Showing 703 items
matching white major.
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National Vietnam Veterans Museum (NVVM)Photograph, Waiting for the All Clear
A black and white photograph of the Squadron Sergeant Major, WO2 Brian Quee, and 2Lt Mike Meehan of 161 (Indep) Recce Flight with a Vietname Interpreter and his son wait, for the all clear from 5 RAR, to enter Xuyen Moc, to commence a civil affairs Medcap and food distribution in the relieved village.photograph, 2lt mike meehan, 161 reconnaissance flight, 5 rar, xuyen moc, gibbons collection catalogue, wo2 brian quee -
National Vietnam Veterans Museum (NVVM)Photograph, Ap Sui Nge Refugee Village
A black and white photograph of the refugee village of Ap Sui Nge outside 1st Australian Task Force Base in Phuoc Tuy Province, South Vietnam. The village was designed by the officers and men of the 1st Australian Civil Affairs Unit and built as a major project involving Task Force Unitsphotograph, 1st australian civil affairs unit, 1st atf base, ap sui nge village, gibbons collection catalogue, phuoc tuy -
National Vietnam Veterans Museum (NVVM)Photograph, Midwifery Replacement Kit
A black and white photograph of WO2 Brian Quee, the Squandron Sergeant Major, assisted by 2Lt Mike Meehan of 161 (Indep) Recce Flight, attempt to fathom the complexities of a Midwifery Replacement Kit watched by local village children during a Medcap at Xuyen Mocphotograph, wo2 brian quee, 2lt mike meehan, 161 recon flt, medical, xuyen moc, gibbons collection catalogue, vietnamese children, medcap -
National Vietnam Veterans Museum (NVVM)Photograph, Operational Discussion
A black and white photograph of the 1st Australian Task Force Commander (Dec 1966 - Oct 1967) Brigadier Stuart Graham discusses operatopn matters with Commander, Australian Force Vietnam, Major General Doug Vincent. The discussions were held in Brig. Grahams' office at Headquarters.photograph, maj gen doug vincent, brig graham, 1st atf base, nui dat, australian force vietnam, gibbons collection catalogue -
National Vietnam Veterans Museum (NVVM)Photograph, Welcome Home
A black and white photograph of WO1 Reginald Amos Bandy MBE, the Regimental Sergeant Major of the 7th Battalion, Royal Australian Regiment is met by his wife on arrival at the Garden Island Naval Base, Sydney, NSW after the Battalion had completed its second tour of duty in Vietnam (1970-1971)photograph, wo1 reginald amos bandy mbe, member of the order of the british empire (mbe), 7 rar, garden island naval base, sydney, gibbons collection catalogue, 7th battalion -
St Kilda Historical SocietyPhotograph, Wattle House, Jackson St, St Kilda
Built by Samuel Jackson 1840 (First major architect in Australia. Prefabricated house imported from UK in sectionsblack and white photograph,unmounted, fair conditionWritten on the back: Wattle House, 53 Jackson St, photograph 28.8.69. Built by Samuel Jackson 1840 (First major architect in Australia. Prefabricated house imported from UK in sections -
St Kilda Historical SocietyPhotograph, J.P. Lind, Marli Terrace, c. 1866
Marli Terrace, The Esplanade, St Kilda; home of Justice Stewart Johnstone in 1860s; unpaved road in front; after major extension, two wings added to original five terraces black and white photograph, mounted, original, poor conditionMarli Terrace; Built by: Johnston; [photographer's stamp] -
Wangaratta RSL Sub BranchFramed Banner, 24th Australian Inf Bn. (AIF)
The banner depicts the original Unit motto and colour patch - white over red diamond - of the 24th Battalion which was raised in a hurry from a surplus of recruits at Broadmeadows Camp in Victoria. The battalion was formed during the first week of May 1915 ,and sailed from Melbourne at the end of that week. On September 4, 1915 the Battalion went ashore at Gallipoli and spent the next 16 weeks sharing duty in the Lone Pine trenches with the 23rd Battalion. in March 1916 the Battalion proceeded to France. It took part in its first major offensive around Pozieres and Mouquet Farm in July and August 1917. When patrolling no-man's land the men of the 24th adopted a unique form of snow camouflage - large white nighties bought in Amiens. The Battalion left the front line for the last time on 6 October 1918 and disbanded in May 1919. Victoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940 and were deployed to the middle east. After extensive fighting at Tobruk and El Alamein bettween July and November 1942 the Unit adopted a T shaped colour patch. After formation, the 2/24th battalion was moved to Wangaratta, where it remained until its training facilities were ready in Bonegilla prior to overseas deployment to the middle east. Because of its time in Wangaratta, it became colloquially known as "Wangaratta's Own" and later received the Freedom of the City.Two clear perspex sheets containing green banner with white over red diamond shape, gold coloured writing and fringe below with metal plaque.24th Aust Inf Bn. (AIF) 1939-45 I HOLD FAST Plaque - No 1 Banner Presented to The Wangaratta Club by the 24th Aust Inf Bn (AIF) 1939-45 on 15-9-84 banner, 24th australian infantry battalion, white over red diamond, unit colour patch -
Clunes MuseumLeisure object - SLAZENGER TENNIS RACKET
.1 WOODEN TENNIS RACKET * BALCK WRAP GRIP WITH SLAZENGER LOGO ON BASE OF HANDLE, CREAM COLOURED HANDLE WITH RED ACCENT BOTH SIDES .2 BLACK SLAZENGER VINYLK COVER WITH ZIP .1 ON HANDLE - USED AND RECOMMENDED BY THE WINNERS OF THE WORLD MAJOR 4 TITLES, SLAZENGER SMOOTH, CHALLENGE JOHN NEWCOMBE - KEN ROSEWALL - MARGRET COURT .2 SLAZENGER IN WHITE WRITING WITH SLAZENGER LOGO IN WHITE VINYL ON BOTH SIDESslazenger tennis racket, slazenger -
Wangaratta RSL Sub BranchUnframed Photograph, 1947
General MONTGOMERY with escorts Drum Major W.A. SIMPKINS and Major General CLOWES inspecting Southern Command Military Band at Essendon Airport in 1947Unframed black and white photograph of soldier with base drum facing three soldiers one wearing slouch hat, one wearing peak hat both behind soldier wearing beretBack of Photograph - General Montgomery at Essendon Airport 1947 - inspecting Southern Command Military Band Escorts - Drum Major W Simpkins and Major General CLOWESgeneral montgomery, major general clowes, drum major w. simpkins, southern command military band, 1947 -
Tatura Irrigation & Wartime Camps Museum
CD, Kaye Watson, Kaye Darveniza MP, 2008
18 photos take at the launch of book "Marched in" and 20th anniversary of the start of the war camps museum, 8 November 2008. 0722 - the cake with museum decoration 0733 - Lurline and Arthur Knee signing their book in the foyer 0751 - (front row) Mike Sondheim (President of the Dunera Assn) and his wife Senta (2nd row) Cr Andrew Crawford, Dorothy and Dr Ern Miles, Lurline and Arthur Knee and Kurt Beilharz and Isobel Marke (representing the Temple Society Camp 3 internees) (3rd row) Ron Donaldson (former President Tatura Historical Society) in wheelchair, his wife Margaret (behind his shoulder), Geoff Youlden (former Rodney Shire President) and his wife Beryl, Mrs ???? and behind her Anne and Warwick Finlay (President of Murchison and District Historical Society). 0754 - Mike and Senta Sondheim with same people as above 0757 - Ms Darveniza (member of Victorian Legislative Assembly) speaking into microphone; Secretary Mignon Campbell and President of Tatura and District Historical Society Lyn Harrison, at table. 0765 - Lyn Harrison presenting a Certificate of Appreciation to Dr Bruce Anderson, Rotarian, local vet and a generous benefactor to Tatura Museum. 0774 - Former Rodney Shire Councilor Andrew Crawford cutting the anniversary birthday cake with President Lyn Harrison. 0775 and 0776 - cake being cut. Black and white photographs 0776 - Mike Sondheim launches the book "Marched In" 0786b - Arthur Knee replies with a joke, enjoyed by his wife and Ms Darveniza. 0792 - Lyn Harrison and Ms Darveniza with Vice President Jack Pickworth. 0797 - Ladies as above with Major James "Jim" Sullivan. 0804 - Kurt Beilharz, representing the German Temple Society internees from Camp 3, with Lurline and Arthur Knee. 0805 - as above in full length photograph 0808 - Close up Major Sullivan with Arthur Knee. Black and white photograph. 0815 - Close up of Lurline and Arthur Knee with Mike Sondheim. Black and white photograph. 0816 - as above in colour. 0818 - Michael Brent (formerly Bernstein) Dunera Boy with Mike Sondheim. Gold disc, green and back text inside a black and clear plastic case.mached in, kaye watson, lurline knee, arthur knee, mike sondheim, senta sondheim, cr andrew crawford, dorothy miles, dr ern miles, kurt beilharz, isobel marke, temple society, ron donaldson, margaret donaldson, geoff youlden, beryl youlden, anne finlay, warwick finlay, ms darveniza, mignon campbell, lyn harrison, dr bruce anderson, jack pickworth, major jim sullivan, michael brent -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Camp 13 Garrison Sergeants, copy 1989
Camp 13 Garrison sergeants: Back row (l to r): Sergeants, Wright, Roxborough, Lyall, Thompson and ? Front row (l to r): Staff Sergeant Blackwood, Sergeant Ryan, Sergeant Major Gamble, Sergeants Gilbert, F "Chips" Sidebottom (veterans of 13th Light Horse WW1). Original photo lent by Mrs McCormack of Shepperton, daughter of Sgt. Sidebottom.Black and white photograph of Camp 13, garrison sergeants, POW camp, Tatura 1942 - 1945. Outside of the Army huts. (10 men).sergeant wright, sergeant roxborough, sergeant lyall, sergeant thompson, staff sergeant blackwood, sergeant ryan, sergeant major gamble, sergeant gilbert, sergeant f "chips" sidebottom, veteran of 13th light horse, light horse regiment -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Melrose, Tackeberry and Blight, Original 1942, copy 1989
WW2 Internment Camp 1 Tatura. Army staff and Nursing staff. Major Blight, Officer in Command of all the Tatura Camps (r), A.A.N.S. Sister Melrose; Colonel Tackeberry, Officer in Charge Camp 1 Tatura. 1942.Black and white photograph of two men and a lady, all in Army uniform. Post to the left side and trees in far distance behind. a.a.n.s., sister melrose, major blight, colonel tackeberry, internment camps -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Major William Charles Scurry MC on horseback, Early 1940's
Camp 4 Commandant Major William Charles Scurry MC mounted on a magnificent horse.Black and white photograph of Camp Commandant Major William Charles Scurry MC mounted on a magnificent horse.has number 484B on backcamp 4 officers, major scurry, william charles scurry, army horses -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Camp 4 Garrison Staff, 1940's
Camp 4 administration staff. Back row: Captain A. Maddison, Nellie Collins, Lt Hugh Scholes, Capt Lidlow MO, Frances Sproat, , Lt Wally Callaby, Lt James Sullivan, Pat Tonsing, Lt. Crichley Front row: Miss George Bunting, Captain Wright (the new CO), Major W. Scurry, Captain T. Love and Vi Collins.Black and white photograph of Army garrison personal: 9 standing and 5 seated. All in uniform. Tree behind to the right. camp 4 administration staff, captain a. maddison, lt. h. scholes, lt. w. callaby, lt. j. sullivan, lt. crichley, miss n. collins, captain (dr) lidlow, miss f. sproat, miss p. tongs, miss g. bunting, captain wright, major w. scurry, captain t. love, mrs collins -
Tatura Irrigation & Wartime Camps Museum
Folder, Japanese Civilians Interned, 1991
Compiled and collected by Major Jim Sullivan. Lists of 498 Japanese civilians interned. The bond of friendship of the internees and officers, NCO's and particularly Lieutenant Jim Sullivan who loaded an Army truck with young internees for a trip to Rushworth and Peters ice cream. Old Lady Punshon was also fondly remembered.Olive green cardboard folder with white self adhesive sticker with inscription as below. Contains information in regard to Japanese civilians interned. Drawings, poems, letters, etc.Documents, Camp 4 Rushworth Japanese internees and Garrison. major jim sullivan, japanese internees, old lady punshon, camp 4, camp 4 japanese internees -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Dhurringile P.O.W. Camp Garrison Officers c.1943, 1940
Dhurringile. 50th Australian Garrison Co. Officers. Dhurringile POW Camp WW2Black and white photograph of 5 members of 50th Australian garrison Co. Officers, Dhurringile. Major R. A. Gordon (Commandant) centre, Lieutenant Stan Cocking on his left, also Captain "Bonnie" Mason.dhurringile pow camp, 50th australian garrison officers, major r. a. gordon, lieutenant stan cocking, major william ruthven vc, captain "bonnie" mason -
Tatura Irrigation & Wartime Camps MuseumPhotograph, No 28 Camp Hospital staff, Original 1942, copy 1989
Nursing staff and senior medical officer of No 28 camp hospital (Waranga Hospital) at Tatura 15 June 1943. Back row (l to r): Sister L G W Anderson, Sister D A McLeod, Sister A I Barden, Sister I A Paterson. Middle row (l to r): Sister B Moore, Major J Morlet, Sister D J Steed. Front: Sister M W Trott and Sister K Heaphy. Black and white photograph of 4 female nursing staff standing, 2 female nursing staff and male Army officer seated and 2 female nursing staff seated on ground. Tree directly behind them. Hut nearby to the right.internment camps, tatura internment camps, internment camp hospitals, internment camp hospital staff, captain morley, sister beatrice moore, waranga hospital, sister l g w anderson, sister d a mcleod, sister a i barden, sister i a paterson, sister b moore, major j morley, sister d j steed, sister m w trott, sister k heaphy -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Camp 1 Staff Officers, copy 1989 original 1942
WW2 internment camp 1, Tatura, Army officers of headquarters and A Company 17th garrison Battalion no 1 camp Tatura. 15 June 1943. Back row (l to r): Captain E A Scates; Lieutenants J A Travers, S H Edwards, J H Trend, C L White, Captain F G Jones, Lieutenants B A Stinson, L P Brown, A L Mackay. Front row: Lieutenant E K Horwood, Captain W A A Tyler, Captain N E Bacon, Major A H Clerke, Captain G B Russell, Lieutenant Colonel F W D Forbes, Major G E Blight, Major E C Foster, Major J Morlet, Captain A E OwensGroup of 19 Army staff officers in uniform. Hut rear right. Tree background. Black and white hound dog foreground.internment camps, tatura internment camps, internment camp army staff, staff officers, captain e a scates, lieutenant j a travers, lieutenant s h edwards, lieutenand j h trend, lieutenant c l white, captain f g jones, lieutenant b a stinson, lieutenant l p brown, lieutenant a l mackay, lieutenant e k horwood, captain w a a tyler, captain n e bacon, major a h clerke, captain g b russell, lieutenant colonial f w d forbes, major g e blight, major e c foster, major j morlet, captain a e owens -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Camp 1 Staff Officers, copy 1989 original 1942
WW2 internment camp 1, Tatura, Army staff Officers of Headquarters, 17th Garrison Battalion No 1 camp Tatura internment group. Back row (l to r): Lieutenant E K Horwood, Captain F G Jones, Captain W A A Tyler, Captain A E Owens, Lieutenant A L Mackay. Front row (l to r): Captain N E Bacon, Major A H Clerke, Captain G B Russell, Lieutenant Colonel F W D Forbes, Major G E Blight, Major J MorletBlack and white photograph of eleven male officers (five standings, six seated). White dog with black ears and face in foreground. Tree backgroundinternment camps, tatura internment camps, internment camp army staff, lieutenant e k horwood, captain f g jones, captain w a a tyler, captain a e owens, lieutenant a l mackay, captain n e bacon, major a h clerke, captain g b russell, lieutenant colonel f w d forbes, major g e blight, major j morlet -
Tatura Irrigation & Wartime Camps Museum
Folder, The Rosella Story 1895
Major events in the life of Rosella. Taken from early company recordsBlue plastic cover, black spine, white labelrosella, unilever, newspapers -
Tatura Irrigation & Wartime Camps Museum
Folder, Major Outlet Waranga Basin Upgrading 1999, 1999
... photograph rural industry irrigation Red plastic cover, white label ...Photos of various stages of upgrading construction of Waranga Basin. Also contains photos of Research Station and Tatura Museum with new fence in 1999Red plastic cover, white label, black writingphotographs, waranga basin, old railway bridge, research station, museum, tatura, photography, photograph, rural, industry, irrigation -
Tatura Irrigation & Wartime Camps Museum
Photograph - framed, Byrneside Store, Post WW2
Byrneside was originally Baldwinsville and was to be a major town prior to Tatura's development. Only the store, hall and tennis courts remain.Black and white photograph in metal frame depicting Byrneside Store and residence behind. A W H Halsey owner. Photograph was taken from across the road. Post WW2.Byrneside General Store Post Office. Peters Ice cream, A W H Halsey, Shell, The Age.byrneside post office, byrneside general store, a w h halsey -
Tatura Irrigation & Wartime Camps Museum
Book, The Museum. Ancient Rome comes to Life
Italian connections and collections.Soft covered book with black front with "The Museum" and "Ancient Rome comes to Life in a major exhibition from the British Museum" in white writing. Red spine with barcode and edition. Back page is red with a picture of a roman person and "ROME" in white. Black strip down bottom with information in it.as aboveancient rome, italian connections, roman empire, british museum exhibition -
Tatura Irrigation & Wartime Camps Museum
Book, The Museum. Ancient Rome comes to Life
Italian connections and collections.Soft covered book with black front with "The Museum" and "Ancient Rome comes to Life in a major exhibition from the British Museum" in white writing. Red spine with barcode and edition. Back page is red with a picture of a roman person and "ROME" in white. Black strip down bottom with information in it.as aboveancient rome, italian connections, roman empire, british museum exhibition -
Tatura Irrigation & Wartime Camps Museum
Book, Bridging the Gap, 1971
To record events as they happened and the way early settlers and families lived in the are known as "The Shire of Goulburn".Orange dust cover, white strip and writing. Sketches, in black, of Cobb & Co, mining, bridges, wineries, Nagambiemajor mitchell, nagambie, graytown, whroo, joyce hammond -
City of BallaratArtwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
City of BallaratPublic Artwork, Ruth by Charles F. Summers, Circa 1885
Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth -
City of BallaratArtwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
City of BallaratArtwork, other - Public Artwork, Modesty by Charles Francis Summers, Circa 1885
Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty
