Pen holder, rectangular block of white marble with a metallic sculptured hand resting on surface. Fastened by 2 screws. Hand has decorative sleeve, nails and sleeve have been painted.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Small portrait of a man seated on a chair with his left elbow resting on a cupboard. He is wearing a three piece suit with a bow tie and a watch chain. He also has a beard.J. Kirkley, 193 Gilesgate. Durhamphotograph, portrait, male, portrait of a man, j kirkley

Black and white photo of dry battery connected by wires to small device mounted on circular base. All resting on wooden box. ' Mesco dry battttery' On back printed Post Card.topic, objects, battery

Carte de Visite Photographed by Batchelder Pall Mall Sandhurst. B & W Photograph of a young man in a three piece suit. Wearing a cap.Facing the camera with one hand resting on a pillar.Batchelder

Self propelled gun with blade to dig its own bund. Crew of seven. At rest, one soldier is with a map, one soldier is looking at a magazine, while another soldier is unpacking ammunition.Word PACHELBEL? appears on the gun barrelpachelbel, m-107, self propelled artillery, diorama

Used by Manning Chemist, Flinders Street Railway Station, Melbourne until 1984.Chest of 16 varnished wooden drawers with metal knobs in 2 vertical rows of 8 each side. The 2 bottom drawers larger than the rest, with makers label on plywood back..On label on back Gill Grand Rapids Patented Equipment, Customer : Manning, Job No. 3/105.For use in section:..., Quantity:.., Article : Drawer Unit 'A' T.S.Gill & Son Limited, East Preston, N.18, Victoria, Aust.

Document. Blue slim book. Ruled. North Virginia Gold Mining Co. 14 pages used, the rest blank. Stickered from Frank Every's Book & Stationary Centre Bendigo.McColl, Rankin & Stanistreetorganization, business, north virginia gmc n l, mccoll, rankin & stanistreet, north virginia gmc n l, gold mining, journal

Advisors Bill Brown and Lester Bootes inspecting the final resting places of these HUE civilians who were massacred during the enemies twenty five day occupation of the city in February 1968hue, hue occupation, photograph

Ektachrome slide image. Coloured image taken from a slide photographed by Barry Navin. Image depicts a building with sandbags, steps and sand in foreground. A sign sayiang "Welcome to Diggerrs Rest".Did I do a good job, Boss? "Yes, you did mate and let me tell you how proud and privilged I was to be the CO of such a magnificant team"ektachrome slide, photograph, 1st australian field hospital

The Yakka factory was formerly situated in Barkly Street, Sunbury. Taken from information written on the back of the original photograph.This is a copy of a b/w photograph of three women, identified as Dol. Madigan, her son, Leon, Mrs Claude Boardman and Marjorie Dunn taking a rest break at the Yakka factory. Unmounted.yakka overalls, yakka, madigan, dol, leon, boardman, claude (mrs), dunn, marjorie, clothing industry, factories, george evans collection

Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

Silver coated electrical toaster with rack on top. Both sides pull away to allow bread to rest next to the element. Four knobs and four vents each side. Includes cord.W550 V GR CT3domestic items, cooking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Resting above a sign inscribed with the words 'John Gartner', a coin depicts a knight holding an upright sword and standing behind a shield. A sailing ship and castle are shown between the sign and the coin.. Signature bottom right hand corner.keith wingrove memorial trust, australian bookplate design awards, printmaking

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a Clydesdale in harness being held by a man partially out of frame.Catalogue number written on reverse in pencil Written in pen on reverse 'Resting working horse + handler C.I. Easter Festival 30/3/2013'churchill island, photograph

There is no information with this item. It may be associated with the Guthrie family of Bendoc. ( Peter Guthrie’s Grandfather was John Charles Guthrie, (born 1880), and the photo is of his brother Charles Henry Guthrie (born 1884 at Bendoc - from Patricia and Peter Guthrie who farm sheep and cattle at Bendoc).This photograph is associated with the Guthrie family , early settlers in Bendoc.A black / white photograph on a thick cream coloured buff card. It is of two me, both seated with one of the men resting an arm along the back of the other man's chair. It appears to be a studio portrait.on front - "Charlie Guthrie" on back - "Charlie Guthrie"guthrie-charles

Soldier is George Bailey Jackson No 2172Refer Cat No 3446P for his service details.Black & white photo of a man & woman. The lady on L is wearing a light shaded blouse & a medallion or pendant brooch. The gentleman on R is Australian, his slouch hat is resting on a bannister between them.On back: “(Bailey) George & Louise Jane (Hobbs) Jackson. First (? illegible) in England. Dear Rays mum & dad”photography-photographs, military history - souvenirs, bailey

There are other items donated by MRS CROSBIE. This item possibly relates to item Cat No 28.2Native comb, wood, curved shape with top & nine tines rest of length. Engraved on outside at top by hand 'Milne Bay, Moresby, Wau, Bulola, Salamoa, New Guinea 1942-3'.ethnographic material - dress ornament, military history - souvenirs, comb, new guinea

Frederick Paasch 's house with two Chandlers outside. See Victoria's Wonderland p98-99. Weather board slab building with climbing rose growing on side of house. Bricks form base of chimney with an iron flue forming rest of chimney. Two men and a horse stand to the right of the cottage.buildings, houses

The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment

Small portrait of man sitting at a desk. He has his left hand resting on a book. He is weraing a three piece suit with watch chain. Photographer's name and address printed on the back.A. Asher, 65 Princes Street and 47 Whitefield Place, Leith Walk, Edinburghphotograph, portrait, male, portrait of a man, a. asher

Three quarter length portrait of a youngish lady. She is wearing a skirt and jacket with a frilled collar that has a large bow and brooch. She is standing beside a chair with her left hand resting on it.J. W. Thomas, 45 George St., Hastingsphotograph, portrait, female, portrait of a lady, j w thomas

7 black and white negatives and 1 larger one. Contained in a beige envelope. Br 1235 3/- written on the envelope. One negative is a Scalebuoy, 1 is the interior of a room and the rest are photos of scales?sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, negatives, envelope

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a man sitting on a bolted chair on top of a sled with a loose strip of leather resting between his knees. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "The old meets the new. Metal/plastic chair bolted on to sled towed by a working horse. Churchill Island Easter Festival 30/3/2013"churchill island, photograph

Metal miners' 'spider', circular candle holder on side, half loop on side for resting 'spider'. Circular handle on end. Spike on one end. One continuous piece of metal forged to shape.gold mining, mining equipment, spider lamp

Vietnamese rickshaw. Predominantly blue in colour material covering the soft-top hood & padded passenger seat is timber with a slatted foot rest. It is powered by a bicycle at the rear of the rickshaw. All metal frames.C Century Saigon Hotel, Ho Chi Minh City.rickshaw

This President's chair was presented to the Victorian and Tasmanian Conference in 1932 by Mr Fred J Cato. Dark hardwood ornately carved high backed chair with two arm rests. The chair includes two worn leather cushions on the bottom and the back. There is a small metal plaque at the back with the manufacture's details.

Portable writing desk. Made of wood with reinforced brass corners, brass hinges, two lift-up compartments, two compartments for ink wells, tooled leather writing surface and pen rest.domestic items, writing equipment