Students and teachers in the garden of Bialik Hebrew Kindergarten in Carlton North, c. 1940s. The students are wearing crowns and it could possibly be a Purim celebration. Please contact [email protected] to request access to this record. drummond street, elc

A photograph of Costa (Con) Vlass Vlassopoulos (Kopela) taken in Melbourne in the early 1940s. Costa arrived in Melbourne from Ithaca in 1937 and initially worked in Hopetoun and Red Cliffs before settling in Melbourne. Black and white photo on the right depicts a man dressed in a pin-stripe suit standing in front of a cyclone wire fence. The photograph is a scanned photo which has been printed side by side with another photograph on copying paper. A scanned black and white photograph is printed on the same page as 0040.ithacan immigration, vlassopoulos(kopela)

Bendigo Advertiser ''The way we were'' from 2000. Woolworths girls Hargreaves Street toiletry counter in the early 1940s. The photograph was supplied by Pat Stevens Harridge, who is pictured at left. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. house of power: the State Electricity Commission, on the corner of Williamson and Hargreaves streets, in the late 1940s. It is now the site of the Bendigo Post Office. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Three pages handwritten document of what looks like an early draft of a short story or novel set in the Australian bush. Probably written by John Ellison in the 1940s. Part of the Aileen and John Ellison collection.australiana, native bush, draft, short story

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sPhotograph of Harley-Davidson Motorbike and sidecar owned by George Nicholsonfred nicholson, dunstan parade, george nicholson, station street

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sPhotograph of Fred Nicholson and Carol Condron at 11 Dunstan Paradefred nicholson, dunstan parade, carol condron, station street

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sGeorge Nicholson holding baby Fred at 208 Station Streetfred nicholson, dunstan parade, station street, george nicholson

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sElsie Nicholson with toddler Fred at 208 Station Streetfred nicholson, dunstan parade, station street, elsie nicholson

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sPhotograph of Fred Nicholson and friendsfred nicholson, dunstan parade, station street, elsie nicholson

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sPhotograph of Fred Nicholson and friendsfred nicholson, dunstan parade, station street

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sPhotograph of Fred Nicholson dressed as a cowboy at 11 Dunstan Paradefred nicholson, dunstan parade, station street

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sPhotograph of Fred Nicholson at 11 Dunstan Paradefred nicholson, dunstan parade, station street

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sFred Nicholson "driving" toy car in Edwards Parkfred nicholson, dunstan parade, station street, elsie nicholson, edwards park

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sElsie Nicholson with babyFred at 208 Station Streetfred nicholson, dunstan parade, station street, elsie nicholson

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sElsie Nicholson with baby Fred in pramfred nicholson, dunstan parade, station street, elsie nicholson

Fred Nicholson and his family originally lived at 208 Station St and later moved to 11 Dunstan Parade. Photos show him from baby to pre-teen and were mostly taken in the 1940sElsie Nicholson with baby Fred and dog in Page Reserve opposite 208 Station Street fred nicholson, dunstan parade, station street, elsie nicholson, page reserve

The bags multiple small pockets are reflective of a movement post 1920s wherein evening bags were designed to hold cosmetics and at times, as in the case of this purse, small mirrors. It is a notably older design, produced by Gabee Products in 1949, their first year of production, by Heinz Arnheim, a Jewish miller who had migrated from Germany to Australia ten years prior. The bag is designed according to 1930s Art Deco sentiments, with industrial metal closures, shell shaped designs and geometric patterns etched into the frame. A contrast to the larger leather bags of the 1940s and the 'current' square and box bags which Dior popularised in 1947.Small black suede shell shaped coin purse with marcasite tuck lock. Mount lined with 3 rows of diamantes, 9 each side. Small black suede handle attached with metal square buckle to each end. Internal of the mount marcasite etched with a chevron pattern. Lined with thick black fabric with two pockets, one pocket containing rectangular mirror. Small fabric label on left side."Gabee Products Melbourne"bags, evening bags, purses, 1950s, 50s, 1940s, 40s

These glass slides were made to be used at interval time at the Capitol Theatre in Kepler Street, Warrnambool. The Capitol Theatre (originally the Warrnambool Theatre) was erected in 1930 on the site occupied by the Hotel Mansions which included a Palais de Danse and a Mansions Theatre. All were destroyed by fire in 1929. The Capitol Theatre was built in the Spanish Mission style and is one of the few surviving Spanish Mission style theatres in Victoria. However the interior was largely altered in 1994 when the Capitol was converted into a three-screen complex. But some decorative features of the old interior were kept and these included the original proscenium. Stan Stevens and his family were associated with the Capitol Theatre management for many years from 1972. The Capitol Theatre still operates today. These slides are of considerable importance as they are a wonderful example of picture theatre-going in the 1940s and 50s when slides were shown during the interval times and many of these were locally made. The reason for showing the words of songs is not known but it is presumed they had sing-a-longs during the intervals, possibly to boost morale during the days of World War Two. The advertising slides are of particular interest and feature such local businesses as the Woollen Mill, Sungold Dairies, E.A. Wright Motors and Alex Donaldson Timber and Hardware Supplies. These are small square glass slides (numbered1 to 92) which were shown in the 1940s at the Capitol Theatre in Warrnambool at interval time (advertisements, words of songs etc). Some of the slides have been professionally produced and some, especially the words of songs, have been hand-made and handwritten or typed. Some are in colour and some are blank. In others the contents have been obscured or obliterated. Most of the slides have been taped around the edges and some have more sturdy frames made of tape. capitol theatre, warrnambool, stan stevens

This coat was made by Kallman Feitel (1877-1947), an Austrian-born furrier who emigrated to Australia around 1899. His shop was situated at 102-103 Beach Street, Port Melbourne.Long dark brown astrakhan coat with a brown fur collar and brown silk lining. Embroidered in the lining near the hem is the monogram "M.E.C."Label, woven, gold text on brown: "K. FEITEL / MELBOURNE"fur coat, fur, astrakhan, kallman feitel, k feitel, 1940s

This suit was tailor-made for Latvian dancer, choreographer and dance teacher Vija Vetra, who lived at the Old Hall, 93-95 Bay Street, Brighton and ran a dance academy at 97 Bay Street during the late 1950s and early 1960s. Born in Riga, Latvia in 1923, at the age of sixteen Vija ran away from home in order to study classical, character and modern dance at the Vienna Academy of Music and Performing Arts. She spent several years performing on European stages. When Latvia was annexed by the Soviet Union in 1944, more than 100,000 Latvians fled, seeking refuge in neighbouring countries. Vija's sister, mother and aunt were among them, managing to join her in Vienna. The following year, all four had to flee again when the Soviets moved into Austria. Escaping to Bavaria, they spent three years in displaced person camps before emigrating to Sydney as refugees in 1948. Vija found success as a dancer in Sydney. She toured Australia and New Zealand with the Bodenwieser Ballet, formed a Latvian folk dancing group and established a dancing school. By the mid-1950s she had gained recognition as a recitalist in her own right. She developed a passion for Indian classical dance. In the late 1950s she moved to Victoria. She opened a dance school in Bay Street, Brighton, while continuing to perform on stage in productions such as the musical 'Kismet' and the ballet 'Corroboree'. In 1959 she starred in the four-part live ABC television program 'Music and Dance'. She left Australia in 1964 for a tour of the United States and Canada, ultimately settling in New York City. Interviewed in the 'ABC Weekly' in 1957, Vetra described her taste in clothing as minimalist, saying she preferred to own as few clothes as possible to save the trouble of deciding what to wear: "And no bows or extravagances, but always a simple line."Two-piece women's suit made of maroon corded silk; comprising fitted jacket (.1) and straight skirt (.2). Jacket fastens with one large black faceted glass button. Jacket lined with pink satin; skirt unlined. vija vetra, migration, brighton, refugee, dancer, 1940s

Cream coloured hand knitted woollen baby bonnet with cream satin ribbon ties. All over pattern.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby bonnet

On Wednesday 23 Jan 1946 British aircraft carriers HMS Indefatigable, HMS Implacable and HMS Glory escorted by destroyers HMS Tuscan and HMS Armada arrived in Melbourne. Indefatigable berthed at outer west Station Pier, Glory at inner east and Implacable at outer east. The Tuscan and Armada proceeded up the river Yarra and berthed at South Wharf.A series of photographs taken by Roy Liebig in the 1940s Hard copy and digital. British aircraft carrier HMS Indefatigable at the outer west berth of Station Pier in Jan 1946. The photo shows many visitors on the pier.maritime, war - world war ii, roy liebig, karen bowden, piers and wharves - station pier, hms indefatigable