Captain Robert Ure Bain was Adjutant to Lt. Col. Bush, POW Group Commandant from 1942 - 1947. He was chosen to be one of the Australian Army officers who escorted the German POW's back to Germany in January 1947. A German POW and former member of the Afrika Korps made the item and donated it to Robert.Afrika Korps banners, embroidered, one piece of material. Large hemmed square of white/ cream cotton material embroidered with two unfinished Afrika Korps banners. Line drawn around both, to indicate edge/cutting point/unfinished embroidery point. The photograph show banner 1 which has a palm tree & swastika (emblem of the Afrika Korps). Swastika has been left outlined in pencil but not embroidered, probably so as not to create trouble by displaying the now banned swastika: Banner 2 has red stylised German eagle over the number 8. Also in picture is a model of an aeroplane and a framed coat of arms with Braunschweig (a place in north west Germany otherwise known as Brunswick).Banner 1: Afrika Korps (pink lettering); 1941 (light blue lettering). Banner 2: Zullighau (brown/gold lettering); 4. KOMP / M. G. BATL. (green lettering). (Number 4 company of the Machine Gun Battalion); framed coat of arms "Braunschweig"afrika korps, internment camps, camp 13, garrison, military, handcrafts, embroidery, captain robert bain, german pow's

Canvas embroidery done on canvas with the same stitch through out so as to resemble tapestryCanvas needlework picture. Dog sitting on cushion. Blue background with yellow wound round red border. Backed in red Felt.handcrafts, needlework

Yellow evening dress of chiffon over taffeta fabric. Full length with short sleeves and round neckline. Empire line. Inverted pleats from bodice to hem at centre front reveal a panel insert (33cm), decorated with ribbon embroidery. Large fabric bow attached at bodice at top of inverted pleats. Sleeves decorated with ribbon embroidery 38cm zipper at centre back from neckline.costume, female, yellow evening gown

Framed cream coloured sampler on blue background presented in sections: Section 1: Blue coloured birds Section 2: Alphabet in upper case - Green Section 3: Alphabet in lower case - Blue|Section 4: Numbers 1-0 - Yellow Section 5: Flowers - Yellow, Pink, Blue Section 6: Name of worker and year: Worked by Lorna Vague 1989Worked by Lorna Vague 1989handcrafts, embroidery

From the collection of Bette JonesA square mat with squared scalloped edges worked in cream and brown in hardanger work.nonehandcrafts, embroidery

From the collection of Bette JonesA square mat scalloped at edge worked in cream and grey. Hardanger work.handcrafts, embroidery

Belonged to donorTransfers were a normal part of a woman's sewing equipment from approx 1920's to 1960's for embroidering household and glory box requirements.Booklet containing ten designs of a set theme. Booklets are numbered as per each theme. Book 15 - Nursery Designs Book 11 - Initials, Book 13 - Baby Book, Book 10 - Sprays, Book 7 - Dolly Varden, Book 8 - Scotty DogsTip Top Transfershandcrafts, embroidery

From the estate of Jenny Lang, Pearcedale Road, NunawadingBeige linen cloth has, across the centre, a spray of embroidered stylised flowers in pinks,oranges,mauves and yellows and is surrounded by stylised leaves and dots in browns and greens. The style is needle painting in short and long stitchhandcrafts, embroidery

Given to Pat Richardson by her mother. Used in workplace by her Grandmother in 191017cm diameter linen doyley, crochet edge. Embroidered drawn threadwork in centre with crosses in each cornerhandcrafts, embroidery

Grandmother of donor, Martha Edwards' own work, circa 1910A round lightly scalloped edged mat with crocheted edge featuring hollyhocks in yellow, pink, blue and trellis style fence in brownhandcrafts, embroidery

Given to Pat Richardson by her mother. Used and made by Martha Edwards circa 191022cm diameter linen doyley. Lace trim embroidered around with fruit and leaf designhandcrafts, embroidery

Donor embroidered, but not edging. For her glory box in 1958. Significance of Item - An example of the contents of a glory boxThree piece dressing table set - Main mat scalloped rectangular shape and two mats of scalloped squared shape. All embroidered with red/pink, brown flowers.nonehandcrafts, embroidery

Small sampler with alphabet letter and name of embroider.Victorian Sampler 1874 Ellen Ripper age 12handcrafts, embroidery

White square doyley embroidered motifs in each corner in white cotton, hand embroidered edging.handcrafts, embroidery

Handcrafted by a friend of the Donor, who also smocked baby bottles and little girl's dresses for Georges Department Store, Collins Street, Melbourne.Georges Department Store was a very exclusive and expensive store in Melbourne from the 1880s, and closing in 1995.Book Mark. Embroidered, 16cm x 5cm cream linen Hardanger.handcrafts, embroidery

Handcrafted by a friend of the donor. The friend also made baby clothes and little girls dresses for Georges Department Store, Melbourne from the 1880s until closing in 1995.Cream Linen Book Mark 19cm x 5cm. Embroidered in colours green and brown with the words 'Little Things Mean a Lot'Little Things Mean a Lothandcrafts, embroidery

Originally framed by William Hayward, carver - gilder and picture frame manufacturer 54 Upper Richmond Road, Putney, EnglandFramed needlework sampler - five lines of alphabet and numbers worked in red cross stitch on a light brown material, followed by a verse, then a house, birds, boat, windmill, animals worked below. Cross stitch sampler. (See 'Other Information' for verse).Signed in cross stitch by the embroiderer, Sarah Moats, aged 10, 1836.handcrafts, embroidery

Piece of multi types of needlework mounted on cardboard. Green tapestry background including leaves. Inter woven into this are beads. predominantly white. Main feature is multi coloured flowers heavily raised in carpet like stitch. (Berlin Work)handcrafts, embroidery

Domestic object demonstrating Australian State Floral symbolsA cross stitched wall hanging on a brass hanger. The white cotton background has the Australian native flower emblems in a line down the centre. Firstly the Australian emblem - golden Wattle, then New South Wales - Waratah, Victoria - Common Heath, Northern Territory -Sturt's Desert Rose, West Australia - Kangaroo paw, Queensland - Cooktown Orchid, Tasmania - Blue Gum, West Australia - Sturt Desert pea.embroidery, australian floral emblems

Worked by Miss Lily Sebire about 1900.White tablecloth in Renaissance work, also known as point lace. Braid is stitched onto a calico pattern, then linked by needle and thread in a variety of designs.tablecloths, embroidery

Sampler worked by Beverly Anne in 1988'Contentment is not the fulfilment of what you want but the realization of how much you already have. 1988handcrafts, embroidery

This white, cotton, baby's pinafore with hand crochet work is and example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A white cotton infant's pinafore, with hand crochet work around armholes, and lower edge of garment. Feather stitch embroidery, and pin-tucking on bodice. Waist ties.clothing, crochet work, moorabbin, bentleigh, early settlers, pioneers, market gardeners, dendy special survey, brighton pioneers

This was made by Violet Peterson, grandmother of the donor, during the depression, and kept hung in the wash house at 89 Cruikshank St, to be used only on wash daysViolet Peterson's wash apron made from a bleached hessian (onion or potato) bag and trimmed with blue cross stitch embroidery and pieces of red gingham tableclothdomestic life, peterson, violet, phyllis kelly

The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's white cotton dancing costume dress, with embroidery along neck, sleeves and bottom of dress. Part "A" of a four piece costume. Four in Thessaloniki Association's possession.girl, dancing, costume, dress, βλαχοπούλα, φόρεμα, greek

Silk piece donated by Adele Grey from the collection of the late Jenny Lang. Jenny was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyCream silk square with scalloped edge. Each corner is embroidered with a design of flowers, leaves and butterflies. The scallop edging is embroidery os hand worked with silk thread.costume accessories, female

Veil worn by Margary (Madge) Isabelle Brydon. Was later worn by many (about 15) local ladies who lived in the area of Rushworth. Madge's daughters, Molly and Isobel both wore the veil at their weddings in 1938 and 1945. Donor is granddaughter of bride. Veil made by bride and described in the Waranga Basin newspaper at the time. Margary (Madge) Brydon married Edward (Ward) Sprunt at the bride's family home in Carag Carag, Victoria on 10th April 1912. Veil also worn by Mary (Molly) Leith at her wedding to William (Bill) Paynter on 18 January 1932 at Stanhope Presbyterian ChurchCream 1912 cotton net Princess veil. Lace is handmade tape and cotton embroidery. See Also NA3494 -wedding dress, NA3496 - shawl and photograph NA3498costume, female ceremonial