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Mont De Lancey
Embroidery pattern
Calico embroidery pattern for table runner, intended for Renaissance work, or Point Lace. The blue printed pattern depicts leaves and flowers the whole length of the runner." L.B. Lacet Runner. J.W. with a crown in between the two letters, No. 4322" in top left hand corner of the runner and "Worked with Point Braid No. 261" in the top right hande corner. The same inscriptions are found repeated at the other end of the runner.household textiles., tableware, textileworking patterns -
Flagstaff Hill Maritime Museum and Village
Scarf, 20th century
This scarf was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Scarf, part of the W.R. Angus Collectionl. White fine fabric sewn into rectangle shape with tassels of embroidery thread each end. Attached is a fabric label with blue embroidered text “ANGUS” Blue embroidered text "ANGUS"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, scarf, formal wear accessories -
Tatura Irrigation & Wartime Camps Museum
Banner, Afrika Korps Banner, 1941
Captain Robert Ure Bain was Adjutant to Lt. Col. Bush, POW Group Commandant from 1942 - 1947. He was chosen to be one of the Australian Army officers who escorted the German POW's back to Germany in January 1947. A German POW and former member of the Afrika Korps made the item and donated it to Robert.Afrika Korps banners, embroidered, one piece of material. Large hemmed square of white/ cream cotton material embroidered with two unfinished Afrika Korps banners. Line drawn around both, to indicate edge/cutting point/unfinished embroidery point. The photograph show banner 1 which has a palm tree & swastika (emblem of the Afrika Korps). Swastika has been left outlined in pencil but not embroidered, probably so as not to create trouble by displaying the now banned swastika: Banner 2 has red stylised German eagle over the number 8. Also in picture is a model of an aeroplane and a framed coat of arms with Braunschweig (a place in north west Germany otherwise known as Brunswick).Banner 1: Afrika Korps (pink lettering); 1941 (light blue lettering). Banner 2: Zullighau (brown/gold lettering); 4. KOMP / M. G. BATL. (green lettering). (Number 4 company of the Machine Gun Battalion); framed coat of arms "Braunschweig"afrika korps, internment camps, camp 13, garrison, military, handcrafts, embroidery, captain robert bain, german pow's -
Ukrainian Museum of Australia
embroidered serviette, Mrs Anna O, 2009
Serviette embroidered for a wedding 2009Representative of Ukrainian embroidery from (?) regionwhite linen serviette with red and black cross stitchembroidery, ukrainian cross stitch -
Whitehorse Historical Society Inc.
Decorative object - Sampler, 1989
Framed cream coloured sampler on blue background presented in sections: Section 1: Blue coloured birds Section 2: Alphabet in upper case - Green Section 3: Alphabet in lower case - Blue|Section 4: Numbers 1-0 - Yellow Section 5: Flowers - Yellow, Pink, Blue Section 6: Name of worker and year: Worked by Lorna Vague 1989Worked by Lorna Vague 1989handcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Mat - Hardanger, not known
From the collection of Bette JonesA square mat with squared scalloped edges worked in cream and brown in hardanger work.nonehandcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Hardanger Mat, not known
From the collection of Bette JonesA square mat scalloped at edge worked in cream and grey. Hardanger work.handcrafts, embroidery -
Whitehorse Historical Society Inc.
Leisure object - Transfers, not known
Belonged to donorTransfers were a normal part of a woman's sewing equipment from approx 1920's to 1960's for embroidering household and glory box requirements.Booklet containing ten designs of a set theme. Booklets are numbered as per each theme. Book 15 - Nursery Designs Book 11 - Initials, Book 13 - Baby Book, Book 10 - Sprays, Book 7 - Dolly Varden, Book 8 - Scotty DogsTip Top Transfershandcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Embroidered Panel, circa 1930
From the estate of Jenny Lang, Pearcedale Road, NunawadingBeige linen cloth has, across the centre, a spray of embroidered stylised flowers in pinks,oranges,mauves and yellows and is surrounded by stylised leaves and dots in browns and greens. The style is needle painting in short and long stitchhandcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Doyley, circa 1910
Given to Pat Richardson by her mother. Used in workplace by her Grandmother in 191017cm diameter linen doyley, crochet edge. Embroidered drawn threadwork in centre with crosses in each cornerhandcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Doyley, circa 1910
Grandmother of donor, Martha Edwards' own work, circa 1910A round lightly scalloped edged mat with crocheted edge featuring hollyhocks in yellow, pink, blue and trellis style fence in brownhandcrafts, embroidery -
Whitehorse Historical Society Inc.
Leisure object - Doyley, circa 1910
Given to Pat Richardson by her mother. Used and made by Martha Edwards circa 191022cm diameter linen doyley. Lace trim embroidered around with fruit and leaf designhandcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Dressing Table Set, circa 1958
Donor embroidered, but not edging. For her glory box in 1958. Significance of Item - An example of the contents of a glory boxThree piece dressing table set - Main mat scalloped rectangular shape and two mats of scalloped squared shape. All embroidered with red/pink, brown flowers.nonehandcrafts, embroidery -
Whitehorse Historical Society Inc.
Decorative object - Sampler, 1874
Small sampler with alphabet letter and name of embroider.Victorian Sampler 1874 Ellen Ripper age 12handcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Doyley
White square doyley embroidered motifs in each corner in white cotton, hand embroidered edging.handcrafts, embroidery -
Whitehorse Historical Society Inc.
Memorabilia - Book Mark, 1980s
Handcrafted by a friend of the Donor, who also smocked baby bottles and little girl's dresses for Georges Department Store, Collins Street, Melbourne.Georges Department Store was a very exclusive and expensive store in Melbourne from the 1880s, and closing in 1995.Book Mark. Embroidered, 16cm x 5cm cream linen Hardanger.handcrafts, embroidery -
Whitehorse Historical Society Inc.
Functional object - Book Mark, 1980s
Handcrafted by a friend of the donor. The friend also made baby clothes and little girls dresses for Georges Department Store, Melbourne from the 1880s until closing in 1995.Cream Linen Book Mark 19cm x 5cm. Embroidered in colours green and brown with the words 'Little Things Mean a Lot'Little Things Mean a Lothandcrafts, embroidery -
Whitehorse Historical Society Inc.
Decorative object - Sampler, 1836
Originally framed by William Hayward, carver - gilder and picture frame manufacturer 54 Upper Richmond Road, Putney, EnglandFramed needlework sampler - five lines of alphabet and numbers worked in red cross stitch on a light brown material, followed by a verse, then a house, birds, boat, windmill, animals worked below. Cross stitch sampler. (See 'Other Information' for verse).Signed in cross stitch by the embroiderer, Sarah Moats, aged 10, 1836.handcrafts, embroidery -
Whitehorse Historical Society Inc.
Decorative object - Needlework Piece
Piece of multi types of needlework mounted on cardboard. Green tapestry background including leaves. Inter woven into this are beads. predominantly white. Main feature is multi coloured flowers heavily raised in carpet like stitch. (Berlin Work)handcrafts, embroidery -
Whitehorse Historical Society Inc.
Decorative object - Wall hanging
Domestic object demonstrating Australian State Floral symbolsA cross stitched wall hanging on a brass hanger. The white cotton background has the Australian native flower emblems in a line down the centre. Firstly the Australian emblem - golden Wattle, then New South Wales - Waratah, Victoria - Common Heath, Northern Territory -Sturt's Desert Rose, West Australia - Kangaroo paw, Queensland - Cooktown Orchid, Tasmania - Blue Gum, West Australia - Sturt Desert pea.embroidery, australian floral emblems -
Mont De Lancey
Tablecloth, circa 1900
Worked by Miss Lily Sebire about 1900.White tablecloth in Renaissance work, also known as point lace. Braid is stitched onto a calico pattern, then linked by needle and thread in a variety of designs.tablecloths, embroidery -
Whitehorse Historical Society Inc.
Sampler, 1988
Sampler worked by Beverly Anne in 1988'Contentment is not the fulfilment of what you want but the realization of how much you already have. 1988handcrafts, embroidery -
Clunes Museum
Clothing - CHILDS' DRESS
BABYS' DRESS, TUCKED WITH A PANEL OF EMBROIDERY AT THE FRONT OF SHIRT AND BODICE. EMBROIDERED SLEEVES AND SHIRRED WAIST.CREAM LAWN DRESS. HANDMADE AND EMBROIDERED.local history, costume, dress, swainson family -
Australian Lace Guild - Victorian Branch
Textile - Carrickmacross, 19th Century
Fine muslin appliqued onto machine made net is decorated by hand with needlerun embroidery stitchesCarrickmacross lace collar. -
Bendigo Military Museum
Uniform - GREAT COAT & BERET, ARMY, 1953
Uniform issued to SGT. "McCLAREN M". Reg No. 3/52075 2 FLO REGT R.A.A. 1. Coat - khaki colour wool fabric uniform great coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with button. Back has full length inverted pleat and lower vent with two buttons concealed closure. Buttons are gold coloured plastic with metal shank with raised emblem - crown over cannon carriages artillery. Double half belt with three buttons back at waist. Two front inset pockets with flap. Manufacturers stamp on light brown coloured cotton half lining, sleeves beige colour lining. 2. Beret - black colour wool felt with black colour cotton fabric lining and black colour leather trim. Two white cotton manufacturers labels inside on lining.Manufacturers infrmation. 1. Purple ink stamp "46/^" Black ink stamp "D^D". 2. Crown label - black embroidery "BERET/ Mnfrs/Pty Ltd/ Victoria/Australia. SIZE 7 1/2 " . Side label - black embroidery "REGIMENTAL NO/ NAME" Handwritten black ink "3/52075/SGT McLAREN. M./ 2 FLO REGT. R.A.A." uniform, army, great coat, m. mclaren -
Stawell Historical Society Inc
Memorabilia - Realia, Semco Transfers Frock Sprays, 1930's
NeedleworkBooklet contains sheets of tissue paper Fautley's size , B also iron on transfers. Semco Transfer Frock Sprays BookletSemco Transfer Frock Sprays Folder No.15 Price 3DDistiction and smartness may be added to your frock, jacket or blouse with charming hand embroidery. These transfers are specifically designed for this purpose and can be used on the collar, pockets or anywhere on the garment. If desired additional sheets may be obtained. These designs are equally attractive worked with wool or Semco Embroidery Threads. Semco Art Needlework, Victoriastawell -
Bendigo Historical Society Inc.
Clothing - YELLOW EVENING GOWN, 1900's
Yellow evening dress of chiffon over taffeta fabric. Full length with short sleeves and round neckline. Empire line. Inverted pleats from bodice to hem at centre front reveal a panel insert (33cm), decorated with ribbon embroidery. Large fabric bow attached at bodice at top of inverted pleats. Sleeves decorated with ribbon embroidery 38cm zipper at centre back from neckline.costume, female, yellow evening gown -
Glenelg Shire Council Cultural Collection
Costume - Costume - Nightdress, c. 1930
Belonged to Mrs June Rose (Mother of donor)White cotton nightdress, with pink hand-done embroidery & cuthole work on the bodice and sleeves, and insert of commercially made lace at waistline. Press stud fastening at waist. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, pinafore crochet work, c1900
This white, cotton, baby's pinafore with hand crochet work is and example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A white cotton infant's pinafore, with hand crochet work around armholes, and lower edge of garment. Feather stitch embroidery, and pin-tucking on bodice. Waist ties.clothing, crochet work, moorabbin, bentleigh, early settlers, pioneers, market gardeners, dendy special survey, brighton pioneers -
Port Melbourne Historical & Preservation Society
Clothing - Apron, Violet Peterson, 1930s
This was made by Violet Peterson, grandmother of the donor, during the depression, and kept hung in the wash house at 89 Cruikshank St, to be used only on wash daysViolet Peterson's wash apron made from a bleached hessian (onion or potato) bag and trimmed with blue cross stitch embroidery and pieces of red gingham tableclothdomestic life, peterson, violet, phyllis kelly