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Federation University Art Collection
Artwork, Graham Manwaring, ARTrageous
Framed drawing of a rooster like bird.rooster, horsham campus, alumni -
Federation University Art Collection
Book Plate, 'Ex Libris'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.The print shows a bird with a long beakKHYLE along right hand edgeprintmaking, bookplate, australian bookplate design award, keith wingrove memorial trust -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Ardetta Stagnatiles, John Gould
Britain - Australia 1804 - 1881Hand coloured Lithograph - Birds of Australia -
Mont De Lancey
Brooch
Marcasite brooch with bird shape designbrooches -
Federation University Art Collection
Painting - Artwork, [Birds]
Framed artwork featuring three birds.gippsland campus, churchill, birds -
Bendigo Historical Society Inc.
Document - CLARA BUTT AND KENNERLEY RUMFORD, 1913
Clara Butt and Kennerley Rumford, Australian Tour 1913. Princess Theatre, Bendigo, Tuesday Evening, August 12th, 1913. Program on page 8 (pages not numbered). Program has many advertisments; Prescott & Dawe Ophalmic Opticians, corner of Mitchell & Hargreaves St., Bendigo. Cockings Teething Pilules, Chemist, Charing Cross, Bendigo. The Café Savoy Pall Mall, The Athens Café, Vienna Café, Pall Mall and City Market, Hargreaves St., Bendigo. Favaloro Bros., others are from Melbourne and Ballarat. Also an advertisment for J & N Tait's coming engagements or Mr Harry Lauder, the CelebratedScotch ComedianPublished by W H Pickering & Co., 343 Collins St. Printed by Page & Bird Pty Ltd., Melbourne. Cover light card, dark cream. Pages paper, cream. Blue ink used throughtout.Published by W H Pickering & Co., 343 Collins St. Printed by Page & Bird Pty Ltd., Melbournetheatre, opera, clara butt and kennerley rumford, clara rumford & kennerley rumford, australian tour 1913. princess theatre, bendigo, august 12th, 1913. program has many bendigo advertisments along with ballarat and melbourne advetisments and advertisment for j & n tait's engagements or mr harry lauder, scotch comedian -
The Beechworth Burke Museum
Animal specimen - Magpie-Lark, Trustees of the Australian Museum, 1860-1880
The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark -
The Beechworth Burke Museum
Animal specimen - Noisy Miner, Trustees of the Australian Museum, 1860-1880
Noisy Miners are native to Australia and can be found on the East Coast. Noisy Miners live in northern Queensland and all along the eastern coast to South Australia and Tasmania. Noisy Miners are found in woodlands and open forests. They have also become well adapted to suburban situations and are a common sight in parks and gardens. The Noisy Miner feeds on nectar, fruits and insects. Very occasionally they will eat small reptiles and amphibians. Food is either taken from trees or on the ground. In keeping with its highly social nature, the Noisy Miner usually feeds in large groups. The Noisy miner specimen is mounted accurately. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Noisy Miner is identified by its mostly grey body and black crown and cheeks. The bill is yellow, as are the legs and the naked skin behind the eye. The name is well suited as the common calls are uttered repeatedly by the members of the colony .Despite their moderate size, Noisy Miners aggressively attack larger birds such as hawks and kookaburras. These attacks may be so vigorous that most other birds are excluded from an area occupied by Noisy Miners.Swing tag: 65a. Garrulous Honey-Eater / See Catalogue, page 19 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, noisy miner, garrulous honeyeater, yellow beak, honeyeater, east coast -
The Beechworth Burke Museum
Animal specimen - Goshawk, Trustees of the Australian Museum, 1860-1880
This White Goshawk is the white colour morph of the Grey Goshawk. Is a moderate-sized hawk that measures 38 - 55 cm in length, and has a wingspan of 70 - 110 cm. It is native to Australia, and found in rainforest, forests, open forest and thickly-wooded watercourses. It mostly occurs in southeastern and northwestern Australia, and in Tasmania, all Grey Goshawks are white-phase. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White Goshawk is white all over, with hints of beige around its eyes. The bird's legs are a yellow-beige colour, and its beak grey and white. This specimen stands on a perch, mounted upon a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk, white goshawk, accipitridae -
The Beechworth Burke Museum
Animal specimen - Latham's Snipe, Trustees of the Australian Museum, 1860-1880
The Latham's Snipe is the largest of the Snipe species in Australia. This species do not breed in Australia. They breed in Japan and on the east Asian mainland and migrate to south East of Australia, Tasmania and New Guinea. They are commonly found in small groups in freshwater wetlands or along the coast in areas with dense cover. These birds use their colouring to help them camouflage with the terrain which makes them very difficult to see. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Latham's Snipe has a distinctive long and straight bill with brown and cream coloured plumage. The colouring of this bird enables it to camouflage well with the terrain. The wings and tail are short. This specimen has been stylised on a wooden platform and has a paper identification tag tied to its left leg. it also has small brown glass beads for eyes. The eyes are set back on the head which is a rounded shape.26c. / Indian Snipe - / Catalogue. page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, latham's snipe, snipe, japanese snipe, migrating bird, tasmania, new guinea -
Warrnambool and District Historical Society Inc.
Stud, Nestle
This is a Nestle badge. Henri Nestle formed the Nestle Company in 1867 with the headquarters based in Switzerland. Today this company is the largest nutrition, health and wellness company in the world. Nestle Australia was established in 1908 and a Nestle factory was established in Dennington (Warrnambool) in 1911. At this time the name, Nestle, was retained but the factory was actually operated by the Anglo-Swiss Condensed Milk Company. The Dennington factory was for many years the world's largest milk condensery. In 1948 the factory began producing Nescafe coffee. In 2008, after 94 years of operations, the Dennington factory was sold to the New Zealand firm of Fonterra. This badge is of particular interest because of the many years of local association with the firm of Nestle (Dennington Factory).Circular 14 carat gold stud featuring a raised image of a bird feeding baby bird in a nest, twig and leaves.an text and a minute diamond.NESTLEnestle factory, dennington, anglo-swiss condensed milk company, warrnambool history -
The Beechworth Burke Museum
Animal specimen - Long-Eared Owl, Trustees of the Australian Museum, 1860- 1880
The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl -
Lara RSL Sub Branch
Book, These Eagles - Story of the RAAF at War, 1953
This volume is made up of a quick summary of the deeds of individuals and the story of a new an amazing breed of men. Most of them little more than boys.Personal recounts from RAAF service personnel by way of stories, poems, cartoons, illustrations and portraits These Eagles - Story of the RAAF at War. Green hardcover front and back with text in black in addition to the spine. A picture of the RAAF eagle is also on the front cover. Photographs, portraits, cartoons. The inside front and back have The RAAF motto and pictures of insignias and roles. These eagles suffer us little birds to singraaf, air staff, uboat hunters, blitz, air vice marshall george jones, gazala, no.3 squadron, sorties, bismark -
Lara RSL Sub Branch
Book, These Eagles - Story of the RAAF at War, 1952
This volume is made up of a quick summary of the deeds of individuals and the story of a new an amazing breed of men. Most of them little more than boys.Personal recounts from RAAF service personnel by way of stories, poems, cartoons, illustrations and portraits These Eagles - Story of the RAAF at War. Blue hardcover front and back with text in black in addition to the spine. A picture of the RAAF eagle is also on the front cover. Photographs, portraits, cartoons. The inside front and back have The RAAF motto and pictures of insignias and roles. These eagles suffer us little birds to singraaf, air staff, uboat hunters, blitz, air vice marshall george jones, gazala, no.3 squadron, sorties, bismark -
Lara RSL Sub Branch
Book, These Eagles - Story of the RAAF at War, 1953
This volume is made up of a quick summary of the deeds of individuals and the story of a new an amazing breed of men. Most of them little more than boys.Personal recounts from RAAF service personnel by way of stories, poems, cartoons, illustrations and portraits These Eagles - Story of the RAAF at War. Green hardcover front and back with text in black in addition to the spine. A picture of the RAAF eagle is also on the front cover. Photographs, portraits, cartoons. The inside front and back have The RAAF motto and pictures of insignias and roles. These eagles suffer us little birds to singraaf, air staff, uboat hunters, blitz, air vice marshall george jones, gazala, no.3 squadron, sorties, bismark -
University of Melbourne, Burnley Campus Archives
Slide, A. Pout, C89 (1,2), 1949
The Mabs Younger Slide Collection is made of 20 envelopes containing 24 35mm Kodachrome colour slides. The photographs were taken in December 1949. Photographer A. Pout - Burnley School, W. Pattinson - Melbourne Conserc. C102 1 & 2, A. Pout - Botanical Gardens C99. Labelled and typed list. The collection was donated to the Archives by Mabs Younger on the 16 November 1990."Gardens - Strelitzia reginae (Bird Tongue Flower.)gardens, bird tongue flower, mabs younger, slide collection, a. pout, kodachrome, burnley school, w. pattinson, botanical gardens -
National Wool Museum
Ribbon
Awarded at Agricultural show.KINGSTON AGRICULTURAL SOCIETY Best BIRD OF SHOWagricultural shows, kingston agricultural society, kingston, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.KINGSTON AGRICULTURAL SOCIETY Best UTILITY BIRDagricultural shows, kingston agricultural society, kingston, victoria -
Mission to Seafarers Victoria
Print - Wood engraving, F.A. Sleap, A Bird's-eye View Of Melbourne From Sandridge, 2 September 1885
The illustration published in the Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), p. 144, on 2 September 1885, depicts Sandridge now Port Melbourne in 1885 from a seamen's point of view on board a ship.This engraving is a rare depiction fo the Bethel church as there is no early photograph. The Sailors' Rest is located at the back. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.Copy of an engraving depicting a sailor sitting on the mast of the ship and looking at the shore from the sea. A Bird's-eye View Of Melbourne From Sandridge.nott street, sandridge, melbourne, port melbourne, beach road, seamen, ships, sails, sailing ships, customs house, bethel church -
Seaworks Maritime Museum
Bird Ornament
Metallic bird ornament. Smaller in set of twoWritten on base "WMA 24" "PMA 0139" -
Ringwood and District Historical Society
Book, David Freedman, Australia's Birds
Hard Cover Book Of 150 Australian Birds.Forward By Robin Hill Design By Gavin Fry -
National Wool Museum
Clothing - Vest, 1980s
Sleeveless knitted vest with Australian bird motifs.knitwear, fashion, vest, australiana, birds, fauna, 1980s -
Federation University Art Collection
Work on paper - Bookplate, "Ex Libris'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students A bird-like creature is depicted with hills in the backgropundNatalie Jackson bottom right hand cornerbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Historical Collection
Plan - Image, Ballarat School of Mines (Birds Eye View)
Birds Eye View of the Ballarat School of Minesballarat school of mines -
Glenelg Shire Council Cultural Collection
Memorabilia - Cut-out - advertising, n.d
Bowerbird MuseumBlack cardboard cut out bird on a nest shape. Text in white, promoting Bower Bird Museum, Heywood. Written by Vanda Savill, owner of the museum.bower bird museum, heywood, advertising -
Ballarat Tramway Museum
Book, Australian Tramway and Motor Omnibus Employees Association (ATMOEA), "Federal Rules of the Australian Tramway and Motor Omnibus Employee's Association", 1969
Ninety six page book with blue cover, titled "Federal Rules of the Australian Tramway and Motor Omnibus Employee's Association" as amended by the Australian Council 1969. Cover - light blue cover, saddle stapled with two staples to the off white printed rules of the Union. Rules printed on 76 pages, with pages 77 to 80 numbered only and the last 16 pages un-numbered. Pages ii to iv has a detailed index giving rule number and page number. 2290.1 - additional copy with "L. Bird" in ink on the top right hand corner. - added 1/2/2008 2290.2 - additional copy with "A. Jeffreys" in ink on the top right hand corner - added 6/8/2016 .1 - On top right hand corner of cover "J. Everett" in blue ink. .2 - ditto for "L. Bird" .3 - ditto for "A. Jeffreys" trams, tramways, unions, atmoea, rules, federal rules -
The Beechworth Burke Museum
Animal specimen - New Holland Honeyeater, 1860-1880
The New Holland Honeyeater can be found throughout southern Australia, from about Brisbane, Queensland to just north of Perth, Western Australia. They are native to Australia and are named after Australia's first name (new Holland). This specimen is mounted correctly but looks different to the typical images of this bird because it is a younger New Holland Honeyeater and is; therefore, brown in colour instead of the typical black. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Young New Holland Honeyeater is brown in colouring and has grey glass eyes (like this one) while adults are black and white with white eyes. Both have a large yellow wing patch and yellow sides on the tail. It has a small white ear patch, a thin white whisker at the base of the bill. This honeyeater is an active bird, and rarely sits still long enough to give an extended view. Sexes are similar in looks, but females are slightly smaller in size.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, new holland honeyeater, brown, black, yellow, australia, new holland -
The Beechworth Burke Museum
Animal specimen - Nankeen Night Heron, Trustees of the Australian Museum, 1860-1880
Nankeen Night Herons reside in Australia wherever there is permanent water. They can often be found in wetlands, shallow river margins, floodplains and parks and gardens. These birds spend the day time roosting in groups among dense foliage and emerge during the night. An adult Nankeen Night Heron is identified by the black cap on its head and a pale breast. This particular specimen has these signs which enable it to be identified as adult. The large eyes of the Nankeen Night Heron are a bright yellow colour which are adapted to night vision. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Night Heron has a stocky body and is standing tall on a wooden pedestal and looking towards the upper right. This adult specimen has yellow and black glass eyes and a long pale grey bill. Plumage on the head is black which turns a pale cinnamon on the nape of the neck. The wings are placed along the back of the body and are a light brown. The torso is a pale buff colour. This specimen has nuptial plums which look like they come out of the back of the birds head. These plums are long white feathers which appear during the breeding season.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen night heron, heron, nocturnal -
Rutherglen Historical Society
Book, Birds of Rutherglen District, 1965
The Author, Allan McEvey, is a local manLight green paper covered booklet. Printed on paper with soft cardboard cover. "The Birds of the Rutherglen District by Allen McEvey / Curator of Birds, National Museum of Victoria""To the Rutherglen Shire Library with compliments of the Author"birds, rutherglen district, allan mcevey -
Glenelg Shire Council Cultural Collection
Flyer - Flyer - Savill's Bower Bird Nest Museum, n.d
Bowerbird MuseumPromotional flyer for Savill's Bower Bird Nest Museum. Made by Vanda Savill. White heavy paper, black print, including depiction of a bird on a nest and a tree.