties. Thomas Proudfoot first applied for a jetty licence in 1885 with a view to establishing a boating business on the Hopkins River. The early single-storey sections are thought to date from this period. The two storey second stage probably dates from 1893 when additions were constructed. The entire complex was designed and built by Proudfoot himself. The business remained in the Proudfoot family until 1979. The buildings were modified in the 1990s in the process of creating a sporting club on the site. Proudfoot's Boathouse is of architectural, historical and social significance to the State of Victoria. Proudfoot's Boathouse is of architectural significance as perhaps the finest example of a 19th-century boathouse in Victoria. Although recent modifications have reduced the intactness of the buildings, many original features remain. The beautifully ornamented buildings still provide an attractive instance of 19th-century leisure facility architecture. Proudfoot's Boathouse is of historical significance as an example of late-Victorian recreational and tourist facilities. Boathouses were popular 19th-century tourist and recreational attractions, providing refined and healthy activity. This boathouse shows the early realisation of the tourism and leisure potential of seaside towns such as Warrnambool, a potential that has become increasingly important as port uses have ceased and other industries have been subjected to financial pressure. Proudfoot's Boathouse is of social significance because it illustrates the continuity of the attraction of this kind of leisure facility. Although the glory days of the boathouse were in the 19th century, those that survive continue to be well patronised. Proudfoot's Boathouse has been an important recreational facility and attraction for tourists flocking to the Hopkins River, one of the State's most popular boating and fishing resorts, since 1885.” (Statement of Significance is from the Victorian Heritage Register)Wooden vessel or boat, called a dinghy, known as Proudfoot’s Boat. Paint work is orange with dark green gunnel and black stripe. The rowboat is propelled by oars and has two pair of thole set into the gunnel (gunwale) to hold the oars in place and to serve as a fulcrum when rowing. The boat is dated around 1885. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, small marine vessel, dinghy, proudfoot's boat, proudfoot's boathouse, picnic boat, orange and black boat

Celluloids are a class of compounds created from nitrocellulose and camphor, with added dyes and other agents. Generally considered the first thermoplastic, it was first created as Parkesine in 1856 and as Xylonite in 1869, before being registered as Celluloid in 1870. Celluloid is easily moulded and shaped, and it was first widely used as an ivory replacement. The main use was in movie and photography film industries, which used only celluloid films prior to acetate films that were introduced in the 1950s. Celluloid is highly flammable, difficult and expensive to produce and no longer widely used, although its most common uses today are in table tennis balls, musical instruments and guitar picks. Celluloid was useful for creating cheaper jewellery, jewellery boxes, hair accessories and many items that would earlier have been manufactured from ivory, horn or other expensive animal products. It was often referred to as "Ivorine" or "French Ivory". It was also used for dressing table sets, dolls, picture frames, charms, hat pins, buttons, buckles, stringed instrument parts, accordions, fountain pens, cutlery handles and kitchen items. The main disadvantage the material had was that it was flammable.. It was soon overtaken by Bakelite.A miniature, oval, Ivorine hand mirror with floral engraving on back. An accoutrement for use in a lady's Evening bag c19thCFloral design engraving on back of mirrormoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, mirors, ivorine, evening bags, celluloids, bakelite, plastics,

The Staughton Memorial Lamp 1903, memorial to Captain S.T Staughton, who died at an early age. The Staughton Memorial Lamp was removed from the High Street when the plantation trees removed and the road was rebuilt. 1970. The Lamp was taken to the Shire Council yard. The M&DHS investigated the location and state of the lamp, finding the base with its plaques and the column only. A photograph was taken while at the Council yard. An initiative of the M&DHS was set in motion to restore to monument and return it to the High Street. Peter Staughton a descendent of the family was approached and produced a design for the missing lamp section. After considerable deliberation it was agreed a capping would be appropriate for the top of the column. Architectural drawings were produced by Peter Staughton and students from RMIT were engaged to make the capping. The original lamp section as seen only in early newspaper photographs was not adopted due to the elaborate shape and the cost of production. The ongoing cost of replacing curved glass panes was a contributing factor in the choice of a capping. In 1973 Peter Staughton officially opened the newly located Lamp The Lamp has since been altered with the addition of an oval shaped lamp being placed above the capping. The development of McEwan Bakery Square. Magnet discount can be seen in the background.landscapes of significance

The objects are a small sample of small gauge lead shot raised by Flagstaff Hill divers from the LOCH ARD shipwreck site in 1976. Companion pieces are in the Maritime Village collection. The three masted, iron hulled, LOCH ARD was wrecked against the tall limestone cliffs of Mutton Bird Island in the early hours of the first of June 1878. Included in her diverse and valuable cargo were 22 tons of lead shot, packed in cloth bags and wooden casks. Bulk quantities of lead shot, uniformly round balls of dull grey metal ranging from 2mm “birdshot” to 8mm “buckshot”, were routinely exported to the Australian colonies. Shot was used mostly as projectiles fired from smooth bored guns to bring down moving targets such as wild ducks and small game. It was also useful as ballast, when a dense, “pourable” weight was required to fill cavities or establish volume within a measuring container. The production of consistently round spheres of lead shot required the pouring of molten metal through a sieve and then a long drop through the atmosphere to a water filled basin for final cooling and collection. This “shot tower” process was first patented by William Watts of Bristol in 1782. His calculation of a 150 feet fall was not only to form evenly spherical droplets through surface tension, but also to provide partial cooling and solidification to each shot before they hit the water below. The value of his innovation was the minimising of indentation and shape distortion, avoiding the expense of re-smelting and re-moulding the lead. Lead shot was already being produced in Australia at the time the LOCH ARD loaded her cargo and left Gravesend on the second of March 1878. James Moir constructed a 157 feet circular stone shot tower near Hobart in 1870, with a peak annual production of 100 tons of lead shot sold in 28 pound linen bags. However colonial demand exceeded this source of local supply. The continued strength of the market for lead shot in the Colony of Victoria prompted substantial investment in additional productive capacity in Melbourne in the next decade. In 1882 Richard Hodgson erected the 160 feet round chimney-shaped Clifton Hill shot tower on Alexandra Parade (VHR H0709) and in 1889 Walter Coop built the 160 feet square tower-shaped Melbourne Central shot tower on La Trobe Street (VHR H0067). At its peak, the Coop Tower produced 6 tons of lead shot per week, or 312 tons per annum. The shipwreck of the LOCH ARD is of State significance – Victorian Heritage Register S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A quantity of 2mm and 4mm lead shot ammunition retrieved from the LOCH ARD shipwreck site. They are concreted together by sediment. There are (6) small pieces with some single shot and a larger conglomerate of cemented shot. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lead shot, colonial industry, melbourne shot towers, victorian metallurgy, colonial imports

The Pink-eared Duck can be found throughout Australia, commonly in locations that are timbered and near water. This species of Duck prefers to reside in areas which are shallow, temporary waters and on occasion may venture into open wetlands if with a large flock; however, this species is highly dispersive and often nomadic. The special bill of this Duck is designed to enable the bird to catch their food. The bill is fringed with grooves which filter out microscopic plants and animals from the water which makes up the birds diet. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Pink-Eared Duck is named for the small pink spot of feathers which feature on the sides of the drake's head. Another name for this bird is Zebra Duck because of the striking bold black and white striped plumage which decorates the duck's neck, breast and stomach. The bill is spoon shaped and the eyes are made of dark coloured glass and surrounded by brown colouring. The bird has brown wings and light coloured legs with webbed toes. This particular specimen stands on a wooden square platform. There are signs of damage on the platform and a wooden identification tag is tied to the upper right leg of the bird.6a./ Pink-eyed Duck / See Catalogue, page 39 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, duck, pink-eyed duck, pink-eared duck

Colour patch is probably 2/2nd Heavy AA Regiment.1. Jacket, wool. Colour sort of grey tinted khaki. Has 4 front pockets. Buttons are darkened AMF type - 4 on front. Epaulettes have darkened "AUSTRALIA" name badge on each collar have darkened Rising Sun Badges. Shoulders have a triangular shaped colour patch. Red and Blue triangle on grey felt triangle. Chest has a ribbon bar showing 4 service medals. 2. Trousers - wool - colour Khaki. 3. Hat - Khaki, slouch. WW1 style hat band. Darkened Rising Sun Badge- AMF.Trousers - in green texta - 21-95 in waistline.ww2, uniform, army, passchendaele barracks trust

This box contains typewriter equipment for a Remington typewriter. The Remington company was founded in U.S.A. and it produced the first typewriter for commercial use in 1873. In 1886 the Remington family business was sold but the name was retained and typewriters with the Remington Rand brand name were sold from 1927 on. Typewriters have now been replaced by computers. This box of equipment belonged to Dr Horace Holmes who would have used a typewriter in his medical practice in Warrnambool in the first half of the 20th century and perhaps would also have used a typewriter in the activities of the many community groups with which he was associated. Horace Iles Holmes (1877-1959) was born and educated in Tasmania and completed a medical degree at the University of Melbourne. He commenced a practice at Warrnambool in 1906 and was the honorary Medical Officer at the Warrnambool Hospital and Warrnambool’s Health Officer. His practice was at ‘Ierne’, at the corner of Spence and Kepler Streets. He was an early member of the Royal Australian College of Surgeons and was prominent in community affairs (foundation President of the Warrnambool Rotary Club, a member of the Warrnambool Masonic Lodge for over 50 years, a Warrnambool Hospital Committee member, a long-term Trustee of the Warrnambool Methodist Church and President of the Lyndoch Hostel for the Aged Committee. Dr Holmes also had agricultural interests and enjoyed fishing, bowls and golf. This box of typewriter equipment is of interest as an item in the collection of Horace Iles Holmes, a doctor who was prominently associated with the professional and community life of Warrnambool for over 50 years. This is a rectangular-shaped black cardboard box with the name ‘Remington’ on it. It is heavily stained inside. The box contains nine objects, most identified as relevant to typewriter maintenance and cleaning:- a paint brush with a wooden handle and bristles – perhaps used for dusting the typewriter keys, two glass bottles which once contained typewriter oil but which are now empty, a red and black typewriter ribbon in a metal container, another metal container with a plunge mechanism for ejecting oil, a metal stick with a sharp end, possibly for cleaning the typewriter keys and three other unidentified small metal objects.Remingtonremington, typewriters, office equipment, dr horace holmes, warrnambool, warrnambool history, typewriter accessories

This ceremonial regalia belonged to Captain Charles Rogers of the Australian Army (Light Horse Regiment). He wore this regalia when he was part of the mounted Guard of Honour during the visit of the Duke of Gloucester in 1934. The visit was part of Victoria’s Centenary celebrations and the Duke officially opened the Melbourne Shrine of Remembrance. Charles Rogers was a well-known Warrnambool identity in the 1930s, 40s and 50s as a horseman and Army identity and he and his horse frequently led parades and celebrations in the city. He was a long-serving Warrnambool Agricultural Show official as a judge of equine events. Rogers died in 1961. These items are of great interest as examples of the regalia worn by Australian military personnel in the 1930s. They are also good mementos of Charles Rogers, a notable personality in Warrnambool in the 1930s, 40s and 50s.1 This is a piece of ceremonial regalia worn over the shoulder and called an aigullette. It has a plaited silver-coloured cord ending in silver metal tagged points. The metal points or stakes are highly decorated. The cords also have an accompanying smaller silver-coloured cord and another attachment of cord with an end of interwoven material in the shape of an elongated pear or acorn. The item is a little tarnished. .2 These are epaulettes worn on the shoulder. One is attached to the aigullette and the other is detached. They are made of silver plaited cord with a brown felt backing and have two star-shaped gold and yellow badges indicating the rank captain charles rogers, duke of gloucester visit, centenary of victoria, history of warrnambool

According to the Australian War Memorial, artillery were known to have used such leggings during the First World War, as were more well known units such as the Australian Light Horse.Brown leather cylindrical shaped legging with two leather straps for fastening. One strap is attached to the lower edge of the interior with a press stud. This crosses over the lower exterior and passes through a leather loop at the front. The strap then wraps around the legging and passes through a second leather loop at the front. This strap, along with a shorter strap that is sewn into the top of the gaiter, passes through a buckle and is tucked under two final leather loops. Interior length of gaiter is stamped with manufacturer's name. Top of gaiter also carries a small metal hook, presumably to hold layers together firmly.Manufacturer's stamp "J OAKMAN/1939" on side "[broad arrow]/NB", the size "15" is also stamped.legging, uniform, world war ii, second world war, world war 2

According to the Australian War Memorial, artillery were known to have used such leggings during the First World War, as were more well known units such as the Australian Light Horse.Brown leather cylindrical shaped legging with two leather straps for fastening. One strap is attached to the lower edge of the interior with a press stud. This crosses over the lower exterior and passes through a leather loop at the front. The strap then wraps around the legging and passes through a second leather loop at the front. This strap, along with a shorter strap that is sewn into the top of the gaiter, passes through a buckle and is tucked under two final leather loops. Interior length of gaiter is stamped with manufacturer's name. Top of gaiter also carries a small metal hook, presumably to hold layers together firmly.Manufacturer's stamp "J OAKMAN/1939" on side "[broad arrow]/AG", the size "15" is also stamped.legging, uniform, world war ii, second world war, world war 2

The Towaninnie Methodist Church no longer exists but on the Towaninnie plains a location sign marks it. In common with many church communities the faithful who met here were very patriotic and their young men were strongly supported when they volunteeered during the Great War of 1914 -'18. This Honour Board once hung on the Methodist Church wall but is now at the Pioneer Settlement,Swan Hill.The actual Honour Board is believed to be the only one of its type with this listing. This photo of it contributes to and is part of a Local, State and National collection of War memorabilia that honours our servicemen and women.Wooden framed Roll of Honour photo - Towaninnie Methodist Church listing of 21 local WW1 servicemen. The memorial has a triangular shaped top and features a simple wooden sculpured bottom edging with the gold inscriptions in 2 columns. Hosking,J.W./ Hosking, J.V. / FALLEN Nalder, J./ Smith,W./ Smith, J./ McPhee,W./ McPhee, A./ Holt,D.A./ Jolley,A./ Nalder,J.Q./ Hosking,J.H./ Dashwood,C./ Ellis,P./ Hercules,R./ White,H. / Mead,W.L./ Wilson,B./ Root,E./ Hosking, F./ Ellis,C./ Pryse,R. Roll of Honour Towaninnie Methodist Church. Hosking,J.W./ Hosking, J.V. / FALLEN Nalder, J./ Smith,W./ Smith, J./ McPhee,W./ McPhee, A./ Holt,D.A./ Jolley,A./ Nalder,J.Q./ Hosking,J.H./ Dashwood,C./ Ellis,P./ Hercules,R./ White,H. / Mead,W.L./ Wilson,B./ Root,E./ Hosking, F./ Ellis,C./ Pryse,R. roll - of - honour, towaninnie - methodist, towaninnie - church, world - war 1, wycheproof - servicemen

This commemorative badge identifying the wearer as a Girl Guide and was used in the 1970's and later. The Girl Guides "World Camps" was founded in 1924 and each subsequent "camp" was in other global countries. The Camp Baree was held in 1947/1948 in Pennsylvania in the USA. In Victoria, Australia, a Barree Regional location for Girl guides, encompasses the Kiewa Valley and its regions. Girl guides in rural areas covered the same developmental programs as in the city areas but the bush settings of annual camps did not have the same impact as for city based guides. The comradeship however, bringing together girls from a widely diverse background, was still a very important objective of the Girl Guide movementThe significance of this badge is that the Girl Guides held a World Camp in the Barree region which included the Kiewa Valley.This world wide attention(Girl Guides) to this region paid special attention to the "home side" girls and highlighted in particular those girls in the Kiewa Valley who participated in the Girl Guide movement. The ability to have such a personal contact with so many girls from so many world regions helped to break the somewhat isolated regional life. The fundamental lessons of the girl guides was and still is to enrich young girls knowledge of skills which provides self esteem, pride in achievements and the togetherness with like minded girls. Social barriers are left behind and good friendships are formed. Some of these friendships continued as life long links.This round badge made from brass and has coloured enamel sections outlining various "Barree Region" scenery. In the far distant horizon are snow capped mountains. These are coloured brown with white tipped summits.The central focus is a blue stream with a dark blue "gum" tree to the left and a brass etched tent pegged onto green grass. These pictures are framed within a house structure. A red coloured boomerang lies under the "house" frame with the name of the region on it,"BARREE REGION" The badge is fastened onto a lapel or other clothing by two "L" shaped hooks extending from the back of the badge.On the front of the badge (on the sketched boomerang "BARREE REGION". On the back in raised lettering is"BERTRAM BROS MELB."societies, girl guides, barree region, metal identity badges

The badge was issued by the Victorian branch (indicated by the 'V' on the reverse) of the Australian Legion of Ex-Servicemen and Women and is referred to as The Badge of Unity or Tri-Services badge, uniting the armed services of Australia; the Army (rising sun), the Navy (anchor) and the Air Force (pair of wings). The number '57' on the crown represents the year of paid membership; 1957. The badge belonged to Dr W R Angus, who served in the Australian Army as a military doctor during WWII. It was made in Melbourne by Stokes in 1957, around 100 years after the firm was established by Thomas Stokes in Mincing Lane, Melbourne. The firm was operating from Caledonian Lane/Post Office Place in the 1950s. The badge is one of a set of badges collected by Dr W R Angus from the organisations in which he was involved. They are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, surgeon and oculist. Australian Legion of Ex-Servicemen and Women was formed in 1944 to "entourage fellowship and assist those who have served". The organisation is open to members from Australia, British Commonwealth and Allied ex-service personnel. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Force. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the responsibility of part-time Port Medical Officer and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This Badge of Unity, or Tri-Service badge, is significant for connecting Doctor Angus with organisations that support men and women who performed military service for Australia. The badge was for membership with the organisation, which supports ex-servicemen and women of the three military forces; Army, Navy and Air Force. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge; a gold-coloured metal and enamel badge. The blue boomerang-shaped band is below an arch of blue, below a crown with a number and coloured red, white and blue. There are symbols in the centre; a rising sun, above a pair of wings, with an anchor in the centre of both. There is red and blue scrollwork behind the symbols. Inscriptions are on the front and back of the badge. There are two loops and pins on the back of the badge. It is a membership badge of the Victorian branch of the Australian Legion of Ex-Servicemen and Women and was made by Stokes in 1957. The badge has a Serial Number. This badge is part of a set of badges collected by Dr Angus and is part of the W.R. Angus Collection.FRONT; “AUST. LEGION OF / EX-SERVICEMEN & WOMEN” On crown “57” REVERSE; “V” “13156" "STOKES” flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, w.r. angus, badge, ladies’ badge, military service, stokes, melbourne, australian legion of ex-servicemen and women, membership badge, 1957 membership badge, ex=service personnel, heraldry, world war ii, second world war, tri-services symbol, badge of unity, rising sun, anchor, pair of wings

This copper nail, sometimes known as a ‘Dumpy Bolt’ or spike, was salvaged from the hull of the wreck of the “George III”. It dates back to at least 1810. It was found by an abalone diver on the south east coast of Tasmania. The nail would have been used to hold the layers of the ship’s keel frame and the planking together. The nail has been passed from the abalone diver to an interested business man on a trip to the south of Hobart, on again to the business man’s close friend who then donated it to Flagstaff Hill Maritime Village. The metal of nails such as this one, after being in the sea for a long time, become affected by the natural reaction of the sea water, causing it to degenerate and thin, and the stress from the force of the sea over the years alters its shape. Iron nails had been used on ships previously, but they quickly corroded in the salt; ships needed regular, costly and time-consuming maintenance to replace the iron nails. Towards the end of the 18th century the British Navy trialled the use of copper nails, finding them to be very successful. Merchant ships began to adopt this process in the early 19th century, although it made ship building very expensive and was more often used for ships such as the “George III” that sailed on long voyages. The three masted sailing ship “George III” was a convict transport ship built in Deptford, England, in 1810. On 14th December 1834 she left Woolwich, England, bound for Hobart Town, Van Diemen’s Land (Tasmania), under Captain William Hall Moxey. She was carrying 220 male convicts plus crew, guards and their families, totalling 294 persons (another 2 were during the voyage). Amongst the cargo were military stores including several copper drums of gun powder. On 27th January 1835 the “George III” was near the Equator, about half way into her journey. A fire broke out and the gun powder was in danger of explosion, threatening the whole ship. Two convicts braved the heat and smoke, entered the store and seized the gun powder drums, suffering burns for their efforts but saving a probable disaster. The fire destroyed some of the provisions and food was scarce. Many became ill with scurvy and some died during the journey. Nearing the end of their journey on 10th April 1835 the “George III” was headed through the D'Entrecasteaux Channel, south east Tasmania, between the mainland and Bruny Island. She was sailing in the moonlit night to hasten her arrival in port due to the great number of sick on board. She struck uncharted rocks, known only to the local whalers, between Actaeon Reef and Southport Lagoon and within hours began to break up. The ship’s boats were used to first rescue the women and children. Firearms were used to help quell the panic of the convicts below decks and some were killed by the shots. Many convicts, including the sick, were drowned. In all, 133 lives were lost including 5 of the crew, guards and their families. It was the third worst shipping disaster in Tasmanian waters. A monument in honour of the prisoners who perished in the “George III” has been erected, noting the date of the wreck as “Friday 10th April 1835.” (NOTE: there are a few differences between sources regarding dates of the shipwreck, some saying March and others April 1835. There are also differences in the figures of those on board and the number of lives lost.) The copper nail is significant as an example of sailing ship construction; fasteners used in the early 19th century on ships carrying convicts to Australia. The nail is also significant for its association with the ship “George III”. The “George III” is registered on the Australian National Shipwreck Database, ID 7195 as an Historic Shipwreck. She is the third worst shipwreck in Tasmanian waters. She is also associated with Early Australian History and the transportation of convicts to Australia. The incident of the fire on board and the bravery of the convicts in making the gun powder safe is an example of the social character of the people in early Tasmanian colonisation. Copper nail (also called a Dumpy bolt or spike) from the convict ship George III, wrecked in 1835. Nail is long, bent in an ‘L’ shape about 3/5ths along, tapering from both ends to the bend. Both ends are flat and do not taper to a point, nor have a thread. The shorter end has been polished, showing bright copper. There is pitting along the nail and virdigris is evident on the longer, unpolished end. The nail is displayed with the longer section resting on a wooden board between two ‘U’ shaped uprights, the shorter section upright. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, george iii, ship construction, ship nail, 1835 shipwreck, 19th century shipwreck, william moxey, d'entrecasteaux channel, convict transportation, copper nail, dumpy bolt, spike, keel nail

Cream coloured satin bodice with cotton lining. Deep V shape at waist front and back. Front opening has twelve cream coloured bowl shaped buttons with bound button holes. Two centimetre stand up collar.Front has two vertical darts on either side of opening - one on each side has plastic stiffening insert.Two inserts at back. One stiffening insert in RHS. Long sleeves have split on upper edge at hem. Sleeves have trim of gathered fabric attached above wrist. Black cotton stitches visible on both sleeve seams.costume, female, bodice

Wire-framed circlet. Frame covered in cotton netting. Frame has a scalloped design 3cms high. The over lapping scallops are covered in small pearl beads. Around the base of the head dress are attached net covered “lilies” each with a tear-drop shaped pearl bead at the centre. An elastic band is attached to hold the head dress firmly to the head. The head dress originally also held a veil. Cream in colour. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531 Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte.costume, female ceremonial, wedding head dress

Black and white photocopy of photograph on board. Oval shaped image. Beehive Building. Large group of men standing at front. Inscriptions: In image - on verandah 'James Buick & Co. Beehive Stores'. On building below parapet 'Beehive Chambers, James Buick & Co, Beehive Chambers'. On windows 'Bee Hive, Billiard Saloon'. 'H? Birch, Legal Manager'. 'CW Bell, Legal Manager'. History of object: James Lerk 2000 'James Buick's Beehive Store & Mining Exchange, Pall Mall Bendigo. Legal Managers staff and speculators are standing on the roadway' Photographed for Bendigo Advertiser 11.1.2001.buildings, commercial, beehive building

Object. Cardboard advertising fan from COHN BROS. Shield shaped fan with extension to form a handle with finger hole at the base (2 cm dia). Base is reinforced with a 3.5 cm x 20 cm piece of plywood glued and stapled to lower section. On one side is a head and shoulders of a young brunette woman wearing a red evening dress. Printed on the reverse side ''C.B.Grape Fruit. Made from pure fruit. Delicious with a drop of gin. Manufactured by COHN Bros Ltd Bendigo & Swan Hill''.Bendix paper Co New York N.Y. Made in USA (Manufactures).ephemera, mementoes, cohn bros advertising fan

Clothing. Fine cream silk in a 8 pointed star shape, in the centre of the handkerchief - 15 cm diameter. Fine silk lace, 10 cm deep, surrounds this centrepiece. Adjoining the star shape is a one cm wide border, surrounded by 1.5 cm flowers, identical to those in the matching collar(11414.26). A Maltese Cross design in each corner brings the piece to a square shape. This joins fine lace in a flower and leaf design, with the Maltese Cross design in each corner, and at centre of each side. Fan-shaped edging surrounds the handkerchief, and a repeat of the needle - woven flowers as in 11414.26.costume accessories, female, silk handkerchief

Black cotton with all-over gold paisley type floral patterning. Fully lined with brown cotton fabric. A slight train at the back hemline, and two V shaped flaps-one either side of the back opening, which probably accommodated bussell-like padding. The skirt is tightly gathered at the back to facilitate the padding. Front of skirt is flat, with a little easing of gathers. Pocket inside right hand side seam. A dark brown corded piping edges the hemline. Two metal hooks and eyes, fasten the waistband. Relocated to Clothing Box 176 10.2.2022costume, female, long black and gold patterned skirt

Object. Oval shaped gold locket on fine gold chain. Inside locket are two locks of hair. Accompanying note states- "22ct Gold c1900 unsure - could be older". One side of locket has embossed flower. Other side has map of Australia. Accompanying note "Gold locket belonged to Emily Lawry (nee Hunkin), grand-daughter of William and Emblen Hosking. Hair in locket is unknown. Emily Lawry born at Nerring near Eaglehawk. Betty Knight is grand-daughter of Emily Lawry. By the time she received the locket her grandmother had died.costume accessories, jewellery, gold locket

Chinese gold scales. Wooden scale holder (a) two part wooden device secured at end of handle with a metal pin to allow swivelling of both pieces. At end of handle, two pieces 'violin' shaped to hold scale and weights. This enabled placement of scales within holder. Bottom piece has indent for scale pan, weight and long handle. Chinese scale (b) thin cream handle marked with inch graduations, without numbers. Separately suspended from handle with thick cotton is a small semi-circular lead weight and a round brass scale pan.gold mining, mining equipment, chinese gold scales

Objects.Wedding cake decorative assortment. Paper serviette:presumably from Reception - in red and blue lettering: Pellegrinis Melbourne, and an illustration of a cup of coffee. Cake decoration silk flower, velvet flowers, pearl trims, foil leaves: Plastic decorative heart shaped cake decorations with love bird and ring: Three velvet flowers with pearl centres: Four plastic bars to support cake pillars. Four postal order counterfoils: $3:25: 25c, $3. One receipt from Vic Roberts Men's Wear 1-65. One handyplast band-aid. One dot of confetti.wedding, accessories, cake decorations

Sir Frederic W. Hewitt (1857-1916), an accomplished and well respected English anesthesiologist, was an expert in the function and use of the Clover Ether Inhaler. In 1901, Hewitt described his modification of the Clover Inhaler. Often referred to as the Hewitt Wide-Bore Inhaler, Dr. Hewitt introduced changes in order to make it easier to breathe through the device and improve the ventilation of oxygen and carbon dioxide. In 1901, Hewitt was recruited to anesthetize King Edward VII for emergency abdominal surgery. This was just a day or so before the new King was to be coronated. He recovered well, and Hewitt became the first anesthesiologist ever to be knighted. (Source: Wood Library Museum)Tall black round topped box with brass hooks at the sides and brass hinges at rear. There is a brown fabric handle on the top. The box has red padding inside the lid and red lining inside the base and sides. There is a round section in the base of the box for holding the round clear glass bottle for ether. There is also a ellipse-shaped metal inhaler on small metal base with a thin metal handle and pipe with bakelite plug attached via a small metal chain. A brown mask is made of brown leather and celluloid which is connected to the inhaler. There is a metal ether measure for pouring the ether.On notecard in box: (B) HEWITT'S INHALER 1895, MADE BY GEO. BARTH & CO LTD., ADVERTISED AS THE SOLE MAKERS OF THE INHALER AND RECOGNISED BY HEWITT IN HIS TEXT BOOK - ANAESTHETICS AND THEIR ADMINISTRATION - AS THE MAKER OF HIS INHALER. / GIVEN BY DR. E.S. HOLLOWAY IN 1951, WHO ACQUIRED MUCH OF HOWARD JONES' EQUIPMENT AFTER THE LATTER'S DEATH. Stamped on underside of glass bottle in a circle: WUBW [illegible] Blue sticker on inhaler: O.2.13. Printed on inhaler under handle: Geo Barth [illegible] / SOL [illegible] Printed on body of inhaler: Full Printed on body of inhaler: 1/2 Printed on inside of leather mask: F35hewitt, sir frederic, jones, howard, inhaler, geo. barth & co. ltd., ether

Used at Tarndwarncoort by Wendy Dennis and family. Small blue Lambs coat made in Australia, Yellow and white coats made in Australia by ?Goblin? Company in Australia about 35 years ago with rheem material polypropylene. Both Green coats are large sizes (Korean Made) Current Coats used now by Tarndwarncoort are made in China from Nylon material. These coats were decorated by year 12 students at Colac High School for Fashions on the field (no sign of this is visible on the coats. The coats come along with several articles written by Wendy Dennis about her methods of producing coloured wool and growing sheep. A series of photographs are also provided which add to the provenance and significance of the items. Used by the Dennis Family at Tarndwarncoort. Prominent woll growing pastoralist and settler family at the historic Tarndwarncoort homestead. These types of coats are used to protect fine grade and high quality wool while still on the sheep's back. These coats were made in Australia, and while these types of coats are still used, they are now made in China and Korea. 5 small sized lamb coats. shaped to fit a sheep with leg straps or holes in the rear, and joins, shashes and ties at the front. Light Green Dark Green White Yellow Grey letter from Wndy dennis of Tarndwarncoort Article titled 'Breeding Coloured Sheep and using Coloured wool' by Mrs. W. S. Dennis. Article Titled 'Coloured Sheep and Wool: Exploring Their Beauty and Function' by Mrs. W. S. Dennis. Article Describing the Tarndwarncoort property and its history. A4 Black and white photograph of Tarndwarncoort sheep wearing coats such as the ones in this collection