Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with mint stripesThe Walmer Blanket/Guaranteed All Pure Wool and Odorless/Made in Australiawool, blanket, blanket fever

Hat belonged to Catherine (Kitty) Ann Windsor (born 23 Nov 1919 died 17 Nov 2002) in the 1930s. She was the grandmother of Rachael Cottle (Whitehorse Historical Society Secretary Aug 2011-2016). She was gate keeper at the Tunstall (Nunawading) railway gates crossing at Springvale Road during 1934 - 1952.A house was supplied for the keeper. The gates were closed to traffic from midnight till 5 a.m.Dusky pink felt skull cap shaped cap. Pearly white, gelatin sequins in the shape of a feather on one side.costume, female headwear

The quilt was made by Ada Maud Allen, the grandmother of the donor. Mrs Allen was from a Queensland wool growing property and was a prolific wool quilter. She was noted for her quilt making and also made items such as dressing gowns. She exhibited at many country shows and with the Queensland Country Women's Association. The wool used in the quilt was from her own property. The quilt was made in the 1930s and subsequently used by Mrs Allen's children, grandchildren and great-grandchildren.Wool quilt made by Ada Maud Allen, c.1930s. Detail of woollen quilt made by Ada Maud Allen, c.1930s. The woollen contents of the quilt and aspects of its construction can be seen. Conservation report and treatment proposals prepared by Abigail Hart, Textile Conservation, 19-1-01, for quilts 430 and 4053. Conservation treatment proposal prepared by Abigail Hart, Textile Conservation, 19-4-2001, for quilt 430. Report on the conservation treatment undertaken on the quilt by Abigail Hart, textile conservator. Country Women's Association pamphlet 'Use More Wool' Letter to Miss Ruth Lane, 30 November 1991 Letter to Mrs Allen from Margaret Travill, 22 March 1934 Letter to Mrs Allen from S.J. Rayment, 23 March 1934 Letter to Mrs Allen from E. Maitham, 21 April 1934, page 1 Letter to Mrs Allen from E. Maitham, 21 April 1934 page 2 Instructions on making woollen quilts page 1 Instructions on making woollen quilts page 2 Allen family photos from Queensland Museum page 1 - stud lambs Allen family photos from Queensland Museum page 5 - 'Nalemba', Sept. 1918 Allen family photos from Queensland Museum page 2 - at 'Stanbroke', early 1942 Allen family photos from Queensland Museum page 3 - 'Stanbroke', 1936 Allen family photos from Queensland Museum page 4 - Mr Marsh, Shearing Contractor Allen family photos from Queensland Museum page 6 - Mrs A. M. Allen c.1937 with grandson Allen Photos taken before conservation treatment March 2002quilting handicrafts, allen, mrs ada maud, quilting, handicrafts

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.This image is significant because it depicts aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.Black and White Image of Mt. Bogong from above Roper's Hut with Wal Johnson and Ray Meyer seated on the ground. ROPER'S HUT Frederick Roper and his family grazed the Bogong High Plains from the 1890s until 1908. Frederick "Jack" built three huts. The hut known as Roper’s Hut was built on Jack's new grazing lease after his former run had been acquired by the SEC in the late 1930s. It had become a well-used refuge hut prior to its destruction in the 2003 bushfires. It was rebuilt by Victorian High Country Huts Association in 2008.falls creek, bogong high plains, wal johnson, ray meyer, ropers hut

Knife, Clasp, with Marline Spike and Tin Opener, manufactured in England to the Standard Pattern 6353/1905, as modified in 1913 with specific dimensions to the tin opener. This pattern was used by British forces, and was one of the patterns issued to members of the Australian Infantry Force during WW1. This pattern was used up until the late 1930s, where it was superseded by other patterns.Knife, Clasp, with Marlin Spike and Tin Opener, manufactured to the standard British pattern 6353/1905, as modified in 1913 with changed dimensions for the tin opener. The hilt of the knife has two chequered pattern sides secured by five metal rivets. The underside of the hilt has two recesses to allow storage of the blade and the tin opener. A tapered steel Marline spike is mounted on the other side of the hilt, pivoting at the opposite end to the blade and tin opener. A copper wire shackle is also secured at this end of the hilt that was used to attach the knife to a lanyard or belt clip. A fingernail indentation is located near the top of one side of the blade. The tin opener has bevelled edges tapered to a point on one side, with a steel post mounted in the middle of the other side.J. CLARKE & SON SHEFFIELDknife, clasp, ww1, steel, marline spike, australian infantry force, milirary

Photographs are all from the 1930s as below: 1. Nellie Bawden; 2. Federal Mill Basketball Team (pre WWII) from left to right: Eva Fagen (Ball), ? Darling, Glad. Rand, Nellie Bawden, Jean Devlin, Beryl Haddon, Mavis Anderson; 3. Inter-house Sports Team from right to left: Mollie O'Brien (Ball), Beryl Haddon, Jean Devlin, Ann Lagan, N.Bawden. 4. the New Zealand Team who played against Geelong Unity Clubs; 5. Mixed Geelong Federal Basketball team, from right to left: Phylis Bryant (Ball), ?, ?, Eva Fagen, Nellie Bawden, Lorna Farrell, ? Hose. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Photograph album sheet of heavy brown paper. Contains five black and white photographs and a space where one has been removed. Four of the photos depict teams of female basketball players and one depicts a single basketball player holding a ball.Fed. Team / Fed. Team / N. Zealand Team. / Geelong Team.textile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Form used to advise crews that they had been reported for a breach of Rule No. or Special Order No. etc. Has space for the date (1930s), Signature, date, time, and trip. Seeks the person's explanation which had to be in writing. Used post the SEC takeover of the Ballarat system. Headed the Electricity Supply Department of the SECV. See item 9123 for the subsequent form used.Demonstrates a form used to advise crews of a breach of the rules etc and seeking an explananation.Preprinted form - No TYE1-38, on plain off white paper.tramways, forms, sec, secv, rules, behaviour

The MMTB printed advertising on the back of tram tickets or these "Schoolboy Howlers" along with promoting the advertising on the back of tickets using the phase "Melbourne trams and buses carry 1,000,000 passengers a day" Ticket values are 1d , 2d, 2d City Section, 3d, 4d and 6d. The collection comprises over 60 different howlers of the times. Produced during the late 1930s and early 1940s.Demonstrates the use of the rear of Melbourne tram tickets for advertising.Set of over 60 Schoolboy howler Melbourne tram tickets sorted primarily by value and type.tramways, mmtb, tickets, schoolboy howlers, advertising

Postcard of Collins St looking west from Russell St with W2 class tram No. 629 with the destination of Victoria St. The tram entered service during July 1930. Has route number boxes fitted but not in use. Another W2 class tram is westbound. There is a policeman on point duty along with many motor cars. Photo early 1930s. Unknown publisher.Yields information about the view along Collins St from Russell St.Postcard - black and white, divided back, unused.trams, tramways, collins st, w2 class, tram 629

Slate and satchel commonly used in primary schools prior to World War 2; exercise book was produced by local traders in the Brunswick and Brunswick West area for free distribution to students.Leather school satchel, with slate and exercise book. Exercise book entitled "Brunswick West and North-West State Schools Homework Exercise Book", probably produced between 1926 and mid 1930s. The Advertised Bruce Small/Malvern Star business was located at 134 Sydney Road in the 1931-1934 period. Slate and exercise book marked "Doug Elliott"school slates, school satchels

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 1930s dress and jacket is one of a number of items donated to the Fashion Collection by Teresa Mayer.Long burgundy machine-made lace evening dress with a separate red underslip. The dress is currently paired with a red velvet jacket and belt which it is believed was part of the original donation by Teresa Mayer.evening dresses, australian fashion - 1930s, women's clothing, evening wear, evening ensembles

The photograph shows a cable tram set being towed out of a car depot or car house by a tractor, North Fitzroy Nicholson St depot. The grip is in the raised position, with the gripman's hands on the brake levers. The conductor is waiting to pull the pin that secures the tow bar. The tram has the destination of Spencer St. Photo late 1930s or 1940. Note the Bundy clock on the depot wall.Yields information about towing a cable tram out of a car house probably shortly before closure of the cable tram system in 1940.Black and White photograph - printed on plain paper.On the rear has the Copyright stamp of The Age and pencil number "KM-M-007", Ken Magor stamp, "tram being towed out of depot" and number 4838.cable trams, tractor, towing cable tram, car house, north fitzroy depot

8546a Photograph of 13 miners at the ?? Poppet Head, date unknown, possibly circa late 1930s. Note on rear states Pat Scarff second from RHS Refer 8546b attached Long Gully Rivers Football team 1938; Pat Scarff second from RHS, second row - 11520.493Box 616a miners, unknown poppet head, possibly late 1930s

Black and white photograph of W2 488 east bound in Victoria Parade with the destination of Kew Post Office. The tram was built in Feb. 1928 and fitted with route number boxes in 4/1930. The Victoria Parade line was opened to electric trams on 15/9/1929, dating the photo to a short period of time, early 1930s. The photos shows established hedgerows that were planted along the tram track.Yields information about the then new Victoria Parade tramway and tram 488.Black and white print with details on the rear.Sutcliffe Photographers stamp.tramways, tram 488, w2 class, victoria parade, kew post office, trams, mmtb

The photograph shows a cable tram (Spencer St), trailer number 457, in Bourke St about to cross over Swanston St. The grip car or dummy is well loaded. In the background is the Leviathan Clothing Store 1913 - see reference for history details. The motor car ahead of the tram is doing a "Hook" turn into Bourke Street. A young man is skylarking at back of the tram for the photographer. Photo during the 1930s.Yields information about the intersection of Bourke St cable tram services and the corner of Bourke and Swanston Streets.Photograph, black and white, plain backtrams, tramways, cable tram, swanston st, bourke st, the leviathan

These items, 1930s bank books belonging to Michael Toohey, a Woodford farmer, come from the estates of the Ardlie family of Warrnambool and appear to have been stored amongst the office material of the prominent Warrnambool lawyer, William Ardlie (1843-1933). He was the son of pioneer Warrnambool settlers, John and Mary Ardlie. William Ardlie established a legal practice in Warrnambool in 1867, initially in partnership with George Barber. Ardlie was a dominant figure in legal and community circles in Warrnambool and continued with his legal practice until the early 1930s. The bank books were issued by the Commercial Banking Company of Sydney. A Warrnambool branch of this bank was established in 1927 when it acquired the Bank of Victoria. The Warrnambool branch of the Bank of Victoria at 92 Liebig Street then became the Commercial Bank of Sydney. In 1958 the bank building was demolished and new premises were built. In 1981 the Commercial Bank of Sydney merged with the National Bank of Australia and traded as the National Bank in the building at 92 Liebig Street until the premises were closed in 1985.These items are of minor interest as mementoes of the Warrnambool branch of the Commercial Banking Company of Sydney..1 A bank book with a hard black cover and pages containing ruled black lines. The cover has a white label pasted on. This has black printing and handwriting. The pages contain handwritten debit and credit entries. .2 A bank book with a soft black cover and a white label pasted on. This label has black printing and handwriting. The pages have ruled red lines, some entries in black handwriting and some bank stamps. Most of the pages are unused. Mr M. Toohey Michael Toohey Woodford commercial banking co of sydney, warrnambool branch, michael toohey,, woodford farmer, history of warrnambool

This is an unmarked earthenware storage jar possibly made by the Hoffman's Pottery of Brunswick Victoria. It displays a dark treacle glaze typical of Hoffman's Pottery in the 1930s. this jar would have been used to store foods such as biscuits, flour or rice away from rodent attack. it has a wide mouth to enable easy withdrawal of produce. Originally it would have had a large cork stopper or cloth fastened with a string to seal it.This item was recovered from the abandoned barn of the Pope family in 1971, when the property was sold to the Shire of Diamond Valley. This barn was located on the northern side of Pope Place and sketched by Ron Reynolds for the book "Greensborough and Greenhills".Glazed stoneware jar with dark treacle glaze to top, wide neck. Stopper missing.hoffman pottery, stoneware jars

This is an unmarked earthenware storage jar possibly made by the Hoffman's Pottery of Brunswick Victoria. It displays a dark treacle glaze typical of Hoffman's Pottery in the 1930s. this jar would have been used to store foods such as biscuits, flour or rice away from rodent attack. it has a wide mouth to enable easy withdrawal of produce. Originally it would have had a large cork stopper or cloth fastened with a string to seal it.This item was recovered from the abandoned barn of the Pope family in 1971, when the property was sold to the Shire of Diamond Valley. This barn was located on the northern side of Pope Place and sketched by Ron Reynolds for the book "Greensborough and Greenhills".Glazed stoneware jar with light treacle glaze to top, wide neck. Stopper missing.hoffman pottery, stoneware jars

The photo shows tram 12 in Bridge St Ballarat on its way to Mt Pleasant. The photo is of Bridge St looking west from Peel St. In the photo are a butcher, a newsagent, a sign "Join ANA Today", along with two ladies with prams crossing the road. Wal Jack on the rear of the photo notes it is about 1940. Based on the cars in the photo, late 1930s. Item 5463 has a poor quality negative of this postcard. Yields information about Bridge St Ballarat during the late 1930sPostcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, bridge st, tram 12

Photo of a cable tram set, trailer 389 at the Bourke St terminus shortly after its arrival. Passengers are waiting in the Safety Zone, for the shunting to be completed before returning to Nicholson St. in the background are the Bourke St West Police station, Hudson's Stores, the MTO Co. Head office building and Carlyons Hotel. Under the awning of the MTOC Head office building is Buchanan;s Cafe. Photo late 1930sYields information about the Bourke St cable tram terminus, late 1930sBlack and white print with a plain backtrams, tramways, tram 306, cable trams, bourke st

Wooden box used to advise other stations - Box Hill and Ringwood when the Mitcham train was departing. Acquired when the Mitcham station was demolished in 2014. Handset altered c. 1970s.Metal plate with switches. Wooden box 1930s. Handset altered C.1970s as used by trains as they departed from Mitcham to Box Hill and Ringwood. Switches Black - Up to Box Hill and Down to Ringwood. Red "UP" Bell to Box Hill Red "Down" Bell To Ringwood To advise the train had left Mitchammitcham, box hill, ringwood, victorian railways, railway stations, trains, railway signals

The Photograph shows Ballarat tram No. 14 with the destination of Lydiard St North most likely in Albert St Sebastopol during the 1930s or 1940s. The tram was in the livery shown from August 1936 until Dec. 1950. A motor car is travelling on the adjacent side of the open door, which indicates possibly at the north end of Albert St, just before the tram turned into Skipton St. On the right side is a building advertising Robur Tea.Yields information about tram 14 in Albert St. Black and white prints - plain back. tramcars, tramways, tram 14, albert st

Also known as the King George V memorial building this branch of the Mission to Seamen opened in 1937 as a replacement for the old Mission in Port Melbourne. The Foundation stone was laid by the Victorian State Governor and a photograph of the event is also held in the MTSV collection. The Art Deco style building was commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. NB PMHPS Kindly allowed MTSV heritage to take scans of the Kelly series notes in their collection for reference in 2019.One of the few full colour images of this building originally classified by the National Trust and now demolished. An example of architect Harry Norris' work 1937. All that remains are a ceramic plaque, a brick and several items of chapel artefacts. Alison Kelly, a photographer, was part of the group supporting the Port Melbourne Seamen's Mission in the 1980s and 1990s. She took a series of photographs of the building now held by the Port Melbourne Historical and Preservation Society.Full colour Postcard featuring colour image of a large red brick building in a 1930s era Architecture. There is a green wrought iron gate ajar in the foreground with the word SEAMAN spelled out. MISSIONS TO SEAMEN can also be seen spelled ut in white across and down the central clock tower of the building and this is surmounted with a white flagpole.On verso: Printed: "Heritage Series / POST CARD " at right angles in small print from lwr edge to upper: "PHOTOGRAPHY BY ALISON KELLY PORT HERITAGE SERIES NO 6". At Lwr left crnr printed:" Missions to Seamen Building, Port Melbourne/ Designed in the Modern style by architect Harry Norris,/ this 1937 National Trust classified structure was until 1972 / an entertainment and spiritual centre for seamen, with / important roles during the war [WW2] and immigration periods"king george v, memorial chapel, harry a. norris, brick, art deco, alfred m. nicholas, beach street, mission to seamen, alison kelly, 1937, arts centre, seamen mission, mission to seafarers, port melbourne

Photograph. The Patricia Coles (nee McLean) collection. Golden Square Residents, possibly in 1930s. Copy of a black and white original photograph. Nineteen men posed informally in three rows. The man in the middle back row is identified as Tom McLean, Hotelier, United Kingdom Hotel Golden Square, father of Shirley, June and Patricia McLean.bendigo, housing, golden square residents, golden square. mclean, thomas. united kingdom hotel.

After the invention of a camera that printed on paper in 1855, photographers started producing stereo prints on cards. These cards were made of two identical photographs placed in a 3D viewer. By looking throough the viewer with two eyes, one gained the impression of three dimensional depth. This early form of stereo photography remained popular until the 1930s.stereoscope