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Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, 'Escape - Little Monsters' by Geoffrey Ricardo, 2009
Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Artwork - Printmaking, 'Cotton Wolf' by Geoffrey Ricardo, 2009
Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 2012"geoffrey ricardo, framing required, promised cultural gift -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, Untitled by Geoffrey Ricardo, 2009
Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, 'Thief' by Geoffrey Ricardo, 2009
Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 2012"geoffrey ricardo, framing required, promised cultural gift -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, 'Port Lockroy Refuel' by Geoffrey Ricardo, 2009
Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 2009"geoffrey ricardo, framing required, promised cultural gift -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, 'Port Lockroy Refuel' by Geoffrey Ricardo, 2009
Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 2009"geoffrey ricardo, framing required, promised cultural gift -
Port Melbourne Historical & Preservation Society
Book, Criena Rohan, Down by the Dockside, 1985
Paperback book ''Down by the Dockside', yellow, with etching picture. 256 pages. c 1963, reprint 1985.piers and wharves, war - world war ii, depression, crimes and misdemeanours, criena rohan, barret reid, deirdre cash, lisha flynn -
Federation University Art Collection
Work on paper - Etching, Blizzard, Terry, 'The Flower Vendors' by Terry Blizzard, 1984
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching. If you can assist with information on this artist or artwork please use the comment link below.art, artwork, terry blizzard, printmaking, etching, available -
Glenelg Shire Council Cultural Collection
Artwork, other - Dry Point Etching - Black and white seed pod, Herth Kluge-Pott, 'Shepod', 2009
Dry point etching. Black and white seed pod. Limed wood frame, single window mount.Front: 'Shepod - Pages 2/12 Herthe Kluge-Pott 2009' - pencil -
Glenelg Shire Council Cultural Collection
Artwork, other - Dry Point Etching, 'Facet of a Silent Site', n.d
Dry point etching. Circular, taupe and black foliage. Limed wood frame, single window mount.Front: 'Facet of a Silent Site v/s Herthe Kluge-Pott 2001' - pencil -
Glenelg Shire Council Cultural Collection
Artwork, other - Dry Point Etching - Black and white seed pod, 'Hepod', 2010
Dry point etching. Black and white seed pod. Limed wood frame, single window mount.Front: Hepod' Page 1-12 Herthe Kluge-Pott 2010' - pencil -
Federation University Bookplate Collection
Work on paper - Bookplate, The Secrets of the Silk Road
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Venetian prince set against eastern buildings, seas, gondolas and ships with eastern architecture, symbols and camels. A dragon and elephant in prince's diadem and hair. Library details surrounding sun and moon either side of main figure all in bi-coloured inks.Inscribed beneath image, "The Secrets of the Silk Road" Ex Libris Biblioteca Bodio Lambnago - Etching Natalija 2019 -
Ballarat Clarendon College
Framed etching, Clarendon Presbyterian Ladies College streetscape, c1947
Gift by students to staff member Margo Bentley. Thought to be on the occasion of her marriage to Neil Wellard. Neil and Margo had no children. Item came to sister-in-law Lesley Merle (Carlyon) Wellard (CPLC 1948) who attended CPLC as student but did not know Miss Bentley while at school. Wooden frame with gilt edges enclosing black and white etching; cardboard backing sheet covered in handwritten signaturesArtists signature front bottom corner: Donald H Refshauge Reverse card: Names of studentsclarendon-resbyterian-ladies-college, margo-bentley, lesley-merle-carlyon-wellard, 1947, 1948, boarding, matron, clarendon-resbyterian-ladies-college, margo-bentley, lesley-merle-carlyon-wellard, 1947, 1948, boarding, matron -
Uniting Church Archives - Synod of Victoria
Mezzotint Engraving, The Revd. John Wesley A.M
B & W mezzotint engraving of the Rev. John Wesley, surmounting small etching of Epworth Church. Timber frame.The Revd. John Wesley, A.M. Fellow of Lincoln College Oxford. Born at Epworth in Lincolnshire June 28th 1703 Died in London March 2nd 1791 Epworth Church Drawn by J. Jackson, R.A. July 18th 1825 Published Aug. 1st 1825 by the Rev. Thos. Roberts Bristol. -
Mont De Lancey
Manicure set, Addis
Three piece manicure set including - Nail file, nail cleaner and small hand mirror with bird etching.manicure equipment, nail files, hand mirrors -
Ballarat Clarendon College
Book, Robert Vaughan, Milton's Paradise Lost
Beautiful example of academic book prize gifted by Clarendon Ladies College to Janie Jebb (CLC 1882). Donated to school by her grandson Robert Tunbridge, son of Basil Tunbridge (BC 1916) in 2011. Socially significant because of the value placed on religious education and academic prowess amongst girls in the late 19th century in an Australian country town. Red cloth bound book (rebound) with original detail on front cover. Black and white etchings with tissue interleaves. Book plaque inside front cover: 'CLARENDON LADIES COLLEGE / BALLARAT / 1st Bible PRIZE / AWARDED TO / Janie Jebb / R KENNEDY / PRINCIPAL / 19th December 1882prize, janie-jebb, margaret-jane-jebb, 1882, robert-tunbridge, basil-tunbridge, clarendon-ladies-college -
Glenelg Shire Council Cultural Collection
Artwork, other - Copper Etchings, n.d
5 copper etchings commissioned from Ronald Skate by the State Bank of Victoria. They depict Portland's history and industries. -
Glenelg Shire Council Cultural Collection
Artwork, other - Dry Point Etching - Circular, olive green and black foliage, Herthe Kluge-Pott, n.d
Dry point etching. Circular, olive green and black foliage. Limed wood frame, single window mount.Front: 'Facet of a site v/s Herthe Kluge-Pott 2001' - pencil -
Nillumbik Historical Society Incorporated
Book - Hardcover book, Mrs Henry Clarke, A Lad of Devon
Deep red board cover with an etching of a boy and his dog in black and green on the cover and blank back - 128 pagesfiction -
Federation University Art Collection
Artwork - Bookplate, 'John Gartner Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland. (http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white Bookplate made with the etching process featuring a nude woman in a spherical frame. The figure 08 appears on the sphere.Signed lower centre [illegible]keith wingrove memorial trust, bookplate, australian bookplate design awards, john gartner, printmaking - etching, nude, life drawing -
Mont De Lancey
Egg Cruet, 1922
Silver Wedding gift to Mr. and Mrs. W.J. Sebire, from their daughter.2 Silver Egg cruets with handle and decorative etching on tray and eggcups. 8 cups, 8 spoons and 2 trays. -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Rutherglen RSL Sub-Branch
Memorabilia - Memorial Mounted Medal
WW2 1939-45Round mounted medallion in round trayShire of Rutherglen/In Appreciation/J.K. Creet/1939-45 Reverse side: For God King and Country/etching of King George.appreciation medallion from shire of rutherglen to j.k. creet. -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jack, Kenneth, "Chinese Joss House, Bendigo" By Kenneth Jack, 1961-2
Framed soft ground etching with aquatint depicting the Joss House in Bendigo. Donated through the Australian Gifts Programme by Katherine Littlewood.chinese, bendigo joss house, kenneth jack, printmaking, bendigo, joss house -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Brendan Michael Cooper, 2016
Brendan Michael COOPER (13/5/1968 - ) Born Papua New Guinea Arrived Australia 1974. Bachelor of Visual Arts (Fine Arts) with distinction in 2016 Established printmaker and sculptor predominantly concerned with the urban and natural environment, who works with conceptual art and sacred geometry. 2018 completed an honours in Fine Arts with distinction at RMIT, and started a Masters Fine Arts at RMIT in 2019. Three limited edition prints Aluminum etching over eucalyptus transfer on 350 gsm archival Wild Letter Printing Paper brendan cooper, artwork, printmaking -
Bendigo Military Museum
Souvenir - TRENCH ART, c WW1
Brass mug shaped vessel with decorative etching. possibly trench art made from some other decorative brass item.souvenir, ww1, trench art -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: MULLERS ORPHANAGES
Etching of a group of large buildings laid out in roughly the shape of the letter ' Y ' . Underneath is printed ' Mullers Orphanages, Ashley Down.buildings, government, orphanage, mullers orphanages, ashley down -
Clunes Museum
Photograph, CIRCA 1880
AN ETCHING OF VERY EARLY CLUNES. TREE GUARDS AROUND TREES ALONG CREEK BANK, ORIGINAL NAMED TULLAROOP CREEK.CLUNES TOWNSHIP, CRESWICK CREEK, DOUBLE STORY BUILDINGS AND MINE POPPET HEADS.TOWN OF CLUNESlocal history, photography, photographs, clunes township. -
Bendigo Military Museum
Book - BOOK, BIOGRAPHY of an official war artist, Scribe Publications Pty Ltd, "Will Dyson - Australia's Radical Genius", 2006
Biography of war artist Will DysonSoft Cover book. Soft cover cardboard, red and black print on front, spine and back. Front cover illustration. Black ink cartoon style portrait of a man, Back cover - small cartoon style etching of two men. 448 pages, cut plain, white. Illustrated black and white and colour photographs, etchings and cartoons.Biography of war artist Will Dysonbooks, biography, war artist, cartoons -
Federation University Art Collection
Work on paper - Printmaking, 'Bonfire' by Geoffrey Ricardo, 1992
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VICFramed etching with aquatint depicting a silhouette of man in front of a bonfire. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.LowerLHS 'State AP' Lower RHS 'Ricardo'geoffrey ricardo, bonfire, printmaking, available