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Glenelg Shire Council Cultural Collection
Print, Kingsley, Gordon and Catherine, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44 -
Glenelg Shire Council Cultural Collection
Booklet - Booklet - Alcoa of Australia operations, Apr-79
Bowerbird Museum -
Glenelg Shire Council Cultural Collection
Print, Portland is for Everyone, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Edward Henty, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46 -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Ocean Pier Portland Harbour, Victoria, n.d
Front: 'Deepwater Pier' & Baths, Portland Vic' - black script, bottom left Back: Handwritten message -
Glenelg Shire Council Cultural Collection
Print, Fawthrop Lagoon, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 (printed on print surface in black ink) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Pandora's Box, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of abstract chess board with chess pieces and blocks of text. The chess board has abstract shaped squares of red and black. The chess pieces appear in the normal form and as images which have been cut into pieces. The blocks of text are red with black text and refer to controversial events in Portland's history.Front: 5/12 Pandora's Box. P. Tsernjavski '84 Back: 45 -
Glenelg Shire Council Cultural Collection
Print, Aboriginal Woman, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of an Aboriginal woman with a white and orange background. The Aboriginal woman appears to be seated and is wearing a full-length dress. She is positioned on the lower left side of the work and portrayed in orange and black. Behind her the background has been left blank. The top and right side of the work has an orange background with white wavy lines.Front: (no inscriptions) Back: 47 -
Glenelg Shire Council Cultural Collection
Print, Androgynous Aerobics [or which end of the toothpaste do you squeeze?], 1983
UnknownViews of different aerobic exercises being conducted by a man and a woman. Each exercise takes place in a diferent square, totalling 12 squares in all. Each square is coloured alternately in apricot and pale blue. The man's pants are green, and the woman's top is red. No matt. Framed in black frame with glass glazing.Front: 15/60 Androgynous Aerobics [or which end of the toothpaste do you squeeze] V. McConville '83 (across lower centre, left to right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Portland Pier, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish.Front: Portland Pier 32/70 A Gee 83 Back: 11 -
Glenelg Shire Council Cultural Collection
Print, The Groom, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black.Front: Portland Commemorative Print 5/20. The Groom. Signature of John Cain Premier of Victoria. Back: 14 -
Glenelg Shire Council Cultural Collection
Print, The Organist, 1984
CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Angela Gee, Tuna Fishing Pt Lincoln, 1986
UnknownFive portraits of male figures in five square at top of print. Each man is in a different pose, with a blue wash background. Underneath are hand-written inscriptions identifying them as different people involved in the tuna-fising industry. The bottom part of the print is a handwritten short essay on the tuna-fishing industry. Mounted without a matt in a pale blue metal frame with glass glazing.Front: 9/40 (lower left) Tuna Fishing, Pt Lincoln (lower centre) Angela Gee '86 (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, The Wedding, c. 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, View of Early Portland, 1890-1900
Displayed in window of History House, 1991-2006. Given by Betty Wilson to her husband, Murray J. Wilson.View of a town on a harbour with piers. Two steam ships-one berthed at a pier, another in the bay, centre left. Small sailing craft in harbour; people on beach and cliff tops. Black and white lithograph. Mounted in matt.Front: (no inscriptions) Back: (no inscriptions) Murry J. Wilson/from E. Wilson (cursive handwriting, blue pen. Taken from back of frame and a fixed in Mylar to back of mount) -
Glenelg Shire Council Cultural Collection
Print, Rotunda, 1984
CEMA Art Collection part of "A Community View" 150 years in Portland Screen print Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a group of people on Portland's foreshore. People are dressed in late 1800's dress and are watching the rotunda. The work is a photographic screenprint and colour has been added to areas of the photo. In particular, green for the grass, red for the rotunda, blues for the ocean and sky, and various colours for some of the clothing.Front: 34/8 Rotunda (lower left) Lucia Natale 84' (lower right) (pencil) Back: 28 -
Glenelg Shire Council Cultural Collection
Painting, Portland Submarine Shoe, c. 1999
Exhibition in the Arts Company in 1999?Painting of a fanciful show with chunky high heel, resting on a rocky sea bed, Shoe is fitted with portholes, and periscope like a submarine. The sea is full of stylised red fish, and more fish can be seen in the show itself.Front: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Album - Renewal Receipt - Fire Insurance, Portland Free Library, 22/04/1942
... archives Portland Free Library administration insurance Back: 'Mr ...Back: 'Mr. Hoggan's money in tin in safe account in folder' - handwritten in pencilglenelg shire council archives, portland free library, administration, insurance -
Glenelg Shire Council Cultural Collection
Painting - Painting (Henty Street Casterton), Untitled, 1995
The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290 -
Glenelg Shire Council Cultural Collection
Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle) -
Glenelg Shire Council Cultural Collection
Painting, Phillip Petrie, Langley's Bridge, 1990
Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00 -
Glenelg Shire Council Cultural Collection
Artwork, other - Engraving - Portland Bay and township from observatory hill, AH. Fullwood, Portland, n.d
Hand coloured engraving taken from the publication 'Australasia Illustrated' 1884, the image shows Portland Bay and township from observatory hill. Narrow gold and black speckled Matt board around image, then wider cream matt board. Image backed with white matt board - certificate of Authenticity attached top left. (Reproduction)Front: Artists signatue, bottom left, 'Portland' printed centre border beneath engraving. -
Glenelg Shire Council Cultural Collection
Financial record - Passbook - State Savings Bank of Victoria, Portland Free Library, 1922-1924
Front: purple stamp 'Cancelled carried forward to new passbook' 2 purple stamps 'PFL & LI' Back: 2 'cancelled' stamps, 1 PFL&LI' stampglenelg shire council archives, portland free library, administration, finance, savings -
Glenelg Shire Council Cultural Collection
Painting, Julie Kent, Beach Scene, n.d
Hung in CEO's Office 5/9/2003Scene depicting a beach. On the right are sand dunes with grass covering them. On the left is the ocean. The beach runs from foreground left to the upper centre of image, diminishing in size. In centre left of image three standing adult figures and one child stand to the left of a seated figure wearing a red hat. A fishing pole is braced in the sand beside the figure's chair.Front: J Kent (blue paint, lower right) Back: (unknown) -
Glenelg Shire Council Cultural Collection
Administrative record - Tender Letter - Portland Mechanics Institute, 14/07/1911
Back: 'The President Free Library Committee Tender for Mechanics Reserve' - handwritten black inkglenelg shire council archives, portland free library, tender, hazeldine, mechanics institute -
Glenelg Shire Council Cultural Collection
Financial record - Passbook - State Savings Bank of Victoria, 1924-1926
Front: purple stamp 'Cancelled carried forward to new passbook' 2 purple stamps 'PFL & LI' Back: 2 of each of the above stampsglenelg shire council, archives, portland free library, savings, bank -
Glenelg Shire Council Cultural Collection
Financial record - Passbook - State Savings Bank of Victoria, Portland Free Library, 1916-1918
Front: 3 purple stamps: 'Cancelled carried forward to new passbook', purple stamp PFL & LI' Back: purple stamp ' cancelled etc. purple stamp ' PFL & LI' as aboveportland free library, finance, administration, glenelg shire council archives, savings -
Glenelg Shire Council Cultural Collection
Painting - Painting - Acrylic on board, subject a Kelpie, 'WOOF', c. 2014
... Cliff Street Portland great-ocean-road Back: white printed label ...Casterton based artist, member of Artists of the Valley.Painting, acrylic on board. Titled 'Woof'. Image of head and shoulders of a kelpie. White mat board, black wooden frame, wire hanging.Back: white printed label, artist's details in red -
Glenelg Shire Council Cultural Collection
Drawing, Kenneth Jack, Boatsheds on the Glenelg River, Nelson, Victoria, c. 1963
Drawing, pen and ink, black on ecru background, whit mount, black wooden frame, reflective glass, wire for hanging across width of frame on backFront: 'Kenneth Jack 1963' black ink (signature) 'BOATSHEDS ON GLENELG RIVER, NELSON' hand printed in black ink, bottom left corner -
Glenelg Shire Council Cultural Collection
Painting - Watercolour, Coast North of Portland, n.d
... on back Coast North of Portland Painting Watercolour Kenneth Jack ...Watercolour, view of coastline north of Portland; off-white mount, matte black wooden frame, reflective glass, silver hanging wire on backFront: 'COAST NORTH OF PORTLAND' - hand written, black ink, bottom left hand corner 'K. Jack' (signature) bottom right hand corner Back: Black stamp 'KWD Jack P/L P.O. BOX 1, Doreen, Vic, 3754kenneth jack