This money box is believed to be an antique Prattware piece modelled on a n English Methodist Chapel. It was a gift to a young girl, Sarah Ann Esam born in 1850 in Lincoln, England. Her parents John and Ann Esam emigrated to Australia in 1865 with six children one of whom was Sarah. John Esam became well known in Warrnambool as an engineer and windmill maker. His best known windmill is the one he made for "Lyndoch". Sarah Ann Esam died in Henna Street, Warrnambool in April 1915 on Easter Monday. This money box is of considerable significance because of its age, its artistic attractiveness and its connection to the Esam family who were prominent in Warrnambool in the 19th century. This glazed piece of pottery is a child's money box modelled on an English Methodist Chapel. It has a blue tiled roof with yellow edges, a slot for coins at the back.and two chimneys at each end of the building. The primary colour of the cottage is white It has two storeys, the upper one has six lead light windows framed with yellow and the ground storey has two brown doors with lead light fan windows. There is a pink colored figure standing in one corner of the base. The base is green representing grass. The edges of the base feature blue crosses interspersed with yellow dots. The black inscription on the front is artistically written. One chimney is damaged.as are the four base corners. S. ANN. ESAM. Born August 8th LINCOLN 1850esam, money box, prattware

Donated by Jack JennerBlack & White photograph of the Phillip Island co-op on the cnr Chapel Street & Thompson Avenue, Cowes. Two weatherboard houses to the right of building. Three Pine trees.On back: "Site of Southern Trading Store immediately before building. Date should be easy to obtain" (August 1959)phillip island co-op store, chapel street cowes, thompson avenue cowes, phillip island, jack jenner

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font at St Peter the Mariner chapel. On the wall to the left hangs the illumination: Believe in God The Father Almighty (see item 1537). handwritten number poss. 3, stamp: 8940, photographic paper markings ILFORDbaptismal, font, st peter chapel, illumination, charles edward murray puckle (1887-1915)

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font of St Peter the Mariner chapel. On the wall to the right hangs the illumination: Believe in God The Father Almighty (see item 1537).stamp: 8940, photographic paper markings ILFORDbaptismal font, illumination, baptistry, st peter chapel, charles edward murray puckle (1887-1915)

Holden Courtesy panel van, registration number JHE-915, and a Studebaker at St Kilda Mobile Traffic Section at rear of 145 Chapel St. St.Kilda. Circa 1965police vehicles; motor transport branch; motor transport section; holden divisional van; studebaker car

Colour slide in a mount. Image from a magazine of the Chapel of the Alvorada Palace, Brasília, Bazil, 1958. (Architect: Architect: Oscar Niemeyer. Furniture designer: Anna Maria Niemeyer.)slide, robin boyd

Booklet ofr Thanksgiving Service for Adelheid Teague ' 05/01/1930 - 11/03/2012. Funeral held William Farmer Memeorial Chapel 15/03/2012.

Black and white photograph of Chapel St Prahran from near Malvern Road, looking south. Has an city bound cable tram in the photograph. Taken from a postcard.in ink in the corners "Postcard" and number 51326trams, tramways, cable trams, chapel st

Wood and metal printing block."St George's Presbyterian Church CHAPEL STREET EAST ST. KILDA 80TH ANNIVERSARY APPEAL Name (if desired). SEPTEMBER 1958st george's presbyterian church east st kilda

Huttley Martin FamilyB/W Portrait: Bride wearing a Jeweled Crux Gammata ( Gammadion Cross), Tasselled lace over white floor length dress & veil, wears elbow length gloves. Groom white shirt and Light coloured tine, dark suit, holding gloves. Gainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin

Huttley Martin FamilyB/W Studio Portrait: 2 row of girls in hockey uniforms: white lace up 'Sailor' tunics, with dark scarfs, dark skirts, lace up shoes. Girl in the middle of the front row holding two hockey sticksGainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin, sport, education

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Historical Society by the Shire of Phillip IslandPhotograph looking north along Thompson Avenue from Chapel Street. HMAS Australia shown in the distant between Cowes and Sandy Point. Part of Cowes Garage also depicted.local history, photography, photographs, film maritime technology, boats, thompson avenue - hmas australia - cowes garage, black & white photograph, cowes, thompson avenue, shipping, hmas australia, cowes garage, john jenner, bryant west

Bendigo Advertiser "the way we were" from 1999. Resting place: a view of the Sandhurst cemetery at Back Creek, showing the Mortuary Chapel on the right and Bourke and Wills monument on the left.newspaper, bendigo advertiser, the way we were

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh.Colour slide in a mount. London Hilton (1963), London, England. (Photo taken from South Audley St, Mayfair - Grosvenor Chapel (1730) is in the foreground. (Architect: William Tabler.)Made in Australia / 15 / AUG 64Mlondon, robin boyd, slide

BLACK & WHITE, ORIGINAL PHOTOGRAPH OF PTE. A.B. TOTMAN. TAKEN IN THE EMPRESS STUDIOS 225 CHAPEL STREET ST.KILDA, MELBOURNE. 1ST. WORLD WAR UNIFORM WITH SIGNALS INSIGNATURE ON ARM.POSTCARD TO AUNTIE WITH LOVE. PRIVATE A.B. TOTMAN NO. 2619 3RD PIONEERSlocal history, photography, photographs, military

Colour Photograph: interior woden panel on wall with a cross in lighter wood. a desk below with pulpit, and candle sticks, with pew in foreground on with book, chain and post to the left. (Chapel in prison?)

Four page eulogy delivered at the funeral of Gertrude Eva Perry at the crematorium chapel, Eaglehawk 14 April, 1999 . Document has 'Copyright James A. Lerk' written on front page.person, bendigo, gertrude perry

1880-1902 Land owned by Robert and Sarah Graham who owned a large portion of land best described as Upper Fyans Valley. At some time after 1880, they sold a parcel of the land under Sundial Peak to David Austin who built a slab hut. C1896, The land was sold to James and Amy Balmain which they named 'Bellfield' Amy was a daughter of John D/Alton who built the Stawell Water Supply System. Balmain purchased the vacant school cottage at Burnt Bridge and moved it to 'Bellfield' Over the next six years the house was enlarged to accommodate their growing family but sold in 1902 following the death of Amy Balmain.House with addition People leaving house by horse and carriage, people standing in groundsState Library Victoria, Rose's Australasian Views Victorian Series photographed and published by George Rose 123 Chapel St., Windsor, Victoriabuildings, houses, bellfield

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen building, roof of chapel from Mission roof; outer beacon and tall ships at Princes Pier 1988missions to seamen, built environment, princes pier, tall ships

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, 1888 memorial stone from original Seamen's Institute, set into interior wall outside doors to chapelmissions to seamen, built environment, alison kelly

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of carriageway to Kew Railway Station. The way is delineated by a white wooden fence and rail. Xavier College (without its chapel) can be seen on the horizon, beyond the garden of the station. kew railway station, xavier college -- kew (vic.), christian-washfold collection

Poster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Single colour (black) offset print on newsprint. Crush folded.university of ballarat, federation university, graphic design, helmut stenzel

Coaster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Circular coaster printed single colour offset, brown ink, featuring a stylised "coffee stain" and text.university of ballarat, federation university, graphic design, helmut stenzel

Coaster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Circular coaster printed single colour offset, brown ink, featuring a stylised "coffee stain" and text.university of ballarat, federation university, graphic design, helmut stenzel