Photo - see pdf file for further information. Number Brief Description RT315 Fitzroy St St Kilda 27-1-80 - tram 900 - "City" - route 16 RT316 Mont Albert Terminus 27-1-80 - tram 937 - "City" - route 42 RT317 Footscray Terminus 26-1-80 - tram 700 - route 82? RT318 Hawthorn Depot 27-1-80 - tram V214 & tram 56 - "Wattle Park - Elgar Rd" - route 70 RT319 Hawthorn Depot 27-1-80 - tram V214 RT320 Swan St Burnley 27-1-80 - tram V214 RT321 Batman Avenue 27-1-80 - tram V214 RT322 Sth Melbourne Beach Terminus 27-1-80 - tram 757 - "East Coburg Moreland" - route 1 RT323 Mitcham Station 24-1-80 - bus 794 -"Doncaster Jun" - route 281 RT324 COTMA 1982 Sth Melb Depot RT325 COTMA 1982 Sth Melb Depot - tram 8W - "Special" RT326 COTMA 1982 Sth Melb Depot - tram 587 RT327 COTMA 1982 Sth Melb Depot - tram 587 RT328 COTMA 1982 Sth Melb Depot - Tramways Emergency Truck RT329 COTMA 1982 Sth Melb Depot - track stockpile RT330 COTMA 1982 Sth Melb Depot - emergency trucks and lifts RT331 1982 West Coburg Dawson St Relay - tram 764 - "Domain Rd" - route 56 RT332 1982 Hawthorn Depot - tram 610 - "Special" & tram 469 - "Special" RT333 1982 Preston Workshops - tram 201 RT334 1982 Preston Workshops - tram 202 and tram 46 - note this car repainted into the Z3 Deep Yellow livery. RT335 1982 Victoria Pde - tram 729 -"Mont Albert" - route 42 Demonstrates the work of Robert Thomson in photography, collection and/or production of slidesAssembled album in a black presentation folder of 21 colour slides, collected or produced by Robert Thomson. A list of all photographs with details has been compiled. melbourne, tramways, trams, z3 class, z1 class, v class, w5 class, w2 class, y1 class, y class, south melbourne depot, vr class, tram 700, tram 214, tram 900, route 16, sw6 class, fitzroy st, mont albert, route 42, tram 937, footscray, hawthorn depot, z1, tram 46, route 70, swan st, batman avenue, south melbourne beach, tram 757, mitcham station, aec, mkv1 class, bus 794, route 281, tram 8w, tram 587, tram 56, international, route 56, tram 764, dawson st, tram 610, tram 469, preston workshops, tram 201, tram 202, tram 729, victoria parade

Pamphlet "Now you've got the tickets how are you going to get there?" published jointly by The Met and Sport and Recreation Victoria with a map of the major sporting venues in the city area and the Victorian Arts Centre. Published before the diversion of the Batman Ave tram line via Flinders St. Gives tips on parking, train/tram travel, and the MCG footbridge. The line was diverted via Flinders St on 6/6/1999 - see reference. yields information about the travelling to the major Melbourne sports venues.Pamphlet - 2 fold DL printed in colour with map.trams, tramways, the met, sporting venues, public transport, maps, batman ave, batman avenue

Caulfield Town Hall was built in 1891. By the 1920's the population of the area had grown rapidly and the building was no longer fit for purpose. A major redevelopment was undertaken in 1930-31, including the building of the large portico entrance and entrance hall. This roll of honour was installed around the inside walls of the entrance hall. Labour on the rebuilding project was largely undertaken by unemployed workers, one of the key ways that Council supported the community during the depression. This roll of honour has considerable local significance to the community of Glen Eira across all of the significance criteria. Alongside the war memorial in Caulfield Park and Caulfield's avenue of honour this roll is a central site of memorial for the residents of the municipality who served in the First World War. It contains the names of all Caulfield residents, including nurses, and makes no distinction between those who returned and those who were killed, making it a rare example amongst Victoria's memorial rolls. The extensive list of names makes it a valuable research tool, and its capacity to interpret municipal, social and military history makes it one of Glen Eira's most significant sites. Large, rectangular, bronze panels displaying polished bronze relief letters alphabetically detailing names of living and deceased citizens who served in the First World War. The panels have been mounted on stone walls with a marble appearance. There are 31 panels - vertically arranged in groups of 9, 1, 2, 2, 4, 3, 2, 3, 2 (clockwise direction) on the walls of the portico entrance foyer, Glen Eira Road entrance to Glen Eira Town Hall. Each panel has 50 names, for a total of 1,550 names. City of Caulfield Honor Roll / Erected to the honor of the living and the glory / of the dead who served in the Great War 1914-1919 (See attached file for list of names)honour roll, caulfield, glen eira, great war, world war one, ww1, wwi, 1914, 1919, monument, memorial

We hold 2 copies of this post card, the image of which which had been hand-tinted. The tree guards along the street prevented horses from browsing on their bark and leaves. The street on the right is probably Beatrice Avenue. SLV collection dates the post card as c1906.A coloured stamped postcard identified as Albany Crescent, Surrey Hills, Victoria showing the tree plantings on the naturestrips, gutters and houses with picket fences.SHP2213a Postcard front "Albany Crescent, Surrey Hills, Victoria". On the back is a message addressed to Mr N Smith at Phillip Island from "Ada". SHP2213b Received 2001 See our postcard print also/ From Julie Jones Heritage Officer Whitehorse/ after Heritage Trails published/ Have an original card already.albany crescent, surrey hills, ada, mr n smith, phillip island, post cards, 1901-1910

Refer also to Reg. No. 5183 for Ringwood Railway Estate (September 1923) and Reg. No. 5184 for Ringwood Heights Estate previous release (March 1924)Folded double-sided brochure advertising public auction of Final Sections of Ringwood Railway Estate and Ringwood Heights Estate on Saturday, 30 August, 1924, with town photographs, location map, terms of sale, and summary of local features and services.Subdivision includes Whitehorse Road, Sherbrooke Avenue, Burwood Avenue, Bon View Avenue, Grant Crescent, Hillcrest Avenue, Heatherbrae Avenue, Margaret Street, and Mary Street. (Agents) Knight & Harwood, 315 Collins Street, Melbourne, Phones Central 10615, 10616, in conjunction with J.B. McAlpin, Opposite Railway Station, Ringwood, Phone Ringwood 7. Footnote - "Will sell as above under instructions from the Owner, Mr. Thomas Grant, J.P.".

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

1. 18 unused coloured Diploma Certificates of the type used in c. 1891. Royal Horticultural School Burnley Department of Agriculture, Victoria. 2. Includes a drawing, a copy of the coloured areas of the 'Pavillion Print' made by Ruth Waters, 2 Jackson Avenue, Box Hill, in 1991. diploma, certificate, pavillion print, ruth waters, original diploma certificate, drawing

The inscription on the back of the photo incorrectly states the garage is at Anglesea. It is in fact at Research, Victoria. Kenneth Douglas Ingram moved from Research to his holiday home at 9 Minifie Avenue, Anglesea between 1943-1949. He established a new garage at Anglesea which was a concrete block design building, not a tin shed as this at Research. This garage was located between the family home and the public hall at Research on the original line of Main Road. The public hall site is now the site of the Eltham Little Theatre. The family home, a red brick building still stands today (2023) at 1591 Main Road, ResearchOn reverse "Garage, Anglesea"k.d. ingram shell garage, kenneth douglas ingram, main road, pam thoonen (nee ingram) collection, research (vic.), research garage

Gemma Starr Collection: Re: Heritage Council Victoria Submission Former School Site and Avenue of Honour 93 Strickland Road, East Bendigo. Contents: Statement of Cultural Heritage Significance, Overview of Victorian State School's WW1 Efforts, Early History of Bendigo East School and Avenue of Honour, Bendigo East School and Avenue of Honour Site Today, Men Commemorated in Bendigo East's Avenue of Honour, Comparison between Eurak Avenue of Honour Site and Bendigo East School and Avenue of Honour Site, School Avenues Planted before Bendigo East's Avenue, School Avenues Planted on the same Dade as Bendigo East's Avenue, Later School Avenues Mentioned in Heritage Victoria's Report, Final Comments, References, Appendices. Includes copies of original correspondence, newspaper articles and interviews with various people. Avenue of Honour planted 1916, Submission for Heritage Protection prepared 2016. Originally 23 trees planted then additional trees planted to make a total of 31 with plaques honouring 31 soldiers from the district. Brief biographies are listed within the submission for each soldier. The school merged with Weeroona College, and the doors closed on East Bendigo State School December 1998. Names associated with Submission: Gilbert Dyett, John Hampson, Keith Emmonson, Samuel C. Brittingham (Senior Architect). Joseph William Fairbanks (Building Contractor), Randall Jones, Stanley Symes. Jack Whitting, Mr. Phillips (Head Master 1916), Mr. Graham Parker (Last Principal), Mr. Donald Campbell (Principal)bendigo east state school, anzac, avenue of honour, heritage submission

People often pushed cars and supermarket trolleys over the edge of the cliff at the end of Waverley Avenue.B&W photograph. Below Railway Bridge. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.

Closest house is at the corner of Waverley Avenue and Rockbeare Grove. The house is still standing and is heritage listed.B&W photograph. Image of houses. Mounted on board. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.Annotated on back [10].

Photo taken during honeymoon of Ron and Barbara Willis 1951Black and white photograph of Ron Willis, standing outside Fraser's Rosemont Guest House, Barkes Avenue. Guest house sign is behind a tall hedge and low picket fence. Ron is wearing clothing typical of 1950 era, with collar and tie, V-necked patterned pullover, light coloured two-piece suit and lace-up shoes. Lakes Entrance Victoriamotels, fences, clothing

Three sheets of paper which contain sketch plans of the Avenue of Honour at Bendigo East State School. The first page shows numbered location of trees and tree species. Page two is a coloured diagram showing where trees are on the site as compared to where the trees have been described by Heritage Victoria. Page three shows a plan of where actual trees and stumps are on site at Bendigo East State School.gemma starr collection, bendigo schools, bendigo east state school, school avenue of honour

Vera Scantlebury Brown was born in Linton in 1889, a daughter of Dr George Scantlebury and his wife Catherine, née Baynes. Vera undertook medical training at Melbourne University between 1907 and 1913. After serving in the British Army Medical Unit during World War I, she worked in various positions in Melbourne hospitals and then studied in the US and Canada. In 1926 she was appointed Director of Infant Welfare by the recently established Victorian Department of Health, and became responsible for the development of maternal, infant and pre-school services in Victoria. In 2023 a statue of Vera Scantlebury was erected in Linton's Avenue of Honour in Denison Street. This copy of the book appears to have been owned/used by Barbara Safstrom of Linton.Textbook for nursing students and other health professionals. First compiled by Dr Vera Scantlebury Brown, and published as a "Guide to Infant Feeding". Book revised (with Kate Campbell) in 1941, 1951 and 1958. Pages 346 p. : index, tablesInscribed top right of front endpaper: 'Barbara Saftstrom / FF8269'.vera scantlebury, kate campbell, 'a guide to the care of the young child' [textbook]

railway avenue merbein, commercial street, state savings bank of victoria, bus shelter

Date April 1985Colour photograph of the boat harbour carpark on Esplanade. It shows boat in background, cars parked in designated area and beside highway, three large cypress trees, part of the Great War Memorial Avenue. Lakes Entrance Victoriaworld war 1914-1918, waterfront, memorials

Collection of Subdivision Plans, Land Sale flyers, Auction notices, and Real Estate Agent's notes for Coolooli Estate, Ringwood East, Victoria. Subdivision includes Coolooli Court, Isabel Avenue, Walhalla Drive, Cleland Street, Landell Court, Byways Drive, Heathwood Street and Hume Street, released over four stages - First Stage auction 16 August 1969, Second Release private sales from July 1970, Third Release Auction 11 September 1971, Final Release auction June 21st 1975. Agents - C.E. Carter & Son, 126 Whitehorse Road, Ringwood until moving to 122 Whitehorse Road in 1973 - Tel. 870 6024, 870 6830, 870 2519, A.H. 723 3298, 870 6960. Digitised copy of photograph - A.B. Carter and Andy McLean at Coolooli Estate auction, 11 September, 1971.

Also black and white postcard of same view number 03853.1 size 8.5 x 14 cm . c1940Black and white aerial photograph of town looking west from Mechanics Street to Bullock Island with Kalimna escarpment and Rigby Fraser and Flanagan Islands in distance, Avenue of Honour Cypress trees on foreshore Lakes Entrance Victoriaaerial photograph, settlement, caravan parks, camping, ocean