A concise booklet of W W ! Official photographs taken at Gallipoli for LIEUT.GENERAL WILLIAM BIRDWOOD,many of which were taken under fire.Such an up close look at precious persons before and after and during that warfare.Oblong landscape booklet ....cardboard cover...110 paper pages .Front cover impression of GEORGE CROSS&the BASIS OF The VICTORIA CROSS ...Back cover impressions of NEW ZEALAND&AUSTRALIAN Flags above lettering ANZAC.FLY LEAF shows F/E with my love .Mar /July 19.Across

Set of two black and white prints and associated negatives of trams in Ballarat during 1971 prior to closure of the system by Graham Parry. All images from the scanned negative. All taken at the Grey St crossing loop. .1 - Nos 39 and 34 crossing. .2 - ditto. No. 39 to Lydiard St North, No. 34 to Sebastopol. Both have SEC Roof adverts.tramways, trams, sebastopol, grey st, albert st tram 39

Article 1 "Drainage calls come flooding in" deals with the drainage problems throughout Banyule in the aftermath of the Christmas Day 2011 floods. Article 2 "Library heeds the call of the e-book" discusses some of the digital technology available at Yarra Plenty Regional Library.Newspaper clipping. 2 articles, one with colout image.DV Leader 20/1/2012christmas day 2011, floods, drains, tom melican, yarra plenty regional library, ebooks, digital technology., banyule city council

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. In 1937 he was living at 302 Drummond Steet South, Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed pencil drawing of a plaster cast of a human figure known as the Dancing Faun, a marble sculpture first recorded in 1665, when Albert Rubens listed it as in the collection of the Grand Duke of Tuscany in Florence (probably long owned by the Medici). By 1688 the sculpture was held by the Uffizi in Florence. In September 1800 the sculpture was sent to Palermo along with other treasures to avoid plunder by the French army, but it was returned to the Florence in 1803. By the 18th Century the Dancing Faun gained a reputation as one of the finest ancient sculptures in existence. A faun makes music by simultaneously playing the ‘crotala’ (similar to cymbals) in his hands and the ‘scabellum’ or ‘croupezion’ under his right foot. In Victorian Education Department examinations, this sculpture was sometimes called the "Clapping Faun".Written on the mount board below the drawing "Drawing Human Figure from the Cast. for art Teacher's Certificate 1931 by Albert E. Williams. Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, art teacher's certificate, a.e. williams, alumni, drawing from the cast, drawing from the antique, drawing the himan figure from the cast, dancing faun

This is a book of 188 pages. The cover has colour photographs and printing in red and white. The pages contain printed text, maps and illustrations, and black and white and colour photographsnon-fictionDescription of Western Victorian Coast from Point Lonsdale to South Australian Borderwestern victoria coastline, graham patterson, warrnambool, shipwreck coast

non-fictionAn article about a buggy being moved from the barn to the orcharding shed at the Schwerkolt Cottage & Museum Complex on 11/05/2022buggies, carriages and coaches, schwerkolt cottage & museum complex, graham margaret

Compiled by Gus Weir of the Wellington Tramway Museum, former Wellington tram driver. Comprises some 42 double-sided album sheets for photographs of Melbourne - C, C1, C2 and E class trams. - Scanned into 4 parts as pdf files. Many photos taken in the City area, Some photos by M Hawkins. Part 1 - title sheet, 3001, 3002, 3036, 3003, 3005, 3006, 3008, 3009, 3010, 3013, 3004, 3015, 3015, 3016, 3017, 3020, 3021, 3022, 3023, 3024, 3025, 3026, 3029, 3030, 3032, 3034, 3036. Part 2 - E 6001, 6005, 6002, 6003, 6004, C2 class - 5123, 5113, 5111, 5103, 5106, Yields detailed information about Melbourne , C1, C2 and E class trams.Set of 42 album sheets generally with four photos within a bound album, with many blanks to allow for further photos. Each photo has a label on the rear, with details of the photograph's location, photographer, and date. An insert label on each page gives the tram number, location, and date.tramways, tramcars, albums, melbourne, yarra trams, c class, c1 class, c2 class, e class

Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens. The photograph is of additional aesthetic significance as it was photographed by J. E. Barnes. Josiah Earl Barnes is a nationally significant photographer. He was also the most important photographer to have worked in Kew. He was active as a photographer in the district from c.1906 until his death in 1921. Best known as 'the Embarkation Photographer' (see the Australian War Memorial collection), J. Earl Barnes was also the official photographer employed by the Borough (and later Town, then City) of Kew. He clearly also completed commercial jobs for local businesses, as is the case in this photograph of a house for a local real estate and financial agent.A photograph, mounted on board of a double fronted Federation-era brick villa in Kew, photographed for a local real estate agent and financier by J. E. Barnes of Kew. On the reverse of the photograph is a subdivision plan for the Normanby Estate, East Kew - 2016.0039.1. As can be seen from the image, there is a large tear on the surface of the photograph.The brown card on which the photograph is mounted includes the following handwritten description, which may aid the identification of the house: "Kew, 3 minutes from tram, 8 roomed DF Brick Villa, tile roof including two attics, sleepout, bathroom, heater, E Light, Entrance Hall, double doors, leadlights, laundry, garden, lawns, land 75 x 170, 1975 pounds". Also photographers inscription on mount, lower left: J. E. Barnes / Photo / Phone 1966 Haw. KEW.j. e. barnes, josiah earl barnes, j. earl banes - photographer, architecture - federation style, houses - kew, real estate photographs

Norma PEET (ELDEN) 4th from right bottom standing row. Classes were held in the Methodist Church, Graham Street, while Graham Street Primary School was being renovated.Sepia photograph mounted on brown card. Three rows of Graham Street Primary School, Port Melbourne students standing with the front row seated in front of Methodist Church.Norma Elden Peet, Graham St School held in Methodist Church while school being renovated. 4th from Right Bottom Row. 1921-2. norma elden, norma peet, education - primary schools, graham street primary school, religion - methodist church graham street

Black and white print of a W class tram body on dollies at the Holden Body Builders at Woodville Adelaide. Mr R E Jackman was the MMTB's Superintendent (Engineer) representing the Board in Adelaide for both the Holden contract and the contract with Perry Engineering for bogies or trucks for the W-class tram. Shows the tram basically complete on temporary dollies. See item 5554 for other digital images of the work.Yields information about the construction of new tramcars for the MMTB by HoldensBlack and white print with details on the rear.In red ink "Holdens Motor Body Builders", in black ink "14/3/24", in pencil "roof shows only partly painted" and the stamp of "R E Jackman"tramways, tramcars, w class, holden bodyworks, new tramcars, adelaide, construction

The Young Ladies Journal was first published by E. Harrison. It was issued from 1864 to 1920Framed fashion plate from 'The Young Ladies' Journal'. No.2. 'Robes de la Mon. Gagelin - Fleurs de la Mmme L. Loudre - Passementeries de la Ville de Lyon - Lingeries et Coiffures du Lys de La Vallee - Foulards pour robes de la Malle Les Judes - Modes de Mme Lecoute - Corsets de Lupons de la Mon. Simon - Parfumeries de la Mon. Legrand. London E. Harrison and all Booksellers.young ladies journal, e. harrison, fashion print

When E. Whitehead's New Map of Victoria was released in 1869, an advertisement in the Bendigo Advertiser (16 July 1869) noted that: "This beautifully engraved Map has been revised and brought down to the present time; and, with the Alphabetical Key, is the most complete and the cheapest Map ever published; Price, 6d plain; 1s colored; 2s 6d in case; on linen, post free, 2d extra. E.. WHITEHEAD and CO, Publishers, 67 Collins-street east." The following year, 1870, Whitehead's promoted the edition in the Portland Guardian and Normanby General Advertiser (3 January 1870), advising that: "WHITEHEAD'S NEW MAP OF VICTORIA, 1869 ... is corrected to the latest date, and around is arranged an Alphabetical Key, with Post Towns and Money Order Olffices marked. The Map being divided into squares and numbered, by reference to the Key any place can be found immediately. Price Is beautifully colored, or mounted on linen in case, 2s 6d. Post free, 2d extra, in Victoria. B. Whitehead and C0., Puolishers, 67 Collins-street East, Melbourne". In the same edition of the Portland Advertiser, they also promoted their business generally, saying: "E WHITEHEAD and Co., Stationers, Engravers, Lithographers, 67 Collins street East, execute every description of Lithographic PRINTING, BILL-HEADS. NOTE Headings. Business Dies Engraved and Embossed on Envelopes &c. ARMS, MONOGRAMS, AND CRESTS Engraved and Embossed in Colour, superior to any other house in the Colony. Specimens, post free, 2d. Lithographers, &c, to H.R.H. the Duke of Edinburgh, and Die-inkers and Embossers to His Excellency Sir J. H. T. Manners-Sutton, K C.B. Orders executed for the Trade". Whitehead’s New Map of Victoria 1869 is is an important record of region created towards the end of the Victorian Gold Rush (1851-1869). In addition to its historical significance, this is a rare map, of which the only known copies in Australian public collections are those held at the National Library of Australia, the State Library of Victoria, State Library of New South Wales and the University of Queensland Library.Map of Victoria with gold mining areas, notes on topography, transport routes. Relief shown by hachures. List of towns with distance from Melbourne in map margin. [Melbourne] : Printed & Published by ... E Whitehead & Co ... 67 Collins Street East, 1869 1 map : col., mounted on linen ; 38.4 x 55.4 cm, folded to 18 x 12 cm.Cover "WHITEHEAD'S NEW MAP OF VICTORIA 1869"maps - victoria - 1860s, e whitehead's new map of victoria 1869, whitehead's map of victoria with alphabetical key 1869, cartography, gold rush

Brian was born in Melbourne in 1949. Early life was spent in the stimulating bush environment in Montrose. Ramon Horsefield saw a spark and Brian began to paint in oils at the age of thirteen. He contunued tuition with Graham Moore, in class and at night classes. An Art Diploma at Swinburne was not completed. This did not crush his creative spirit and he resumed tuition with Graham Moore. Within a few years he was winning prizes. Many and varied jobs allowed him to survive whilst aspiring to become a full time painter and bring up his growing family. In 1977 Brian resigned from his last employment as a picture framer. He leased a shop in Main St, Mornington and set up classes. Brian taught painting and had his own studio behind the school. Later he was to move and build his "bushland gothic" home in North Warrandyte. Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. He has won many prizes, was a finalist in the 1992 Moran Portrait prize. The Alice Bale Scholarship which he won, entailed a year traveling and studying in Europe. Brian returned home in 1996. Sharing his skills with many students over the years, he taught privately and at various art societies. His oils, pastels and charcoals capture the light of landscape, portrails and nudes. In 2012 it will be thirty-five years since Brian has had a "real job". At times this has been really difficult. He is now semi retired after suffering from Rheumatoid Arthritis for a decade. Now he paints what he loves to. His portraits capture the very essence of the sitter. In 2009 he remarried and moved back into the bushland of North Warrandyte. 'Duet' by Brian E. Armstrong was donated by the Artist to the Eltham Copper Butterfly Appeal Auction.Oil on canvas painting depicting a 'Duet' scene with two children. One is shown playing the flute whilst the other is playing the piano. The painting is fashioned in sombre colours and muted tones, with alternating tones of violet prominent.Signed- Brian E. Armstrong '87 On label - artist's name: Brian E. Armstrong Address: 844.2925 Title of Painting: Duet Medium: Oil on canvas On Frame: 82 enclosed in circle. 31 1/2. C Enclosed in circlebrian e. armstrong

IT IS ON PERMAMENT LOAN FROM HEPBURN SHIRE CR. ALF. E. KEMPSON WAS MAYOR OF CLUNES BOROUGH COUNCIL FROM 1910-1911. PHOTOGRAPH WAS ORIIGINALLY HUNG IN CLUNES TOWN HALL DURING HIS TERM OF OFFICE.FRAMED PHOTOGRAPH OF CR. A. E. KEMPSONALF. E. KEMPSON MAYOR 1910-11 HORNBY PHOTOS, CLUNESlocal history, photography, photographs, councillors & officers

Newspaper photocopy of an article, undated, titled "Uniquely Melbourne Transports of Delight", written by Graham Reilly about Melbourne tans and travelling on them and some of the passengers that travel, fares, Bourke St. Author's Linked in website accessed 13/8/2018, shows a career with Fairfax Newspapers - The Age. Written mid 1980's? Has a photo of W2 431 leading a procession of trams - route 48 and route 75.trams, tramways, melbourne, trams, passengers, bourke st, tram 431

Mounted black and white photograph of the Carlton Tramway Cricket Club, Premiers 1899-1900 - has 15 men in the photos, most wearing the cricket clothes along with a set of stumps. Mounded on a grey embossed card with the image glued to the card. Each person named along the bottom edge. See Key Associations Image by E. Strawbridge of 129 Park St Parkville.trams, tramways, carlton depot, cable trams, sports, cricket

Black and white photographWritten on back of photograph: "Mayor Cr. E. T. Purser, JP. 1952". Stamp on back reads, "Copyright - Not for reproduction, Herald Sun Feature Service, Melbourne, Australia"

Grave of Beatrice A Chapple (died 14/07/1922) in Plot# G15 Greensborough Cemetery. Grave of David E. Wheeler (died 05/10/1926) in Plot# G14 Greensborough Cemetery. These graves are adjacent. [Caption by Bruce McDowell: Beatrice Alice Chapple was the daughter of William & Susan McDowell (nee Poulter) - Susan Poulter was the daughter of William & Susan Poulter (nee Chapman)]Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photographbeatrice chapple, david e wheeler, greensborough cemetery

This agreement between the Association for the Blind and Emma Irene Parkins lays out the terms and conditions of a fund-raising initiative to be driven by E.I. Parkins, with the aim of selling donor tokens at 20 cents apiece. The agreement is Dated 1st day of July 1967, and Signed by CEO J. W. Wilson and E. I. Parkins. The agreement contains some hand-written annotations in pen. 3 typed pages of legal agreementassociation for the blind, john wilson, emma parkins, fundraising

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a drawing by H. H. E. McDonald depicting a Blandowski's Tern diving for a fishlocal history, photography, blandowski's tern, black & white photograph, wildlife, birds, h h e mcdonald, drawing, john jenner, bryant west

Official opening of Heathmont Infant Welfare Centre, 30th November, 1960. Mrs L McLeod, Mrs E Baxter, Lady Brooks, Mayor Horman (left to right). All material is from Gwen Horman’s three albums that she owned. Some photos have been taken by Peter Payens of Ringwood Studios, 36 Whitehorse Road, Ringwood, WU-7609, probably for the Ringwood mail newspaper.

Catalogue card reads, 'Laying Foundation Stone, Miners Cottage, Ringwood Lake. May 1983. Brian Catterall T.C., Cr. Gotlib (Mayor), E. Pullin, President of Group'.

This document is a receipt detailing the transfer of five documents from the Bank of Australasia Warrnambool to the security of the Solicitor E L Ardile (and W M Ardlie) of Kepler Street Warrnambool. The documents include a Title and are concerned with the bank's customer, W J Bell, deceased. They refer to Jas Bell and Mark Nicholson. The dates mentioned are from 1883 to 1885 and the receipt is dated 10 August 1890. The Bank of Australasia was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The Receipt from E L Ardlie documents names of local families and are of historical significance. The movement of the documents from the Bank of Australasia, to the security of the Solicitor, shows that the bank was relied on for more than just financial services. The document is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Receipt, printed on pale yellow paper, an official form titled Solicitor's Accountable Receipt, with handwritten details. DATE 10th August 1898 FROM E L Ardlie, Solicitor, TO Bank of Australasia Warrnambool FOR CUSTOMER W J Bell decd. DOCUMENTS five (5) on loan, held for security.DATE: "10 August 1898" SOLICITOR: "E L Ardlie" CUSTOMER: "W J Bell, decd." TEXT: "... RECEIVED on loan from the BANK OF AUSTRALASIA ...documents held in security ... " DOCUMENTS: "Certificate of title to W J Bell" " Grant ... Mark Nicholson" "Conveyance .. Mark Nicholson to ... W J and J Bell dated 16th January 1883" " W J and J Bell to Mark Nicholson 17 January 1883 ..." "Conveyance Jas Bell to W J Bell dated 16 March 1885"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, commerce, banking, bank of australasia, david charters mcarthur, e l ardlie, solicitor, convenancer, w j bell, jas bell, mark nicholson, document security

Photographs of trams in Ballarat during 1971 prior to closure of the system by Graham Parry. All images from the scanned negative. .1 - tram 21 at the Mt Pleasant terminus. Tram has the destination of Gardens via Drummond Nth and a Twin Lakes sign. .2 - dittoYields information about the Mt Pleasant line and tram operations in 1971.Set of two Digital image of photographs. trams, tramways, mt pleasant, tram 21

Yields information about the Sebastopol terminus and delivering beer to the HotelSet of six black and white prints and associated negatives of trams in Ballarat during 1971 prior to closure of the system by Graham Parry. All images from the scanned negative. All taken at the Sebastopol tram terminus. .1 - No. 39 at the terminus, soon after arriving. .2 - ditto with a Fosters Lager beer truck alongside. .3 - ditto .4 - end on view of 39 .5 - ditto .6 - ditto looking at the rear of the tram and the other side of Albert St.tramways, trams, sebastopol, royal mail hotel, albert st., tram 39

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of a Bendigo Nos. 26 (Quarry Hill) and 25 (Eaglehawk) at Jobs Gully Loop. The film strip notes (Reg. Item 2560), provided the following caption details: "Bogie cars 26 & 25 meet at Jobs Gully loop about a mile from the terminus. Apr ' 72 (Graham Evans)" See image btm2595p.tif for high level scan of image. Stamped on base of slide "11805" and written in ink on top edge "26 & 25 Jobs Gully Eaglehawk"tramways, trams, are, film strip, jobs gully, eaglehawk, tram 26, tram 25