Showing 445 items
matching embroidered history
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Clunes Museum
Domestic object - APRON
PROTECTIVE CLOTHING WORN BY MEMBERS OF TREMBATH FAMILY.HAND EMBROIDERED CREAM COLOURED CALICO APRON . FINCHES ON NATIVE GRASS, WORN BY BRENDA TREMBATH, DAUGHTER OF MRS. TOM TREMBATH NEE .PERRYlocal history, costume, female working, trembath, perry -
Clunes Museum
Domestic object - D'OILEY, CIRCA 1920
SQUARE LINEN DOYLEY WITH CROCHET EDGING WITH SHAMROCK EMBROIDERED IN ONE CORNERlocal history, handcraft, needlework, trembath, perry -
Clunes Museum
Domestic object - SACHET, CIRCA 1920
WHITE CALICO EMBROIDERED BAG WITH NARROW TAPE DRAWSTRING - BUTTERFLY DESIGNlocal history, handcraft, needlework, trembath, perry -
Clunes Museum
Domestic object - D'OILEY, CIRCA 1920
DOYLEY - LINEN - HAND EMBROIDERED WHITE WORKlocal history, handcraft, needlework, trembath, perry -
Clunes Museum
Domestic object - TEA - COSY - COVER
EMBROIDERED TEA COSY, WHITE & MAUVE EMBROIDERYNILlocal history, domestic item table setting -
Clunes Museum
Functional object - EMBROIDERED DRAWSTRING BAG
WHITE COTTON EMBROIDERED DRAWSTRING BAG. BULLION STEM AND BUTTONHOLE STITCH EMBROIDERY ON MACHINE SEWN BAG WITH CORD DRAWSTRING - SUITABLE TO HOLD A HOT WATER BAG.local history, handcrafts, drawstring bag -
Clunes Museum
Clothing - JABOT
TWO SECTIONS MACHINE EMBROIDERED LACE INSERTION SEWN ON DOUBLE NET TO BE SEWN INTO FRONT NECKLINE OF LADIES FROCKCREAM LACE INSERTION SEWN ON DOUBLE NETlocal history, costume accessories female -
Clunes Museum
Textile - DOYLEY
... local history handcraft needlework WHITE EMBROIDERED SQUARE ...DONATEDWHITE EMBROIDERED SQUARE DOYLEY - FLORAL DESIGN.local history, handcraft, needlework -
Clunes Museum
Domestic object - TABLE CENTRE
WHITE OVAL HAND EMBROIDERED TABLE CENTRElocal history, manchester, table linen -
National Wool Museum
Quilt, Dressed in Memories IV
Winner of "Expressions 2006: The Wool Quilt Prize". Artist statement: 'Dressed in Memories IV is my continued exploration into contemporary quilting by looking back to the history of women, the quilts they made and the memories their work holds. Layered on the wagga of recycled materials is embroidered a dress that my mother made when she was in her teens. This contemporary quilt celebrates women's domestic work through the generations in Australia.'W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' from "Popular Patchwork, April 2002, England. Article 'Quilt winner dressed for success' from "The Weekly Times", January 3, 2007 Article 'Expressions 2006: The Wool Quilt Prize' from "Textile Fibre Forum" no 85, 2007 Catalogue worksheet page 1 Catalogueworksheet page 2Dressed in Memories IVquilting textile art wagga, eastwood, ms michele, quilting, textile art, wagga -
Stawell Historical Society Inc
Clothing - 1920's or 1930's Wedding Dress
Enid lived in Cooper Street Stawell and is buried in Stawell Cemetery.Belonged to Enid (Madge) Huttley. Wedding Dress 1930 hand embroidered. Audio tape Lorna Cleland & Jan Dale family History 1 pair 1920's Black Shoes Black Velvet Jacket 1930's Blue and Polka Dot Wrap -
National Wool Museum
Textile - Quilt, 1921
... . Ozark Missouri USA Textile History Quilt Heritage Front ...Now 100 years old, this quilt belonged to the donor’s grandfather John William Huffstutter. John was Born in 1898 in a log cabin in the Ozark mountains of Missouri, USA. Tragically, John’s mother died when he was four years old. John said that he could always remember her voice calling his name as he hid under the porch in one of the many thunderstorms that frequent the area with his dog. John was raised by his grandmother and was treated as the youngest to her other children, growing up with his aunties and uncles rather than brothers and sisters. John began to study engineering at the State University of Iowa before serving in the US Army Engineer Corps in The Great War. He enlisted when he became eligible and served briefly before the Great War ended. He then returned to his engineering studies in Iowa, and shortly after finishing his studies got his first job with Westinghouse in Pittsburgh at age 23. It was when John was leaving for this job that he was given the quilts as a reminder of home from his grandmother Sarah Jane "Sallie" Tindall Coble, and her daughter (John's Aunt) Ottie Maude Coble Bittick. Widowed at age 78, John took to sleeping in his screen porch under one of these quilts. John remembered one winter in Missouri waking in his log cabin to find snow covering him and his quilt. When he died at age 94, the quilt he used was completely worn out and discarded. This remaining quilt was shipped to Australia, where Carol’s (the donor) immediate family had emigrated in 1970. Opening the box that contained the quilt released a wave of comforting smells, emotions, and a flood of childhood memories. Carol distinctly remembers sleeping under these quilts for afternoon naps at her grandparents' house. The quilt is 74 x 80 inches (1880 x 2030mm), matching the size of a modern-day king bed. It is made of various four-inch (100mm) squares. These squares are made of old men woollen suits in dark colours of browns and greys. The quilt is layered with a wool backing fabric and a batting lawyer of unknown material, possibly cotton or wool. The quilt is tied together with red wool yarn and the backing fabric is folded over the edge to be used as a binding. Embroidered across the front of the quilt in purple wool yarn is "John Huffstutter", "13 Oct 1921". A small, printed cloth label "HUFFSTUTTER" is pinned on the reverse of the quilt. The quilt is well-worn but in good condition considering its age. The care instructions passed down by word of mouth with the quilt were to "never wash, only air".Front embroidered. Purple handstitching: "John Huffstutter / 13 Oct 1921" Reverse. Printed cloth label: "HUFFSTUTTER"ozark, missouri, usa, textile history, quilt heritage -
National Wool Museum
Coat, Lindsay and McKenzie, The Fleece That Would Not Die, 1968
This coat was produced from wool first shorn in c.1928. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the South Australian manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A video giving the history of the coat and a text panel used by Elders were also donated at the same time.Coat, brown wool. Long sleeves, knee length with three circular brown buttons and two external pockets. Lined in brown satin, with a blue and red label at the base of the collar.Wording: Solo;Method: Embroidered;Location: Label at base of collar, inside coat Wording: PURE WOOL;Method: Printed;Location: Label on side seam, inside coatfashion wool - characteristics wool processing textile mills textile mills, lindsay and mckenzie elders limited gordon technical college, royal adelaide show - exhibition (31/08/2001 - 08/09/2001), groves, mr mal groves, mrs, dutchman station, south australia, fashion, wool - characteristics, wool processing, textile mills -
Whitehorse Historical Society Inc.
Uniform - Badge
Embroidered Patch badge for army uniform. Olive green background, rising sun symbol with red/gold crown and banner.The Army Australiamilitary history, army, costume, male uniform, military -
Whitehorse Historical Society Inc.
Domestic object - Cushion Cover, 1940s
Item donated by RWT Rowlands and was sent to wife of a friend serving in 2/7th Battalion A.I.F.Black Velvet Cushion Cover 42 x 31 with coloured embroidered designs of David Tower, Mosque of Oman; a row of five camels, across the bottom, and the words Souvenir of the Holy Land, across the top and around the edges a hem with gold coloured fringe and a white cotton backing.military history, army -
Whitehorse Historical Society Inc.
Badge - Badges, 1942-1944
WW2 items from Alwyn Till donated to Mitcham RSL And now donated to Historical Society.Alwyn Till was born and raised in Mitcham. He was a popular and well respected member of the community especially the Mitcham Anglican church. His father served in WW1 and after Alwyn's death in WW2 his sister and mother venerated his memory by keeping all his effects. The WHS published a history of his service as an airman in 2010..1 cardboard box addressed to Mrs Cook -Mitcham from Dr Lewis, Burwood Rd Auburn.|.2&.3 Navy coloured Warrant Officer cloth badge with British coat of arms|.4 navy blue and white wing badge with ' O'|.5 Navy blue and white wing badge with 'O' with blue wreath embroidered and aluminium backing.|.6 silver coloured Rising Sun ' Sweetheart brooch' with boomerang. Inscribed with Alison. Alwyns' sister.|.7 membership card for Caterpillar Club. F/Sgt. A. Till..|.8 small bronze coloured junior airman badge 'Pelaco Club'.badges (use numismatics), military history, army, containers, commercial, documents, cards, air force, societies, service clubs -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1904 c
Black and white photograph of Emily Margaret Matilda Lee and David Carstairs on their wedding day, she is wearing a dark dress, tight waist, bodice gathered from shoulders to waist and embroidered centre panel, long sleeves with tight cuffs. Fine chain necklace with heart shaped locket, plain unadorned hairstyle. He is wearing a three piece suite, white shirt and dark necktie. Lakes Entrance Victoriaclothing, genealogy -
Bendigo Historical Society Inc.
Domestic Object - PATCHWORK, EMBROIDERY, NEEDLEWORK, CROCHET, LINEN & LACE, Unknown
Embroidered Tea Cosy, Burgundy Fabric With Cream & Black Heraldic Trefoil Design. Green Quilted Inside.domestic equipment, food storage & preservation, tea cosy, https://en.wikipedia.org/wiki/trefoil -
Bendigo Historical Society Inc.
Domestic Object - PATCHWORK, EMBROIDERY, NEEDLEWORK, CROCHET, LINEN & LACE, Unknown
Patchwork Tea Cosy With A Beige & Brown House Design Surounded by Embroidered Garden On Front & Pink Lining.domestic equipment, food storage & preservation, tea cosy -
Bendigo Historical Society Inc.
Ephemera - PETER ELLIS COLLECTION: GOLF CLUB DANCE-A-THON
Dark blue sash with gold printing and light orange fringe - Lockington Golf Club Dance-A-Thon 1977. Sash is double to go over the shoulder. Where it joins near the end is an embroidered patch with a yellow and black waterwheel with a flag and crossed golf clubs in the centre. On the bottom Lockington is embroidered on a brown background.ephemera, mementoes, lockington golf club dance-a-thon 1, peter ellis collection, lockington golf club dance-a-thon 1977 -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: FRANK BOURKE
Black and white photo of a middle aged man playing a piano. He has WRO embroidered on the left side of his waistcoat. Written on the back is: Frank Bourke White Rose Orchestra.photo, individual, frank rourke, peter ellis collection, frank bourke, white rose orchestra -
Bendigo Historical Society Inc.
Clothing - GERMAN HERITAGE SOCIETY COLLECTION: SILK SCARF
Item 19. Cream silk scarf. Material sewn double. One end has an embroidered airman's wings in cream and light blue, In the centre of the wings is a red, white and blue bull's eye and over the bull's eye is a brown kangaroo. Below the bull's eye is a pale yellow boomerang shaped area with 'Fighter 81 Wing' embroidered in it. Underneath it all is embroidered 'Hofu - Japan 1946'. At the other end are some embroidered flowers and leaves. The leaves are pale grey and cream and the flowers are three shades of pink. One pink flower has a cream edge and one flower is cream. The flowers have red centres.bendigo, clubs, bendigo heritage, german heritage society collection - silk scarf, fighter 81 wing, hofu japan -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Ede and Ravenscroft et al, City of Brighton Mayoral Robe, c. 1970
The City of Brighton Mayoral robe features embroidered Coat of Arms on the sleeves, which were granted in 1970 by the British College of Heraldry. It includes two figures, the market gardener heralding back to Brighton’s early history in farming, and an aboriginal man, symbolising the original inhabitants of the area, the Bunurong people of the Kulin Nation. This robe was worn by the City of Brighton Mayor until Brighton’s amalgamation into City of Bayside in 1993.Full length mayoral robe with centre opening. Red wool with light brown fur edging on centre front opening and cuffs. The cuffs are also trimmed with wide bands of black velvet and each shoulder has an embroidered polychromatic roundel featuring the Brighton Coat of Arms. The bottom edge of the robe also has black velvet trim. city of brighton, mayoral robe, robe, ceremonial wear, coat of arms, r.w. bredin & son, ede and ravenscroft, bayside, mayoral regalia -
Bendigo Historical Society Inc.
Textile - Silk food covers
Three square light silk table/food covers with floral flower motifs embroidered in each corner. Main colours are pink, yellow, aqua, purple. Each piece has a slightly different colour combination: the flower pattern is constant in the three cloths. A 5cm border is hemmed along the edges of each cloth. Favaloro collection.silk food covers, favaloro -
Bendigo Historical Society Inc.
Textile - Linen bedspread, 1900s
The embroidered initials may be those of Caterina Lamaro or Caterina Lopez who married Favaloro brothers - hence the change of initials to CF. refer 11408.112a and 112bAn ivory coloured large linen bedspread with an 11cm deep crochet lace scalloped trim and a 9cm wide crochet lace band insert 7cm from bottom edge which expands into a triangular shape 32cms deep in the two corners. The embroidered initials CF are centered above the lace insert and are adorned with floral embroidery.favaloro, crochet lace, embroidery -
Bendigo Historical Society Inc.
Textile - Linen bedspread set, 1900s
The embroidered initials may be those of Caterina Lamaro or Caterina Lopez, who married Favaloro brothers.An ivory coloured large linen bedspread with a border finished at 12cm with .4cm drawn threadwork. There is embroidery in a floral pattern to a depth of 62cm in the corners and Initials in the centre, CL?. Two pillow shams 100x79cm with matching embroidery in cream thread and a border finished at 5cm with drawn threadwork accompany the bedspread. The embroidery on the shams also contains the initials CL?favaloro, embroidery -
Bendigo Historical Society Inc.
Textile - Bedspread
Fine white linen bedspread embroidered at one end, which would fold back over the pillow of a single bed. Top of bedspread has a lace border 10 cm deep on three sides. Embroidery and cut work decorates this fold-back section. Hemmed on remaining sides.linen, bedspread, favaloro collection -
Bendigo Historical Society Inc.
Textile - Bedspread
Textiles. Fine white linen bedspread embroidered at one end, which would fold back over the pillow of a single bed. Elaborate embroidery and cut work decoration The initials CF are embroidered in the centre. Hemmed on all sides. linen, bedspread, favaloro collection -
Bendigo Historical Society Inc.
Domestic object - Tablecloth Bendigo Trefoil Guild
The Merle Bush Trefoil Guild was registered in Bendigo on 18/06/1981.The decision to disband the Merle Bush Trefoil Guild was made at a General Meeting on 17/02/2016. The group agreed to continue as the Merle Bush Friendship Group. The Australian Trefoil Guilds connect women who are either actively involved in Girl Guiding or have a history with Girl Guiding. The purpose of a Trefoil Guild is to keep alive the spirit of the Promise and Law, carry this spirit into the community and to give support Guiding.Dusty Pink Handmade Tablecloth with Blue embroidery. Trefoil Guild insignia in bottom left hand corner Merle Bush embroidered above insignia and Bendigo embroidered below.girl guides, guiding, merle bush, trefoil guild, handmade, tablecloth -
Bendigo Historical Society Inc.
Domestic object - Lingerie Bags
Donor believes works were completed by her great aunt: Lydie, Rosa and Olivia Pollard when sisters were young girls. They were completed in Country Durham England. Works have been passed down through family.Two embroidered laundry bags with scalloped edges one with red flowers and the other with gold flowers. Each has a fold over cover, envelope style with embroidered flowers on a cream background. Scalloped edges are outlined with green and gold stitching with a further row of stitches outlining the pattern of the scalloped edging.P W E embroidered top LH corner Gold Bag- A L 4 embroidered inside top LH corner of red bag late victorian needlework, handmade embroidery, lingerie bag