Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Points of interest in the photograph are the lack of white lines along the tracks, safety zone equipment behind the tram, the "Hail Cars Here" tram stop sign on a steel pole by a traffic light and the style of traffic light. Two advertising panels on the front of the tram advertise "Jex Soap Pads" and the musical "Hair" at the Metro Theatre Bourke St. Two Fords are alongside the tramcar. The original source of photograph unknown. The Musical "Hair" was presented in Melbourne during 1971. Yields information about the location, the streetscape and the trams and vehicles in use at the time. Colour illustration of M&MTB tram W2 417 on a route 45, Deepdene service in Collins St. Melbourne at the intersection of Russell St. with the Scots Church in the background.tramways, trams, collins st, w2 class, tram 417, traffic lights, deepdene, route 45

"The White Horse Inn" was a German play written in Germany in 1894. It was revived as a musical comedy in 1930 with music by a variety of composers including Ralph Benatzky and Robert Stolz.Bendigo Operatic Society, "White Horse Inn" Programme. Opening, 23rd November, 1962 for six nights. A5 booklet with 15 pages. Booklet filled with names and pictures of participants and organizers. Acknowledgements, advertisements, Synopsis of Story and Scenes. music, programme, concert

"Guys and Dolls" is a musical in two acts with music by Frank Loesser and book by Jo Swerling and Abe Burrows from stories by Damon Runyon first produced 1950. Music Programme for "Guys and Dolls" by the Bendigo Operatic Society in the J.B. Osborne Theatre, Kangaroo Flat, March 17-26 -an 8 page programme with advertisements, acknowledgements, details of cast and story synopsis.programme, concert

This flute was purchased new by Dr. Angus and played by him over the years. It was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Musical instrument, flute, Bakelite cylinder, part of the W.R. Angus Collection. Two pieces, hole for blowing across plus six open holes and one metal covered key hole. One end is open, the other is rounded, and the cylinder is decorated with three silver bands. Stamped "ENGLISH MAKE".Stamped into the cylinder "ENGLISH MAKE".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, musical instrument, flute, flute made in england, bakelite flute

A guarantee in the form of a wall hanging which would have been issued with a special piece of 'Crown Devon' musical pottery designed by Beresford Hopkins and produced at the factory in Stoke-on-Trent. It is in the form of a scroll with a decorative red and black design. Produced for the Coronation of King Edward VIII who abdicated in 1936.handcrafts, ceramics, lydia chancellor, collection, scroll, guarantee, 'crown devon musical pottery, king edward viii, royalty, royal coronation, ceramics, pottery

Collection of receipts/accounts relating to S. A. Bush Girls Guides' Association The Late Dean MacCullagh's Portrait in oils Memorial Fund The Bendigo Choral Society Bendigo Sewerage Authority W. H. Osborne & Co. Bendigo Musical, Literary, Elocutionary and Callisthenics Competitions E. G. Lucas Stilwell's.person, individual, bush collection - personal

HAMILTON COLLECTION: Certificate awarded to Alexander John Hamilton by the Maryborough Branch of A.N.A. for second prize in Recitation Gents Open, at their 1901 Musical and Elocutionary Competitions. Printed on card in gold lettering with depiction of cherubs, flowers, maidens with bugle & Maryborough Civic Buildings. Markings - H. Thacker Lith. Geelong.person, individual, alexander john hamilton

Small booklet. Strathfieldsaye Brass presents: ''Concert 'n' Cabaret''. Strathdale Community Centre. Friday, December 1st, 1989. Musical Director: Mark W. Ford, Compere: Mal Meikle. Programme $1.00. Grey cover with red ribbon tiyng the pages. Logo of the Strathfieldsaye Brass at top centre.entertainment, music, strathfieldsaye brass

Small booklet. Strathfieldsaye Brass presents: ''An evening with Denis Walter'' in Concert 'n' Cabaret. Strathdale Community Centre. Friday, November 16th, 1990. musical Director: Mark Ford, Compere: Mal Meikle. Grey cover with red ribbon tying the pages. Logo of the Strathfieldsaye Brass at top centre.entertainment, music, strathfieldsaye brass

The Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued for a Syd Ellwood Operatic Production of the musical 'Strike It Rich'. Performances were held in the Essendon and Box Hill Town Halls in 1957. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.syd ellwood operatic production, strike it rich (musical)

Established in 1889, this band later became the Marong Municipal (Hopetoun) Brass Band. It joined with the Strathfieldsaye Municipal band to become the Greater Bendigo Brass.Bendigo Advertiser ''The way we were'' from 2003. Big brass: Hopetoun (Bendigo) Brass Band was outright winner of the open marching competition, as part of a musical festival held by the Victorian Bands League for the Mayor of Port Melbourne's patriotic appeal during World War II. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Taken in 1924, the photograph depicts ten males of various ages dressed in different uniforms. They are posing as the Beechworth "Rag Time Band". Some of the men are holding musical instruments.Black and white rectangular photograph printed on matte photographic paper mounted on board.Obverse: W. Howes / Beechworth "Rag Time Band" / Under the baton of Professor E. Smith / Back Row / Geo. Foster / Jerry Burns. / Shinty Shallard. / Bill Howes. / Front Row / K. Prowse. / Ted Warden / J. Warden. / Professor Smith. / A. Shallard / A. Foster / Reverse: 1997.2517 / A03062 / 79.19.2 /entertainment album, music, beechworth rag time band, beechworth, rag time band, music group, concert, band, musicians, musical instruments, entertainment

Musical number recorded on plastic "Edison" cylinder. 'Blue Amberol Records' was the trademark name for cylinder records manufactured by Thomas A. Edison, Inc. in the US from 1912 to 1929.Plastic gramophone cylinder in blue and gold cardboard caseElizabeth Spencer and Irving Gillette. Edison Blue Amberol Record 1552gramophone cylinder, thomas edison, blue amberol records

"Wildflower" was written as a book and a two act musical by Otto Parbach and Oscar Hammerstein II. The music was written by Herbert Stothart and Vincent Youmans. It premiered on Broadway in 1923/24.Bendigo Operatic Socety Music Programme for "Wildflower" - Opening for 5 nights, commencing 29th July, 1966 - A5 booklet with 15 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. music, programme, concert, bendigo operatic society, capital theatre

"Hello Dolly", a musical written by Jerry Herman, opened in Broadway in 1964. It was based on the play "The Merchant of Yonkers" by Thornton Wilder. It was made into a film starring Barbra Streisand in 1969.Bendigo Operatic Society - Program for 'Hello Dolly' production at Capital Theatre for 8 nights commencing We 13th November 1974 Program has a drawing in red & black ink of a woman's face & hat Program on white paper with black & red ink print. Program has black & white photos of Production Team & Cast souvenir programme, bendigo operatic society

Original A4 letterhead paper with signature.non-fictionA letter by Val Pyers of the Melbourne Chorale to Malcolm Fitzmaurice, whose Scottish Dancers took part in the concert, 'Scotland the Brave', 1985. Also includes a separate page on "Why do people become teachers?" written by Malcolm Fitzmaurice.fitzmaurice malcolm, scottish dancing, melbourne chorale

The Wangaratta Tin Kan Band, a significant part of local folklore, was formed mainly for the purpose of raining funds for the district hospital. The original drum was a discarded carbine tin, hence the band's name Tin Kan Band. The band was formed in 1914 by Syn Emery and was active until 1935. Music was important in this era for public and social functions. The instruments played were tin whistles, mouth organs, accordions, banjos, violins, guitars, drums, wash boards and anything that would make a musical sound; they often made their own instruments such as one string fiddles. Each band member had their own distinctive costume. The band members were mostly business men and shop owners who used their talents to entertain at public functions. They organized sports meetings, dances, concerts and anything that would help the hospital financially and in the depression of the 1930's; they were the mainstay that helped keep the hospital going. Very significant in local public and social functions and a part of local folk lore.The Wangaratta Tin Kan Band, a significant part of local folklore, was formed mainly for the purpose of raising funds for the district hospital. The original drum was a discarded carbine tin, hence the band's name Tin Kan Band. The band was formed in 1914 and was active until 1935. Music was important in this era for public and social functions. The instruments played were tin whistles, mouth organs, accordions, banjos, violins, guitars, drums, wash boards and anything that would make a musical sound; they often made their own instruments such as one string fiddles. Each band member had their own distinctive costume. The band members were mostly business men and shop owners who used their talents to entertain at public functions. They organized sports meetings, dances, concerts and anything that would help the hospital financially and in the depression of the 1930's; they were the mainstay that helped keep the hospital going. tin kan band syn emery music

Bendigo advertiser '' The way we were'' from 2002. In tune: Fred Bush (front) is flanked by friends 9Left to right) Anthony Strange, Leila Watson, Gerson Krost, Dorothy Ford and Les Eames at his Williamson Street home - now the grain stores - for a musical evening in 1943. The clip is in a folder.newspaper, bendigo advertiser, the way we were

"The Desert Song" is an operetta in two acts with book and lyrics by Otto Harbach, Oscar Hammerstwin II and Frank Mandel and music by Sigmund Romberg inspired by the 1925 upprising of a group of Berber fighters against French colonial rule in Morocco. Music Programme for The Desert Song" a musical performed by Bendigo Community Theatre and Arts Inc. October 25, 26, November 1, 2 and matinees October 26, November 3, 1991 at the Capital Theatre, View Street- a 20 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert

Colour photograph. People gathered. Camp chairs and musical instruments with car park behind. Accordian, piano accordian, bbq. Back of photo reads: Port Dinki Di Picnic. Emu Ck, Guy Charmers, Wedderburn Old Timers Bush Dance + Music Club, visitors. Shadbolt's reserve Whipstick.photo, group, musicians

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A 43 page, black and white booklet with a brown cover printed with black and red, containing the programme for New Zealand Centennial Championship Brass Band Contest, held in Wellington on the 18th to 24th of February 1940. On page 3 is a photograph and short bio of Frank Wright who was the Chief Musical Adjudicator. There are also photographs of the previous years winners of the Championship Gold Cup - the Woolston Band and the winners of New Zealand Marching Championship - St. Kilda Municipal Band and on page 33 is a photograph of the Wellington Garrison Band at the Christchurch contest in about 1892. On many of the pages are Frank's handwritten notes and point scores for the contestants. From page 15 onward are handwritten point scores beside the performers and the names on the 1st, 2nd and 3rd place winnersfrank wright, new zealand centennial championship brass band contest, wellington, brass band, adjudicator, wellington garrison band, the woolston band, st kilda municipal band

Henry Sutton was born in Ballarat into the musical Sutton Family. He is known as an important Australian inventor. This photograph was taken while he and his family were holidaying in Hastings, England. Photograph of a coastal scene..henry sutton, glass plates, photography, coastal scene, sea, hastings

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this blouse for her daughter Judy.Manufactured lace became affordable and plentiful so it was used by home dressmakers like Gladys Reed in City of Moorabbin c1960A white cotton lace, sleeveless blouse c 1960 with opening front fastened by hooks and eyes clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Galen Catholic College has usually put on at least one theatrical production every year and in 2014, the musical Hairspray was produced. These photos show the performers during the production itself.galen catholic college, galen college, school theatrical productions, hairspray, 2014, students