L-R David Caro (Chancellor), Wayne Muir (Aboriginal Education Unit), Dr Catherine Freeman, Kerry Cox (Vice-Chancellor)catherine freeman, wayne muir, david caro, aboriginal, kerry cox

Item in the collection relating to William Leslie Tibbett VX28381 2/21st Batt. Refer 491.3P for his service history also 503P.Framed large leaf with aboriginal head painted on it in black with greetings from A.I.F Darwin 1941, Gold painted timber frame with stand."From Bill." - handwritten in black pen within framedarwin, framed, art

One of several drawings included in a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandBlack & White Pen drawing depicting three views of the same Aboriginal Hand Axe. Drawn by Dr L Adam, University of Melbourne.local history, illustrations, pen & ink, aboriginal hand axe, aboriginal tools, john jenner, bryant west, dr l adam

The Mount Beauty Chamber of Commerce Inc. presented the festival on the 12, 13 & 14 November 1993 at Falls Creek and Mt Beauty. The booklet consists of articles and events available over the weekend.Held in the Kiewa Valley in recognition of the aboriginal people who lived and gathered there.A4 pale yellow booklet with 8 pages printed in brown on both sides showing a moth and a mountain in aboriginal style depicted on the cover. bogong moth festival, mt beauty chamber of commerce

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Aboriginal woman known as "Queen" Aggie of the Moolta Tribe is dressed in European costume stands in a bark canoe. Four children sit in the canoe. Title - Bark Canoe on a Murray Swamp. "Queen" Aggie (standing) was the last of the Moolta Tribeaborigine, aboriginal, j.t. millen, bark canoe, murray swamp, queen aggie, moolta tribe

Wooden mallet. Natural wooden construction, possibly aboriginal club Previously #140 Timber knots on head end. Approx 50cm long.

Details the ?Koorie? exhibition presented by the Koorie Heritage Trust in association with the Museum of Victoria. Outlines the history of the Aboriginal people of south-eastern Australia.maps, b&w photographs, cartoons, illustrations, graphs

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Black and white photograph of Marlene Higgins, an Aboriginal girl who was sponsored by the East Kew Women's Club. The photograph is stuck into one of their registers.east kew women's club, community organisations -- kew east (vic.), aboriginal and torres straight islander

A past reflection in the verse of a childhood on the "Wonga" dreaming place along the Yarra. The Wurundjeri a local Aboriginal tribe that lived and hunted on the banks of the Yarra.

James, Maud, Eva, May, Mabel Howlett, Fred, Marion, Alf, Gladys Legg, Carrie Froud, Jessie Bly, Lena Brideson, George Bull, Will Bell, Jim Thompson, Mr Wilson on the bank of the Tambo River Gippsland VictoriaBlack and white photograph showing small launch beside river and large Aboriginal canoe tree in background and eighteen adults and two children, genealogy, families

A time for reconciliation / Bob Hawke -- Treaty is a recipe for separatism / John Howard -- A treaty for land justice and self-determination / Janine Haines -- Why a treaty? / Galarrwuy Yunupingu -- Aborigines are Australian, too / Bob Liddle -- Fallacies weaken the case for a treaty / Geoffrey Blainey -- Why whites also need an Aboriginal treaty / Roberta Sykes -- The quest for Aboriginal sovereignty / Hugh Morgan -- Legal and constitutional considerations / Mark Cooray -- Australia as terra nullius / Peter van Hattem -- Canada: towards Aboriginal self-government? / Jean Chretien -- American Indian treaties: historic relics / Peter Samuel -- The long aftermath of Waitangi / Antomy C. Turner -- Appendix 1: The Barunga statement -- Appendix 2: Preamble to the ATSIC Bill -- Appendix 3: Press attitudes to a treaty -- Appendix 4: Aboriginal population and landmaps, b&w photographsrace relations, racism, government relations, treaties

AboriginalOlder Gentleman beside tree holing shield and boomerang

Wooden shield with plastic fittings.Motto "Floreat Ambo". Emblem with Navy Crown with Lions head in the centre. Shropshire embossed over the navy Crown. Also with upturned boomerang with crossed aboriginal "tools".

Aboriginal Collection Presented (Historical Society) 1992 handing over artefacts from McNamara Collection to Brambuk Aboriginal Cultural Centre Halls Gapstawell

Lin ONUS (1948-1996) Lin Onus was integral to the recognition of Aboriginal art in the contemporary Australian art landscape. His work expresses the dynamism of living culture; Onus was a prominent figure in renegotiating the history of colonial and Aboriginal Australian. An early influence of this dedication was his father, who was the founder of the Aboriginal Advancement League in Victoria and a maker of artefacts. As a young boy Onus was subsequently exposed to visiting Aboriginal artists and assisted his father in decorating artefacts. His painting Barmah Forest won the Aboriginal Heritage Award in 1994; Onus also received a Member of the Order of Australia “for service to the arts as a painter and sculptor and the other promotion of Aboriginal artists and their work.” (https://www.portjacksonpress.com.au/artists/lin-onus)Unframed colour screenprint with a limited edition of 60.lin onus, frogs, aboriginal, screenprint, printmaking, gippsland campus, print council australia

Aboriginal cultureHandmade wooden item with a wooden handle. A pattern carved underneath in a zig zag patternNone

Chapters entitled History of Aboriginal Art, Imagining Albert Namatjira, Indigenous Renaissance, Creative Revolution, The Art of Les Griggs and The Art of Lin Onus.colour photographs, b&w photographs, colour illustrations, document reproductionsyorta yorta, cummeragunja, albert namatjira, les griggs, lin onus, indigenous art

The story of the Pepper Family and their life on the Mission at Lake Tyers. This strong family have recounted their tales and the history of the area and the lives and control of Aboriginal people.b&w photographs, b&w illustrations, tables, word lists, document reproductionswotjobaluk, kurnai, ramahyuck, gippsland, lake tyers

The Aboriginal Police in the Port Phillip District were LaTrobe?s orderlies. This book contrasts what attracted men to this force in comparison with Mission life.�b&w illustrationsport phillip district, wimmera, lower murray district, gippsland, pentridge stockade, victorian history

A history of the section of Victorian coastline from Andersons Inlet to Cape Woolamai. Includes descriptions of the impacts and consequences of European occupation on the Aboriginal people of this region.maps, colour photographs, b&w photographs, b&w illustrationsbunurong, boon wurrung, andersons inlet, cape woolamai, colonisation

Collections from the Museum of Victoria which show their holdings of arts and crafts by Victorian Aboriginal people. Includes tools, weapons, baskets, paintings and photos.b&w photographs, b&w illustrationssocial life and customs, material culture, catalogues, victorian history