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Book, National Archives of Australia and Public Record Office Victoria, Footprints: The Journey of Lucy and Percy Pepper ...an Aboriginal family's struggle for survival, 2008
This book tells the story of the Pepper family, an Aboriginal family who experienced child removal and displacement. Percy Pepper also served in the First World War and was one of few Aboriginal service men who recived a soldier settler block. Also contains pictures, photos and records of histroical importance, including records from the Aborigines Protecion Board.Historical significance: This book is significant as it describes in detail an Indigenous family story. It also contains copies of original government reports and talks about the Indigenous experience of child removal in Victoria. Socially, it is relevant because of it's links to Aborigianal places of significance such as Lake Tyers.Softcover book, 132pages, brown cover with Indigenous design and black and white family photograph. al'. Conent is about the Pepper family, and contains family records.book, percy, pepper, lucy, family, stolen, generations, footprints, national, archives, public, records, office, victoria -
Victorian Aboriginal Corporation for Languages
Book, Megan Goulding et al, Moreland post-contact Aboriginal heritage study, 2006
This study aims to identify Aboriginal heritage sites and landscape associations in the Moreland municipality that date from the pre-contact period through to the early contact period when Europeans settled in and around the area, to the present day.maps, colour photographs, b&w photographs, tableswoiworung, woi wurrung, wurundjeri, waa, bunjil, werribee river, port phillip, mount baw baw, great dividing range, yarra river, eastern kulin, gunung willam balluk, william barak, john batman, william thomas, moreland history, moieties, local history, colonisation -
Victorian Aboriginal Corporation for Languages
CD, Korrawinga Aboriginal Corporation, Waaka yaalangu : untold stories, 2009
Nine songs in the Butchulla language sung by students. Joyce Bonner Co-ordinator, Kassie Bonner Music Director, Travis Page Song man and Tutor, Malcolm Burns Traditional dancer and Tutor, Nikki Michail freelance filmmaker and photographer (CD design and layout), Grevillea Studios, ALbion, Brisbane CD recording and mixing.CDbutchulla, korrawinga aboriginal corporation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Australian Aboriginal Culture, 1974
A revised edition of the brochure which accompanied the touring exhibition of Australian Aboriginal Culture promoted by UNESCO and funded by the Austalian government early 1950's. Briefly describes origins, dwellings, tribal lands, dress, hunting, toos anaboriginals -
Koorie Heritage Trust
Pamphlet, Brown, Edna (Aboriginal History Programme.) et al, Framlingham Mission, 1989
This is held in a set with Cummgunga; Lake Tyers; Lake Condah, Murri Koori; Special People; Memories last Forever.1 folded sheet : ill. ; 22 cm.This is held in a set with Cummgunga; Lake Tyers; Lake Condah, Murri Koori; Special People; Memories last Forever.aboriginal australians -- victoria -- framlingham. | framlingham (vic.) -- history. -
Victorian Aboriginal Corporation for Languages
Book, Harry Allen, Australia : William Blandowski's illustrated encyclopaedia of Aboriginal Australia, 2010
William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.Maps, b&w illustrationsaboriginal australian history, pictorial histories, william blandowski -
Victorian Aboriginal Corporation for Languages
Book, Harry Allen, Australia : William Blandowski's illustrated encyclopaedia of Aboriginal Australia, 2010
William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.b&w illustrations, mapswilliam blandowski, pictorial works -
Victorian Aboriginal Corporation for Languages
Book, Pat Dodson et al, Recognising Aboriginal and Torres Strait Islander Peoples in the Constitution : report of the expert panel, 2012
Current multiparty support has created a historic opportunity to recognise Aboriginal and Torres Strait Islander peoples as the first peoples of Australia, to affirm their full and equal citizenship, and to remove the last vestiges of racial discrimination from the Constitution. The Expert Panel was tasked to report to the Government on possible options for constitutional change to give effect to Indigenous constitutional recognition, including advice as to the level of support from Indigenous people and the broader community for these options. This executive summary sets out the Panel's conclusions and recommendations" [taken from executive summary]. Report contains draft Bill for an Act to alter the Constitution to recognise Aboriginal and Torres Strait Islander peoples and their cultures, languages and heritage, to replace racially discriminatory provisions and to include a prohibition of racial discrimination. Letter to the Prime Minister Foreword from the co-chairs Executive summary Introduction: Expert panel and its methodology 1. Historical background 2. Comparative and international recognition 3. The national conversation: themes from the consultation program 4. Forms of recognition 5. The 'race' provisions 6. Racial non-discrimination 7. Governance and political participation 8. Agreement-making 9. The question of sovereignty 10. Approaches to the referendum 11. Draft bill Appendixes Bibliography.maps, tables, colour photographs, chartsconstitutional history, legislation, australian constitution, constitutional law, closing the gap, 1967 referendum, white australia policy, sovereignty -
Victorian Aboriginal Corporation for Languages
Book, Wordlist for Australian languages, 1987
A tool for recording Aboriginal languages in a fieldwork situation - list of English words for which Aboriginal equivalents are to be elicited.word lists, linguistics -
Orbost & District Historical Society
book, A History of the Aboriginal people of East Gippsland by Kym Thompson, January, 1985
A manuscript book with a pink cover. A History of the Aboriginal People of East Gippsland by Kym Thompson. It is a report for the Land Conservation Council, Victoria, 1985. Contains archaeological research, history of white invasion and matters related to the preservation of sites of significance in the area. 284pp.book australian-aborigines land-conservation-council thompson-kym -
Stawell Historical Society Inc
Photograph, Percy Leason, Mr Robert Kinnear -- Elderly Aboriginal gentleman 1851-1935 born near Stawell and won the Stawell Gift in 1883 -- Portrait Painting, 1934
Elderly Aboriginal gentleman Robert Kinnear 1851-1935 born near Stawell and won the Stawell Gift in 1883. Portrait painted at Ebenezer Mission near Antwerp 1934 stawell gift, sport -
Victorian Aboriginal Corporation for Languages
Book, Robert Foster et al, Early forms of Aboriginal English in South Australia, 1840s-1920s, 2003
A dictionary of South Australian Pidgin English, spoken primarily between Aboriginals and Europeans in South Australia in the 19th and 20th centuries. It is a valuable resource for those engaged with historical and literary texts that in the past have often proved difficult to those not trained in pidgin linguistics.Word listssouth australian languages, nunga, kaurna, pidgin english -
Federation University Historical Collection
Ethnographic, Partly Worked Aboriginal Tool Blanks
Silcrete and chert can create sharp flakes and have been important materials for stone tool making in Australia. Silcrete was commonly used and widespread. Heat treatment of silcrete made the rock easier to fashion into flakes.Partly worked, incomplete Aboriginal rock blanks. The collection includes rocks of silcrete, quartz, and chert. 8969.26 is quartz chert. 8969.37 is a flint stone with a vein of quartz. The dark brown rock is silcrete with more iron than others (possibly 8969.41). 8969.45 is Quartz. aboriginal, tool, blank, rock, scraper, aborigines, quartz, silcrete, chert, stone tools, quartzite, flaking, flake tools, archaeology -
Kiewa Valley Historical Society
Axe Head, Before European settlement
This item was used well before European settlement and clearly demonstrates the development of the local Aboriginal tribes, Dhudhuroa and Yaitmathang in the use of a cutting /chopping implement, made from Mount William sourced material i.e. greenstone. This item was probably traded at the Bogong Mountain tribal yearly summer ceremoniesThe significance of this item places it at the fore front of human development in this region. The period when this tool was manufactured represents the time when the natural landscape had not been altered and the natural vegetation, fauna and flora, had not been subjected to imported species.This also proves that local tribes did live in this area and or the Bogong High Plains.Small ground edge stone axe head. Leading cutting edge very smooth and chiseled to a fine edge. Weight is, for its size fairly heavy. It is made from Greenstoneaboriginal tool stone ground-edge axe indigenous tool -
Greensborough Historical Society
Book, Victoria Archaeological Survey, The Plenty Valley Corridor: the archaeological survey of Aboriginal sites / by Isabel Ellender 1989, 1989_
This archaeological survey of th Plenty Valley was conducted by Isabel Ellender in 1989 for the Ministry of Planning and Environment. The area studied is north of Greensborough to Whittlesea. A number of Aboriginal sites were identified and recommendations made for the future.103 p., illus., maps. Plastic spiral binding.plenty river, aboriginal heritage sites -
Greensborough Historical Society
Booklet, Banyule City Council, Banyule: looking into Banyule's aboriginal heritage, 2014_
This booklet "looks into Banyule's Aboriginal heritage" by detailing some of the history of the Wurundjeri willam clan, including William Barak. Illustrations are from La Trobe Picture Collection, State Library of Victoria. It appears to be a later edition of the 2011 booklet.8 pages, colour illustrations. Cover is mainly orange with pencil drawing of indigenous people.banyule, wurundjeri willam, william barak, billi-billeri -
Federation University Historical Collection
Slide, Warrabri Bush Rat Dreaming Ground Painting, 1960
Alekerrenge community in Central Australia was formerly known as Warrabri.Photographs from three slides relating to Aboriginal people of Central AustraliaAboriginal Cermonial Bush Rat Dreaming Ground Painting Warrabri 1960aboriginal, sand painting, ground painting, warrabri, alekerrenge, ceremony -
Victorian Aboriginal Corporation for Languages
Book, Aboriginal and Torres Strait Islander people in Commonwealth records : a guide to records in the Australian Archives, ACT Regional Office, 1993
Commonwealth records include much information which is relevant to Aboriginal and Torres Strait Islander people. Some of it is about day-to-day administration and particular events and people, and some is about policy. The intention of the guide is to make some of this information more accessible. It attempts to provide for people with different kinds of needs.government agency listings, b&w photographsresearch, archives, act regional office, public records, australian war memorial, commonwealth agencies -
Tarnagulla History Archive
News clipping: Name Is Gaelic - Not Aboriginal, Name Is Gaelic - Not Aboriginal, September 15, 1981
Murray Comrie Collection. A double page from the Castlemaine Mail newspaper of September 15, 1981 with article about the origins of place names in the district. Claims that Tarnagulla, Bealiba, Bet Bet, Waanyarra and Laanecoorie are Aboriginal but Tarrengower is Gaelic. Written by non-Indigenous historian John J. Alderson. Discusses Indigenous history of the region. tarnagulla, waanyarra, laanecoorie, bet bet, central victoria, dja dja wurrung, djadjawurrung, indigenous australians, indigenous history, traditional owners, names, naming -
Koorie Heritage Trust
Book, Aboriginal Affairs Victoria in conjunction with the Kerrup Jmara Elders Aboriginal Corporation, Lake Condah Heritage Management Strategy and Plan, 1993
During its 1977/78 summer field school season, the (then) Victoria Archaeological Survey began recording and mapping the stone fish trap and 'house' sites along the southern margins of Lake Condah, near Portland Victoria. This and subsequent archaeological work at Lake Condah and in the general region demonstrates that, on the basis of a number of criteria, the Aboriginal heritage sites found here are significant.vii, 388 p., [11]. leaves. : ill., foldout maps. ; 30 cm.During its 1977/78 summer field school season, the (then) Victoria Archaeological Survey began recording and mapping the stone fish trap and 'house' sites along the southern margins of Lake Condah, near Portland Victoria. This and subsequent archaeological work at Lake Condah and in the general region demonstrates that, on the basis of a number of criteria, the Aboriginal heritage sites found here are significant.conservation of natural resources -- victoria -- condah, lake, region. | aboriginal australians -- victoria -- condah, lake, region -- antiquities. -
Greensborough Historical Society
Book, Isabel Ellender, The Plenty Valley Corridor: the archaeological survey of Aboriginal sites / by Isabel Ellender 1991, 1991_
This archaeological survey of the Plenty Valley was conducted by Isabel Ellender in 1991 for the Board of Works (Melbourne Water), in particular the Plenty Gorge Metropolitan Park. The area studied is north of Greensborough to Whittlesea. A number of Aboriginal sites were identified and recommendations made for the future.67 p., illus., maps. Plastic spiral binding.plenty river, aboriginal heritage sites, plenty gorge metropolitan park -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
Victorian Aboriginal Corporation for Languages
CD, Robert Mate Mate Gapingaru, Aboriginal sky figures
Robert Mate Mate (Gapingaru), an initiated elder of the Woorabinda_Berigada tribe of Central Queensland has researched the stories on the CD Rom in conjunction with Gordon Patston, an experienced astronomer. The stories from Arnhem Land to Tasmania give a fascinating insight into this rich area of Aboriginal culture and shed new light on Australia?s skies.CDastronomy, dreamtime stories, folklore, stars -
Eltham District Historical Society Inc
Book, Banyule City Council Aboriginal Heritage Study prepared by Austral Heritage Consultants, 1998 July
A draft report on the pre-European Aboriginal achaeological sites in the city of Banyule, including results of previous field surveys; Banyule covers a small part of the former lands of the Woi Wurrung. The report discusses heritage overlay, planning issues and the proposed Victorian planning provisions.100p, 30 cm.Marked "Draft"aboriginal heritage banyule, woi wurrung -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) IX, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) VII, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) X, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Robin Boyd Foundation
Book, Hugo's Language Institute, Hugo's French Verbs Simplified
Bookletfrench language, walsh st library -
Victorian Aboriginal Corporation for Languages
Book with CD-ROM, Yirruk-Tinnor Gunnai Language Program, Nambur Ganai - 'talking Ganai' workbook 2 (middle level), 2007
Colour illustrations, screen shots, word lists, CD-ROMgunnai, ganai, kurnai, bairnsdale, gippsland -
Victorian Aboriginal Corporation for Languages
CD-ROM, Taungurung Language Camp, Songs from Taungurung Kids, 2009
Songs: nakan ni; baba mia; kookaburra sits in the old gum tree; heads shoulders knees; we are Taungurung.taungurung