Hugh Schneider married Mary Ure Stawell 1912. Hugh is one of the sons of Peter & Isabella Schneider.Portrait Photo of Hugh Schneider and Mary Ure, Hugh is dressed in a suit with a white bow tie and seated on a cane chair. Mary is dress in a white outfit with a large hat and standing with one arm on a stand. They were married in 1912 in Stawell. stawell portrait

Used by Whitehorse Historical Society. Origin unknownSmall child size mannequin on wooden stand. The model is without arms and torso size. It is covered in black cotton and black linen like material above the waist. The model is on a fixed stand with carved wooden pieces at arm holes and at the neck.model making, mannequins/dummies

Courtier Brandy is a product of Federal Distilleries that began in Port Melbourne in 1888 and was started by the Joshua Brothers. The produced Whiskey, Brandy and Rum.Glass empty bottle. Ornate white label with a crown and a coat of arm - Courtier Brandy - net 1 pint 6 fl.oz Federal distilleries pty ltd - Produce of Australia. Hospital. The bottle has a removable red plastic lid.

Date made September 2009 Site building was originally (games room) part of caravan park Also one other colour photograph closer view of front entrance doorway.Colour photograph of the front entry to Cunninghame Arm Medical Centre at 8 Whiters Street. Appears to be brick or concrete slab facade painted bright yellow. Information sign in native plant garden, brick pathways. Lakes Entrance Victoriamedical facilities, local history

Black and white photograph of an aerial view of township and Kalimna Heights, showing the North Arm bridge and boat ramp, sand buildup in the lake system, boat harbour, sand hummocks and beach as far as Red Bluff. Lakes Entrance Victoriaaerial photograph, topography, township

Colour photograph of a bend in the North Arm. It shows the sports ground, eastern end of town. Jetties and hire boats at edge of lake. Photo taken from cleared hill, Kalimna, in foreground. Bass Strait in distance. Lakes Entrance Victoriawaterways, township

Also small format identical postcard 6.5 x 8.5, very faded,|also small format photo, same view donated by D & M FletcherBlack and white small format postcard of the man made entrance to the Gippsland Lakes, taken from Jemmys Point. It shows the rock groynes beside Bullock Island, a barge in North Arm below Jemmys Point. Lakes Entrance VictoriaThe Entrance to Gippsland Lakes waterways, topography

Colour photograph of the fishing boat Amanda N in Cunninghame Arm, shows about 25 people on deck, flags flying as if for a celebration, sand hummocks in background have low vegetation, only one tree visible. Lakes Entrance Victoriaboats and boating, fishing industry

Black and white photograph of the Esplanade, showing Cunninghame Arm in foreground, forrested slope of Kalimna escarpment in background, Central Hotel with tower positioned on corner of the Esplanade and Mechanics Street. Cars of the era parked in front of hotel. Lakes Entrance Victoriahotels, township, waterfront

Colour postcard of Esplanade. It shows the boat harbour at the western end of Cunninghame Arm. Launches pictured at moorings, residential houses shown on Esplanade. Thick vegetation on Kalimna Heights escarpment in background, with glimpse of Holiday Inn. Lakes Entrance VictoriaEsplanade from Boat Harbour Lakes Entrancehouses, waterfront, boats and boating

Black and white photograph of part of the lake and waterfront. It shows the scrub covered south shore, the Cunninghame Arm, the foreshore littered with dead seagrass, the path and lawn verge, and small concrete picnic table and broken seat. Lakes Entrance Victoria waterways, topography

Copies as follows|One Miniture postcard tinted 6.5 x 9|One Black and white copy 6.5 x 11|One Tinted copy 20 x 28|One Postcard 17 x 12Black and white postcard showing waterfront, some buildings along esplanade, no buildings on Myer St Hill. Footbridge across Cunninghame Arm completed to high tide mark, ramp constructed later, scrub in foreground. Lakes Entrance VictoriaThe Footbridge to Ocean Beach Lakes Entrancevegetation, bridges, waterways, township

Color photograph of the Bank Jetty. It shows some of the fishing fleet, including scallop boats and trawlers moored on either side of the jetty, southern shore of Cunninghame Arm in background. Reflections of boats in calm waters of the lake. Lakes Entrance VictoriaBank Jetty before new construction in concrete (on back)jetties, waterfront, fishing industry

Black and white photograph showing Bullock Island, Entrance to Bass Strait, buildings on sand dunes, yacht sailing on Cunninghame Arm, tourist launch in foreground, rock groynes around west end of Bullock Island. Lakes Entrance Victoriawaterways, room display, islands

This image appeared in Lakes Post 27 May 1991 Page 3|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number is 01604.1.|Also one 12 x 16 framed photograph used in room display.Black and white photograph of Bullock Island, It shows fishing Co-Operative buildings, Pecks fish processing factory. Three groups of swans on Cunninghame Arm, plus lone black headed Ibis fishing in the shallows. Lakes Entrance Victoria fishing industry, wildlife

Brown Framed Caricature of Alan R Reed standing against a map of Vietnam in his Flying Uniform with his helmet tucked under his arm. He has completed one hundred combat missions RF 4C AircraftSquadron Leader Alan R Reed 100 Combat missions. RF 4C Aircraftalan reed, framed picture

Triangular shaped mask with hinged arm at point of triangle that connected to upper wire section via a hook. Known as Murray's Mask and used for the administration of chloroform. Mask is covered with linen (gauze) cloth onto which chloroform would be dropped.mask, murray, chloroform

Plus another photo of 2 fishing boats Stern of President in foreground with fish boxes and Marauder on the right Black and white photograph taken of fishing boats Alathea and Harveen moored on the inside berth at Eastern Wharf known as Harbecks Jetty with Cunninghame Arm Footbridge in distance Lakes Entrance Victoria. Plus another photo of 2 fishing boatsfishing industry, boats and boating, jetties, waterways

Black and white photograph taken from the sand hummocks looking across Cunninghame Arm waterway to jetties and buildings along Esplanade Lakes Entrance c1950 . Also three photographs taken from similar location looking over waterway waterways, vegetation, houses, township

04305.1 10 x 15 cm. 1999Colour photograph of Bill Newcomen and his wife Wendy relaxing aboard their yacht Harmony moored on the Gippsland Lakes Victoria. Also a colour photograph of Wyanga Winery fibreglass tourist launch passing under the North Arm Bridge 1999jetties, waterways

Sign with equal red bands at top and bottom, white band with letters "HAIL CARS HERE" on both sides to indicate to drivers a request stop, that is, the intending passenger had to indicate or hail the oncoming tram for it to stop and allow them to board. The same sign was used for the same purpose in Melbourne. Has three holes for screws on the upstand or folded section. See item 7395 for a "CARS STOP HERE" version. The second image shows a comparison between the two types. Demonstrates the signage used by the SEC (and the MMTB) to indicate tram stops and in particular whether a request or compulsory tram stop. Piece of sheet steel folded to give an upstand or method of attachment to a pole, enamelled with red, white and black paint for use at tram stops. trams, tramways, ballarat, secv, tram stops, furniture

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia

Peach coloured nylon nightgown made by HANRO Bendigo. Bodice gathered at front onto a plaited band under the bust. On each side of the band three ties (102cm) extend from the ends of the plaited band. Shoulder straps made up of three pieces of nylon tubing attached back and front and plaited over each shoulder. Back of bodice in two pieces. Ankle length A line skirt. Colour at bodice is pale peach colour that darkens as it descends to the hem where it becomes a deep orange colour. Nightie given to donor by her grandmother who received the nightie as a prize at a Hanro meeting. Donor's uncle John Preston, father George Preston and mother Gwen Washington (machinist) all worked at Hanro.HANRO 100% Nylon SW on tag on lower side seamcostume, female, peach coloured nightgown

Two copies of a black and white photo of the Hopetoun Brass Band of 1918. Bandsmen are wearing uniforms and holding various musical instruments. The man in the middle at the front is wearing a suit and has a shield in front of him. Under the photo is printed the name of the band and that today it is known as the Marong Municipal Band. Also the known names of the bandsmen. The names of the known bandsmen are: Roy Pain, Orm Bamford, Bill Turner, Mick Banfield, Rup Tregonowan, George Roy, Bert Bowater, Harold Hildebrandt, Les Rundle, Col Brown, Vic Rosenbrook, Herbie Reed, Tom Skilbeck, Bell Ketterer, Les Maher, Albert Hocking, Bill Roy senr, Mr Bain, George Michell, Dave Collier, Bill Pain and Sammy Veale.bendigo, history, long gully history group, the long gully history group - the hopetoun brass band of 1918, marong municipal band, roy pain, orm bamford, bill turner, mick banfield, rup tregonowan, george roy, bert bowater, harold hildebrandt, les rundle, col brown, vic rosenbrook, herbie reed, tom skilbeck, bell ketterer, les maher, albert hocking, bill roy senr, mr bain, george mitchell, dave collier, bill pain, sammy veale

Card board box containing 3 individual envelopes (originally held 6) that hold one piece transparent plastic eye shield visors mounted on leather band with felt forehead comfort strip held by 3 staples. At the end of the leather band two lengths of black elastic material straps with one having a small hook and the other having small ring and when joined secure the shield to the wearers head. The elastic bands are secured to the leather using press studs which clip into two studs in the plastic visor to make the visor fit around the wearers face. The cardboard box is made of heavy duty cardboard with opening at one end to access the envelopes. The envelopes are beige manila type and not sealed. On cardboard Box a label - EYESHIELDS,ANTI-GAS, MK11 AIR SPRAY Action to be taken within ten minutes in the following order to prevent blisters--. 1. COTTON WASTE: Swab liquid off exposed skin. 2. OINTMENT: Rub hard on exposed skin for 1 minute. 3. EYESHIELD: Change. 4. CLOTHING: If detector shows large drops, remove or cut away as necessary. If cape "worn" swab off liquid. SMALL drops :no action. 5. OINTMENT: Rub on skin now exposed. 6. DETECTORS: If possible, remove and renew. (Tippet or Armlet). 7. WEAPONS: Decontaminate. 8. OINTMENT: Re-apply to hands. A.F.A.& CO. 1941

A surveyors chain is actually a thin steel band on a reel and is used for accurate measurements. This 110 yard [101m] chain is subdivided every 10 links [2.2 yards or 2m]Items belonged to J P Larkin Government marine surveyor who worked on surveys up to 1938. He worked in Port Phillip and Queenscliff related surveys [e.g. Western channel, Queenscliff channel].Survey tape on metal reel in leather bag with other articles: plumb bobs, number pegs, drawing instruments in box and steel punchesMade by A.E. Parsons surveying instruments, 215 Queen Street Melbournesurveying equipment, j p larkin

Pure wool, fawn in colour, men’s cardigan. Five button, V neck front. One pocket on either side of front. Front band is 3.5cms wide and lined with cotton fabric, from the V opening to the hem to support buttons and button holes. Overlocked seams. A fine rib pattern, one cm wide is separated by a narrow one stitch gap. A finer rib, two stitches wide forms the cuffs, and lower band. Set-in sleeves.QUALITY KNITWEAR BY HANRO PURE WOOL 38costume, male, cardigan

Card Cover the teal band above a blue band Colourful badge with suspended White Dovebelow which is a B/W Photo of the George Delahoy Snr., with his wife Ellen Delahoy and their children Robert (2Weeks), Emma 13, (Standing behind), George Jnr. 12 (Standing Behind). Walter 3 ( on fathers knee). William 9 (Seated beside Mother). Heny 6 ( Standing by father). Photo taken at the Hindmarsh Hotel, Jeparit July 1902.A New Tapestry Australian Huguenot Families Edited by Robert Nash Inside in black Ink: with best wished R.J. Nashstawell