Bale hooks patented by Peter Roger Hughes. Peter Hughes was a storeman in the Dalgety Wool Store on Western Beach. His company made wool stackers until his death in 1935. These hooks were donated by his son, Harry Hughes.wool stores, hughes patents pty ltd, wool bale clips, hughes, mr peter roger - hughes patents pty ltd

Closed wire gate at the entrance to the 150 acres ploughed paddock. Tractor GBL 963 with front loader, HAB with Roller, JCJ 100, JCJ 101, Res Track, Red tray truck with straw bales, Black International with bine on tray.Photo taken in yard on south side of house facing Ferris Rd gate with stubble paddock on the right sideagriculture

Knife used to puncture and retrieve wool samples from within bales. Knife was used by Maurice Dalton, who was foreman of the show floor at Dennys Lascelles (bow truss building) until his retirement after 34 years with the company (1941-1977).Wood handle with metal protruding from both the top and bottom of handle. Bottom of handle may be a 'rooster’s tale' as is common in a Farrier's knife (It is possible this knife was originally a Farrier's knife before being repurposed). Top of the knife is approximately half the size of the handle with a sharped edge which has dulled over time.

Plastic coated mounted on metal/fold out stand. View of Harbour taken from "All Saints" steeple. Contains - Baths, Ocean Pier, Long Pier, Fishermans Wharf. Bentinck Street. Unseated - Truck loaded with wool bales. Power poles. Red roofs on Baths, Court House, Richmond Hotel, Bank of Australasia Hand coloured.Front: Panorama of Portland, Victoria (length of Ocean Pier 2880 ft).harbour, photography

Document. 1 manila folder containing 5 letters including drafts pertaining to a lack of manpower in the mine & the problems this leads to in baling the water in the mine. Also included is a list of details of 52 pounds & 8 shillings cost per week to keep Central Nell Gwynne Mine unwatered. Also a list of reasons for keeping the shaft & workings free of water.McColl, Rankin & Stanistreetorganization, business, central nell gwynne, mccoll, rankin & stanistreet, central nell gwynne gmc, gold mining, letters

Harold E. (Edward) Hurst (1888-1972) born on the banks of the Eumeralla River (near Macarthur) lived in a villa in Newtown called "Eumeralla" (Skene Street). "Boss" Hurst invented, patented and manufactured metal fasteners for wool bales and fencing. (Ref: 'Boss' Hurst of Geelong and Nauru : a life by Don Chambers) - held at the National Wool Museum, Geelong.Nonewool bale hooks, clips, fasteners, "grip bale fasteners", ev. hurst

Shearing Team, 1938, at woolshed of "Fintry" standing in front of triple-A wool bales. Pictured from left are Lewis Whiteway Wills, Guy Rance, Lewis Wills, John Barnes, Jack Meek, Myles Graham, Geoffrey McInnes, Laurie Green and James Wills (right). lake bolac, "fintry", woolshed, shearing team: barnes, graham, green, mcinnes, meek, wills

Photograph was owned by Mr Harry Harradence who worked for Australian Estates wool brokers (Sunshine Road, Tottenham) between 1944-88. This photo dates from the 1960s and depicts open wool bales being inspected and checked within the Australian Estates wool store.Photograph of the interior of the Australian Estates Co. Ltd wool store, c.1960s.wool brokering woolclassing, australian estates company ltd, wool brokering, woolclassing

Photograph was owned by Mr Harry Harradence who worked for Australian Estates wool brokers (Sunshine Road, Tottenham) between 1944-88. This photo dates from the 1960s and depicts open wool bales being inspected and checked within the Australian Estates wool store.Photograph of the interior of the Australian Estates Co. Ltd wool store, c.1960s.wool brokering woolclassing, australian estates company ltd, wool brokering, woolclassing

This letter is from the wool brokers and stock agents Strachan, Murray & Shannon of Geelong to P.E. Hann of Kiata East. It concerns the sale of two bales of cross bred wool owned by Mr Hann. It is dated 3 March, 1925 and is signed by D.A. Milne, one of the directors of Strachan's.Letter, from Strachan, Murray and Shannon to PE. Hann, 1925.[multiple inscriptions]strachan, murray and shannon ltd, milne, mr d. a. - strachan, murray and shannon ltd hann, mr p. e.

Nine page double sided paper catalogue held with one staple in the top left corner. Pages are blue, yellow and white with black printed text. Cover shows printed text in blue, red and black with Elders logo banner.SALE No. G05P/22 / Eldres PASTORAL / WOOLBROKERS / WILL OFFER BY AUCTION / (THROUGH THEIR AUCTIONEERS / at / NATIONAL WOOL CENTRE – GEELONG / Corner of Brougham and Moorabool Streets / Under the Conditions of Sale as displayed in / Sale Room and at Wool Store / on / WEDNESDAY, 30th NOVEMBER, 1988 / at 12.30 p.m. / 5051 Bales of woolwool auction, catalogue, wool bales, sale, wool growing, agriculture, industry, geelong, elders, woolbrokers

Certificate awarded by the "G.Q. PARACHUTE COMPANY LTD., STADIUM WORKS, WOKING, SURREY" Item in the collection re Vivian D BULLEN, refer Cat No 7386 for his AIF & RAAF Service details.Certificate - photocopy of an original certificate, a memento awarded to V.D. BULLEN in 1945 for baling out of a Halifax bomber. Illustrated in colour - G.Q. Parachute company logo above an illustration of a serviceman with parachute amongst clouds and sky, small aircraft in background. Paper - pale yellow colour. Below illustration - black print award statement with handwritten recipient information in red ink.Recipient information - in red ink. "No. AVS 431933, Flight Sergeant "V.D. BULLEN, R.A.A.F." "20TH April 1945"certificates, ww2, raaf, uk

The Geelong West Coat of Arms is divided into four sections representing Transport, Industry, Shipping and Agriculture. For Transport (top left) a steam train typified the Geelong-Melbourne railway. Top right showed a factory, bottom left was a sailing clipper and bottom right had bales of wool. The modern adaptation of the official Coat of Arms is used in the booklet.1 Booklet pages are edged with gold with banner at top. Yellow ribbon at spine. Photographs of councillors and Governor of Victoria .2 Thick paper with red writinggeelong west, coat of arms, transport, industry, agriculture, louis keavy, mayor, centenary, governor of victoria, sir henry winneke, government gazette

Photo album detailing the process involved in the Jumbo Wool Auction Service. This process was developed by Grazcos, a company who advanced innovations for shearers and wool farmers before amalgamating with Dalgety in the early 1990s. Grazcos was a well-known name to source a competent shearing team, or as a destination for wool in need of bulk classing. The Jumbo Wool Auction service was designed to process wool more efficiently through volume. 63 traditionally dumped farm bales of wool would fill a typical shipping container. The Jumbo Wool Auction Service enabled 108 farm bales to fit into the same container. This brought reductions in the costs of handling, selling, storing, and shipping of wool. This photo album details this process; from classing to shipping. This photo album was a draft copy produced for review before the production of mass-produced advertising flyers. 12-page hard cover photo album. Internally colour images and printed text have been stuck behind a protective plastic onto paper. The backing paper has many distinctive orange and grey horizontal lines. Printed text is in black ink. Colour images are 2 x 3 inches with rounded corners. Images and text are numbered 1 to 16 detailing the process of the Jumbo Wool Auction Service developed by Grazcos.wool auction, wool processing, grazcos

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

A history of Alexandra and surroundsHardback. Front cover has a photograph of a farmhouse in a paddock with Cathedral Mountain in the background. Back cover has a circular emblem that has a miner digging, a pump house and poppet head and some bales of wool. The words 'Founded on gold wool and butter' surround the centre. There is also a photograph of the main street of old Alexandra with a stagecoach drawn by two horses that has three people seated in and on the stagecoach along with some luggage on the roof.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779alexandra region-victoria, history

This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)display of wool ales at the National Wool Museum. Steel girders holding up the roof were made by Dorman Long & Co. Middlesborough, England. In the foreground is a timber counter with brass kick rail and upper edge. Names on wool bales include Austop, Arcadian Wool, Buln Gherin, Mt Hesse, Melrose, Avondale Hills, Kerrsville, Kooringa, Merryville Yass, Sherra Park, Wurrock, Hazeldean, Buanogor Parkwool, geelong, wool bail, auction room, national wool museum

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This toy is a product of Tottori City, and its only connection with traditional packaging is that it copies the mats used to close the straw bales in which rice is packed for the market. It is interesting, nevertheless, for its clever use of such a cheap and common material, and there is no denying its charm. The two dolls, made of paper and wood, represent the emperor and empress who occupy the chief places in the traditional Doll Festival display. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

"Geo. Hague and Co. Wool Catalogues 1917-18". Wool appraisement catalogues produced by the brokers George Hague and Co. and containing lists of wool for sale in 1917-18 in Geelong with types, bale brands, quantities, prices, clients etc. This catalogue was saved by Laurie Conolan (Museum Victoria) and came from the Elder's warehouse on Western Beach which was demolished during 1986.Geo. Hague and Co. Wool Catalogues 1917-18GEO. HAGUE & CO. / WOOL CATALOGUES / 1917-18 / L.N.H.wool brokering, wool bale descriptions, wool sales, george hague and co. pty ltd

Album contains photos of the Elliott and Dibb wool sorting and blending operations; also six photos showing operations inside the Oriental Scouring Mills, Geelong. There were yellow sticky notes (non-contemporary, written by Gerald Van Rompaey) containing information on each photo scattered throughout the album. These have been removed for conservation reasons and their details transcribed here. The first note stated: "Michael's mother (the donor's mother, Mrs Elliott) said this album was got up as a promotional tool for an expensive overseas trip by Harold E. (her brother in law in 1950)". The 1st photo shows the skirtings in the reclass bins in the former Australian Estates Collins Street show floor. The 2nd photo is similar to the first; the 3rd photo shows the fleeces being reclassed. The 4th photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). The 5th photo is of more reclassing, and the 6th is similar. The 7th photo shows Harold Elliott with the sorters and the 8th photo is similar. The 9th photo shows the first and second pieces of the skirtings being sorted. The 10th photo is a general shot of full bales and the reclass bins. The 11th photo shows a double dumping press at work, compressing the already full bales for shipment. The 12th photo shows scouring operations at Oriental Scouring Mills in Geelong (the scouring has been contracted out by Elliott and Dibb). The 13th, 14th and 15th photos shows more scouring at the Oriental Scouring Mills. The 16th photo shows two men (Keith Dibb on the right) viewing the scoured wool. The 17th photo shows the scoured wool being pressed at the Oriental Scouring Mills, Geelong. The final six photos (the photos of the Oriental Scouring Mills operations) are all stamped on the verso with a photographer's stamp (Frazer Studios, Melbourne), suggesting that Elliott and Dibb commissioned a photographer to go to Geelong to take the photos. (a note from Gerald Van Rompaey identifying five photos has been found and is now located in supp. file 1417. It does not seem to identify photos in this album; the photos he identifies may turn up at a later stage.)Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows fleeces being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the first and second pieces of the skirtings being sorted. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the full bales and the reclass bins. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows a double dump wool press at work, compressing the already full bales of wool even smaller for shipment overseas. Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows two men (Keith Dibb on the right) viewing the scoured wool at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scoured wool being pressed at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph album front cover. Album compiled by Elliott and Dibb, wool merchants, 1950.Frazer Studios / (C.J. FRAZER) / 165 BOURKE STREET / MELBOURNE, C.1 / CENT. 4358woolclassing, wool processing, elliott and dibb oriental scouring mills, scouring, wool press, wool press - double dump

Three articles including: Perilous Summer - Thin Edge of the Wedge at Eltham - Eltham A lifestyle in peril published in "The Age" 21/08/1976 All articles thought to be from "The Age" in the 1970s. Written by John March. This was the pen name of former Kangaroo Ground resident Bill Baly. They relate to the people of Eltham and its hinterlands, their problems with planning, rates and politicians and thier artistic inclinations. 14 pageseltham, bushfires, lifestyle, green wedge, bill baly

Certificate commemorating The Geelong Wool Sales at the National Wool Centre 1995 durring which Aoki International paid 1,030,000 cents per kilogram for 13.8 micron wool. Wool was grown by the Appledore Family at Brim Victoria. Aoki International purchased the wool through their agets G.H. Michell & Sons (Australia) Pty. Ltd. Relates to Million Dollar Wool Bale on display in Gallery OneTimber framed certificate with gold inlay and glass covering. Certificate is cream coloured paper with gold printed text and decorative boarder. Hand Signed by K.L. Jackson on bottom left corner. Back of the frame has a horizontal hanging string

Copy of an article from the Bendigo Weekly 9/6/2000 titled The Mine Flooding Crisis - New Pumping Technology Suggested by James Lerk. Louis August Samuels was born in Germany. Samuels was involved in the mining industry in Australia and he had mining experience in West Africa. He had knowledge of the mines at the southern end of the field. He was president of the Mine Managers' Association. He believed the flooding was caused by the lack of baling and pumping operations. Earlier he had visited a coal mine in Bohemia to see a Riedler pump at work. It was a new design, very effective, simple in design and reliable. He watched it work. It was 500 metres underground and pushed the water to the surface in a single column. He suggested this type of pump could be adapted to use on the New Chum Reef. Even this suggestion was not the latest technical innovation, but it would be more efficient and less costly than baling. No one took him seriously and continued to remove water by the traditional means. Article is accompanied by a photo of Samuels.bendigo, history, long gully history group, the long gully history group - the mine flooding crisis - new pumping technology suggested, bendigo weekly 9/6/2000, james lerk, louis august samuels, origin of the bendigo saddle reefs and the cause of their golden wealth 1893, bendigo mine managers' association, victoria proprietary company, victoria quartz mine, new chum drainage association, riedler pump, riedler zwangschluss valve, technical school at aix-la-chapelle (achen)

Single sided blue, red, black and white card with printed and hand written text, with decorative border. HIGHEST PRICE WOOL / Elders PASTORAL / J. F. & H Norris / SALE Geelong / DATE 10-9-91 / BRAND JFN/ROMANI / PRICE 1050c / DESCRIPTION SupAAAFM / BALES 6 / 17.4 MICRONS / 71.1% Yield / The above wool recorded the highest price / in the superfine section of the Elders Pastoral / catalogue offered in this series / [signature ? G Blood]wool auction, catalogue, wool bales, sale, wool growing, agriculture, industry, geelong, elders, woolbrokers, prizes

These type of marking crayons have been in use from the 1800s onward to mark commercial and non commercial goods and articles that require waterproof and visual identification labels. Items such as bales of wool, tobacco tags, transportation tags(shipping, rail and road) and other "hard to mark" items that require information to be displayed by semi permanent waterproof signage. The crayons are also an advantage for young student art work.This particular box of leviathan crayons was in use by students in the Mount Beauty Primary School through the Victorian Education Supply Department. As the texture and adhesive/application qualities (soft medium and hard) allows students to be "creative" on various type of canvases. This type of application in schools is of a non commercial and simplistic art -form nature however more advanced students could present a commercial interest in a viable creative artistic venture. The major commercial and non educational uses are encompassed in a rural grazing and farming regions, of the Kiewa Valley and adjoining lands.The crayon box is made from cardboard and light buff colour. The box contains six "No.1" crayons, two of which have been used. Each crayon is wrapped with manufacturer's details on 180 gsm thick paper. The wrapper runs nearly 4/5 th of the entire length, leaving 1/5th open to display the colour of the crayon. The colours of the crayons are blue, purple, green, yellow, red and black. These crayons provide a waterproof writing, sketching and numbering method and are available in soft, medium and hard texture.Within a chain border and on two opposite sides of the box: "1 Dozen No.1", and below this and underlined "Leviathan Marking Crayons" and below this "Indispensable for all Marking and Checking purposes Waterproof and will not rub off", below this "SUPPLIED UNDER GUARANTEE"waterproof, freehand marking and artworks, school waterproof art, commercial identification marking of rural produce, school art, waterproof labelling

Selection of metal files used for cutting wool bale stencils with an accompanying box. Not all files belong to this box as some are too long to fit within. Used in Denny’s Lascelles Bow Truss building by Maurice Dalton who was the foreman of the building for 34 years. Files are ‘Cup Brand’ – ‘Best refined steel files’ and were manufactured by the no longer trading Moss & Gamble Brothers LTD at the Franklin works in Sheffield, England.12 steel files of varying length, thickness and shape. The longest and thickets are in a flat half circle with some files being fully flat, others complete cylinders, one is a complete square and others are in the shape of a triangle. Cardboard box is brown with black inscription on lid of box.stencils, denny’s lascelles bow truss building

Founded by Frederick Gonnerman Dalgety in 1846 in Melbourne as a stock and station agency with major interest in Victorian wool, much of which was exported to England for sale through their London agency.Dalgety & Co Wool Limited Melbourne Wool Waybills booklet. Grey Light cardboard cover contains 3 pages missing 6 torn out along the perforations. The second page has handwritng detailing the 3 bales of wool received by R H Abbott. It also contains three sheets of carbon paper in special shiny pages at the back. The booklet also contains advertising for sheep related products and a Tobacco Ad Printed by T & H Hunter printers Melbourne