Textiles, cream coloured linen and crocheted lace tablecloth. Cross shaped centre of linen with corners edged with crocheted wheel patterns to form square tablecloth. Old box 75.textiles, domestic, tablecloth

During 1930s ladies made their own clothes and accessories were a big feature of dresses. The collar was an important item and great pride was taken in hand work and crochet was on of the skills of that era.White cotton hand made hairpin crochet collar. Collar is made of seventeen daisy pattern sewn to form a semi-circle. Each daisy is crochet into a daisy wheel pattern.costume accessories, collar accessories, handcrafts, crocheting or crochet work

Linen doily with orange crochet with spoke stitched scalloped edges.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, doily, doiley, doyly, doyley, haberdashery, manchester, linen, decorative napkin

The early settlers were self reliant and made their own clothes. This collar shows the dressmaking and craftwork skills of the womenA lady's white cotton hand crocheted detachable dress collarclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, crochetwork

This heavy, detachable lace collar is an example of the dressmaking and needle work skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire c 1880 The Maggs family settled in the Brighton district in the late 1800,s. After the Dendy's Special Survey of the Brighton area in 1841 land allotments were rented or sold to pioneers who established market gardens, dairy farms, fruit gardens and vineyards. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these familiesThis heavy, lace collar is detachable and consists of hand crochet work.clothing, crochetwork, pioneers, early settlers, dendy henry, maggs geoff, brighton, bentleigh, moorabbin, market gardeners, craft working, dressmakers

These white linen serviettes were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. These linen serviettes are examples of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c190012 Linen serviettes with cutwork in one corner and crochet edging clothing, haberdashery, serviettes, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

19 white crocheted spherical buttons sewn on to a piece of cardboard.All cotton. Made in Japan.

Blunt hook and crochet, fitting one handle. Manufacter unknown.obstetric delivery, destructive instrument

Made by internee at Camp 3Green woollen cover crocheted with brown wool around the toptatura, domestic, ingervore arndt nee graze, cover

Made and used by Mrs Jean Ashcroft (nee Broad) originally from Galasheils ScotlandSquare hand crocheted doiley. Design of clover leaves in centre.manchester, table linen

Hand crochet and decorated with blue glass beads with one in centre.handcrafts, crocheting or crochet work, domestic items, food storage & preservation

Square crochet cotton Milk Jug Cover with birds in patternhandcrafts, crocheting or crochet work, domestic items, food storage & preservation

From the estate of the late Jean Ord, mother of the donor.Two x eight crochet medallions on to a white cotton circlehandcrafts, crocheting or crochet work

Cream crocheted baby bonnet made of rayon and lined with netcostume, infants'

Small cream crocheted lace doyley with female head in centrehandcrafts, lacemaking

Cream wool crochet matinee jacket. Ribbon ties at neck.costume, infants'

White cotton pillow case with wide frill of cotton crochet .manchester, bedding, handcrafts, needlework

Project for centenary of WWI - 5000 poppiesDigital Images of hand Crocheted poppies at Federation Square, Melbrourne.5000 poppies, poppies, wwi, commemoration, federation square, fed square, melbourne

From the McNamara collection.Cream machine lace Irish crochet collar with long ties.collar, lace, mcnamaa family collection

Crocheted doyley in a frame. Croceted words 'To the Pioneers of Bendigo 1851'

a highly decorated crocheted floral and swirl patterned oval doily.doilies, furniture accessories, soft furnishings, table linen

Yellow and white heart-shaped, crocheted pouch for a pin cushion.sewing equipment, pin holders

Filet crochet, bib front, waistband extends to tie at the wearer's back. Gathered skirt, edged at the hemline with a 3.5 cms crocheted frill. Bib has a floral design, and shell shaped edging around three sides. Neck strap and waistband/tie are treble crochet. Skirt has the floral design repeated and a border of block and open crochet. The lower frill is edged with a floral shell shaped design. neckband is shaped and curved.costume, children's, child's crochet apron

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily; white rectangular shape, pointed on short sides. Embroidered with pink flowers and green stems, and embellished with a lace frill. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester

This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover